E-Mu ProteusX Operation Manual page 86

6 - Voice Editor / Synthesizer Level
Amplifier, Filter & Auxiliary Envelopes
Filter Name Order
TB-OrNot-TB 12
Ooh-To-Eee 12
BolandBass 12
MultiQVox 12
TalkingHedz 12
ZoomPeaks 12
DJAlkaline 12
BassTracer 12
RogueHertz 12
RazorBlades 12
RadioCraze 12
Eeh-To-Aah 12
UbuOrator 12
DeepBouche 12
FreakShifta 12
CruzPusher 12
AngelzHairz 12
DreamWeava 12
AcidRavage 12
BassOMatic 12
LucifersQ 12
ToothComb 12
EarBender 12
KlangKling 12
86
Type Description
EQ+ Great Bassline "Processor."
VOW Oooh to Eeee formant morph.
EQ+ Constant bass boost with mid-tone Q control.
VOW Multi-Formant, Map Q To velocity.
VOW "Oui" morphing filter. Q adds peaks.
REZ High resonance nasal filter.
EQ+ Band accentuating filter, Q shifts "ring"
frequency.
EQ+ Low Q boosts bass. Try sawtooth or square
waveform with Q set to 115.
EQ+ Bass with mid-range boost and smooth Q.
Sweep cutoff with Q at 127.
EQ- Cuts a series of frequency bands.
Q selects different bands.
EQ- Band limited for a cheap radio-like EQ
VOW "E" to "Ah" formant movement. Q accentuates
"peakiness."
VOW Aah-Uuh vowel with no Q. Raise Q for throaty
vocals.
VOW French vowels! "Ou-Est" vowel at low Q.
PHA Phasey movement. Try major 6 interval and
maximum Q.
PHA Accentuates harmonics at high Q. Try it with a
sawtooth LFO.
FLG Smooth sweep flanger. Good with vox waves.
e.g. I094, Q =60
FLG Directional Flanger. Poles shift down at low Q
and up at high Q.
REZ Great analog Q response. Wide tonal range.
Try it with a sawtooth LFO.
REZ Low boost for basslines. Q goes to distortion at
the maximum level.
REZ Violent mid Q filter! Take care with Q values
40-90.
REZ Highly resonant harmonic peaks shift in
unison. Try mid Q.
WAH Midway between wah & vowel. Strong
mid-boost. Nasty at high Q settings.
SFX Ringing Flange filter. Q "tunes" the ring
frequency.
Proteus X Operation Manual