THE
PROGRAMMABLE
FOOTPEDALS
These
are
fairly
self-explanatory.
PEDAL
1
can be used
to control
the frequencies
of
the
oscillators
for pitch
bending.
The
range of the
bend
effect
can be tuned
by
using the rotary
AMOUNT
control.
Volume
and
the
CUTOFF
frequency
of the
filter
can be
controlled
in
the
same
way.
Note
that
when youVe
using the pedal to control the
volume
of
the instrument, the
extreme
limit (the
loudest the
instrument can
get)
is
set
by
the
MASTER VOLUME
control
(11.1).
PEDAL
2 can be used
as
an
LFO
MODULATION
AMOUNT
control,
just like
the
MODULATION WHEEL
(2.3),
and
it
can be used
to control
the pitch
of
OSCILLATOR
2.
When
used
to adjust the
LFO MODULA-
TION
AMOUNT,
the pedal
adds
to the
initial
amount
of
modulation
set
up by
the
MODULATION
AMOUNT
control
(1.11).
In
both functions
controlling the
amount
of
modulation and sweeping
the pitch of
OSCILLATOR
2
-
the
AMOUNT
control adjusts the range of the
pedal.
FOOT
PEDALS
—
AMOUNT
1
—
2
8
10
;h
vol
D
F ILTER
/UIMTi
2
8
10
PtTCH
VOLUME
—
AMOUNTS
5
DD
MOD
AMT
DSC
2
Q
Pedals
aren't
supplied with the
instru-
ment.
They
should be
voltage pedals
with
a
range of
to 5
volts,
such
as
the
Moog
1 1
20
pedals.
Your
local
music shop should
have,
or
be
able to order, suitable pedals.
Note
that
if
you
have
just
one
pedal, the inputs
on
the
back
of the
Memorymoog
are
crosscoupled,
meaning
that
if
you
plug
in
just
one
pedal,
it
will
do
the
work
of two.
For example:
a
pedal
is
plugged
into
the
PEDAL
1
input,
but
all
the
programs
youVe
called
up
show
that
PEDAL
2
will
control the
modulation.
PEDAL
1
will
crosscouple
so that
it
will
control the
modu-
lation
amount
because
there
isn't
a
pedal
connected
to the
PEDAL
2
jack.
©
Q
48
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