Lexicon PCM 80 - REV 1 DUAL FX User Manual page 66

0.3 4PoleKnobWah
The stereo, 24dB/octave bandpass filter set up like a wah pedal. ADJUST controls the
center frequency of the sweep.
0.4 4PoleLFOWah
A variation of the 4 Pole Wah. In this effect, a tempo controlled LFO sweeps the wah
automatically. ADJUST controls the depth of the LFO sweep. T
0.5 Weird!
Another sci-fi echo effect. Left and right EQ's are swept independently by input
envelopes. The color of the sound changes as the repeats die away. ADJUST controls
the feedback amount.
0.6 Weirder!
The same basic effect as Weird!, but the EQ sweeps are altered to produce a more eerie
decay. ADJUST controls the feedback amount .
0.7 Weirdest!
Another variation on Weird! In this version, the EQ's are set to sweep upward as they fade
away. ADJUST controls the feedback amount.
0.8 Phased Fbk
The right channel delay feedback is out of phase in this filtered, eighth-note echo. This
produces a subtle side-to-side spaciousness as the echoes fade away. ADJUST sets the
amount of feedback. Be sure to play with the master filter controls in the Soft Row. T
0.9 KnobFlange 1
A manual flanger. ADJUST provides manual tuning of the effect. This is a true stereo
effect, with flanging applied in opposing amounts to each channel. You can process
stereo source material while maintaining proper imaging.
1.0 KnobFlange 2
A manual flanger. ADJUST provides manual tuning of the effect. In this version the
flanging is the same in each channel. As with KnobFlange 1, you can process stereo
source material while maintaining proper imaging. T
1.1 KnobFlange 3
A small stereo chamber is fed into a manual flanger. The presence of short reverb tails
brings out the flanging effect, especially with percussion. ADJUST provides manual
tuning of the flange. T
1.2 Envelo Hall
Medium sized Concert Hall feeding into Multi Band filters with HiCut driven by (input)
Envelopes L & R. Try it on electric and acoustic piano. T
1.3 Flange>Ghost
A stereo flanger feeding into the reverse reverb effect. ADJUST controls the depth of this
ethereal effect. Great for special effects — but it might suprise you with its musical
applications.
1.4 Ghost>Flange
Like Flange>Ghost with the routing reversed. The reversed reverb feeds into the flanger.
ADJUST controls the depth of the flanger. Big, wide and spooky!
1.5 Bass Tone
Low frequency burst when triggered by input signal. Best when triggered by a drum
sample. T
1.6 Gate>Gate
Gated Multi Band feeding a gated reverb. T
ADJUST: Center
ADJUST: Depth
ADJUST: Feedback
ADJUST: Feedback
ADJUST: Feedback
ADJUST: Feedback
ADJUST: Notch
ADJUST: Notch
ADJUST: Notch
ADJUST: Release
ADJUST: Depth
ADJUST: Depth
ADJUST: Pitch
ADJUST: Shape
0–127
0–100
0–100
0–100
0–100
0–100
0–100
0–100
0–100
0–127
0–100
0–100
0–12
0–127
The Presets
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