Program Bank X2; Stereo (0.0-2.9) - Lexicon PCM 80 - REV 1 DUAL FX User Manual

PCM 80 Dual FX User Guide

Program Bank X2

Stereo
(X2 0.0 – X0 2.9)
3-10
4.2 Tape Flange2
A variation of the tape flanger. In this version, the left and right flange sweeps travel in
opposite directions. This adds a spatial dimension to the classic effect. ADJUST controls
the flanging delay.
4.3 Rvb>T Flange
The characteristic "over the top" sweep of tape flanging is emphasized by inserting a plate
reverb in front of the flanger. ADJUST controls the flanging delay.
4.4 T Flange>Eko
A stereo delay follows the tape flanger. The left delay produces an eighth-note pattern,
and the right produces a triplet pattern. ADJUST controls the flanging delay. The Soft Row
contains controls for the delay rhythms and reverb level. T
4.5 VS EkoFlange
Varispeed echo with flanging. A very analog-sounding stereo effect. The delay times are
matched to an analog 2-track as follows: 0 = 30 ips, 25 = 15 ips, 50 = 7.5 ips, 100 = 3.75
ips. The Soft Row contains feedback, as well as reverb controls.
4.6 Aerosol:Wet
Aerosol is an extreme flanger. A true stereo effect, it allows you to process stereo source
material and maintain its proper image. In this version, audio is passed through a medium
plate reverb before it is run into the flanger. ADJUST controls the low frequency limit of
the flange sweep. Crank it to 0 while running audio through the effect, let it stabilize for
a few seconds, then start cranking it toward 100. T
4.7 Aerosol:Dry
The Aerosol flanger totally dry. ADJUST controls the low frequency limit of the sweep. The
Soft Row has everything you need to make this effect more, or less, extreme T
4.8 Aerosol:Mix
The Aerosol flanger feeding a medium plate reverb. ADJUST controls the dry/wet reverb
mix. Use it to bring the processed audio closer or farther away. The Soft Row contains
all the controls you need for adjusting the flange and reverb effects. T
4.9 Phat Detune1
A rich stereo detune. Perfect for fattening up stereo sources. ADJUST controls the
amount of detuning. The output of the detune is routed into a reverb. The reverb mix is
set to 0% Wet in the program, can be altered to taste. You'll find the mix control, along
with lots of other useful parameters, in the Soft Row.
0.0 4PoleEQ LP
A stereo, 24dB/octave lowpass filter. ADJUST controls the high frequency cutoff point.
Turn up Delay Time Master and Feedback Master in the Soft Row to add stereo echo
effects. For best results, don't mix with dry signal.
0.1 4PoleEQ HP
A stereo, 24dB/octave highpass filter. ADJUST controls the low frequency cutoff point.
Turn up Delay Time Master and Feedback Master in the Soft Row to add stereo echo
effects. For best results, don't mix with dry signal.
0.2 4PoleEQ BP
A stereo, 24dB/octave bandpass filter. ADJUST controls the center frequency of the
band. Turn up Delay Time Master and Feedback Master in the Soft Row to add stereo
echo effects. For best results, don't mix with dry signal.
ADJUST: ReelBrake
ADJUST: ReelBrake
ADJUST: ReelBrake
ADJUST: TapeSpeed
ADJUST: Low Depth
ADJUST: Low Depth
ADJUST: Rvb Mix
ADJUST: Depth
ADJUST: Hi Cut
ADJUST: Lo Cut
ADJUST: Center
Lexicon
0–100
0–100
0–100
0–100
0–100
0–100
0–100
1–100
0–127
0–127
0–127