o
The
CONTROL VOLT
1
VOLT/OCT
jack
is
used
to
supply
control voltage
out
from
the
Memorymoog
to the external synthesizer.
The
other
two
jacks
—
V-GATE
TO
1
5
V
and
S-TRIG
15V
TO
—
are
used
to
supply
either voltage
or switch
triggers fronn
the
Memorymoog
to
the
ex-
ternal
synthesizer,
depending on which
type of
trigger signal
it
requires.
Consult
the
owner's
manual
for the synthesizer
you
intend to
interface to for details
of the
trigger signal
required.
Once
you've connected the
necessary
patch cords
between
instruments,
it
may
be necessary
to
retune the
Memorymoog
output
to the external synthesizer, especially
if
that synthesizer has
a
keyboard
that
ends
in
notes other than
C.
To
do
this,
use the
RANGE
(R)
and
SCALE
(S)
trimpots
on
the
back
panel of the
Memorymoog.
The
RANGE
control
lets
you
tune
the
Memorymoog
output +
an
octave. Hit
the lowest
C
on
the
Memorymoog,
and tune
it
to the
lowest
C
on
the
instrument you're
interfacing
to.
The
SCALE
trimpot
is
used
to
tune
the outer range of the
Memorymoog
output
to
the
outer range of the instrument you're
interfaced with. Hit the highest
note
on
the
Memorymoog
and
adjust the
SCALE
trimmer
until
it's
in
tune with
the external synth.
You may
have
to
go back
and
forth
between
the
RANGE
and
SCALE
controls
a
bit
before the instruments
are
exactly
in
tune with each
other.
The
KB
OUT
switch
(1.5)
on
the front panel
is
used
to
disconnect
the external synthesizer
from
the
Memorymoog
without unplugging
all
the
patch
cords.
Its
function
is
programmable.
THE
KEYBOARD
o
The
keyboard
is
the source of control voltages that
are
applied to the
oscillators, telling
them
what
pitches to
produce.
The
lower
the
note
you
play,
the
lower
the
corresponding
voltage the key-
board
will
put
out.
It
functions
in
two
basic
modes:
POLYPHONIC
and
MONOPHONIC.
In
its
four
POLYPHONIC
MODES
you
can play
up
to
six
notes simultaneously.
The
keyboard
puts
out
a
separate control voltage for
each
voice
card.
There
are
four
different
ways
that the
com-
puter
assigns
voices
to
the notes
you
play
when
you
Ve
in
a
POLYPHONIC
mode. The
effects
of the
different
keyboard
modes
will
not be apparent
unless
glide
and/or
long
release
times
are
turned
on.
To
hear the various
keyboard modes,
use
a
fairly straight preset,
a
brassy
one
or
something
similar.
Turn
the
GLIDE
(1
.6)
on and
set
it
at
5
or
more.
To
set
the
mode
of the
keyboard,
hit
the
KB
MODE
switch
(1 .7).
The
Alphanumeric
Display
(3.2)
will
then
show
^TOLYPHONIC
1
,
2, 3,
or
4"
depend-
ing
on
the
keyboard
mode
programmed.
Hit
1
on
the
Numeric Keyboard
(3.3)
followed
by
ENTER.
This puts
you
in
KEYBOARD MODE
1
,
which
is
called
CYCLIC
indicating that the voices
will
jump
around
to
new
notes every time
one
is
played. Hitting
a
widely spread chord
on
the
keyboard
more
than once,
letting
the
glide finish
its
cycle,
will let
you
hear
that
no
matter
how many
times
you
strike
the chord, each voice
has
glide
on
it.
u
D
AUTO TUNE
/ \
TUNE
•
•
•
DDD
MONO
MULTrPLE KB
OUT
5
TRIGGER
10
GLIDE
ON/OFF
GLIDE
DD
KB
MODE
HOLD ARPEGGIATOR
2
8
2
8
10
PITCH
BEND
AMOUNT
10
MODULATION
AMOUNT
SYSTEM CONTROLLER
PROGRAM
HSHQ
EIQ HE]
H
H^
E]
RECORD
ENTER
INTERLOCK
POLYPHONIC
KEYBOARD MODES
HIT
KB
MODE
HIT
1
HIT
ENTER
=
KB
MODE
#
1
HIT
KB
MODE
HIT
2
HIT
ENTER
=
KB
MODE
#
2
HIT
KB
MODE
HIT
3
HIT
ENTER
=
KB
MODE
#
3
HIT
KB
MODE
HIT
4
HIT
ENTER
=
KB
MODE
#
4
23
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