Midas M32C User Manual page 10

18 M32C DIGITAL RACK MIXER User Manual
When Layer 1 is selected, the far left encoder push button allows you to select
between virtual front and rear outputs. Rear is suitable for drums due to it being
less refl ective. Front is well-suited for vocals and other dynamic instruments.
The Vintage button enables the simulation of the input transformers.
Stereo/Dual Tube Stage/Overdrive
Tube Stage/Overdrive is a versatile eff ect capable of emulating a variety of
modern and classic tube preamps. Available in stereo and dual-mono versions,
use Tube Stage/Overdrive to dial in warm and fuzzy sounds from subtle to
fully saturated.
DRIVE adjusts the amount of harmonics being driven by the eff ect. EVEN and ODD
adjust the amount of even and odd harmonics. GAIN adjusts the output gain of
the eff ect. LO CUT sets the input frequency below which the source signal will not
pass through the eff ect. HI CUT sets the input frequency above which the input
signal will not pass through the eff ect. BASS GAIN/FREQ adjust a low shelving
fi lter at the output of the eff ect. TREBLE GAIN/FREQ adjust a high shelving fi lter at
the output of the eff ect.
Stereo Imager
A Stereo Imager is typically used to control the placement of a signal within the
stereo fi eld during mixdown or mastering. Modeled after the BEHRINGER Edison
rack unit, M32's Stereo Imager will lend a professional quality to your live and
recording performances.
The BALANCE knob allows you to emphasize the mono or stereo components
of the input signal. The mono and stereo signals can be panned independently
with the MONO PAN and STEREO PAN knobs. OUT GAIN is used to compensate for
level changes resulting from the eff ect. The phase can also be shifted using the
shelving knobs. Select the frequency and bandwidth (Q) using the corresponding
knobs, then adjust the gain with the SHV GAIN knob.
Rotary Speaker
Rotary Speaker emulates the sound of a Leslie rotating speaker. M32's Rotary
Speaker provides more fl exibility than its electro-mechanical counterpart,
and can be used with a variety of instruments, and even vocals, to create a
whirling, psychedelic eff ect.
The LO SPEED and HI SPEED knobs adjust the rotational speed of the
SLOW and FAST Speed selection, and can be toggled with the FAST button.
The ACCEL(eration) knob adjusts how quickly the speed increases and decreases
from the Slow mode to the Fast mode. The rotation eff ect can also be disengaged
with the STOP button, which will stop the movement of the speakers.
DISTANCE adjusts the distance between the Rotary speakers and the
virtual microphone.
Chorus / Stereo Chorus
Chorus samples the input, slightly detunes it and mixes it with the original
signal to produce a somewhat thicker, shimmering sound. Use it to thicken up
background vocals, or to double the sound of brass and woodwind instruments.
Where as DELAY L/R set the total amount of delay for the left and right channel,
WIDTH determines the amount of modulated delay. SPEED sets the modulation
speed. MIX adjusts the balance of the dry and wet signals. You can further sculpt
the sound by trimming some of the low and high end from the eff ected signal
with the LO and HI CUT knobs. Additionally, the PHASE knob can tweak the
phase off set of the LFO between left and right channel and the SPREAD knob
adjusts how much of the left channel is mixed into the right and vice versa.
Finally, the WAVE knob blends between the "Danish-style" digital triangular
chorus sound and the classic analog sine wave.
Flanger / Stereo Flanger
The Flanger emulates the phase-shifting sound (comb-fi ltering)
originally created by applying pressure against the fl ange of the reel on a tape
recorder. This eff ect creates a unique "wobbly" sound that is quite dramatic when
used on vocals and instruments.
The controls of this eff ect are nearly identical to the Chorus eff ect block.
Additionally, the FEEDBACK can be adjusted with positive and negative amounts
and also band-limited with the FEED HC (high-cut) and FEED LC (low-cut) knobs.
Stereo Phaser
A Stereo Phaser, or phase shifter, applies multiple STAGES of modulated fi lters to
the input signal to create a "notch" in the frequency response, and then applies
a MIX with the original for a "swirling" eff ect. Use M32's Stereo Phaser to add a
"spaced-out" sound to vocal or instrument tracks.
SPEED adjusts the LFO rate and DEPTH sets the LFO modulation depth.
The BASE knob adjusts the frequency range of the modulated fi lters.
The resonance is adjusted with the RESO knob. The WAVE knob shapes the
symmetry of the LFO waveform and PHASE dials in an LFO phase diff erence
between the left and right channel. The modulation source can also be the signal
envelope, which produces vowel-like opening and closing tones. The ENV MOD
knob adjusts how much this eff ect takes place (positive and negative modulation
is possible), and the ATTACK, HOLD and RELEASE knobs all tailor the response of
this feature.
19 M32C DIGITAL RACK MIXER User Manual
Tremolo / Panner
Stereo Tremolo creates an up and down volume change at a constant and even
tempo just like the guitar amps of yesteryear. Use M32's Stereo Tremolo to add a
unique "surf-music" texture to a vocal or instrument track.
SPEED adjusts the LFO rate and DEPTH sets the amount of modulation.
PHASE can be used to set an LFO phase diff erence between the left and right
channel, which can be used for panning eff ects. The WAVE knob blends the LFO
waveform between triangular and square shape. The signal envelope, shaped by
ATTACK, HOLD and RELEASE, can be used to modulate the LFO speed (ENV SPEED)
and the LFO modulation depth (ENV DEPTH).
Stereo / Dual Pitch
Pitch shifting is often used in two diff erent ways. One is to set the Mix knob lower
and only use the Cent knob to make a small off set in pitch between the wet and
dry tones. This results in a "voice doubling" eff ect that thickens the overall sound
in a more subtle way. The extreme use of the eff ect is to turn the Mix knob fully-
clockwise so the entire signal is eff ected. This way, the signal can be shifted into
other keys up to an octave above or below the original. When used on a voice,
this results in a "chipmunk" sound or a low Darth Vader eff ect.
When the SEMI and CENT knobs are set at 12:00, the pitch is not altered.
Making adjustments by semitone will have a very pronounced eff ect,
whereas changes to the CENT knob will be very minor. The DELAY knob creates a
time diff erence between the wet and dry sound. The LO and HI CUT knobs allow
the eff ected signal to be band-limited. The Dual Pitch eff ect allows the left and
right channels to be adjusted independently, and allows GAIN compensation and
panning of the two channels.
Stereo / Dual Guitar Amp
Modeled after the Tech 21 SansAmp, the Stereo / Dual Guitar Amp simulates the
sound of plugging into a real guitar amp. From shimmering cleans to saturated
crunch, M32's Stereo / Dual Guitar Amp allows an electric guitar player to sound
great without using an amp on stage.
The PREAMP knob adjusts the amount of input gain prior to the band-specifi c
distortion adjustment. BUZZ adjusts the low-end breakup, PUNCH adjusts
the midrange distortion, and CRUNCH tailors the high-frequency content and
distortion for smooth or cutting notes. The DRIVE knob simulates the amount
of power amp distortion from a tube amp. The LOW and HIGH knobs allow
EQ adjustment independent of distortion content, and the overall output is
controlled by the LEVEL knob. The CABINET simulation can be bypassed if the
guitarist is already using a real cab, which allows the eff ect to function like a
boost or distortion pedal. The Dual Guitar Amp allows the left and right channels
to be adjusted independently.
Wave Designer
Wave Designer is a powerful tool for adjusting signal transients and dynamics,
such as attack and sustain. Use it to make a snare drum really "crack" in the
mix or level out volume inconsistencies of slap bass tracks. (Inspired by the SPL
Transient Designer)
Adjusting the ATTACK knob can add punch or tame overly dynamic signals.
Increasing the SUSTAIN knob acts in a similar way as a compressor, allowing the
peaks to carry longer before decay. The eff ect can also be used to reduce the
sustain for a more staccato sound. The GAIN knob compensates for level changes
caused by the eff ect.
Stereo Exciter / Dual Exciter
Exciters increase presence and intelligibility in live sound applications, and are
indispensable for adding clarity, air and harmonic overtones in the recording
studio. This eff ect is particularly useful for fi lling out the sound in diffi cult rooms
and for producing a more natural live/recorded sound. (Inspired by the famous
Aphex Aural Exciter)
Set the frequency of the side-chain fi lter with the TUNE knob, and further shape
the fi lter slope with the PEAK and ZERO FILL knobs. Turning the TIMBRE knob
left of center adds more odd harmonics, while turning it right of center adds
more even harmonics. Adjust the harmonic content added to the signal with
the HARMONICS knob, and blend in the eff ected signal with the MIX knob.
Engage the SOLO MODE to isolate only the audio resulting from the eff ect so you
can hear exactly what you're adding to the mix.
Stereo Enhancer / Dual Enhancer
M32's Enhancers are so called "Psycho EQs". They can enhance the signal
spectrum in bass, midrange and high frequencies but they diff er from traditional
equalizers. When you need to generate maximum punch, clarity and detail,
without turning up the overall volume, our enhancers are the solution.
(Inspired by the SPL Vitalizer)
Adjust the BASS, MID and HI GAIN knobs to add or reduce content in those
spectrums. The BASS and HI FREQuencies can be specifi cally selected, while the
MID Q (bandwidth) can be adjusted instead. The OUT GAIN knob compensates for
changes in level resulting from the eff ect, and the SPREAD knob (Stereo version
only) emphasizes the stereo content for a wider mix. Engage the SOLO MODE
to isolate only the audio resulting from the eff ect so you can hear exactly what
you're adding to the mix.