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Power User Tip: Very short compressor release times can produce a choppy or "jittery" sound, espe-
cially when compressing instruments that have a lot of low-frequency components, such as a rich acous-
tic guitar. Very long release times can result in an over-compressed, or "squashed," sound. All ranges of
release can be useful, however, and you should experiment to become familiar with different sonic pos-
sibilities.
用户提示：非常短的压缩器释放时间会产生不稳定或 " 抖动 " 的声音，特别是在压缩有大量低频成分的乐
器时，如丰富的 Acoustic 吉他。非常长的释放时间会导致过度压缩，或 有 " 压扁 " 的声音。然而，所有
的释放范围都是有用的，你应该通过实验来熟悉不同的声音位置。
8. Gain. Sets the amount of "makeup gain" to apply to a signal. Once a signal is compressed, its overall
level is often reduced. This gain control lets you bring it back up to the proper level after compression
occurs.
9.Key Filter. This sets the frequency at which the compressor will engage. The compressor will still pro-
cess the entire frequency range, but it is only engaged when the specified frequency is present.
10. Key Listen. Press to listen the signal being used to trigger the compressor, as set with the Key Filter
control (including the effects of the high-pass filter). Press again to switch back to the normal channel signal.
8.增益。设置应用于信号的 "补充增益 "的量。一旦一个信号被压缩，它的整体电平往往会被降低。这个增益
控制可以让你在压缩发生后把它恢复到适当的电平。
9.按键滤波器。它设定了压缩器的工作频率。压缩器仍将处理整个频率范围，但只有当指定的频率出现时，它
才会投入。
10. 键听。按这个键可以听被用来触发压缩器的信号，正如用Key Filter控制所设定的那样（包括高通滤波器的
效果）。再按一下，就会切换回正常的通道信号。
7.2.4 Standard Compressor
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