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Chapter 11. List of functions
Chorus Depth (Chorus Depth)
Setting : 0-127
("Adjusting the Chorus/Reverb depth for the Tones
of an individual Part" p.25)
Reverb Depth (Reverb Depth)
Setting : 0-127
("Adjusting the Chorus/Reverb depth for the Tones
of an individual Part" p.25)
MIDI- and pitch-related settings ([7]:
MIDI/TUNE)
Receive Channel setting (Rx Channel)
Setting : 1-16, OFF
("Receive Channel" p.45)
Transposition amount — Key Shift (Key Shift)
Setting : -24~+24
("When to use transposition (Transpose and Key
Shift)" p.27)
Scale Tune on/off (Scale Tune)
Setting : ON, OFF
("Changing
from equal temperament
to Pure
Temperament or an Arabic scale" p.32, "Turning
Scale Tune on/off" p.33)
Keyboard-related settings ([8]: KEYBOARD)
Keyboard Velocity Sensitivity (Velo Sens)
Setting : 0-127
("Adjusting how your keyboard playing dynamics
affect the volume (Velocity Sensitivity)" p.26)
Solo on/off (Solo Switch)
Setting : ON, OFF
("Playing single-note lines (Solo)" p.26)
Portamento Time (Porta Time)
Setting : OFF, 1-127
("Creating smooth pitch changes between notes
(Portamento Time)" p.26)
Control-related settings ([9]: CONTROL)
Pitch Bend Range (Bend Range)
Setting : 0-+24
('Raising and lowering the pitch in real time (Bend
Range)" p.28)
Voice Reserve (Voice Resv)
Setting : 0-28
("Preventing notes of an important Part from being
cut off (Voice Reserve)" p.56)
Selecting the sound played by the keyboard (Tone
Type)
Setting : TONE, DRUM1, DRUM2
("Selecting a Drum Set" p.18)
Parameters set by the front panel
buttons
Keyboard Mode, Arpeggio, and Transpose settings
(on/off) that you make using the front panel buttons
can be saved as part of a Performance. The following
parameters can be saved.
KEYBOARD MODE
Setting : SINGLE, DUAL, X-DUAL, SPLIT
("Playing two Tones from the keyboard (Keyboard
Mode)" p.19)
ARPEGGIO
Arpeggio on/off
Setting : ON, OFF
("Turning a chord into an arpeggio" p.21)
PALETTE SELECT
Setting : ON, OFF
("Changing the arpeggiator pattern while you play"
p.24)
TRANSPOSE
Setting : ON, OFF
("Turning Transpose on/off" p.27)
61
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