Input And Output Signals In 24P (23.98P) Mode; Recording In 24P (23.98P) Mode - Sony 3-270-589-12 (1) Operating Instructions Manual

14
Press the M/MARK1 or m/MARK2 button to select
one of the following.
23.98PsF: Output as 23.98P.
2-3 PULL DOWN: Output after pulldown conversion
to 59.94i.
15
Press the SET button.
A confirmation message appears.
16
Press the SET button to confirm the changes, or the
RESET button to cancel them.
If you have pressed the SET button, power the unit off
and on again to enable the changes.
Input and Output Signals in 24P
(23.98P) Mode
The following tables show the signals input and output by
the unit when "23.98PsF" and "2-3 PULL DOWN" are
selected.
Input and output signals
I/O Type
Input Reference
signals video input
HDSDI input
Input LTC input
timecode
HDSDI LTC
input
Output HDSDI
signals output
SDSDI output No output
Composite
output
i.LINK DV
output
i.LINK TS
output
Timecode LTC output
output
HDSDI LTC/
VITC output
SDSDI
RP188 LTC
output
SDSDI VITC
output
COMPOSITE
VITC output
38
24P (23.98P) Mode Settings
23.98PsF 2-3 PULL
DOWN
23.98PsF 59.94i
reference signal reference signal
23.98PsF video and audio
signals
24-frame timecode
23.98PsF video Video and
and audio audio signals
signals pulled down to
59.94i
24-frame 30-frame
timecode timecode after
pulldown
conversion
–
–
–
Timecode display
Type 23.98PsF
LTC display 24-frame timecode
PDT display –
VITC display 24-frame timecode
COUNTER display 24-frame signals
Timecode in remote timecode mode
Type 23.98PsF
9-pin preset 24-frame timecode
timecode
9-pin preset 24-frame signals
timer 1 (Counter)
9-pin scene 24-frame timecode
timecode
9-pin scene 24-frame signals
timer 1 (Counter)
For more information about remote timecode mode, refer
to the REMOTE (9-pin) Protocol Manual for the PDW
series (not supplied).

Recording in 24P (23.98P) Mode

Recording frame sequence and clip length
See the following figure for the frame sequence.
In 24P (23.98P) mode, recording start and stop timing is
adjusted so that a recorded sequence always begins with an
"A-frame" and ends with a "D-frame". As a result, the
number of frames in a clip is always a multiple of 4.
Recording timecode
When you preset timecode manually, select a multiple of 4
as the number of frames in the timecode, and adjust so that
the preset timing begins with an "A-frame".
The unit will then adjust so that the timecode at the start of
recorded clips will have a number of frames that is a
multiple of 4.
Notes
• The above adjustments are not carried out when you
preset timecode remotely.
• No adjustments are made when you record external
timecode. Therefore the number of frames in the
2-3 PULL DOWN
30-frame timecode
after pulldown
conversion
30-frame signals
after pulldown
conversion
2-3 PULL DOWN
30-frame signals
after pulldown
conversion
30-frame timecode
after pulldown
conversion
30-frame signals
after pulldown
conversion