Mfx; Mfx Ctrl; Track - Roland VERSELAB MV-1 Parameter Manual

Parameter List
Parameter Value
Decay
-64–+63
ASSIGN
(Decay Time Offset)
Release
-64–+63
(Release Time
ASSIGN
Offset)
Vib Rate
-64–+63
ASSIGN
(Vibrato Rate)
Vib Depth
-64–+63
ASSIGN
(Vibrato Depth)
Vib Delay
-64–+63
ASSIGN
(Vibrato Delay)
Oct Shift
-3–+3
ASSIGN
(Octave Shift)
Velo Sens
-63–+63
(Velocity Sens Offset)
Sets the way sounds are played when the same key is pressed a
number of times.
SINGLE
VoiceAsgn
(Voice Assign Mode)
LIMIT
FULL
Specifies what occurs when you operate a controller when pitch
bend is assigned to it.
NORMAL
Bend Mode
C+L
(CATCH +
LAST)
TONE
OFF, ON,
Unison Sw
(Unison Switch)
TONE
SYS-Ctrl1–4 0–127
ASSIGN
Pitch Bend -8192–+8191 Specifies the Pitch Bend.
ASSIGN

MFX

Parameter Value
Switch OFF, ON
Type Selects the MFX type.
Dly Send 0–127
4
Explanation
Adjusts the time over which the volume decreases
from its maximum value.
Larger settings of this value make the decay longer,
and smaller settings make the decay shorter.
Adjusts the time over which the sound decays to
silence after you release the key.
Larger settings of this value make the sound linger,
and smaller settings make the sound end more
sharply.
Adjust the vibrato speed (the rate at which the
pitch is modulated). The pitch will be modulated
more rapidly for higher settings, and more slowly
with lower settings.
This adjusts the depth of the vibrato effect (the
depth at which the pitch is modulated).
The pitch will be modulated more greatly for
higher settings, and less with lower settings.
Adjusts the time until vibrato (pitch modulation)
starts to apply.
Higher settings will produce a longer delay time
before vibrato begins, while lower settings produce
a shorter time.
Shifts the pitch of the keyboard in units of one
octave.
Adjusts the velocity sensitivity.
Larger settings raise the sensitivity.
Only one note of the same key is played at a time.
If a sound with a long sustain is played repeatedly,
the sound of the previous note is silenced before
the next note is heard.
Notes played on the same key are layered.
If a sound with a long sustain is played repeatedly,
the previous sounds are silenced after a certain
number of notes accumulate.
Notes played on the same key are layered.
Even if a sound with a long sustain is played
repeatedly, the notes are unrestrictedly layered
without silencing the previous sounds.
The conventional pitch bend effect occurs.
The pitch bend effect applies only to the last-
played note. If a note-on occurs while pitch bend is
already applied, the new note sounds at the center
pitch.
The pitch starts changing only after the controller
passes through the center position.
The tone's settings are used.
This layers a single sound.
Choose "ON" if you want to use unison, or "OFF" if
you don't.
Choose "TONE" if you want to use the setting
specified by the tone.
Parts whose Unison Switch is On will be MONO.
Specifies the values of SYS-Ctrl 1–4.
By connecting SYS-Ctrl 1–4 with tone parameters,
you can use the knobs to control values other than
part parameters.
Explanation
Switches the MFX on/off.
Adjusts the amount of chorus.
If you don't want to add the chorus effect, set
it to 0.
Parameter Value
Rev Send 0–127
Edit the parameters for the selected MFX. The available parameters
differ depending on the type of the effects you selected in MFX Type.
MFX parameters
&
"MFX Parameters"

MFX CTRL

Parameter Value
Specifies the MIDI message that will control the corresponding MFX
CONTROL parameter.
OFF
CC01–31
CC33–95
Src1–4
BEND
AFT
SYS-CTRL1–4
Specifies which of the multi-effect parameters are controlled using
Asgn1–4 MFX CONTROL. The multi-effects parameters available for control
will depend on the multi-effects type.
Sens1–4 -63–+63
Controlling a MFX via MIDI
You can use MIDI messages such as control change messages to control the principal MFX
parameters. This capability is called "MFX CONTROL (multi-effects control)".
The editable parameters are pre-determined according to the MFX type. You can specify up
to four parameters for multi-effect control.
To use MFX CONTROL, you'll need to specify which MIDI message (Source) will affect which
parameter (Destination), and how greatly (Sens).

Track

GEN
Parameter Value
Track Level 0–127
Pan L128–R127
Rev Offset -128–127
Dly Offset -128–127
EQ
These are the track EQ settings.
Parameter Value
EQ Switch OFF, ON
Input Gain -24–+24 [dB]
Low Gain -24–+24 [dB]
Low Freq 20–16000 [Hz]
Mid Gain -24–+24 [dB]
Mid Freq 20–16000 [Hz]
Mid Q 0.5–16.0
Explanation
Adjusts the amount of reverb.
If you don't want to add the reverb effect, set
it to 0.
(p. 15)
Explanation
MFX will not be used.
Controller number 1–31
Controller number 33–95
Pitch Bend
Aftertouch
Use the controller that is assigned by the
System Control Source 1–4 (or Tone Control
Source 1–4).
Specifies the depth of MFX CONTROL.
Specify a positive "+" value if you want to
change the value of the assigned destination
in a positive direction (larger, toward the
right, faster, etc.), or specify a negative value
"-" if you want to change the value in a
negative direction (smaller, toward the left,
slower, etc.). Larger values will allow a greater
amount of control.
(MFX CONTROL)
Explanation
Adjusts the volume.
Adjusts the sound position (pan).
Sets how much signal is sent to the delay.
Sets how much signal is sent to the reverb.
Explanation
Turns the equalizer on/off.
Adjusts the amount of boost/cut for the input
to the EQ.
Gain of the low frequency range.
Frequency of the low range.
Specifies the reference frequency of the mid-
frequency range.
Adjusts the amount of mid-frequency boost/
cut.
Specifies the width of the mid-frequency
range.
Set a higher value for Q to narrow the range
to be affected.