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Appendix
17
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24
25
26
27
28
29
30
31
32
33
34
35
36
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40-49
ACO/BASS SIM algorithm
No.
0
1
2
3
4
5
6
7
8
9
10-19
BASS algorithm
No.
0
1
2
3
4
5
6
7
8
192
Crunch
Crunch sound optimized for cutting.
NuanceOD
Overdrive sound brings out those fine amp details.
Tremolo
Tremolo sound for arpeggio.
ShortDLY
Rock lead sound with short delay.
Half Wah
Midrange-oriented sound with half open wah.
Jet Riff
Flanger jet sound.
SmoothLD
Smooth and glossy distortion sound.
HR Core
Punchy hard rock sound.
ENGL 650
Simulation of the ENGL E650 favored by Ritchie Blackmore.
5thPitch
Synthesizer-like pitch sound with fifth-down for ad-libbing.
375 DLY
Dotted eighth delay with bpm = 120 gives a gimmicky sound for solo play.
PsycheVB
Psychedelic vibe sound of the sixties as personified by Jimi Hendrix.
D'live
Crunch sound with intense live feeling.
NicePick
Crunch sound controlled by your picking.
X'over
Slick semi-acoustic sound with overdrive.
Combo
Crunch sound in the boogie combo style.
MildTone
Mild tone emphasizes the low range.
Bright
Bright and airy sound.
OLD DLY
Lead tone flavored with analog delay.
Tweed
Tweed amp sound with a clear edge.
BoxBody
Old-style semi-acoustic fusion sound.
Big Wave
SFX sound using ARRM creates a wave that rolls back to you.
Bottom
Twang those lower strings with this sound.
Empty
Patch name
Ensemble
Gorgeous sound with deep ensemble effect.
Delay LD
Lively acoustic guitar sound for lead playing.
Chorus
Chorus sound runs the gamut from side guitar to lead guitar.
FineTune
Delicate detune creates sonic depth.
Air Aco
Air sound creates a miking effect.
Standard
Standard bass sound with many uses.
CompBass
Bass sound comes to live with compressor and exciter.
WarmBass
Bass sound with warm and round feeling.
Flanging
Flanging sound covers a lot of ground, from 16-beat phrases to melody playing.
Auto Wah
Funky bass making good use of auto wah.
Empty
Patch name
SVT
Walk the high road of rock. Great for finger picking or flatpicking.
BASSMAN
Vintage rock sound for any occasion.
HARTKE
Hartke simulation with all the glitz and glitter.
SUPER-B
Choose this for guitar unison play and solo play.
SANS-A
Edgy sound with a strong core is a good match for flatpick.
TUBE PRE
All-rounder tube sound always comes in handy.
Attack
Compression sound effective for slap and flatpick playing.
Wah-Solo
Solo sound with distortion and a touch of wah. Pitch shift is the secret ingredient.
Talk&Cry
Typical SFX effect that uses cry like a talking modulator.
Description
Description
ZOOM HD8/HD16
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