Recording Midi Data To A Pattern Track - Yamaha MOTIF6 Owner's Manual

Sampling with Song Playback (Integrated Sampling Sequencer)

2. Recording MIDI data to a Pattern Track

Now that you've recorded a rhythm sample to a Pattern and sliced it, the next step is to record some MIDI parts and
add them to the Pattern. You can record MIDI in two ways: Realtime and Step.
2 Select a Recording type.
Replace
You can use this method when
you want to overwrite an
already recorded track with
new data.
102
MOTIF Quick Start Guide
1 After setting the measure length and
meter (time signature), enter the
Pattern Record mode.
SEQ TRANSPORT
LOCATE 1
REC
PAN REVERB CHORUS TEMPO
CUTOFF RESONANCE ATTACK RELEASE
KNOB ASSIGN A ASSIGN B ASSIGN 1 ASSIGN 2 REMOTE
CONTROL CONTROL
FUNCTION ON/OFF
KN 1 KN 2 KN 3 KN 4
MEQ LOW MEQLOWMID MEQ HI MID MEQ HIGH EFFECT BYPASS ARPEGGIO
INSERTION SYSTEM ON/OFF
MASTER
VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4
VOLUME
SEQ TRANSPORT
LOCATE 1 2
REC
OCTAVE CS 1 CS 2 CS 3 CS 4
DOWN UP
ZONE 1 ZONE 2 ZONE 3 ZONE 4
DEC/NO INC/YES
Overdub
You can use this method when
you want to add more data to a
track that already contains data.
To step on page 103
3
Basic Structure (page 53) · Reference (page 221)
2
MUSIC PRODUCTION SYNTHESIZER
Integrated Sampling Sequencer
Real-time External Control Surface
Modular Synthesis Plug-in System
MODE
VOICE PERFORM MASTER DRUM KITS PRE 1 PRE 2 PRE 3 GM
FAVORITES A. PIANO KEYBOARD ORGAN GUITAR /
COMMON PLUCKED
SEQUENCER
SONG PATTERN FILE A B C D
DEC/NO INC/YES SYN LEAD SYN PAD/ SYN COMP CHROMATIC
PERCUSSION
CHOIR
INTEGRATED
SAMPLING MIXING UTILITY 1 2 3 4
SONG SCENE
SF 1 SF 2 SF 3 SF 4 SF 5 INFORMATION
ELEMENT/ PERF.PART / ZONE
EDIT JOB STORE F1 F2 F3 F4 F5 F6 EXIT ENTER 9 10 11 12
COMPARE SCENE STORE EXECUTE
SET LOCATE
Step
You can compose your
performance by "writing" it
down one event at a time.
To step
3
SLOT 1 SLOT 2 SLOT 3
CATEGORY
USER PLG 1 PLG 2 PLG 3 SEARCH BANK
BASS STRINGS BRASS REED/PIPE
E F G H SECTION GROUP
DRUM / SE MUSICAL FX COMBI
PERCUSSION
TRACK
5 6 7 8 SELECT
NUMBER
13 14 15 16 MUTE
SOLO
on page 104