Roland XP-30 Owner's Manual
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Roland XP-30 Owner's Manual

64 voice expandable synthesizer
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OWNER'S MANUAL
Thank you, and congratulations on your choice of the Roland XP-30 64 Voice Expandable
Synthesizer.
Before using this unit, carefully read the sections entitled: "IMPORTANT SAFETY
INSTRUCTIONS" (p. 2), "USING THE UNIT SAFELY" (p. 3), and "IMPORTANT
NOTES" (p. 5). These sections provide important information concerning the proper
operation of the unit. Additionally, in order to feel assured that you have gained a good
grasp of every feature provided by your new unit, Owner's manual should be read in
its entirety. The manual should be saved and kept on hand as a convenient reference.
* Apple is a registered trademark of Apple Computer, Inc.
* Macintosh is a registered trademark of Apple Computer, Inc.
* IBM is a registered trademark of International Business Machines Corporation.
* IBM PC is a registered trademark of International Business Machines Corporation.
* SmartMedia is a trademark of Toshiba Corporation.
Copyright © 1999 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the
written permission of ROLAND CORPORATION.

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  • Page 1 OWNER’S MANUAL Thank you, and congratulations on your choice of the Roland XP-30 64 Voice Expandable Synthesizer. Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These sections provide important information concerning the proper operation of the unit.

  • Page 2: Important Safety Instructions

    CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION : RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
  • Page 3 17, 21.) • When using the unit with a rack or stand recom- mended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to...

  • Page 4: Using The Unit Safely

    USING THE UNIT SAFELY 102b • Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit. • Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

  • Page 5: Important Notes

    However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data. Memory Backup •...

  • Page 6: Advanced Use

    Appendices This chapter contains a troubleshooting section for use when the XP-30 is not functioning as expected. There is also a list of error messages that you can refer to if an error message appears on the display. A list of parameters and MIDI implementation chart are also provided.

  • Page 7: Table Of Contents

    Sound Palette ... 36 Play Arpeggios (Arpeggiator) ... 36 Play Percussion Sounds from the Keyboard ... 38 Advanced Use ... 39 Chapter 1. Overview of the XP-30...40 XP-30 Configuration... 40 Basic Configuration... 40 Classification of XP-30 Sound Types... 40 Number of Simultaneous Voices ... 42 Basic Operation...
  • Page 8 Playing Fatter and Richer Sounds by Combining Patches (Layer)... 52 Splitting the Keyboard to Play Separate Patches in Different Sections (Split)... 52 Playing Along with a Song Playback (XP-30 Used as a Multitimbral Sound Source) ... 53 Assigning a Different Patch to a Part ... 54 Using the Sliders to Modify the Sound in Realtime (Sound Palette Function)...
  • Page 9 Changing the Volume and Stereo Location of a Rhythm Tone (TVA)... 92 Multi-Effects Types (EFX Parameter) ... 93 XP-30 Operating Environment Setup (System Parameters and Their Functions) ... 108 Display Screen Contrast and Clock Settings (SETUP)... 108 Arpeggio Settings (ARPEGGIO)... 108 Keyboard and Controllers Settings (CONTROL)...
  • Page 10 Using External MIDI Devices ... 132 Using the XP-30 to Control External MIDI Devices... 132 Playing the XP-30’s Sound Source from an External MIDI Device ... 132 Selecting XP-30 Sounds from an External MIDI Device... 132 Enjoying Desktop Music ... 134 Connecting to Your Computer...

  • Page 11: Main Features

    (p. 36, 50, 54). Computer Interface Connector A special computer cable makes it easy for you to connect the XP-30 to your computer, so that you can enjoy ensemble playing (p. 134).

  • Page 12: Front And Rear Panel

    (C1/C2/C3/C4). p. 34 KEY EFFECTS Section The buttons in this section allow you to assign various functions to the keys of the XP-30’s keyboard. [PORTAMENTO] Switches Portamento on/off. p. 35, 50 [SOLO] Specifies playing a single note at a time.
  • Page 13 [EDIT] Press this button when you wish to adjust various settings. Use the function buttons to select the display screen for the parameter you wish to modify. Function Buttons The function of these buttons will depend on the operational mode and the status of the [EDIT] indicator. [1–8/9–16] Use this button to select the group (1–8/9–16) of Parts to be selected by the function buttons.

  • Page 14: Midi Connectors (In, Out, Thru)

    Front and Rear Panel Rear Panel Power Switch Press to turn the power on/off. p. 26 AC Inlet Connect the AC power cable (included) to this inlet. * With units rated for 117V operation, the AC cable is already connected to the unit. fig.0-02a MEMORY CARD Slot An optional memory card (SmartMedia) can be inserted here.

  • Page 15: Quick Start

    Quick Start...

  • Page 16: Getting Ready

    Installing the Wave Expansion Board Up to two Wave Expansion Boards (SR-JV80 series; sold separately) can be installed in EXP-D and E Slots in the XP-30. Wave Expansion Boards contain Wave data, as well as Patches and Rhythm Sets that use this Wave data, which can be called directly into the temporary area and played.
  • Page 17 Before installing the Wave Expansion Board, turn off the power of the XP-30 and all connected devices, and disconnect all cables from the XP-30. Turn the XP-30 on its back, and remove only the screws shown in the following diagram. fig.Q-02a.e Inside, there are two connectors and six board holders.
  • Page 18 Getting Ready Use the Installation Tool supplied with the Wave Expansion Board to turn the holders in the LOCK direction, so the board will be fastened in place. fig.Q-02c.e Installation tool Use the screws that you removed in step 2 to fasten the cover back in place.
  • Page 19 Press [EXP D] or [EXP E], and verify that you can select patches from Wave Expansion Boards D or E. [EXP D] or [EXP E] indicator will light, and the following display will appear. fig.Q-04 Getting Ready The example here depicts what you would see if the SR-JV80-13 “Vocal Collection”...

  • Page 20: Installation De La Carte D'extension Wave (French Language For Canadian Safety Standard)

    (French language for Canadian Safety Standard) Vous pouvez installer jusqu’à 2 cartes d’extension Wave (en option dans la série SR-JV80) dans les créneaux EXP-D et E du XP-30. Les cartes d’exten- sion Wave contiennent des données Wave, aussi bien que des morceaux musicaux et des ensembles rythmiques utilisant ces données, auxquelles on...
  • Page 21 Éteindre le XP-30 et tous les appareils qui y sont reliés et débrancher tous les câbles du XP-30. Retournez le XP-30 et enlevez seulement les vis indiquées sur la figure. fig.Q-02a.f À l’intérieur, il y a 2 connecteurs et 6 supports à carte. Insérer les connecteurs de la carte d’extension Wave dans les...
  • Page 22 Reposez le couvercle en remettant les vis enlevées (comme spécifié) à l’étape 2. L’installation de la carte d’extension Wave est terminée. Rabranchez les câbles. Mettez le XP-30 sous tension en procédant comme indiqué dans “Turning On the Power” Appuyer sur [PATCH] pour accéder à la page PATCH PLAY.
  • Page 23 Appuyer sur [EXP D] ou [EXP E] et vérifier si vous pouvez sélectionner les morceaux musicaux des cartes d’extension Wave D ou E. L’indicateur [EXP D] ou [EXP E] s’allumera et l’affichage suivant apparaîtra. fig.Q-04 Getting Ready Ceci est un exemple d’affichage lorsque la carte d’extension Wave SR-JV80- 13 “Vocal Collection”...

  • Page 24: Making Connections

    Getting Ready Making Connections The XP-30 does not contain an amp or speakers. In order to hear sound, you will need to connect it to a keyboard amp, audio system, or headphones. Refer to the following diagram and connect the XP-30 to the external equipment you are using.
  • Page 25 Connect supplied AC power cable to the XP-30, and plug the other end into an AC power outlet. Connect audio cables and MIDI cables as shown in the diagram. If you are using headphones, plug them into the PHONES jack. Connect pedal switches or expression pedals as necessary.

  • Page 26: Turning On The Power

    Before you turn the power on, check to make sure that: • All external devices are correctly connected to the XP-30. • The volume controls of the XP-30 and the amp/mixer system are turned down all the way. Turn on the power switch located on the rear panel of the XP- fig.Q-06...

  • Page 27: Reset To Default Factory Settings (Factory Reset)

    Reset to Default Factory Settings (Factory Reset) Before using XP-30 for the first time, reset it to its default factory settings using Factory Reset. Different settings may result in unexpected effects. fig.Q-08 Press [UTIL/CARD] to make the indicator blink. The UTIL 1 display will appear.

  • Page 28: Listening To The Demo Song

    Listening to the Demo Song The XP-30 contains 9 demo songs and you use Demo Play to play it. It’s the easiest introduction to the XP-30’s exceptional sounds and effects. Demo Song Composer/Copyright TRANSFERENCE Scott Tibbs © 1999 Roland Corporation CHANTERELLE Scott Tibbs ©...

  • Page 29: Profile Of The Composer

    Scott Wilkie is a contemporary jazz recording artist, based in southern California. He tours frequently with his own band, and also appears as an artist for Roland in the U.S., Japan, Europe and South America. His debut solo album, Boundless, was released worldwide in 1999 on Narada/Virgin Records. You can find him on-line at www.scottwilkie.com.

  • Page 30: Playing The Sounds

    Playing the Sounds Selecting Patches and Playing the Sounds The XP-30 contains a large number of sounds ready for you to play. The sounds that you select and play on the XP-30 are generally called Patches. Here’s how to select and play Patches.

  • Page 31: Selecting Wave Expansion Patches

    Selecting Wave Expansion Patches The XP-30 contains the patches of the following popular Wave Expansion Boards: • SR-JV80-09 “Session” • SR-JV80-02 “Orchestral” • SR-JV80-11 “Techno Collection” Here’s how to select and play these patches. fig.Q-16 Press [PATCH] to make the indicator light.

  • Page 32: Selecting Patches By Category (Patch Search Function)

    Playing the Sounds Selecting Patches by Category (Patch Search Function) The JV-2080 provides a Patch Search Function that allows you to quickly find Patches of the specified type (Category). The 38 categories are organized into 10 groups. Here’s an example of how to find organ-type Patches. fig.Q-18 Press [PATCH] to make the indicator light.

  • Page 33: Auditioning The Patches (Phrase Preview)

    The Patch Search function will be turned off, and the normal PATCH PLAY display will reappear. Auditioning the Patches (Phrase Preview) The XP-30 allows you to preview Patches by hearing a phrase appropriate for each type of Patch. fig.Q-21 1 2,3 Press [PATCH] to make the indicator light.

  • Page 34: Try Out Performance Functions

    Playing the Sounds Try Out Performance Functions The XP-30 provides various controllers that can modify the sound. While playing patches, try out these controllers and listen to effects they can produce. Velocity/Aftertouch The force with which you play the keyboard (velocity) can affect the volume or timbre of the sound.

  • Page 35: Hold Pedal

    Hold Pedal If an optional pedal switch is connected to the rear panel HOLD PEDAL jack, pressing the pedal switch will sustain (hold) the sound even if the keys are released. Expression Pedal If an optional expression pedal is connected to any of the rear panel CONTROL PEDAL jack, you can use the pedal to control the volume or timbre of sound.

  • Page 36: Sound Palette

    Play Arpeggios (Arpeggiator) You can play a broken chord (arpeggio) automatically, by simply pressing a chord. For example, if you press a C major chord, the XP-30 plays an arpeggio such as C fig.Q-27 2,4,5,7 Press [PATCH] to make the indicator light.
  • Page 37 Play a chord. XP-30 will play an arpeggio, according to the notes forming the chord you have just voiced. Continue holding down [ARPEGGIO], and the ARP SELECT display will appear. fig.Q-28 In this page you can change the Style, Accent Rate, Octave Range and Tempo of the arpeggio.

  • Page 38: Play Percussion Sounds From The Keyboard

    Playing the Sounds Play Percussion Sounds from the Keyboard The XP-30’s Rhythm Sets contain a wide variety of percussion sounds and special effects. Here’s how to select a Rhythm Set and play percussion sounds. fig.Q-29 Press [RHYTHM] to make the indicator light.

  • Page 39: Advanced Use

    Advanced Use...

  • Page 40: Chapter 1. Overview Of The Xp-30

    XP-30 sounds are made up of the following types: Tones In the XP-30, the Tone is the smallest class of sound. Each Tone consists of one sound. But when you play the XP-30 you will mostly play a Patch, which is made up of several Tones.

  • Page 41: Rhythm Sets

    One Performance allows a single XP-30 to control up to 16 instrument sounds. Because the XP-30 sound source can control multiple sounds (instruments) it is called a “multitimbral sound source.”...

  • Page 42: Number Of Simultaneous Voices

    In this mode, you can play an individual Patch from the keyboard or modify Patch settings. If you’re using an external MIDI device to control the XP-30 in this mode, it will function as a single-patch sound source. Performance Mode This mode makes the XP-30 function as a multitimbral sound source, and Performance settings can be modified.

  • Page 43: System Mode

    GM Mode This special mode makes the XP-30 function as a GM compatible sound source. You should select this mode when you want to play back a GM score (music files created for GM sound source). To set GM mode, hold down [SHIFT] and press [PERFORM].

  • Page 44: About The Cursor Buttons

    * For information on what the function buttons do in GM mode, please see “Chapter 5. Using the XP-30 as the GM Sound Module” (p. 124). About the Cursor Buttons The cursor buttons are used to move between display pages or to move the cursor.

  • Page 45: Modifying A Value

    [INC]. If you press [INC] or [DEC] while holding down [SHIFT], the value increments will get bigger. Chapter 1. Overview of the XP-30 [0]–[9] (Numeric Keys) [0]–[9] (Numeric Keys) lets you directly specify a numerical value. When you enter the number, the value will blink. This indicates that the value has not yet been finalized.

  • Page 46: Assigning A Name

    Chapter 1. Overview of the XP-30 Assigning a Name The XP-30 lets you assign names to Patches, Performances, and Rhythm Sets. The procedure is the same for any type of data. To assign a name, use [ ] to move the cursor to the location where you wish to input a character.

  • Page 47: Chapter 2. Playing

    Patches are what you normally play during a performance. Select a Patch before playing. Selecting a Patch The 768 patches of the XP-30 are organized into six groups of 128 patches: User, and Preset A–E. In addition, the patches of three popular Wave Expansion Boards (“Session,”...
  • Page 48 [ENTER] once again. Selecting Patches by Category (Patch Search Function) The XP-30 provides a Patch Search function which allows you to specify a type (category) of Patch so that you can quickly find the desired Patch. There are a total of 38 categories.

  • Page 49: Using Phrase Preview To Play Patches

    Split and Layer Chapter 2. Playing Using Phrase Preview to Play Patches The XP-30 allows you to preview Patches by hearing a phrase appropriate for each type of Patch. 1. Select a Patch (p. 47). 2. Press and hold [PHRASE PREVIEW].

  • Page 50: Making A Patch Sound Thick Or Thin (Turning A Tone On/Off)

    WAVE/WAVE). If you want just one or two Tones to sound in a Patch, turn the others off and store that setting on a Patch. This cuts nonessential use of the XP-30’s simultaneous voices. 1. Make sure that the PATCH PLAY display is showing.

  • Page 51: Playing In Performance Mode

    The Key Mode parameter determines how the XP-30 keyboard will play the internal sound source. It has no effect on how the XP-30 sound source is played from the built-in sequencer or an external MIDI device. * You can toggle between SINGLE and LAYER directly from the PERFORM PLAY display by pressing [SOLO] while holding down [SHIFT].

  • Page 52: Playing Fatter And Richer Sounds By Combining Patches (Layer)

    Chapter 2. Playing Playing Fatter and Richer Sounds by Combining Patches (Layer) If a Layer Performance is selected, you can play all Parts with the Local parameter ON. Combining the Parts will produce, thicker, fatter sounds. fig.2-08.e Part 1 Part 2 Local parameters 1.

  • Page 53: Playing Along With A Song Playback (Xp-30 Used As A Multitimbral Sound Source)

    Playing Along with a Song Playback (XP-30 Used as a Multitimbral Sound Source) When a Single Performance is selected, the XP-30’s keyboard will play only the Part you selected from the keyboard, convenient when you play the keyboard along with a song playback.

  • Page 54: Assigning A Different Patch To A Part

    Parts with Local parameter (PERFORM/MIDI/MIDI) set 1. Make sure that the PERFORM PLAY display is showing. 2. Press [FILTER/ENV] to light its indicator. 3. Move the sliders while you play the XP-30’s keyboard to vary the sound. To change brightness, move the CUTOFF slider.

  • Page 55: Playing In Rhythm Set Mode

    General MIDI System intended to standardize MIDI specifications among different equipment makers or models. The XP-30 offers two GM Rhythm Sets that are not user- rewritable. But you can call up GM Rhythm Set settings into the temporary area, modify them, and then store them in user memory.

  • Page 56: Playing Percussion Instruments

    B2 key. Similarly, push [+OCT] once then press the C#6 or D6 key to play the percussive instrument sound assigned to the C#7 or D7 key. (On the XP-30, the leftmost white key is C2, and rightmost white key is C7.) For details, refer to “Transposing the Keyboard in Octave...

  • Page 57: Playing An Arpeggio Over A Preset Keyboard Area

    Playing in Reggae Style KBD COMPING E Playing Percussion Instruments PERCUSSION * There are also other styles besides the above, including those used for random play and for creating your own styles. For details regarding each style, refer to “Arpeggio Settings (ARPEGGIO)”...

  • Page 58: Holding An Arpeggio

    External MIDI Device The XP-30 can also produce arpeggios with incoming Note messages from an external MIDI device. 1. Connect the XP-30’s MIDI IN connector and the MIDI OUT connector of an external MIDI device with a MIDI cable. 2. Press [PERFORM] to call up the PERFORM PLAY display.

  • Page 59: Convenient Functions For Performance

    C4 key, the C5 note will sound. fig.2-21 * There is only one Octave Shift setting in the XP-30 so it remain valid even if you select a different Patch, Performance or Rhythm Set or turn power off.

  • Page 60: Transposing The Keyboard In Semitone Steps (Transpose)

    If “Stuck” Notes Occur or a Note Does Not Sound (Panic) If a note played on the XP-30 or from an external device “locks” or keeps sounding and you can’t shut it off, hit the Panic button. Do the same if a note does not sound.

  • Page 61: Chapter 3. Creating Your Own Sounds

    Chapter 3. Creating Your Own Sounds Regarding Effects The XP-30 contains three independent effects units. Multi-Effects (EFX) The Multi-Effects offers 40 different effects ranging from single effects such as distortion and delay to powerful combination effects. The Multi-Effects also includes chorus and reverb effects which are independent of the Chorus and Reverb outlined below.

  • Page 62: Turning Effects On/Off

    Turning Effects On/Off Built-in effects units (Multi-Effects, Chorus and Reverb) can be turned on/off for the XP-30 as a whole. Turn them off if you want to edit sound while listening to the original sound or if you want to use external effects units.
  • Page 63 1. Press [PATCH] to access the PATCH PLAY display, and select the Patch whose settings you wish to modify (p. 47). 2. Press [EDIT] to make the indicator light. 3. Use the function buttons to select the display group. The button indicator of the selected display group will blink. fig.3-05 4.
  • Page 64 So if you try to create a sound which is totally different from the original waveform, the results may not be what you want. XP-30 waveforms are divided into: One-Shot: These waveforms contain sounds that have short decays.

  • Page 65: Editing A Performance

    Editing a Performance Start with an existing Performance and edit it to create a new Performance. But before you do, try to envision what the entire Performance will sound like and decide which Patch to assign to each of 16 Parts. 1.

  • Page 66: Editing A Rhythm Set

    Chapter 3. Creating Your Own Sounds Modifying the Patch Assigned to a Part When using Patches in Performance mode, some settings such as effects settings will be affected by Performance settings. If you wish to edit a Patch while hearing how it will sound in the Performance, use this procedure: 1.

  • Page 67: Keeping Edited Sound

    (optional: SR-JV80 Series) Up to four Wave Expansion Boards can be installed in EXP- D, E Slots in the XP-30. Wave Expansion Boards contain Wave data, as well as Patches and Rhythm Sets that use this Wave data, which can be called directly into the temporary...

  • Page 68: Storing A Sound You Modify Into User Memory

    2. Press [ENTER] once again and the selected Patch will be overwritten. fig.3-22 * Internal Write Protect is automatically turned ON when the XP-30’s power is turned on. Functions of Patch Parameters fig.3-05 Settings Common to the Entire Patch (COMMON) On this display you can assign a name to a Patch and set the volume and pan of the entire Patch.

  • Page 69: Stretched Tuning

    “predictable randomness” occurring in natural sounds that the human ear finds pleasing, such as soft breezes or gentle brooks. The XP-30 is able to modulate the pitch and volume of sounds by this ratio to create the warmth characteristic of early analog synthesizers.
  • Page 70 * If you have used Octave Shift (System) or the Transpose parameter (SYSTEM/CONTROL/KEYBOARD) to transpose the pitch of the XP-30’s keyboard, the keyboard area specified by Key Range will also be shifted. STRUCT (Structure) Type (Structure Type) The Structure parameter determines how Tones 1 and 2 (and 3 and 4) are connected.

  • Page 71: Setting Effects For A Patch (Effects)

    The display will graphically indicate the selected Structure. The symbols displayed have the following meanings. W1 (WG1), W2 (WG2), F1 (TVF1), F2 (TVF2), A1 (TVA1), A2 (TVA2), B (booster), R (ring modulator) * If you select a Tone while in the Structure display, the Tone that is paired with the selected Tone will also be selected.
  • Page 72 Chapter 3. Creating Your Own Sounds PATCH EFX OUT (Patch EFX Output) These parameters specify the output for the Tone for which EFX was selected in Output Assign. * For Tones which have an Output Assign setting of MIX, the settings of this display will be ignored.

  • Page 73: Using Controllers To Change How Sounds Are Played (Control)

    PATCH REVERB These parameters control the Reverb effect of the Patch. Type (Reverb/Delay Type) Select the type of Reverb effect. ROOM1: dense reverb with short decay ROOM2: sparse reverb with short decay STAGE1: reverb with greater late reverberation STAGE2: reverb with strong early reflections HALL1: reverb with clear reverberance HALL2:...

  • Page 74: Peak & Hold

    * In general, Volume messages control the volume, Pan messages control the stereo location, and Pitch Bend messages control the pitch of. However the XP-30 allows you to use these MIDI messages to control other parameters that you specify. Thus, if you are using a message to control another (i.e., a non-standard)

  • Page 75: Control Source

    EfxCtrl (EFX Control Peak/Hold) Specify how Hold messages will affect the parameters you specify in the PATCH EFX CTRL display (PATCH/ EFFECTS). OFF: Parameter values will not be held even if Hold messages are received. HOLD: Parameter values will be held when Hold messages are received.

  • Page 76: Modifying Waveform (Wave)

    CLOCK-SYNC: Synchronize the Delay Time to either the Patch Tempo (PATCH/COMMON/PATCH CLOCK), the Performance Tempo (PERFORM/COMMON/PERFORM CLOCK), or the tempo clock of the XP-30’s system. If you want to use a fixed tempo in Patch mode (Tempo parameter setting), set the Source parameter (PATCH/COMMON/ PATCH CLOCK) to PATCH and set the desired tempo.
  • Page 77 KEY-OFF-N: The Tone will not sound while the key is being pressed, but will sound after the Delay Time when the key is released. fig.3-34.e Delay Time press key release key KEY-OFF-D: The Tone will not sound while the key is being pressed, but will sound after the Delay Time when the key is released.

  • Page 78: Modulating Sounds (Lfo)

    Chapter 3. Creating Your Own Sounds Modulating Sounds (LFO) The LFO (Low Frequency Oscillator) creates cyclic change. Each Tone has two LFOs, and these can be used to apply change to the WG Pitch/TVF Cutoff Frequency/TVA Level/ TVA Pan. How to Use the LFO Applying LFO to the Pitch creates vibrato, applying it to TVF Cutoff Frequency creates wah, and applying it to TVA Level creates tremolo.

  • Page 79: Lfo Depth

    OFF-OUT:The LFO will be immediately applied when the key is pressed, and will begin fading out when the key is released. fig.3-40.e Delay high (more) Time WG Pitch / TVF Cutoff Frequency / key is key is TVA Level / TVA Pan pressed released low (less)

  • Page 80: Modifying The Brightness Of Sound With A Filter (Tvf)

    Chapter 3. Creating Your Own Sounds Velocity Sens (Pitch Envelope Velocity Sensitivity) Set this parameter when you want your keyboard playing dynamics to affect the amount of pitch change. For higher settings, there will be a greater difference between softly and strongly played notes. Negative (-) settings will invert the direction of change.

  • Page 81: Tvf Envelope

    TVF VELOCITY These parameters determine how keyboard velocity will affect TVF Envelope/Cutoff Frequency/Resonance. V-Sens (TVF Envelope Velocity Sensitivity) Use this parameter when you want velocity to affect the TVF Envelope. Higher settings will result in a greater difference between strongly and softly played notes. Negative (-) settings will invert the effect.
  • Page 82 Chapter 3. Creating Your Own Sounds BIAS Use the Bias parameter when you want keyboard position to affect the TVA level. fig.3-45.e LOWER UPPER Level Level – Bias Point LOWER&UPPER Level Level – – Bias Point Bias (Bias Level) Adjust the angle of the volume change that will occur in the selected Bias Direction.

  • Page 83: Functions Of Performance Parameters

    Upper to a value less than Lower. If you attempt to do so, both values will change together. * If you have used Octave Shift (System) or the Transpose parameter (SYSTEM/CONTROL/KEYBOARD) to transpose the pitch of the XP-30’s keyboard, the keyboard area specified by Key Range will also be shifted. KEYBOARD Octave Shift This parameter adjusts the pitch of each Part in units of an octave (-3–+3 octaves).

  • Page 84: Setting Effects For A Performance (Effects)

    Chapter 3. Creating Your Own Sounds Setting Effects for a Performance (EFFECTS) This group contains settings for the Multi-Effects/Chorus/ Reverb effects used by a Performance. OUTPUT Specify how each Part will be output. Output Assign (Output Assign/Output Level) Select whether the output of each Part will be sent through Multi-Effects, and adjust the volume level of each Part.
  • Page 85 EFX Control Source 1, 2 The MIDI controllers that can be used are shown below. If you wish to use a controller that is common to all Patches, or a controller that cannot be selected here, first select SYS- CTRL1 or SYS-CTRL2, and then use the Control 1/2 parameter (SYSTEM/CONTROL/SYS-CTRL ASSIGN) to select the controller.

  • Page 86: Making Midi Settings For A Part (Midi)

    PERFORM COMMON) is set to LAYER.. Normally you will leave this ON, but you can turn it OFF when you want to use the XP-30 only to control an external sound source. * To switch between ON and OFF from the PERFORM PLAY display, press the function button for the Part you want to alter.

  • Page 87: Making Settings For Each Part (Part)

    * Bank Select and Program Change messages will not be transmitted for Parts whose Tx parameter (PERFORM/MIDI/ MIDI) is turned off. Transmit Volume If you want Volume messages to also be transmitted when you select a Performance, specify the desired volume here. If you do not want Volume messages to be transmitted, set this to OFF.

  • Page 88: Functions Of Rhythm Set Parameters

    Chapter 3. Creating Your Own Sounds Functions of Rhythm Set Parameters fig.3-16 Naming a Rhythm Set (COMMON) RHYTHM NAME (Rhythm Set Name) You can assign a name of up to 12 characters to a Rhythm Set. * For details on assigning names, refer to “Assigning a Name” (p.
  • Page 89 PERFORM EFX CTRL (Performance EFX control) Use this parameter when you wish to use a specific controller to control an EFX parameter. The types of EFX parameters available for control will depend on the EFX type. For details refer to “Multi-Effects Types (EFX Parameter)” (p. 93). The upper line of the display will show the EFX parameter to be controlled.

  • Page 90: Controlling How A Rhythm Tone Will Sound With Controllers (Control)

    Chapter 3. Creating Your Own Sounds Fbk (Delay Feedback Level) Adjust the amount of delayed sound that is returned (fed back) to the delay. Higher values result in more delay repeats. * If you have selected any one of the Reverb types (ROOM1– HALL2), this parameter has no effect.

  • Page 91: Modifying Pitch Of A Rhythm Tone (Pitch)

    Modifying Pitch of a Rhythm Tone (PITCH) This group contains parameters that affect the pitch of the Rhythm Tone for each key. PITCH Specify the basic pitch for the Rhythm Tone. Coarse (Coarse Tune) Select the key corresponding to the pitch at which you wish to sound the Rhythm Tone.

  • Page 92: Changing The Volume And Stereo Location Of A Rhythm Tone (Tva)

    Chapter 3. Creating Your Own Sounds TVF VELOCITY V-Sens (TVF Envelope Velocity Sensitivity) Use this parameter when you want velocity to affect the TVF Envelope. Higher settings will result in a greater difference between strongly and softly played notes. Negative (-) settings will invert the effect.

  • Page 93: Multi-Effects Types (Efx Parameter)

    Multi-Effects Types (EFX Parameter) Multi-Effects provides 40 types of effect. Some of these consist of two different effects connected in series or parallel. * Parameters marked with a sharp “#” can be controlled using a specified controller (Two setting items will change simultaneously for “#1”...
  • Page 94 Chapter 3. Creating Your Own Sounds Hi Gain (High Gain) Adjust the gain of the high frequency range. Amp Type (Amp Simulator Type) Select the type of guitar amp. SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack amp 3-STACK: large triple stack amp Pan (Output Pan) # Adjust the stereo location of the output sound.
  • Page 95 Mix (Mix Level) # Adjust the ratio with which the overtones generated by the enhancer are combined with the direct sound. LowGain (Low Gain) Adjust the gain of the low frequency range. Hi Gain (High Gain) Adjust the gain of the high frequency range. Level (Output Level) Adjust the output level.
  • Page 96 Chapter 3. Creating Your Own Sounds 9: COMPRESSOR The Compressor flattens out high levels and boosts low levels, smoothing out unevenness in volume. fig.3-56 L in 2-Band Compressor R in Attack Adjust the attack time of an input sound. Sustain Adjust the time over which low level sounds are boosted until they reach the specified volume.

  • Page 97: Tremolo-Chorus

    12: TREMOLO-CHORUS Tremolo Chorus is a chorus effect with added Tremolo (cyclic modulation of volume). fig.3-59 L in Balance D Balance W Tremolo Chorus Balance W R in Balance D Pre Dly (Pre Delay Time) Adjust the time delay from when the direct sound begins until the chorus sound is heard.

  • Page 98: Stereo-Flanger

    As the specified tempo, you may use either the Patch Tempo, Performance Tempo, or the tempo clock of the XP-30’s system. If you want to use a fixed tempo in Patch mode (Tempo parameter setting), set the Source parameter (PATCH/ COMMON/PATCH CLOCK) to PATCH and set the desired tempo.

  • Page 99: Stereo-Delay

    LowGain Adjust the gain of the low frequency range. Hi Gain Adjust the gain of the high frequency range. Balance (Effect Balance) Adjust the volume balance between the direct sound and the flanger sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the chorus sound will be output.

  • Page 100: Triple-Tap-Delay

    As the specified tempo, you may use either the Patch Tempo, Performance Tempo, or the tempo clock of the XP-30’s system. If you want to use a fixed tempo in Patch mode (Tempo parameter setting), set the Source parameter (PATCH/ COMMON/PATCH CLOCK) to PATCH and set the desired tempo.
  • Page 101 As the specified tempo, you may use either the Patch Tempo, Performance Tempo, or the tempo clock of the XP-30’s system. If you want to use a fixed tempo in Patch mode (Tempo parameter setting), set the Source parameter (PATCH/ COMMON/PATCH CLOCK) to PATCH and set the desired tempo.

  • Page 102: 22: 2Voice-Pitch-Shifter

    Chapter 3. Creating Your Own Sounds LowGain Adjust the gain of the low frequency range. Hi Gain Adjust the gain of the high frequency range. Balance (Effect Balance) Adjust the volume balance between the direct sound and the delay sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the delay sound will be output.

  • Page 103: Gate-Reverb

    Hi Gain Adjust the gain of the high frequency range. Balance (Effect Balance) Adjust the volume balance between the direct sound and the pitch shift sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the pitch shift sound will be output.

  • Page 104: Overdrive Delay

    Chapter 3. Creating Your Own Sounds ChoRate (Chorus Rate) Adjust the modulation speed of the chorus effect. Chorus Depth Adjust the modulation depth of the chorus effect. Chorus Balance # Adjust the volume balance between the overdrive sound that is sent through the chorus and the overdrive sound that is not sent through the chorus.

  • Page 105: Distortion Flanger

    30: DISTORTION FLANGER This effect connects distortion and flanger in series. The parameters are essentially the same as in “27: OVERDRIVE FLANGER,” with the exception of the following two. OD Drive Dist Drive (Specify the amount of distortion.) OD Pan Dist Pan (Specify the stereo location of the distortion sound.) fig.3-75...

  • Page 106: Enhancer Delay

    Chapter 3. Creating Your Own Sounds 34: ENHANCER DELAY This effect connects an enhancer and a delay in series. fig.3-79 L in Enhancer Balance D Feedback R in Enhancer Balance D Enhancer Sens # Adjust the sensitivity of the enhancer. Enhancer Mix (Enhancer Mix Level) Adjust the ratio with which the overtones generated by the enhancer are combined with the direct sound.

  • Page 107: Chorus Flanger

    Dly Fbk (Delay Feedback Level) Adjust the proportion (%) of the delay sound that is fed back into the delay input. Negative (-) settings will invert the phase. HF Damp Adjust the frequency above which delayed sound fed back to the delay input will be cut.

  • Page 108: Operating Environment Setup (System Parameters And Their Functions)

    LCD Contrast Adjust the contrast (brighthess) of the display. Power Up Mode Select the condition that the XP-30 will be in when the power is turned on. LAST-SET: The XP-30 will be in the condition it was in when power was last turned off.

  • Page 109: Octave Range

    LIMITLESS: The settings of all parameters can be freely combined without restriction. * Choices can be set for the Motif, Beat Pattern, Shuffle Rate and Accent Rate parameters for each style. Refer to the “Arpeggio Style List” (p. 182). Octave Range Sets the key range in octaves over which arpeggio will take place.

  • Page 110: Keyboard And Controllers Settings (Control)

    If your pedal has an effect opposite of what you expect, set this parameter to REVERSE. If you are using a Roland pedal (that has no polarity switch), set this parameter to STANDARD.

  • Page 111: C1/C2/C3/C4 Slider Assign

    (the aftertouch that applies equally to all keys) Polyphonic key pressure (the aftertouch that POLY: applies independently to each key) CH&POLY: Channel pressure and Polyphonic key pressure * The XP-30’s keyboard is not able to transmit Polyphonic Key Pressure messages.

  • Page 112: Midi Settings (Midi)

    Specify whether or not the controller section will be connected to the internal sound source (all Parts). Normally you will leave this ON, but if you wish to use the XP-30’s keyboard and controllers to control only external sound sources, turn this OFF.

  • Page 113: Preview Velocity

    ON. If not, turn it OFF. * For details on the GM MIDI messages, refer to “Chapter 5. Using the XP-30 as the GM Sound Module” (p. 124). BANK-SEL GROUP (Bank Select Group) Each Performance has a Bank Select Group setting (PERFORM/MIDI/TRANSMIT).

  • Page 114: Patch Scale

    The intervals between G and B, C and E, F and G#, A# and C#, and D# and F# have a natural third (the interval between a major third and a minor third). With the XP-30, you can play Arabian scale in G, C and F keys. <Examples> Note...

  • Page 115: Chapter 4. Memory Settings (Utility/Card Mode)

    (p. 122). SAVE This function saves data to memory card (p. 122). FACTORY RESET This function resets all the settings stored in the XP-30 to the factory default settings (p. 123). Basic Procedure in Utility/ Card Mode * In order to use a memory card, you must first turn off the power, and then insert a memory card into the card slot.

  • Page 116: Storing Sound Data In User Memory (Write)

    Once you turn Internal Write Protect off, it will remain off until the XP-30’s power is turned off. Performance Write The settings of the current Performance will be written into user memory.

  • Page 117: Copying Sound Source Settings (Copy)

    Copying Sound Source Settings (COPY) This function lets you copy data of any Patch, Performance, or Rhythm Set into the current Patch, Performance, or Rhythm Set. Using this function effectively makes editing easier. Performance Copy To copy the settings of a Performance, press [UTIL/CARD] in Performance mode, then perform Copy operation.

  • Page 118: Rhythm Set Name Copy

    Chapter 4. Memory Settings (Utility/Card Mode) The Compare Function For the Patch Tone Copy and Patch Effect Copy operations, you can use the Compare function. The Compare function allows you to play the Patch currently occupying the copy source. To play the Patch of the copy source, press [UNDO/COMPARE] to access the PATCH COMPARE display.

  • Page 119: Initializing Sound Source Settings (Init)

    Transmitting Sound Settings (XFER) This function lets you transmit sound source or System settings that are in the XP-30’s memory or stored on memory card to an external MIDI device or User memory. Transmitting Data to an External MIDI Device...

  • Page 120: Transmitting Data To User Memory

    Chapter 4. Memory Settings (Utility/Card Mode) Specifies the data to be transmitted through the combinations as shown below. For example, if you wish to transmit the USER group Patches 001–020, you would specify “PATCH USER:001-020.” Type Block USER TEMP PERFORM USER 01–32 TEMP...

  • Page 121: Preventing User Memory Writing Operation (Protect)

    File name Before Using a Memory Card * The power of the XP-30 must be turned off before inserting or removing a memory card. If a memory card is inserted when the power is turned on, the data in the memory card may be destroyed, or the memory card may become unusable.

  • Page 122: Formatting The Memory Card For The Xp-30 (Format)

    30 data can be saved to it. Before a new memory card or a memory card used on another device can be used on the XP- 30, it must be formatted on the XP-30. * Please be aware that formatting will erase all the data already resident on the memory card.

  • Page 123: Recalling Factory Default Settings (Factory Reset)

    Recalling Factory Default Settings (FACTORY RESET) This operation will restore all the data in the XP-30 to the factory settings. * If the XP-30 internal memory already contains important data that you have created, this operation will cause all of this data to be lost.

  • Page 124: Chapter 5. Using The Xp-30 As The Gm Sound Module

    On message. So if you play back a GM score starting in the top of a song, XP-30 will switch itself to GM mode. But if you play back a GM score starting in the middle of a song, XP-30 may not switch itself to GM mode, and the GM score may not play back correctly.

  • Page 125: Modifying Gm Mode Settings

    GM PLAY display. * You can also use the Palette display in the same manner when you edit in Performance mode (p. 65). Chapter 5. Using the XP-30 as the GM Sound Module Making Effects Settings in GM Mode (EFFECTS) Parameter configurations of GM effects and Performance effects are almost the same.
  • Page 126 Chapter 5. Using the XP-30 as the GM Sound Module Reverb (Reverb Send Level) Adjust the amount of reverb applied to the sound that passed through Multi-Effects. GM CHORUS Make settings for the chorus effect used in GM mode. * In GM mode, the chorus effect settings for the GM Patch assigned to each Part will be ignored (except for the Send Level parameter).

  • Page 127: Setting A Part (Part)

    Bend (Pitch Bend Information) Aftertouch (Aftertouch Information) Voices (Voice Information) The number of voices used. Chapter 5. Using the XP-30 as the GM Sound Module Convenient Functions in GM Mode (GM Utility) In the GM mode, you can copy effects settings, initialize GM mode, and transmit GM mode settings, using the Utility functions.

  • Page 128: Copying Effects Settings (Copy)

    Chapter 5. Using the XP-30 as the GM Sound Module Copying Effects Settings (COPY) This function copies effects settings from a Patch or Performance to the GM mode. fig.5-04.e Copy source Copy source Patch/Performance (group, number, name) Press [ ] to move to the next display, and then select the contents of the effect that you wish to copy.

  • Page 129: Chapter 6. Getting The Full Potential Of The Xp

    Chapter 6. Getting the Full Potential of the XP-30 This section discusses various techniques for effectively using the XP-30 for specific applications. The more you use the XP-30, the faster you’ll appreciate the real power of this unit. Techniques for Using Patches...

  • Page 130: Modifying Multi-Effects To Match The System's Tempo

    Tempo parameter (SYSTEM/SETUP/SYSTEM SETUP) to various values. You’ll notice that the tempo of the Patch’s modulation changes in accordance to the tempo clock of the XP-30’s system. You can modify EFX parameter values in accordance to the system’s tempo clock, when you have selected the following types for the EFX Type parameter.

  • Page 131: Using The Slider To Pan Sounds In Real Time

    Bank Select Group parameter to the bank select group that you selected in step 3. Chapter 6. Getting the Full Potential of the XP-30 6. Call up the PATCH display (PERFORM/PART) and set the Number parameter to the same number as the Program number of the sound you wish to play from the external MIDI device.

  • Page 132: Using External Midi Devices

    Using External MIDI Devices Using the XP-30 to Control External MIDI Devices 1. Use a MIDI cable to connect the MIDI OUT connector of the XP-30 to the MIDI IN connector of the external MIDI device. fig.6-01.e MIDI OUT XP-30 MIDI Keyboard 2.

  • Page 133: Selecting Performances

    Selecting Patches The MIDI messages transmitted by the external MIDI device will be received by the XP-30 to select Patches as shown in the following table. Group Number Bank Select USER 1–128 PR-A 1–128 PR-B 1–128 PR-C 1–128 PR-D (GM) 1–128 PR-E 1–128...

  • Page 134: Enjoying Desktop Music

    2. Set the COMPUTER switch on the rear panel of the XP-30 as the following figure. In general, set the switch to PC-2 for PC, and to Mac for Apple Macintosh series.

  • Page 135: Connecting With Midi Connectors

    Serial Port (|O|O|) * In order to hear the sounds of the XP-30, you will also need to connect an AC cord, and audio cables or headphones. If you have not yet made connections, please read “Making Connections” (p. 24). If you are finished making connections, read from the “Turning On the Power”...
  • Page 136 4. Use a MIDI cable to connect the MIDI IN connector on the MIDI interface to the MIDI OUT connector on the XP-30. * This connection is necessary in order to use the controller section (keyboard section) of the XP-30. fig.6-07.e...

  • Page 137: Disconnecting The Keyboard From The Internal Sound Source (Local Off)

    When you use the XP-30 by itself, you will normally set it to Local ON. However, when you are using it as a sound...

  • Page 139: Appendices

    Appendices...

  • Page 140: Troubleshooting

    If you are using the XP-30 while connected to a computer, make settings as appropriate for the connection method, the type of computer, and the settings of the driver (p. 134). * Turn off the XP-30’s power before changing the position of the COMPUTER switch. Song Does Not Playback Correctly...
  • Page 141 - Does the MIDI send channel for the XP-30’s controller match the MIDI receive channel for the connected MIDI instrument? In the Patch mode, make the setting for the Tx-Ch parameter (SYSTEM/MIDI/PATCH MIDI) (p. 112). In the Performance mode, set the MIDI send channel with the Channel parameter (PERFORM/MIDI/MIDI) (p.

  • Page 142: Error Messages

    Error Messages If there has been a mistake in operation, or if the XP-30 is unable to continue processing as you directed, an error message will appear in the display. Take the appropriate action for the displayed error message. This section gives the error messages in alphabetical order.

  • Page 143: Patch Group

    Quick Reference of Procedures The XP-30 has a large number of functions. This section gives the procedures for using some of the frequently-used functions. For functions that are used simply by setting the applicable parameter, only the “Parameter name (mode/ display group/display)”...

  • Page 144: Controller Settings

    Quick Reference of Procedures Selecting Performances Using the Digit Hold Function 1. Press [SHIFT] + [ENTER] (turn on the Digit Hold function). 2. Use the numeric keys to specify the number of the one’s place. * To turn off the Digit Hold function, press [SHIFT] + [ENTER] once again.

  • Page 145: Formatting A Memory Card

    Adjusting the Keyboard Response Sens parameter (SYSTEM/CONTROL/KEYBOARD) Set the Keyboard to Produce a Fixed Velocity Vel parameter (SYSTEM/CONTROL/KEYBOARD) Saving and Loading Data * After completing these procedures, press [UTIL/CARD] to return to the PLAY display. Formatting a Memory Card 1. Press [UTIL/CARD]. 2.
  • Page 146 2. Press [UTIL/CARD]. 3. Select “3: INIT” on the UTIL 1 display. 4. Select “PRESET”. 5. Press [ENTER]. Restoring the XP-30 to the Factory Settings 1. Select a Performance, Patch, or Rhythm Set. 2. Press [UTIL/CARD]. 3. Select “4: FACTORY RESET” on the UTIL 2 display.

  • Page 147: Parameter List

    Parameter List Patch Parameters * Parameters that can be set independently for each Tone are indicated by “T.” COMMON Group (p. 68) Display Parameter PATCH NAME — Patch name PATCH CATEGORY Category Patch category PATCH CLOCK Source Patch clock source Tempo Patch tempo PATCH COMMON...

  • Page 148: Control Group

    Parameter List CONTROL Group (p. 73) Display Parameter KEY MODE&BENDER Assign Key assign mode Legato Solo legato switch Bend Range Bend range down Bend range up PORTAMENTO Portamento switch Time Portamento time Mode Portamento mode Type Portamento type Start Portamento start pitch RxSWITCH Volume Receive volume switch...
  • Page 149 PITCH Group (p. 79) Display Parameter PITCH Coarse Coarse tune Fine Fine tune Random Random pitch depth Keyfollow Pitch keyfollow PCH ENVELOPE Envelope Depth Pitch envelope depth Velocity Sens Pitch envelope velocity sens PCH TIME ENV V-T1 Pitch envelope time1 velocity sens V-T4 Pitch envelope time4 velocity sens Time Keyfollow...

  • Page 150: Performance Parameters

    Parameter List Performance Parameters * Parameters that can be set independently for each Part are indicated by “P.” COMMON Group (p. 83) Display Parameter PERFORM NAME — Performance name PERFORM CLOCK Source Performance clock source Tempo Performance tempo PERFORM COMMON Key Mode Key mode Key Range...

  • Page 151: Rhythm Set Parameters

    PART Group (p. 87) Display Parameter PATCH Group Patch group Number Patch number SETTING Level Level Coarse Coarse tune Fine Fine tune RESERVE Voice Reserve Voice reserve INFORMATION Group (p. 87) Display Parameter INFO Modulation information Breath Breath information Foot Foot information Volume information Pan information...
  • Page 152 Parameter List CONTROL Group (p. 90) Display Parameter CONTROL Bend Range Bend range Env Mode Envelope mode Mute Group Mute group RxSWITCH Volume Receive volume switch Receive pan control switch Hold-1 Receive hold-1 switch WAVE Group (p. 90) Display Parameter WAVE Group Wave group...

  • Page 153: Gm Mode Parameters

    GM Mode Parameters * Parameters that can be set independently for each Part are indicated by “P.” EFFECTS Group (p. 125) Display Parameter OUTPUT Output Assign Output assign Output level Chorus Chorus send level Reverb Reverb send level GM EFX TYPE Type EFX type GM EFX PRM...
  • Page 154 Parameter List EFX Parameters 1: STEREO-EQ (p. 93) Parameter LowFreq Low frequency LowGain Low gain Hi Freq High frequency Hi Gain Hi gain P1 Freq Peaking1 frequency P1 Q Peaking1 Q P1 Gain Peaking1 gain P2 Freq Peaking2 frequency P2 Q Peaking2 Q P2 Gain Peaking2 gain...
  • Page 155 12: TREMOLO-CHORUS (p. 97) Parameter Pre Dly Pre delay time ChoRate Chorus rate Cho Dpt Chorus depth Phase Tremolo phase TrmRate Tremolo rate Trm Sep Tremolo separation Balance Effect balance Level Output level 13: SPACE-D (p. 97) Parameter Pre Dly Pre delay time Rate Rate...
  • Page 156 Parameter List 20: QUADRUPLE-TAP-DELAY (p. 101) Parameter Delay 1 Delay time 1 Delay 2 Delay time 2 Delay 3 Delay time 3 Delay 4 Delay time 4 Level 1 Level 1 Level 2 Level 2 Level 3 Level 3 Level 4 Level 4 Feedback level HF Damp...
  • Page 157 29: DISTORTION CHORUS (p. 104) The parameters are essentially the same as "26: OVERDRIVE with the exception of the following two. OD Drive Dist Drive, OD Pan Dist Pan 30: DISTORTION FLANGER (p. 105) The parameters are essentially the same as "27: OVERDRIVE with the exception of the following two.

  • Page 158: System Parameters

    Parameter List System Parameters SETUP Group (p. 108) Display Parameter SYSTEM SETUP Power Up Mode Patch Remain Clock Source System Tempo Category Select Mode ARPEGGIO Group (p. 108) Display Parameter ARPEGGIO Style Style Octave Range Octave range Motif Motif Beat Pattern Beat pattern Accent Rate Accent rate...
  • Page 159 MIDI Group (p. 112) Display Parameter PERFORM MIDI Control Channel Performance control channel Local Local switch Remote Remote keyboard switch PATCH MIDI Rx-Ch Patch mode receive channel Tx-Ch Patch mode transmit channel Local Local switch Remote Remote keyboard switch GM MIDI Local Switch Local switch RECEIVE MIDI...

  • Page 160: Waveform List

    Waveform List INT-A (Internal A) Name Name Ac Piano1 A Nylon Gtr A Ac Piano1 B Nylon Gtr B Ac Piano1 C Nylon Gtr C Ac Piano2 pA 6-Str Gtr A Ac Piano2 pB 6-Str Gtr B Ac Piano2 pC 6-Str Gtr C Ac Piano2 fA Gtr Harm A...
  • Page 161 INT-B (Internal B) Name Name Kalimba Feedbackwave Marimba Wave Spectrum Log Drum BreathNoise Vibes Rattles Bottle Hit Ice Rain Glockenspiel Tin Wave Tubular Anklungs Steel Drums Wind Chimes Fanta Bell A Orch. Hit Fanta Bell B Tekno Hit Fanta Bell C Back Hit FantaBell A+ Philly Hit...
  • Page 162 Waveform List XP-A (WAVE EXPANSION A: Session) Name Name StGrand L pA NylonGt2 p A StGrand L pB NylonGt2 p B StGrand L pC NylonGt2 p C StGrand R pA NylonGt2 mfA StGrand R pB NylonGt2 mfB StGrand R pC NylonGt2 mfC StGrand L fA NylonGt2 f A...
  • Page 163 XP-A Menu Waveforms Menu Waveforms provide multiple Waveforms, with each one assigned to a different key. Wah Gtr MENU Kick MENU Name Name Wah Down 1 C 4 122 Deep Kick 3 Wah Up 1 D 4 123 TD7 Kick E 4 100 Wah Down 2 E 4 124...
  • Page 164 Waveform List XP-B (WAVE EXPANSION B: Orchestral) Name Name Vl Sect A Vas Spicc C Vl Sect B Vcs Spicc A Vl Sect C Vcs Spicc B Va Sect A Vcs Spicc C Va Sect B Cbs Spicc A Va Sect C Cbs Spicc B Vc Sect A Cbs Spicc C...
  • Page 165 XP-C (WAVE EXPANSION C: Techno Collection) Name Name PHRASE MENU JUNO Bowing 120:House 1 JUNO Synth 120:House 2 JX Synth 120:House 3 Alpha Wave 120:TeknoBNG Killer 144:Tekno BD Detuned Saw 144:TeknoHAT Fat JP-6 160:Drum’nBs Euro Dance 184:Gabba Noisy 101 132:Detroit Daft Wave 132:Agogo Pizzy Techno...
  • Page 166 Waveform List XP-C Menu Waveforms Menu Waveforms provide multiple Waveforms, with each one assigned to a different key. *: This waveform is used only in the MENU WAVEFORM. PHRASE MENU HIT MENU 2 Name 120:House 1 C# 4 120:House 2 C# 1 120:House 3 D# 4...
  • Page 167 OHH MENU CLAP MENU Name Name C 4 157 TR909 OHH 1 C 4 177 TR909 Clap C# 4 158 TR909 OHH 2 C# 4 178 TS Clap TR909 OHH 4 * TR909 Clap 2 * D# 4 159 TR909 OHH 3 D# 4 179 Clap Stop E 4 160...

  • Page 168: Patch List

    Patch List USER (User Group) No. Name Voice Key Assign No. Name 001 Temple of XP POLY 065 Heirborne 002 Power Split POLY 066 Trumpet 003 Symphonique2 4 POLY 067 Glistening 004 Robot Voice POLY 068 Banded Jupe 005 St.Concert POLY 069 Singing’Mini 006 ViennaStrgs2 4...
  • Page 169 PR-B (Preset B Group) No. Name Voice Key Assign No. Name 001 Dist Gtr 1 POLY 065 Analog Seq 002 Dist Gtr 2 POLY 066 Impact Vox 003 R&R Chunk POLY 067 TeknoSoloVox 2 004 Phripphuzz SOLO 068 X-Mod Man 005 Grungeroni POLY 069 Paz <==>...
  • Page 170 Patch List PR-D (GM Group) No. Name Voice Key Assign No. Name 001 Piano 1 POLY *1 065 Soprano Sax 002 Piano 2 POLY *2 066 Alto Sax 003 Piano 3 POLY 067 Tenor Sax 004 Honky-tonk POLY 068 Baritone Sax 005 E.Piano 1 POLY 069 Oboe...
  • Page 171 XP-A (WAVE EXPANSION A: Session) Name Voice St.Concert 9ft.Grand 1 9ft.Grand 2 Euro Classic St.Pno & Str Compress Pno LA Session Water Piano Vibra Rhodes Stack Rhodes ArcoEnsemble Vienna Strgs Str Adagio Oct Strings Silky Filter Soft Strings SlowStr.Sect GiantStrings Str+Choir 1 Str+Choir 2 Str+Choir 3...
  • Page 172 Patch List XP-B (WAVE EXPANSION B: Orchestral) Name Voice Warm Violins Slow Vlns 1 Vlns+Vlas 1 Vl Sect mono Arco Violins Marcato Vls1 Vlns+Vlas 2 Agitato Vls1 Rosin Pad 1 Dry Mid-High Natural Vlns Sad Vln Sect Marcato Vas Arco Violas Thick Violas Va Sect f Va Small Sec...
  • Page 173 XP-C (WAVE EXPANSION C: Techno Collection) Name Voice Teknoperator(132) 4 Transmission(144) 4 X-Tronic Jam(120) 4 Dirt Jungle(160) DJ Spinnin(151) Zipper Beat(151) Tribal House(151) Obsession(144) Sonic Empire(144) 4 Double Dutch(140) 4 E-tronicBoom(116) 3 Chillout =->(116) MecaTrip-Hop( 90) 4 Hero Beat( 90) Hit House(120) Voco Groove(122) 4 Hell Fire(151)

  • Page 174: Conversion Table

    Patch List B.P.M. CONVERSION TABLE By changing the pitch, you can change the B.P.M. (tempo). The B.P.M. used when sampling the original (Original B.P.M.) is reproduced by the C4 key when both “c.t.” (Coarse Tune) and “f.t.” (Fine Tune) are at “0.” If you want to obtain twice the tempo of the original B.P.M., either play the C5 key (key one octave above), or set “c.t.”...
  • Page 175 Original B.P.M. -19 +41 D# 4 +03 -21 F# 2 D# 4 +03 -09 F# 2 -18 +23 D# 4 +03 +04 D# 4 +03 +16 -17 +02 D# 4 +03 +28 -17 +40 D# 4 +03 +40 G# 2 +04 -49 G# 2 -16 +14...
  • Page 176 Patch List Original B.P.M. -22 +25 D# 2 D# 2 -21 +08 D# 2 -20 +24 -19 +34 C# 4 +01 -41 F# 2 C# 4 +01 -29 F# 2 -18 +03 C# 4 +01 -18 F# 2 -18 +37 C# 4 +01 -06 C# 4...

  • Page 177: Rhythm Set List

    Rhythm Set List USER (User) Note No. HouseDrumSet 1 JazzDrumSet1 Scratch 1 Hybrid Kick2 808 SN Hybrid Kick1 Dry Stick Side Stick 808 SN Ballad SN 808 Claps Brush Slap 808 SN Brush Swish 808 Kick Verb Tom Lo 606 HiHat Cl Cl HiHat 1 808 SN Verb Tom Lo...
  • Page 178 Rhythm Set List PR-C (Preset C Group) Note No. JazzDrumSet2 OrchDrumSet Round Kick Old Kick Old Kick Round Kick Side Stick Side Stick Ballad SN Ballad SN Hand Claps 808 Claps SN Roll SN Roll Verb Tom Lo Timpani Cl HiHat 2 Timpani Dry Tom Lo Timpani...
  • Page 179 XP-A (WAVE EXPANSION A: Session) Note No. SessionSet 1 SessionSet 2 Deep Kick 3 Mix Kick Mix Kick Deep Kick 3 Side Stick Side Stick Solo Snr Loose Snr HC2 Claps 1 HC2 Claps 1 90’s Snare Ring Snr Verb Tom Lo Verb Tom Lo Cl HiHat 1 Cl HiHat 1...
  • Page 180 Rhythm Set List XP-C (WAVE EXPANSION C: Techno Collection) Note No. TR-909 SET TR-808 SET Plastic BD 1 TR808 Kick 1 TR909 Kick 1 TR808 Kick 1 TR909 Rim TR808 Rim TR909 Snr 5 TR808 Snr 1 TR909 Clap Clap Stop TR909 Snr 1 TR808 Snr 3 TR909 DstTom...

  • Page 181: Performance List

    Performance List USER (User Group) Name Key Mode EasternSplit LAYER Opening Orch LAYER Feedback EP LAYER Humming Vox LAYER Tekno Loop 1 LAYER Fr.Horn Sect LAYER SpaceCarrier LAYER Orchestral LAYER Nebular Vox LAYER Terminator LAYER Flying Jazz LAYER Sweeper LAYER Rave Split LAYER Multi Sax...

  • Page 182: Arpeggio Style List

    Arpeggio Style List Style Motif 1/12 1/16 1/32 SINGLE UP, SINGLE DOWN, SINGLE UP&DOWN, SINGLE RANDOM, DUAL UP, DUAL DOWN, DUAL UP&DOWN, DUAL RANDOM, NOTE ORDER, GLISSANDO, BASS+UP 1–8, BASS+RANDOM 1–3, TOP+UP 1–6 PORTAMENTO A PORTAMENTO B GLISSANDO GLISSANDO SEQUENCE A SEQUENCE B SEQUENCE C SINGLE UP, SINGLE DOWN, SINGLE UP&DOWN,...

  • Page 183: Midi Implementation

    MIDI Implementation Model: XP-30 (64 Voice Expandable Synthesizer) Version: 1.00 Date: Jan. 18 1999 1. Data Reception (sound source section) Channel Voice Messages Note Off status 2nd byte 3rd byte n=MIDI channel number: 0H - FH (ch.1 - ch.16) kk=note number:...
  • Page 184 MIDI Implementation Balance (Controller number 8) status 2nd byte 3rd byte n=MIDI channel number: 0H - FH (ch.1 - ch.16) vv=Balance: 00H - 7FH (0 - 127) Panpot (Controller number 10) status 2nd byte 3rd byte n=MIDI channel number: 0H - FH (ch.1 - ch.16) vv=Panpot: 00H - 40H - 7FH (left - center - right) * Adjust the stereo location over 128 steps, where 0 is far left, 64 is center, and 127 is far...

  • Page 185: Channel Mode Messages

    Effect 1 (Reverb Send Level) (Controller number 91) status 2nd byte 3rd byte n=MIDI channel number: 0H - FH (ch.1 - ch.16) vv=Reverb Send Level: 00H - 7FH (0 - 127) * In Performance mode, the Reverb Send Level parameter of each Part will change. Effect 3 (Chorus Send Level) (Controller number 93) status 2nd byte...

  • Page 186: System Exclusive Messages

    = ID number: This is the ID number (manufacturer ID) that specifies the manufacturer whose exclusive message this is. Roland's manufacturer ID is 41H.ID numbers 7EH and 7FH are defined in an expansion of the MIDI standard as Universal Non-realtime messages (7EH) and Universal Realtime Messages (7FH).

  • Page 187: Data Transmission

    41H, dev, 6AH, 11H, aaH, bbH, ccH, ddH, ssH, ttH, uuH, vvH, sum Byte Remarks Exclusive status ID number (Roland) device ID (dev: 10H - 1FH) model ID (XP-30) command ID (RQ1) address MSB address address address LSB size MSB size size...

  • Page 188: Control Change

    MIDI Implementation 2. Data transmission (sound source section) Channel Voice Messages Note Off status 2nd byte 3rd byte n=MIDI channel: 0H - FH (ch.1 - ch.16) kk=Note Number: 00H - 7FH (0 - 127) vv=Note Off Velocity: 00H - 7FH (0 - 127) Note On status 2nd byte...
  • Page 189 ... ffH, sum Byte Remarks Exclusive status ID number (Roland) device ID (dev: 10H - 1FH) model ID (XP-30) command ID (DT1) address MSB address address address LSB data: The actual data to be transmitted. Multi-byte data is transmitted in the address order.
  • Page 190 * For addresses marked by a #, the data must be divided into 2 parts for transmission. For example, data with the hexadecimal value ABH would be divided into 0AH and 0BH, and transmitted in that order. * Parameter values enclosed in < > are for the JV-1010 / JV-1080 / JV-2080 / XP-50 / XP-60 / XP-80, and will be ignored if received by the XP-30. +——————————————————————————————————————————————————————————————————————————————+...
  • Page 191 00 33 | 0000 000a | Pedal(1) Polarity 00 34 | 0aaa aaaa | Pedal2 Assign 00 35 | 0000 00aa | Pedal2 Output Mode 00 36 | 0000 000a | Pedal2 Polarity 00 37 | 0aaa aaaa | C1 Assign 00 38 | 0000 00aa | C1 Output Mode 00 39 | 0aaa aaaa | C2 Assign 00 3A | 0000 00aa | C2 Output Mode...
  • Page 192 MIDI Implementation 1-2.Performance +——————————————————————————————————————————————————————————————————————————————+ | Offset Address | |—————————————+————————————————————————————————————————————————————————————————| 00 00 | Performance Common 10 00 | Performance Part 1 11 00 | Performance Part 2 1F 00 | Performance Part 16 +——————————————————————————————————————————————————————————————————————————————+ 1-2-1.Performance Common +——————————————————————————————————————————————————————————————————————————————+ | Offset Address | Size | Description |—————————————+————————————————————————————————————————————————————————————————| 00 00 | 0aaa aaaa | Performance Name 1...
  • Page 193 1-2-2.Performance Part +——————————————————————————————————————————————————————————————————————————————+ | Offset Address | Size | Description |—————————————+————————————————————————————————————————————————————————————————| 00 00 | 0000 000a | Receive Switch 00 01 | 0000 aaaa | MIDI Channel |—————————————+———————————+————————————————————————————————————————————————————| 00 02 | 0000 00aa | Patch Group Type 00 03 | 0aaa aaaa | Patch Group ID 00 04 | 0000 aaaa | Patch Number | 0000 bbbb | 00 06 | 0aaa aaaa | Part Level...
  • Page 194 MIDI Implementation |—————————————+———————————+————————————————————————————————————————————————————| 00 2C | 0000 aaaa | Patch Tempo | 0000 bbbb | 00 2E | 0aaa aaaa | Patch Level 00 2F | 0aaa aaaa | Patch Pan 00 30 | 0aaa aaaa | Analog Feel 00 31 | 0000 aaaa | Bend Range Up 00 32 | 00aa aaaa | Bend Range Down 00 33 | 0000 000a | Key Assign Mode 00 34 | 0000 000a | Solo Legato...
  • Page 195 |—————————————+———————————+————————————————————————————————————————————————————| 00 2D | 0000 0aaa | LFO1 Waveform 00 2E | 0000 000a | LFO1 Key Sync 00 2F | 0aaa aaaa | LFO1 Rate 00 30 | 0000 0aaa | LFO1 Offset 00 31 | 0aaa aaaa | LFO1 Delay Time 00 32 | 0000 00aa | LFO1 Fade Mode 00 33 | 0aaa aaaa | LFO1 Fade Time 00 34 | 0000 00aa | LFO1 External Sync...
  • Page 196 MIDI Implementation *16 -100–+150 *17 -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100 *18 OFF, LPF, BPF, HPF, PKG *19 LOWER, UPPER, LOWER&UPPER, ALL *20 MIX, EFX, <DIRECT-1>, <DIRECT-2> 1-4.Rhythm Setup +——————————————————————————————————————————————————————————————————————————————+ | Offset Address | |—————————————+————————————————————————————————————————————————————————————————| 00 00 | Rhythm Common...
  • Page 197 INT, <PCM>, EXP -6, 0, +6, +12 NO-SUS, SUSTAIN OFF, CONTINUOUS, KEY-ON 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 200, 300, 400, 500, 600, 700, 800, 900, 1000, 1100, 1200 -100–+150 -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100 OFF, LPF, BPF, HPF, PKG...
  • Page 198 +—————————————————————————————————————————————————————————————————————————————+ * In order for a GS Exclusive message to be correctly received by the XP-30, the starting address of the message must be the Start address of each Part (the address of Scale Tune C, i.e., offset 40). 0 - 127...
  • Page 199 4. Supplementary Material Correspondence of the EFX Algorithm and Exclusive Address (EFX Parameter 1–12) | Parameter | Value ———————+————————————————————————————————+——————————————————————— Type01: STEREO-EQ ———————+————————————————————————————————+——————————————————————— prm1 | Low Frequency | 0 - 1 prm2 | Low Gain | 0 - 30 prm3 | High Frequency | 0 - 1 prm4 | High Gain...
  • Page 200 MIDI Implementation Type17: STEREO-DELAY ———————+————————————————————————————————+——————————————————————— prm1 | Feedback Mode | 0 - 1 prm2 | Delay Time Left | 0 - 126 prm3 | Delay Time Right | 0 - 126 prm4 | Feedback Phase Left | 0 - 1 prm5 | Feedback Phase Right | 0 - 1...
  • Page 201 Type33: ENHANCER FLANGER (serial) ———————+————————————————————————————————+——————————————————————— prm1 | Enhancer Sens | 0 - 127 prm2 | Enhancer Mix Level | 0 - 127 prm3 | Flanger Pre Delay Time | 0 - 125 prm4 | Flanger Rate | 0 - 125 prm5 | Flanger Depth | 0 - 127...

  • Page 202: Arpeggio Style

    MIDI Implementation List of the Arpeggio Parameter Arpeggio Style +—————————————————————————+—————————————————————————+—————————————————————————+ |value| parameter |value| parameter +—————————————————————————+—————————————————————————+—————————————————————————+ 0 | 1/ 4 15 | RHYTHM GTR A 1 | 1/ 6 16 | RHYTHM GTR B 2 | 1/ 8 17 | RHYTHM GTR C 3 | 1/12 18 | RHYTHM GTR D 4 | 1/16...

  • Page 203: Examples Of Actual Midi Messages

    Decimal/Hexadecimal Table (hexadecimal values are indicated by a following “H”) MIDI uses 7-bit hexadecimal values to indicate data values and the address and size of exclusive messages. The following table shows the correspondence between decimal and hexadecimal numbers. +——————+——————++——————+——————++——————+——————++——————+——————+ +——————+——————++——————+——————++——————+——————++——————+——————+ 00H || 32 | 20H ||...
  • Page 204 Examples of Exclusive Messages and Calculating the Checksum Roland exclusive messages (RQ1, DT1) are transmitted with a checksum at the end of the data (before F7) to check that the data was received correctly. The value of the checksum is determined by the address and data (or size) of the exclusive message.
  • Page 205 F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 76 F7 ASCII Code Table On the XP-30, the following ASCII code set is used for processing data such as the Patch Name and the Performance Name.
  • Page 206 64 Voice Expandable Synthesizer Model XP-30 Function... Basic Default Channel Changed Default Mode Messages Altered Note Number : True Voice Note On Velocity Note Off After Key's Touch Channel's Pitch Bend 0, 32 6, 38 Control Change 1–5, 7–31, 64–95 *3 1–5, 7–31, 64–95 *3...

  • Page 207: Specifications

    39-13/16 (W) x 11-7/16 (D) x 3-1/2 (H) inches Weight 7.8 kg / 17 lbs 4 oz (except Power cord) Accessories Owner’s Manual Power Cable (Not included with XP-30 designed for 117 V power supply) CD-ROM (SoundDiver JV/XP) Options Wave Expansion Boards: SR-JV80 series...

  • Page 208: Computer Cable Wiring Diagrams

    Computer Cable Wiring Diagrams For Apple Macintosh (Sold separately: RSC-15APL) mini DIN, 8-pin, male 6 7 8 3 4 5 For PC (9-pin) (Sold separately: RSC-15AT) mini DIN, 8-pin, male 6 7 8 3 4 5 For PC (25-pin) mini DIN, 8-pin, male 6 7 8 3 4 5 mini DIN, 8-pin, male...

  • Page 209: Index

    Index Symbols [+OCT] ...12, 59 [-OCT] ...12, 59 Numerics [1–8/9–16] ...13 2VOICE-PITCH-SHIFTER ...102 AC inlet ...14 AC power cable ...25 Accent rate ...109 Aftertouch ...34 Aftertouch control source ...111 Aftertouch information ...87, 127 Aftertouch sens ...110 Alternate pan depth ...82, 92 Analog feel depth ...69 Arabian scale ...114 ARP SELECT display ...37, 56...
  • Page 210 Index Data transfer ...115 Data type ...120 [DEC] ...13, 45 Delay feedback level ...73, 86, 90, 126 [DEMO] ...13 Demo play ...28 DEMO PLAY display ...28 Demo song ...28 Depth 1–4 ...75 Desktop music ...134 Destination ...120–121 Destination 1–4 ...75 [DIGIT HOLD] ...13 Digit hold ...48 DISTORTION ...93...
  • Page 211 Key assign mode ...73 KEY EFFECTS section ...12 Key mode ...83 Key range lower ...70, 83 Key range switch ...83 Key range upper ...70, 83 Key scale ...114 Key shift ...113 Key switch ...90 Key velocity ...109 Keyboard sensitivity ...110 Keyboard velocity ...110 Layer ...52 Layer performance ...51...
  • Page 212 Index Pedal switch ...25, 131 [PERFORM] ...12, 51 PERFORM NAME ...83 PERFORM PLAY display ...51 Performance ...41, 51, 181 Performance clock source ...83 Performance control channel ...112 Performance copy ...117 Performance effects copy ...117 Performance initialize ...119 Performance mode ...42, 51 Performance name ...83 Performance name copy ...117 Performance parameter ...83, 150...
  • Page 213 Save ...115 Scale tune switch ...113 Session ...31, 47, 55 [SHIFT] ...13 Shuffle rate ...109 Single performance ...51 Slots EXP-D and E ...16, 114 SmartMedia ...67 [SOLO] ...12, 35, 50 Solo ...35, 50 Solo legato switch ...73 Sound palette ...36 Sound palette function ...50, 54 Sound source ...40, 42 Source block ...120–121...
  • Page 214 Index Undo ...45 [UNDO/COMPARE] ...13, 45, 116, 118 User memory ...67–68, 116 User memory protect ...115 UTIL 1 display ...27, 68 UTIL 2 display ...27 [UTIL/CARD] ...12, 27, 68, 115 Utility/Card mode ...43, 115 VALUE dial ...13, 45 Velocity ...34 Velocity cross fade ...69 Velocity range lower ...69 Velocity range switch ...69...
  • Page 215 Apparatus containing Lithium batteries ADVARSEL! Lithiumbatteri - Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandøren. ADVARSEL Eksplosjonsfare ved feilaktig skifte av batteri. Benytt samme batteritype eller en tilsvarende type anbefalt av apparatfabrikanten.
  • Page 216 Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. SINGAPORE AFRICA AFRICA Swee Lee Company 150 Sims Drive, EGYPT SINGAPORE 387381 TEL: 6846-3676 Al Fanny Trading Office...

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