Making Settings In Memory Setting - Boss Vocal Performer VE-22 Reference Manual

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Editing the memories

Making settings in MEMORY SETTING

These settings are for adjusting the memory's volume, as well as the
BPM that's used to make the effect sound in time with the tempo.
* Your settings are lost if you switch between memories or turn
off the power without performing the MEMORY WRITE (p. 11)
operation.
You must perform a MEMORY WRITE after you change the
settings.
1 .
Press the [MENU] button.
The MENU screen appears.
2 .
Turn the [MEMORY] knob to select the "MEMORY
SETTING" row.
All items in the selected row are underlined.
3 .
Press the [ECHO] knob.
The MEMORY SETTING screen appears.
4 .
Use the [HARMONY], [EFFECT] and [ECHO] knobs to
adjust the respective parameter values.
Parameter
Value
VOLUME
0–100
OUT LEVEL
0–200
10
Explanation
This volume comes before the
echo effect in the signal chain,
and adjusts the memory's
volume.
This is useful when you're
playing live, as you can
control the volume using an
expression pedal connected
to the CTL 1, 2/EXP jack on the
rear panel.
See the function block
diagram (p. 28).
This volume control comes
after the echo effect in the
signal chain, and adjusts the
memory's volume.
Parameter
Value
BPM
40–250
BPM HOLD
OFF, ON
5 .
Follow the steps in "Saving a memory (MEMORY
WRITE)" (p. 11) to save the memory you edited.
Explanation
When you specify a note value
for the DELAY TIME of the
DELAY or for the RATE of the
CHORUS/FLANGER/PHASER/
VIBRATO/SLICER, the unit
operates at this BPM value.
When you specify "BPM TAP"
for the CTL 1,2, MEMORY
PEDAL or MANUAL PEDAL
function, you can set the BPM
by tap input.
This makes it easy to set the
tempo in time with the song
when you're playing live.
For details, refer to "About BPM
TAP" (p. 13).
Sets whether to keep using
the BPM value of the previous
memory (ON) or not (OFF)
when you switch between
memories.
When you set this to "ON", this
is enabled when you switch
memories in the middle of a
song, so that you don't have to
input the BPM again.

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