Frequency Controls - Moog MEMORYMOOG 345 Owner's And Service Manual

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Hold
a
note
in
the middle of the
keyboard and
turn the
outer
ring
of the
FREQUENCY
controls
(6.5)
for
OSCILLATOR
2.
Experiment with changing the octave settings of
both
OSCILLATOR
1
and
OSCILLATOR
2.
Remember
that
in
this
patch, you're only
listening
to the
output of
OSCILLATOR
2.
By
turning
up
the
MIXER
level
controls to
OSCILLATOR
1,
you'll
hear
its
output
in
addition to that of
OSCILLATOR
2.
Interesting things
start
happening
when you
apply
control voltages
from
a
VOLTAGE
PEDAL
(4.0),
the
LFO
(5.0),
and/or
the
VOICE
MODULATION
section
(5.4)
to the
frequency
of
OSCILLATOR
2
when
it's
synced
to
OSCILLATOR
1.
FREQUENCY CONTROLS
o
OSCILLATOR
2 and
OSCILLATOR
3
both have controls
(6.5
and
6.6)
that
let
you detune them
±
a
minor
sixth
from OSCI
LLATOR
1
.
These
FREQUENCY
controls
are set
up concentrically: the outer
ring
is
used for
large
tuning adjustments and
the inner ring
is
for fine
tuning adjustments. With
these
tuning controls
you
can
do
things
like
play
triads
from
each
single
note
on
the
keyboard, tuning
OSCIL-
LATOR
2 and
OSCILLATOR
3 to a third
and
a fifth
above
OSCILLATOR
1.
You
can achieve
compound
intervals
like
ninths, tenths,
and
thirteenths
by
raising
the octave
setting
of the
OSCILLATOR
after
youVe
tuned
it
up
to a
second,
third,
or sixth using the
OCTAVE
switches
(6.1
).
To
hear the
effects
of the
FREQUENCY
controls,
go back
to the
live
panel
patch
weVe
been working
with
and
turn
up
the
levels
of
OSCILLATORS
1
and
3
and
turn off the
SYNC
switch.
Then
experiment
with tuning the different
oscillators
to various
intervals.
Change
the octave settings too.
THE FREQUENCY CONTROLS
OSCILLATORS
OCTAVE
• • • •
\l/.
WAVESHAPE
• •
•
D n D D
1 $,
H3
m n
/
Urn/
A
PULSE WIDTH
1%)
OCTAVE
• • • •
nnnn
.\i/.
100
FREQUENCY
PULSE WIDTH
i%)
WAVESHAPE
• • •
J
]
mi
[
I
OCTAVE
• • • •
nnnn
8' 4
n
16- 8'
WAVESHAPE
• •
•
/ \
100
FREQUENCY PULSE
WIDTH
(%)
3^'''e-Diin
ru
K
A
10
LEVEL
2
—8
10
LEVEL
2
8
To
LEVEL
10
NOISE
VOLTAGE CONTROLLED
FILTER
]
K8
TRACK
• •
nn
1/3
2/3
-3
3
2^
8
^4 X-
2
8
-5 5
CUTOFF EMPHASIS
CONTOUR AMOUNT
700
]
1.5
1.4
f
3
5
7.4
f
3
-^\l//3
B«^\i//e ^\l// 3«^\l//e
100—
6 200
—
12
2
8
200
—12
10-^ \^9 20^/
^18 ^/
^
20^
\^18
1MSEC
10 SEC 2
MSEC
20 SEC
10 2
MSEC 20 SEC
ATTACK DECAY SUSTAIN RELEASE
•
• • •
-n-
-a-
-n- -n-
RETURN
UNCONDITIONAL
KEYBOARD RELEASE
TO ZERO CONTOUR FOLLOW
700
1
1.5
400^\l/^3
t.4
f
3
^\l//
7.4
f
3
ac«^\l//a
100
6
200
12
2—
8
200
12
.0-^
\-» .«-/ ^^,.
'7 ^^
20-7 \^^«
IMSEC
10 SEC 2
MSEC 20 SEC
10 2
MSEC
20 SEC
ATTACK DECAY SUSTAIN RELEASE
VOLTAGE CONTROLLED
AMPLIFIER
J
u
EXPERIMENT WITH
DIFFEREIMT
OCTAVE
SETTINGS
AND
DIFFERENT
WAVESHAPE
SETTINGS.
NOTICE
THAT WHEN
THE
OUTER
RING
OF THE FREQUENCY CONTROLS
IS
TURNED, THE INNER
RING
SPINS
AROUND, DUE TO THE FACT THAT THE
INNER RING
IS
A
FINE
TUNE CONTROL.
29