Yamaha DSP5D Editor Owner's Manual

Pm5dv2 / dsp5d editor owner's manual

Hide thumbs Also See for DSP5D Editor:

Owner's manual (409 pages)

Installation manual (14 pages)

Brochure & specs (14 pages)

Table of Contents

Quick Links

Download this manual See also: Owner's Manual, User Manual

PM5DV2/DSP5D Editor

❏ Special Notices

• The software and this owner's manual are the exclusive copyrights of Yamaha Corporation.

• Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the

written consent of the manufacturer.

• Copying of the commercially available music sequence data and/or digital audio ﬁles is strictly prohibited except for your per-

sonal use.

• Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held

responsible for the results of the use of this manual and the software.

• The screen displays as illustrated in this owner's manual are for instructional purposes, and may appear somewhat different

from the screens which appear on your computer.

• Future upgrades of application and system software and any changes in speciﬁcations and functions will be announced separately.

• Windows is a registered trademark of Microsoft Corporation in the U.S. and other countries.

• Apple, Mac and Macintosh are trademarks of Apple Inc., registered in the U.S. and other countries.

• The company names and product names in this Owner's Manual are the trademarks or registered trademarks of their respec-

tive companies.

Yamaha Pro Audio Global Site

http://www.yamahaproaudio.com/

Contents

Getting Started .................................................. 2

INPUT CH window ............................................. 8

ST IN window ................................................... 11

FX RTN window................................................ 13

MIX window ..................................................... 15

MATRIX window .............................................. 17

STEREO window ............................................... 19

DCA window .................................................... 21

Selected Channel window ............................... 22

If an input channel is selected ....................... 22

If a MIX channel is selected ........................... 31

If a MATRIX channel is selected ..................... 36

If a STEREO A/B channel is selected ............... 37

Patch Editor window........................................ 40

Surround Editor window.................................. 45

GEQ window .................................................... 47

Effect Editor window........................................ 50

DCA/Mute Group window............................... 54

Scene window .................................................. 57

Library window ................................................ 66

Term

Studio Manager

PM5D Editor

Description of menus and buttons

In the event that menu and button names on a Windows system are different from those on a Mac, this manual uses the

Windows menu and button names followed by the Mac menu and button names in parentheses.

Owner's Manual

refers to Studio Manager V2

refers to PM5DV2 Editor

This editor works with PM5DV2. Make sure that the console's ﬁrmware has been updated to V2.

Meter window .................................................. 68

Timecode Counter window.............................. 69

Sync window .................................................... 69

Preference window .......................................... 70

User Defined Keys Setup window.................... 72

Fader Mode Assign window............................. 73

Output Port Att window .................................. 73

Word Clock window......................................... 74

Oscillator window ............................................ 77

Cue/Solo window............................................. 79

Port Trim window ............................................ 82

Keyboard Shortcuts.......................................... 83

Index................................................................. 84

* Speciﬁcations and descriptions in this owner 's manual are

for information purposes only. Yamaha Corp. reserves the

right to change or modify products or speciﬁcations at any

time without prior notice. Since speciﬁcations, equipment

or options may not be the same in every locale, please

check with your Yamaha dealer.

Deﬁnition

PM5DV2/DSP5D Editor Owner's Manual

Table of Contents

Summary of Contents for Yamaha DSP5D Editor

Page 1: Table Of Contents
• The software and this owner’s manual are the exclusive copyrights of Yamaha Corporation. • Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer.
Page 2: Getting Started
Getting Started What is PM5D/DSP5D Editor? PM5D Editor and DSP5D Editor allow you to remotely control the parameters of the PM5D or DSP5D, and save the parameters on your computer. PM5D/DSP5 Editor are used by starting them up from within Studio Manager. To use PM5D/DSP5D Editor, you must perform the following steps.
Page 3: Mixer Setup
Pan Nominal Position: Select whether the signal will be at nominal level when panned to the center (Cen- ter) or when panned all the way to left or right (L<-->R). You can make separate settings for monaural channels and paired channels.
Page 4 This speciﬁes the connection ports for external HA (AD8HR) units connected via the slots. External HA units are assigned an ID of 1–8 (1–4 on the DSP5D), and here you can select the ports to which each will be connected.
Page 5: Working With Sessions
Choose [Save Session As...] from the [File] menu. When you save a session in the window of an editor, the settings of only that editor will be saved in a ﬁle. Session ﬁles saved by PM5D/DSP5D Editor have a ﬁlename extension of “.YSE”. Files in which only the PM5D itself data is saved (ﬁlename extension “.PM5”) can also be handled, allowing you to use a memory card to exchange data with the...
Page 6 The Ch Copy/Ch Paste function copies or pastes the channel that is selected by the [SELECT] button (or [SEL] key.) Copy can also be executed by using the keyboard’s <Ctrl> ( ) key + <C> key. Paste can also be executed by using the keyboard’s <Ctrl>...
Page 7: Other Functions
Move the cursor to a control or a parameter value, then hold down the <Ctrl> ( ) key and click the mouse but- ton to reset the value to the default (e.g., to reset an Input Channel fader to –∞ dB, or reset a pan setting to Cen- ter).
Page 8: Input Ch Window
INPUT CH window This window displays the parameters of input channels 1–24 or 25–48. The window shows either the channel 1–24 layer or the channel 25–48 layer. To open the other layer’s window, choose the [Windows] menu command [INPUT CH] and choose “CH1-24” or “CH25-48.”...
Page 9 Switches the EQ on/off. The graph immediately below the button shows the approxi- mate response of the EQ. You can drag within the graph to edit the response of the EQ. To reset the EQ to ﬂat response, hold down the <Ctrl> key ( key) of your computer keyboard and click the graph.
Page 10 For example if the CH1-24 layer is displayed, and you switch the pairing mode from Horizontal to Vertical, the channel name indications that had been arranged in the order of channels 1, 2, 3 ... 24, 25 will change to the order of 1, 3, 5 ... 45, 47. Fader Adjusts the input level of the input channel.
Page 11: St In Window
ST IN window In this window you can view and edit the parameters of ST IN channels 1–4. You can use the [View] menu to choose the parameters that will be displayed in the window. Input patch Selects the input source that will be assigned to the ST IN channel. The input sources that can be assigned are the same as for an input channel (➥...
Page 12 EQ (Equalizer) Switches the EQ on/off. The graph immediately below the button shows the approxi- mate response of the EQ. You can drag the graph to edit the response of the EQ, or hold down the <Ctrl> key ( key) of your computer keyboard and click the graph to reset it to a ﬂat response.
Page 13: Fx Rtn Window
FX RTN window In this window you can view and edit the parameters of FX RTN channels 1–4. You can use the [View] menu to choose the parameters that will be displayed in the window. Input patch Selects the input source that will be assigned to the FX RTN channel. The input sources that can be assigned are the same as for an input channel (➥...
Page 14 Switches the FX RTN channel on/off. This is linked with the FX RTN channel strip CH [ON] keys on the PM5D panel. Channel name This is a text box that displays the channel name. You can also edit the channel name in this text box. Fader Adjusts the input level of the FX RTN channel.
Page 15: Mix Window
MIX window In this window you can view and edit the parameters of MIX channels 1–24. You can use the [View] menu to choose the parameters that will be displayed in the window. EQ (Equalizer) Switches the EQ on/off. The graph immediately below the button shows the approxi- mate response of the EQ.
Page 16 You can turn this on/off by clicking the number at left. NOTE TO ST (To STEREO) This is an on/off switch for the signal sent from the MIX channel to the STEREO bus. Sets the panning of the signal sent from the MIX channel to the STEREO bus. VARI/FIXED Indicates the type (VARI or FIXED) of the currently selected MIX bus.
Page 17: Matrix Window
MATRIX window In this window you can view and edit the parameters of MATRIX channels 1–8. You can use the [View] menu to choose the parameters that will be displayed in the window. PM5DV2/DSP5D Editor Owner’s Manual...
Page 18 EQ (Equalizer) Switches the EQ on/off. The graph immediately below the button shows the approxi- mate response of the EQ. You can drag the graph to edit the response of the EQ, or hold down the <Ctrl> key ( key) of your computer keyboard and click the graph to reset it to a ﬂat response.
Page 19: Stereo Window
STEREO window In this window you can view and edit the parameters of the STEREO A/B channels. You can use the [View] menu to choose the parameters that will be displayed in the window. PM5DV2/DSP5D Editor Owner’s Manual...
Page 20 EQ (Equalizer) Switches the EQ on/off. The graph immediately below the button shows the approxi- mate response of the EQ. You can drag the graph to edit the response of the EQ, or hold down the <Ctrl> key ( key) of your computer keyboard and click the graph to reset it to a ﬂat response.
Page 21: Dca Window
–∞. When the fader is at nominal level, the N character at the right of the fader is displayed in green. If a DCA group is set to Recall Safe, the R character at the lower right of the fader is dis- played in orange.
Page 22: Selected Channel Window
FX RTN channels 1–4) or output channel (MIX channels 1–24, MATRIX channels 1–8, STEREO A/B channels). The type of parameters that can be edited in this window will depend on the type of the currently selected channel. The parameters of the Selected Channel window are explained below, in the order of input channels (input channels 1–48, ST IN channels 1–4, FX RTN channels 1–4), MIX channels, MATRIX channels, and STEREO A/B channels.
Page 23 HPF (High Pass Filter) Use the HPF button at the right to switch the high-pass ﬁlter on/off. You can use the knob at left to adjust the cut- off frequency. The current setting is shown in the numerical box above the knob.
Page 24 (low pass ﬁlter). The ON/OFF button located immediately below switches the ﬁlter on/off. If you’ve selected BPF, use the two knobs at right to adjust the band pass frequency and Q. If you’ve selected HPF or LPF, use the knob at left to adjust the cutoff frequency.
Page 25: Compressor Graph
Speciﬁes the ratio at which the input signal will be compressed when the key-in signal exceeds the threshold. KNEE/WIDTH If the TYPE is COMP or EXPANDER, you can set the KNEE. The KNEE is the abruptness with which the output level will change. You can choose from HARD and 1–5.
Page 26 Selects the compressor link group (1–8) to which that channel belongs. KEY IN Selects the signal that will be used as the key-in signal. The types of signal that can be selected are the same as for the gate key-in signal (➥ p.24).
Page 27 HIGH. (LOW shelving) If this button is on, the LOW EQ will be switched to a shelving type (the Q knob of the LOW EQ will disappear). (HIGH shelving) If this button is on, the HIGH EQ will be switched to a shelving type (the Q knob of the HIGH EQ will disap- pear).
Page 28 TIME (Delay time) Adjusts the delay time for each channel. ON (On/off) Switches the delay on/off. The current value (ms units) is shown in the box at the right. GANG If this button is on, the delay time of two adjacent odd-numbered/even-numbered channels will be linked while maintaining the current offset value.
Page 29 Fader Adjusts the input level of the input channel. This is linked with the INPUT channel strip faders on the PM5D panel. The current value is shown in the numerical box immediately below. A level meter is shown beside the fader.
Page 30 This selects PRE EQ or PRE FADER as the point from which the signal is sent when the PRE button ( ) is set to PRE. If the PRE button is set to POST, you can select either POST ON or POST TO ST as the signal send loca- NOTE tion individually for each MIX bus ( ➥ p.35).
Page 31: If A Mix Channel Is Selected
❏ COMPRESSOR Except for the fact that the COMP LINK GROUP is A–H, and that the types of signal that can be selected for key- in are different, this is the same as for the compressor of an input channel (➥ p.25).
Page 32 HPF (High Pass Filter) If this button is on, the LOW EQ will function as a high pass ﬁlter EQ. The Q knob of the LOW EQ will disappear, and the GAIN knob will act as the high pass ﬁlter on/off switch.
Page 33 TYPE I/TYPE II (EQ type) Selects either TYPE I (an algorithm equivalent to the EQ in the earlier 02R series) or TYPE II (a newly developed algorithm) as the EQ type. EQ LINK GROUP Selects the EQ link group (A–F) to which that channel belongs.
Page 34 TO ST PAN (To stereo pan) Sets the panning of the signal sent from the MIX channel to the STEREO bus. Turns LCR mode on/off for each channel. If this is turned on for a channel, you can use the TO ST PAN ( ) knob to simultaneously control the level of the signal sent to the STEREO bus L/R channels and CENTER channel.
Page 35 MIX [ON] key). CH to MIX POST POINT Here you can select either POST ON or POST TO ST as the Post position that will be sent from all input channels to the currently selected MIX bus. PM5DV2/DSP5D Editor Owner’s Manual...
Page 36: If A Matrix Channel Is Selected
❏ COMPRESSOR Except for the fact that the COMP LINK GROUP is A–H, and that the types of signal that can be selected for key- in are different, this is the same as for the compressor of an input channel (➥ p.25).
Page 37: If A Stereo A/B Channel Is Selected
If a STEREO A/B channel is selected ❏ CHANNEL SELECT (Channel selection) Except for the fact that your editing applies to a STEREO A/B channel, this is the same as the channel selection for an input channel (➥ p.22). PM5DV2/DSP5D Editor Owner’s Manual...
Page 38 ❏ COMPRESSOR Except for the fact that the COMP LINK GROUP is A–H, and that the types of signal that can be selected for key- in are different, this is the same as for the compressor of an input channel (➥ p.25).
Page 39 POINT (Send point) Selects the point from which the signal is sent from the STEREO A/B channel to the MATRIX bus. You can choose PRE FADER (immediately before the fader), POST FADER (immediately after the fader), or POST ON (immedi- ately after the STEREO [ON] key).
Page 40: Patch Editor Window
INPUT PATCH page Here you can select the input port that is assigned to the input of each input channel. Except for the fact that you can resize the window, the basic operation is the same as in the PM5D’s INPUT PATCH screen.
Page 41 Here you can assign input/output ports to the insert-in/out of each input channel. Select the output port in the left side of the screen, and the input port in the right side of the screen. Except for the fact that you can resize the win- dow, the basic operation is the same as in the PM5D’s INPUT INSERT PATCH screen.
Page 42 Here you can assign input/output ports to the insert-in/out of each output channel. Select the output port in the left side of the screen, and the input port in the right side of the screen. Except for the fact that you can resize the win- dow, the basic operation is the same as in the PM5D’s OUTPUT INSERT PATCH screen.
Page 43 Here you can view and edit the input patch and output patch settings. Input patch, output patch, and channel name data that was written to a CSV ﬁle by the PM5D itself can also be loaded into this page. Conversely, the settings in this page can be written to a CSV ﬁle that can be loaded into the PM5D.
Page 44: Input Port
Input channel number Input channel name This is the number and name of the input channel. You can click the channel name box to edit the name in this page. Input port This shows the input port assigned to the input channel. You can click this box and choose the input port from the popup menu that appears.
Page 45: Surround Editor Window
This area displays the name and number of the two channels selected for operations (two adjacent odd-num- bered/even-numbered input channels, a ST IN channel, or an FX RTN channel). To switch channels, use the SELECT button or the / buttons at left and right. You can also edit the channel name in the text box. PAIR Indicates the pair status of the two selected channels.
Page 46: Pan Position
LFE (Low Frequency Effect) Use the LFE knob to adjust the level of the signal sent from the input channel to the subwoofer LFE bus, over a range of –∞ to 0 dB. The ON/OFF button is an on/off switch for sending to the MIX bus assigned to the LFE channel.
Page 47: Geq Window
GEQ window In this window you can select the insertion destination of GEQ modules 1–20, and edit the parameters. The number of GEQ modules will depend on the “Number of Effects” setting speciﬁed in the Mixer Setup window. MODULE (Module selection) Selects the GEQ module that you want to edit or view.
Page 48 The range and direction of adjustment controlled by the faders can be selected from the following: ±15 dB, ±12 dB, ±6 dB (these are valid in both the boost and cut directions), or –24 dB (valid only in the cut direction).
Page 49 HPF (High Pass Filter) button If this button is on, band 1 or 5 will change to a high-pass ﬁlter. The Q knob for 1 or 5 will disappear, and the GAIN knob will operate as a switch that turns the high-pass ﬁlter on/off.
Page 50: Effect Editor Window
Indicates the title of the effect selected for internal effect 1–8. EFFECT TYPE Indicates the currently selected effect type. You can also switch the effect type from this window. To do so, click the text box, and select the desired effect type from the popup menu that appears.
Page 51: Input Patch
Indicates the level of the signal being input to the internal effect. Input patch Click the L CHANNEL or R CHANNEL area, and choose one of the following as the signal route that will be patched to the L/R input channels of the internal effect.
Page 52: Output Meter
Indicates the level of the signal being output from the internal effect. Output patch Click the L CHANNEL or R CHANNEL area, and choose one of the following as the signal route that will be patched to the L/R output channels of the internal effect.
Page 53 If the MIDI CLK button is on, the TEMPO parameter value will synchronize to the MIDI timing clock being received from the MIDI port. PLAY/REC (Play/Record) buttons If “042 FREEZE” is selected as the effect type, you can use these buttons to record and play back the signal being input to the effect. PM5DV2/DSP5D Editor Owner’s Manual...
Page 54: Dca/Mute Group Window
DCA/Mute Group window In this window you can select the channels that will be assigned to each DCA group and mute group. This window is divided into two pages; the DCA GROUP ASSIGN page and the MUTE GROUP ASSIGN page.
Page 55 MUTE GROUP ASSIGN page Here you can specify the channels that will be assigned to mute groups 1–8. The upper part of the screen lets you assign input channels to mute groups, and the lower part of the screen lets you assign output channels to mute groups.
Page 56: Mute Group
These buttons clear all input channels and output channels assigned to the corresponding mute group. When you click one of these buttons a window will appear, asking you to conﬁrm the operation. To execute the Clear opera- tion, click the OK button.
Page 57: Scene Window
Here you can edit the PM5D/DSP5D’s scene memories. You can also load scene library ﬁles from a memory card or from a drive of your computer, and edit them. In this case, you can re-save all scenes to a ﬁle after editing, recall just a desired scene, or copy a desired scene to the scene memory of the PM5D/DSP5D itself.
Page 58 This area lists the scenes in the ﬁle you opened using the OPEN button ( ). The list includes the following items. To view items that are not currently shown, scroll the list to the right. The boundary lines in the center of HINT the window can be dragged toward the right to expand the ﬁle list display area as shown below.
Page 59: Delay Time
This function is found only in PM5D Editor. Speciﬁes the polarity (high-active/low-active) and transmission method (tally/trigger) of the signal that is sent from GPI OUT ports 1–12 when the scene is recalled. You can also click these columns to edit the setting. You can choose from the following settings.
Page 60 INTERNAL DATA This area shows the PM5D/DSP5D’s scene memory contents. The items displayed are the same as in the FILE list ( As desired, you can copy single or multiple scenes between the FILE list and the INTERNAL DATA list, and copy or move them to a different location within a list.
Page 61 Recalls the settings of the scene selected in the list. CLEAR Clears the scene(s) selected in the list. (The title of the cleared scene(s) will be reset to [ No Data! ].) UNDO Cancels the last-performed scene recall, store, copy, or move operation.
Page 62 This column indicates the recall condition speciﬁed for each event. This shows an hour:minute:second:frame value for scenes that will be recalled at a speciﬁc time code, a value in seconds for scenes that are recalled after a speciﬁed time has elapsed after the preceding event was executed, or [MANUAL] for scenes that are recalled man- ually.
Page 63 Here you can make settings for the Selective Recall function, which allows you to exclude speciﬁc parameters/chan- nels of each scene from recall operations, or conversely to recall only speciﬁc parameters/channels. Display and operations within this page are the same as in the SELECTIVE RECALL screen of the PM5D itself. RECALL SAFE page Here you can make settings for the Recall Safe function that excludes only speciﬁc channels from recall operations of...
Page 64 Switches the Fade function for input channel pan (balance) parameters between enabled and disabled. If this but- ton is on, you can use the two buttons located at the right to select the input channels to which this setting will apply.
Page 65: Channel Settings
SET ALL This button lets you enable all Fade function settings with one click. This can be operated independently for all input channels and DCA groups, or for all output channels. CLEAR ALL This button lets you disable all Fade function settings with one click. This can be operated independently for all input channels and DCA groups, or for all output channels.
Page 66: Library Window
Here you can edit the PM5D/DSP5D’s various libraries. You can also load library ﬁles that were saved on a drive of your computer, edit the order or title of library items, recall the desired library data, or copy desired library data to a library within the PM5D/DSP5D.
Page 67 If the PREFERENCE screen LINKED LIBRARY PROTECTION is also protecting the library (INPUT PATCH/ OUTPUT PATCH/HA) that is linked to a protected scene, a lock icon is shown in this ﬁeld. The lock icon is not shown for other libraries.
Page 68: Meter Window
CLEAR Clears the data item(s) selected in the list. (The title of the cleared item(s) will be reset to [ No Data! ].) UNDO Cancels the last-performed library store, copy, or move operation. Meter window Here you can view the signal levels within the PM5D/DSP5D, or the amount of gain reduction produced by the internal compressors and gates.
Page 69: Timecode Counter Window
EVENT LIST screen. • The DSP5D does not have this function. NOTE • In order for the Timecode Counter window to display the time code that the PM5D itself is receiving/ generating, PM5D Editor and the PM5D must be synchronized. Sync window Synchronization between the PM5D/DSP5D itself and PM5D/DSP5D Editor can be switched on/off in this window.
Page 70: Preference Window
• LINKED LIBRARY PROTECTION If this button is on, it will not be possible to overwrite or delete a library that is linked to a protected scene. This option lets you prevent the contents of a protected scene from being affected by editing a library.
Page 71: Software Version
When the send position to the MIX bus is PRE FADER, this speciﬁes whether the DCA [MUTE] keys will mute the send to the MIX bus. If you specify “POST ONLY,” the PRE FADER signal will not be muted. If you specify “PRE &...
Page 72: User Defined Keys Setup Window
DSP5D Editor does not have a corresponding window. When you click the button for the desired user-deﬁned key, an editing screen will appear, allowing you to assign a function. However unlike operations on the PM5D itself, you won’t be able to execute the assigned function.
Page 73: Fader Mode Assign Window
Fader Mode Assign window In this window of the editor you can freely assign functions to the faders just as in the PM5D’s FADER ASSIGN screen. Choose [Windows] → [Utility] → [Fader Mode Assign] to access this window. However unlike the FADER ASSIGN screen on the PM5D itself, you won’t be able to execute the assigned function.
Page 74: Word Clock Window
MASTER CLOCK SELECT This selects the master clock that will be used; either the internal clock or an external clock received via a connec- tor or slot. This setting will determine the sampling rate at which the DSP5D will operate. You can select the fol- lowing items.
Page 75 (44.1/48 kHz) will be combined and transmitted/received as a high sampling rate mono signal. (The number of usable channels will be halved.) • FREQUENCY (sampling rate) This indicates the sampling rate of the signal being input to the channels of the digital I/O card, in units of two channels. • SRC (sampling rate converter) These buttons switch the sampling rate converter on/off in units of two channels.
Page 76 This indicates the number of bits for which dithering will be applied to the input signal, in units of two chan- nels. When you click this with the mouse, a popup will appear, allowing you to select either OFF, 16 bit, 20 bit or 24 bit.
Page 77: Oscillator Window
Specify the following items according to your choice in • LEVEL This knob adjusts the output level of the oscillator. The range is –96 dB to 0 dB. The output level is shown by the level meter located beside. • FREQ (frequency) Here you can specify the frequency of the sine wave that is output by the oscillator.
Page 78 • HPF (high pass ﬁlter) / LPF (low pass ﬁlter) Here you can make settings for the HPF/LPF that will process the pink noise or burst noise. The upper knob sets the cutoff frequency (20 Hz–20 kHz), and the lower button turns it on/off.
Page 79: Cue/Solo Window
• SOLO mode (SOLO ON/OFF button is on) If you solo an input, the Solo function will be enabled, and only the signal of the channel whose [CUE] key is pressed will be sent to the MIX, MATRIX, and STEREO A/B buses; the other channels will be muted. If you solo an output, only that channel will be on.
Page 80 AFL (after fader listen)... Immediately after the fader POST PAN....... Immediately after pan If you select PFL, you can also use the knob located at the left to adjust the output level in a range of –20 dB to +10 dB.
Page 81: Level Meter
Level meter This is a peak level meter that indicates the level of the signal being output from the CUE OUT jacks. As the point at which the level is detected, you can choose either immediately before the delay provided on the MONITOR/ CUE bus output (when the PRE DELAY button is on), or immediately after it (when the POST DELAY button is on).
Page 82: Port Trim Window
If you need to make ﬁne adjustments to the gain, hold down the left mouse button on the dB area of the desired port, and move the cursor up/down;...
Page 83: Keyboard Shortcuts
Closes the active window Ctrl+W Closes all windows Ctrl+Alt+W +Option+W Opens the Sync window Ctrl+1 Opens the INPUT CH (CH1-24) window Ctrl+2 Opens the INPUT CH (CH25-48) window Ctrl+Alt+2 +Option+2 Opens the Selected Channel window Ctrl+3 Opens the Library window...
Page 84: Index
......67 Fade ..........64 ........56 Mute group ....64 ALL INPUT CHANNEL ..64 Fade function enable/disable MUTE GROUP ASSIGN page ..55 FADE TIME page ......64 ......56 MUTE MASTER ..73 Fader Mode Assign window ....56 MUTE SAFE ON/OFF ......
Page 85 M/S DECODE ..... 36 MATRIX channel MIX channel ......31 ...... 35 MIX to MATRIX ..... 29 , 34 , 37 , 38 Pan / Fader STEREO A/B channel ....37 ....39 STEREO to MATRIX Selective recall ........ 58 ...

This manual is also suitable for:

Pm5dv2 editor

Yamaha DSP5D Editor Owner's Manual

Quick Links

Related Manuals for Yamaha DSP5D Editor

Summary of Contents for Yamaha DSP5D Editor

This manual is also suitable for:

Table of Contents