Application Example 2 (Live) - Fostex MR16 Owner's Manual

As example 1, this example also uses the AUX OUT and TO STEREO BUSS functions. It is assumed
that you want to do the following.
(1) You want to use the MR16 in the live performance of a band, which uses synchronization between the
recorder tracks and keyboard live playing.
(2) The backing tracks (tracks 3 through 16) are played back by the MR16, while two keyboards are
played live.
(3) A click (recorded on tracks 1 and 2) is fed to the keyboard players.
Keyboard 1
• Set the output source of AUX OUT 1 to track "1".
• Set the output source of AUX OUT 2 to track "2".
See page 146 for details about how to make
settings above.
• Set the panpot of INPUT A to "L10".
• Set the panpot of INPUT B to "R10".
• Set the panpot of INPUT C to "L10".
• Set the panpot of INPUT D to "R10".
See page 86 for details about how to make
settings above.
• Turn on the [TO STEREO BUSS] keys for [INPUT A]
through [INPUT D].

Application example 2 (Live)

Connection between the MR16 and external units
Keyboard 2
INPUT A INPUT B INPUT C INPUT D
BAL BAL BAL BAL
UNBAL
/GUITAR INSERT UNBAL UNBAL UNBAL
TRIM TRIM
TRIM TRIM
PEAK
DISTORTION PEAK PEAK PEAK
MIN MAX LINE MIC LINE MIC LINE MIC LINE MIC
GUITAR
INPUT A INPUT B INPUT C INPUT D
TO STEREO BUSS LEVEL
INPUT EQ
Headphone amplifier
Operation procedure
MR16
Owner's Manual (Application examples)
To PA system
L STEREO OUT R
AUX OUT
1 2
PHONES
1 2
VOLUME
MIN MAX
MIN MAX
ROOM HALL PLATE DELAY
EFFECT
MIN MAX
REVERB / DELAY TIME
Headphone amplifier
• Use the [To STEREO BUSS LEVEL] control to adjust
the keyboard sound levels.
• Use the faders for tracks 3 through 16 to adjust the
track signal levels.
• Turn down the faders for tracks 1 and 2 (because
tracks 1 and 2 are click tracks).
<Notes>
You can independently assign any one of tracks 1
•
through 16, the effect send and the internal click
to AUX OUT 1 and AUX OUT 2 (you cannot assign
more than one signal to each AUX OUT).
You can set pan for each of INPUT A through D at
•
the desired position between L10 and R10.
The mixing levels of INPUTs A through D are
•
collectively controlled by the [TO STEREO BUSS
LEVEL] control.
The balance among INPUTs A through D is
•
adjusted using the TRIM control for each input
channel or the output level control of each
external device. If you do not want to mix any of
the input channels, you can mute it.
• The input channel which is assigned to a recorder
track for recording is not mixed.
151
POWER
15/16 > STEREO WAV FILE
BOUNCE MODE
MENU / ENTER
BOUNCE