Antennas; System Adjustments; Multichannel Systems; Specifications - AKG WMS 60 User Instructions

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  • ENGLISH, page 32
6. Plug the power cable on the supplied AC adapter into a con-
venient power outlet.
7. Switch the receiver ON with the POWER switch (1a).
Note: For easy channel identification in a multichannel setup, you
can replace the snap fitted color code platelet (1j) with a dif-
ferent-color platelet included in the optional Color Coding Kit.

9.4.5. Antennas

For optimum reception, make sure to extend the two telescoping
antennas (1e) exactly as far as specified for each Frequency Set
in Table 1 on page 39.

9.5. System Adjustments

1. Handheld transmitter: Using the supplied screwdriver
(1q), set the GAIN control (2e) so that on the receiver the green
AF LED (1h) will light constantly and the red PEAK LED (1h) on
the receiver and the status LED (2b) on the transmitter will only
flash on the loudest signal peaks.
Bodypack transmitter: Using the supplied screwdriver
(1q), set the GAIN control (3j) so that the green AF LED (1h) on
the receiver will light constantly and the status LED (3c) on the
transmitter as well as the red PEAK LED (1h) on the receiver will
only flash on the loudest signal peaks.
2. The red PEAK LED (1h) on the receiver and/or the status LED
(2b, 3c) on the transmitter lighting brightly means the transmit-
ter is overloaded. Turn the GAIN control (2e) or (3j) on the
transmitter CCW to the point that the PEAK (1h) and status (3c)
LEDs will only flash occasionally.
3. Set the VOLUME control (1b) on the receiver so that the receiv-
er output will optimally drive the connected device (e.g., mixer

11. Specifications

Carrier frequency
Modulation
Audio bandwidth
Frequency stability (-10°C to +50°C)
Rated deviation
T.H.D. at 1 kHz
Compander
Signal/noise ratio
Limiter
RF output
Current consumption
Power requirement
Battery life
Input sensitivity
Audio input level for rated deviation
Input impedance
Condenser microphone power supply
Squelch threshold
Audio output
Size (WxDxH)
This product conforms to ETS 300.422 and ETS 300.445 as well as Parts 15 (receiver), 74, and 90 (traveler) of the FCC Rules.
4. Check the perf o rmance area for "dead spots", i.e., places where
5. If unwanted noise becomes audible, turn the SQUELCH control
Important: Never set the squelch threshold higher than abso-
6. Check the field strength of the received signal. If the RF LOW
7. The MUTE LED (1f) on the receiver illuminating means no sig-

9.5.1. Multichannel Systems

If reception on the selected carrier frequency is disturbed, set the
carrier frequencies for all WMS 60 channels up or
down one or two steps with the respective CHANNEL controls
(1d, 2g, 3f) on each transmitter and receiver.
This is necessary to provide the minimum frequency spacing re-
HT 60
138 to 142 MHz/169 to 220 MHz/240 to 250 MHz
±10 ppm
30 kHz (US1a, US1b: 7.5 kHz)
<0.8%
typ. 50 dB(A)
Yes
10 mW
typ. 120 mA
2x1.5 V AA size batteries
>12 hours
350 mV/1 kHz
220 kΩ
240 x 36 dia. mm
(9.4 x 1.4 in.)
input). Refer to the instruction manual for the connected device.
the field strength seems to drop and reception deteriorates.
If you find any dead spots, try to eliminate them by reposition-
ing the receiver. If this does not help, avoid the dead spots.
(1c) CW just enough to suppress the noise.
The MUTE LED (1f) will light every time the squelch mutes the
audio output of the receiver.
lutely necessary. The higher the squelch threshold, the lower the
sensitivity of the receiver and thus the usable range between
transmitter and receiver.
LED (1g) lights, reposition the receiver and/or transmitter such
that field strength will increase back to optimum (OK LED (1g)
illuminating).
nal is received or the squelch is active.
Remedies: Switch the transmitter ON, move closer to the receiv-
er, or turn the SQUELCH control (1c) CCW to the point that the
MUTE LED (1f) will extinguish.
PT 60
FM
50 to 20,000 Hz
Yes
150 mA
>10 hours
1400 mV/1 kHz
6 V/6,8 kΩ on pin 3
92 x 65 x 20 mm
(3.6 x 2.6 x 0.8 in.)
SR 60
<0.5%
>100 dB(A)
200 mA
120/230 V AC, 50/60 Hz
typ. -95 dBm
-75 to -70 dBm
balanced XLR: switchable be
tween microphone and line
levels; typ. 30 dB
unbalanced XLR: 6 dBm
unbalanced 1/4" jack: 0 dBm
210 x 170 x 42 mm
(8.3 x 6.7 x 1.7 in.)

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