MOTU V4HD User Manual page 116

23
example
Playback 37, 38
29.97 fps Timecode option
audio from Final Cut Pro
53
clock source
Clock Source menu
62
Final Cut Pro
43, 50, 54
frame rate
96
LED
only mode 37, 38
clock source
42, 43
settings
signal path diagram
supported video formats
53
tab
Timecode Offset options
97
Please use computer
Power supply 8
Premiere Pro
37
audio
47
Preview Format option
Preview tab 52
66
Print to Video
7, 11
Programmable meters
77, 99
option
ProRes 13, 19
49, 59
ProRes 422
Pull-down
47
cadence
conversion summary
47
explained
47
insertion
42, 47
menu
removal 47
Q
Quick reference
MOTU Audio Setup
MOTU Video Setup
R
RATE LEDs 7, 97
REF in Bi-level/Tri-level options
Reference monitor
23
connecting
Refresh A/V Devices 66
90
Regenerate
17
Registration
47
Reverse pull-down
RGB 22, 51, 98
96
LEDs
RS-422
8, 28
connector
setup in Final Cut Pro
49, 102
sync option
S
S/MUX 8, 26, 99
11, 73, 99
Sample rate
192kHz operation
7
LEDs
Sample rate conversion 25, 26, 31, 75, 99
Sample Rate Convert menu
116
Save Hardware Preset
Save/Name Preset
54
SD
66
14:9 letterbox format
anamorphic format
53 bi-level sync
camcorder
component
component connectors
Component Output Color Mode
53
composite
42, 53
deinterlacing
67, 107 destinations
disabled
54
down conversion
full screen format
letterbox format
monitor
Out LED
output format
pull-down insertion/removal
signal path
supported formats
uncompressed
up conversion
video deck
VITC timecode dest option
VITC timecode source option
47 SDI
audio enable/disable
audio metering
BNC cable specs
connectors
HD-SDI example
Input menu
Output Timecode Format menu
SDI/HDMI Output menu
11
SD-SDI example
9
Timecode Output Format menu
SD-SDI
audio enable/disable
audio metering
53
BNC cable specs
connectors
example
LED
time code destination option
Selected Input option
Setup tab 48, 51
Share surfaces with other applications
SIGNAL LEDs
Signal path diagram
HDMI output source (SD or HD)
66
Single Field option
SMPTE
clock source setting
Console
overview
73
source setting
sync
time code display
11, 75, 99
83
101
44
45
53
23
21, 22
8
22, 51, 98
settings
23
54
42, 43, 46
46, 106
63, 94
45
44
23
96
42, 43, 46, 49
47
42, 43, 53
67, 107
67, 107
45, 98
23
50
49
11
7
22
8, 22
23
75, 99
49
75, 99
23
102
11
7
22
8, 22
23
96
50, 102
53
85
7, 96
42, 53
51, 98
54
74
87
87
89
87
7
87-90
SMPTE Setup
installing 33
22
SMPTE/EBU N10
Soft option (Broadcast Legalizer)
100
Solo
light 82
Sony
8, 28
9-pin connector
9-pin setup in Final Cut Pro
9-pin sync option 49, 102
22, 49
Beta Japan option
22, 49
Beta option
Source
LEDs 7
Speakers
26
connecting
25, 26, 31, 75, 99
SRC
Standalone
37, 39, 93
mode
96
LED
95
operation
STATUS button 7, 96
81
Stereo button
89
Stop Freewheel
90
Stripe button
S-video
8, 21
connectors
23
examples
96
LED
Sync CueMix audio with video output op-
11, 76, 77, 99
tion
Synchronization
29, 30
digital audio
phase lock 29
53
playback clock source
25, 26, 31, 75,
sample rate conversion
99
video 8, 27
System preferences
11, 74
sound input/output
System requirements
minimum 17
recommended computer
T
TACH
88
light (SMPTE Console)
Talkback
79, 83
button
explained 82
83, 85
menu
106
Technical support
Termination
video ref 8, 27
Thru
8, 27
video ref
word clock 8, 27, 28
Time code
54
29.97 drop/non-drop
50, 102
Destination menu
display (front panel) 7
Drop-frame 54
66
Final Cut Pro settings
I N D E X
51, 98
66
17