Konica Minolta DiMAGE A200 Instruction Manual
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Konica Minolta DiMAGE A200 Instruction Manual

Konica minolta digital camera instruction manual dimage a 200
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  • Page 1 INSTRUCTION MANUAL...

  • Page 2: Color Mode

    COLOR MODE The color mode controls whether a still image is color or black and white as well as the color space. The color mode is set with the function button (p. 64). The live image on the monitors will reflect the selected color mode. For more on the color mode see page 68. Natural Color and Embedded Adobe RGB - reproduces the colors in the scene faithfully.

  • Page 3: Before You Begin

    Konica Minolta. Beware of counterfeit batteries; the use of these batteries will damage the product and may cause fire. Konica Minolta is a trademark of Konica Minolta Holdings, Inc. DiMAGE is a trademark of Konica Minolta Photo Imaging, Inc. Apple, Macintosh, and Mac OS are registered trademarks of Apple Computer Inc.

  • Page 4: For Proper And Safe Use

    FOR PROPER AND SAFE USE NP-800 LITHIUM-ION BATTERIES This camera operates on a powerful lithium-ion battery. Misuse or abuse of the lithium- ion battery can cause damage or injury through fire, electric shock, or chemical leakage. Read and understand all warnings before using the battery. DANGER •...
  • Page 5 GENERAL PRODUCT WARNINGS AND CAUTIONS Read and understand the following warnings and cautions for safe use of the digital camera and its accessories. WARNING Using the remote control battery improperly can cause it to leak harmful solutions, overheat, or explode which may damage property or cause personal injury. Do not ignore the following warnings.
  • Page 6 The continued use of a damaged product or part may cause injuries or fire. • Take the product to a Konica Minolta service facility when repairs are required. • Handling the cord on this product may expose you to lead, a chemical known to the State of California to cause cancer, and birth defects or other reproductive harm.
  • Page 7 CAUTION • Do not use or store these products in a hot or humid environment such as the glove compartment or trunk of a car. It may damage the camera, charger, and battery which may result in burns or injuries caused by heat, fire, explosion, or leaking battery fluid. •...

  • Page 8: Table Of Contents

    TABLE OF CONTENTS Color mode ...2 Before you begin ...3 For proper and safe use...4 Names of parts ...13 Getting up and running...16 Attaching the camera strap ...16 Removing the lens cap...16 Attaching the lens hood...17 Charging the battery ...18 Installing and changing the battery...19 Battery condition indicator ...20 Auto power save...20...
  • Page 9 Enlarged playback ...41 Advanced recording ...42 Recording mode display ...42 Display-information button...43 Focus-mode button...44 Manual focus and Flex Digital Magnifier ...45 Changing AF-area modes...46 Spot AF areas...47 Flex Focus Point...48 Macro mode...49 Exposure lock ...50 Exposure-mode dial...50 Program - P ...51 Program shift - P Auto recording ...52 Aperture priority - A...54...
  • Page 10 Using the drive-mode button ...76 Self-timer...77 Recording with remote control ...78 Setting up the camera for remote control ...78 Using the remote control...79 Bracketing ...80 Continuous advance ...82 Recording menu ...84 Navigating the recording-mode menu ...84 Image size and image quality...86 About RAW image quality...88 Notes on image size and resolution ...89 Spot AE area ...90...
  • Page 11 Capturing a movie frame...111 Navigating the playback menu ...112 Frame-selection screen ...114 Delete ...115 Format ...116 View folder ...116 Lock ...117 Movie editing...118 Slide Show...120 Magnification setup...120 About DPOF ...121 DPOF setup ...121 Date imprint ...122 Index print...122 Cancel print ...123 Copy and E-mail Copy ...123 Viewing images using the remote control ...126 Changing the battery ...127...
  • Page 12 Auto power save...141 Data-transfer mode ...142 System requirements...142 Connecting the camera to a computer ...143 Connecting to Windows 98 / 98 second edition ...144 Automatic installation ...144 Manual installation ...145 QuickTime system requirements ...147 VideoStudio system requirements...147 Auto power save (Data-transfer mode) ...147 Memory card folder organization...148 Disconnecting the camera from the computer ...150 Windows 98 / 98 second edition...150...

  • Page 13: Names Of Parts

    NAMES OF PARTS * This camera is a sophisticated optical instrument. Care should be taken to keep these surfaces clean. Please read the care and storage instructions in the back of this manual (p. 164). Movie mode (p. 106) Playback mode (p. 37, 110) Recording mode (p.
  • Page 14 Manual exposure (p. 56) Shutter priority (p. 55) Aperture priority (p. 54) Program exposure (p. 51) Auto recording (p. 52) Diopter-adjustment dial (p. 25) Anti-shake button (p. 36) AMES OF PARTS Memory recall (p. 99) Portrait subject program (p. 58) Sports action subject program (p.
  • Page 15 Accessory shoe Macro release (p. 49) Battery-chamber (p. 19) Battery-chamber lock (p. 19) Tripod socket Strap eyelet (p.16) Speaker Focus-mode button (p. 44) Shift button Terminal cover The USB port. AV-out terminal, and DC terminal are located behind the cover. (p.21, 128, 143)

  • Page 16: Getting Up And Running

    GETTING UP AND RUNNING This section covers the preparation of the camera. This includes the changing of batteries and memory card as well as the use of external power supplies. ATTACHING THE CAMERA STRAP Attach the camera strap to the strap eyelets as shown.

  • Page 17: Attaching The Lens Hood

    ATTACHING THE LENS HOOD The lens hood is used to control stray light from entering the lens and causing flare. When using the camera under bright light, the use of the lens hood is recommended. The lens hood should not be used with the built-in flash as it can cause a shadow.

  • Page 18: Charging The Battery

    CHARGING THE BATTERY Before the camera can be used, the lithium-ion battery must be charged. Before charging the battery, read the safety warnings on page 4 of this manual. Only recharge the battery with the supplied battery charger. The battery should be recharged before each shooting session.

  • Page 19: Installing And Changing The Battery

    INSTALLING AND CHANGING THE BATTERY This digital camera uses one NP-800 lithium-ion battery. Before using the battery, read the safety warnings on pages 4 of this manual. When replacing batteries, the camera should be off. Open the battery-chamber door by sliding the battery- chamber lock to the open position.

  • Page 20: Battery Condition Indicator

    BATTERY CONDITION INDICATOR This camera is equipped with an automatic battery-condition indicator. The monitor indicator will change from white to red when battery power is low. Full-battery indicator - the battery is fully charged. This indicator is displayed when the camera is on. Low-battery indicator - the battery is partially charged.

  • Page 21: External Power Supplies (Sold Separately)

    EXTERNAL POWER SUPPLIES The AC Adapter AC-11 allows the camera to be powered from an electrical household outlet. The AC Adapter is recommended when the camera is interfaced with a computer or during periods of heavy use. The included adapter power cord is designed for the current requirements of the sales region.

  • Page 22: Inserting And Changing A Memory Card

    INSERTING AND CHANGING A MEMORY CARD Always turn off the camera and confirm the access lamp is not lit before inserting or removing a memory card, otherwise the card may be damaged, and data lost. A memory card must be inserted for the camera to operate. If a card has not been inserted, a no-card warning will be displayed on the monitors.
  • Page 23 1 of the playback menu (p. 116). A memory card used in another camera may have to be formatted before being used. If the card-error message appears, press the central button of the controller to close the window; check the Konica Minolta web site for the latest compatibility information: North America: http://www.konicaminolta.us/ Europe: http://www.konicaminoltasupport.com...

  • Page 24: Turning On The Camera

    TURNING ON THE CAMERA HANDLING THE CAMERA While using the electronic viewfinder (EVF) or LCD monitor, grip the camera firmly with your right hand while supporting the body with the palm of your left hand. Keep your elbows at your side and your feet shoulder-width apart to hold the camera steadily.

  • Page 25: Diopter Adjustment

    EVF, turn the diopter-adjustment dial until the viewfinder image is sharp. Konica Minolta History On February 20th, 1962, John Glenn became the first American to orbit the Earth. On board his Friendship 7 spacecraft was a Minolta Hi-matic camera to record that historic event.

  • Page 26: Lcd Monitor Setup

    LCD MONITOR SET UP This camera has a swiveling LCD monitor. There is a clickstop every 90°. ETTING UP AND RUNNING Open the LCD monitor from the right. The monitor unit can be opened up to 180° to the left (1). When the monitor is rotated 180°...

  • Page 27: Display-Mode Button

    When not in use, store the LCD monitor in its original position to protect the screen from damage. DISPLAY MODE BUTTON Images can be viewed either with the EVF or LCD monitor. Pressing the display mode button switches the active display between the EVF and monitor.

  • Page 28: Setting The Date And Time

    SETTING THE DATE AND TIME After initially inserting a memory card and battery, the camera’s clock and calendar must be set. When images are recorded, the image data is saved with the date and time of recording. Set date/time. Date/Time set 2004 10 .

  • Page 29: Setting The Menu Language

    SETTING THE MENU LANGUAGE LCDbrightness – Lens acc. None Transfer mode Data storage Date/Time set – Video output NTSC Language English LCDbrightness – Lens acc. None Transfer mode Data storage Date/Time set – Video output NTSC Language English Date/Time set Video output Language English...

  • Page 30: Basic Recording

    BASIC RECORDING SETTING THE CAMERA TO RECORD IMAGES AUTOMATICALLY BASIC RECORDING OPERATION Focus frame ASIC RECORDING Set the exposure dial to the program (P) position (1). Confirm the mode switch is in the recording position (2). All camera operations are now fully automatic. The autofocus, exposure, and imaging systems will work together to make photography effortless.
  • Page 31 Press the shutter-release button partway down (2) to lock the focus and exposure. When the focus is set, an AF sensor is displayed in the live image to indicate the point of focus. The focus signals (p. 33) on the monitors will confirm that the image is in focus.

  • Page 32: Focus Lock

    FOCUS LOCK The focus-lock function is used when the subject is off-center and outside the focus frame. Focus lock may also be used when a special focusing situation prevents the camera from focusing on the subject. AUTOMATIC MONITOR AMPLIFICATION In extremely low-light conditions when the camera-sensitivity gain has reached its limit, the automatic monitor-amplification function will intensify the EVF and LCD monitor image.

  • Page 33: Focus Signals

    FOCUS SIGNALS This digital camera has a quick, accurate autofocusing system. The focus signals in the lower right corner of the EVF and LCD monitor indicate the focus status. For more information on autofocus modes, see p. 44. White focus indicator - focus confirmed.

  • Page 34: Using The Built-In Flash

    USING THE BUILT-IN FLASH In low-light conditions or indoors, the flash is needed to illuminate the subject and reduce blurring through camera shake. The flash can also be used as a fill light in direct sunlight to soften harsh shadows. Always remove the lens hood when using the built-in flash; the hood may cast a shadow if mounted.

  • Page 35: Camera-Shake Warning

    CAMERA-SHAKE WARNING If the shutter speed falls below the point where the camera can be safely hand held, the camera-shake warning appears on the monitors regardless if Anti-shake is active. Camera shake is slight blurring caused by subtle hand motion and is more pronounced at the telephoto position of the lens than at the wide-angle.

  • Page 36: Anti-Shake System

    ANTI-SHAKE SYSTEM Anti-shake indicator Anti-shake is not effective with a tripod mounted camera; turn off the Anti-shake function to conserve power. If the camera is overheating because of operating and ambient temperatures, the Anti- shake indicator turns red and the system will turn off automatically. Allow the camera to cool before using Anti-shake.

  • Page 37: Basic Playback

    BASIC PLAYBACK Images can be viewed in the Quick View or playback modes. This section covers the basic functions in both modes. The playback mode has additional menu functions, see page 112. To view images from the recording or movie recording modes, press the Quick View / delete button.

  • Page 38: Single-Frame Playback And Histogram Display

    SINGLE-FRAME PLAYBACK AND HISTOGRAM DISPLAY Mode indicator Date of capture Time of capture Lock indicator (p. 117) Print indicator (p. 121) E-mail copy indicator (p. 123) Frame number / total number of images The dark area of the histogram shows the luminance distribution of the recorded image from black (left) to white (right).

  • Page 39: Viewing Images And Histogram

    VIEWING IMAGES AND HISTOGRAM DELETING SINGLE IMAGES The displayed image can be deleted. Once deleted, an image cannot be recovered. To delete a displayed image, press the Quick View/delete button; a confirmation screen will appear. Use the left/right keys to highlight “Yes.” “No” will cancel the operation.

  • Page 40: Changing The Quick View & Playback Display

    CHANGING THE QUICK VIEW & PLAYBACK DISPLAY The display information button controls the display format. Each time the button is pressed, the display changes between full display and image only. Index playback ASIC PLAYBACK Full display INDEX PLAYBACK To view the recorded images in a 9- frame index, press the left side of the digital-zoom lever.

  • Page 41: Enlarged Playback

    Press the right (+) side of the digital-zoom lever (1) to enlarge the image. The degree of magnification is displayed on the monitors. To reduce the magnification, press the left (-) side of the lever; magnification can be reduced to 1.1X. Holding down the shift button on the left side of the body and pressing the digital-zoom lever changes the magnification in larger increments.

  • Page 42: Advanced Recording

    ADVANCED RECORDING This section contains detailed information on the camera’s recording functions and operation. Read the sections pertaining to your interest and need. RECORDING MODE DISPLAY 1. Lens-accessory indicator (p. 132) 2. Flash-mode indicator (p. 70) 3. Flash signal (p. 34) 4.

  • Page 43: Display-Information Button

    DISPLAY INFORMATION BUTTON Standard display Real-time histogram The real-time histogram shows the approximate luminance distribution of the live image. This histogram will not be accurate when the monitor image is amplified (p. 32, 101), or the built-in or a compatible flash unit (p. 91) is used. The histogram of a recorded image may not show the same distribution as the real-time histogram.

  • Page 44: Focus-Mode Button

    Single-shot AF - a general purpose autofocusing mode. Its operation is described in the basic recording section. Continuous AF - used for photographing moving subjects. When the shutter- release button is pressed partway down, the autofocus system will activate and continue to focus until the exposure is made.

  • Page 45: Manual Focus And Flex Digital Magnifier

    MANUAL FOCUS AND FLEX DIGITAL MAGNIFIER The manual focus mode can be set with the focus-mode button (p. 44). Always use the monitor image to confirm focus. The approximate object distance from the CCD is displayed near the frame counter. Approximate location of the CCD plane The Flex Digital Magnifier is a focusing aid for manual focus.

  • Page 46: Changing Af-Area Modes

    CHANGING AF-AREA MODES Flex Focus Point - a cross-hair focus point that can be placed anywhere in the image area (p. 48). Use the four-way keys of the controller to select the spot AF area or move the Flex Focus Point.

  • Page 47: Spot Af Areas

    SPOT AF AREAS One of the eleven spot AF areas can be selected. Spot AF areas cannot be used with the digital zoom or movie recording. Press the central button of the controller and select the spot AF area mode using the control dial as described on the previous page.

  • Page 48: Flex Focus Point

    FLEX FOCUS POINT The Flex Focus Point (FFP) is a powerful tool for off-center subjects. It can be moved to any point in the image area. The FFP cannot be used with the digital zoom or movie recording. Press the central button of the controller and select the FFP mode using the control dial as described on page 46.

  • Page 49: Macro Mode

    MACRO MODE The macro mode is used for close-up photographs of small objects. The built-in flash cannot be used with macro mode. The use of a tripod is recommended. Align one of the arrows on the zooming ring with the index next to the macro switch and slide the switch forward.

  • Page 50: Exposure Lock

    EXPOSURE LOCK EXPOSURE-MODE DIAL The exposure-mode dial is used to select traditional exposure modes as well as subject programs that optimize camera settings to specific shooting conditions. Camera settings saved in the camera can also be recalled with this dial. Simply turn the dial to the appropriate position.

  • Page 51: Program - P

    PROGRAM - P Program exposure is set with the exposure-mode dial (p. 50). The program AE uses luminance and focal-length information to calculate exposures. This allows the photographer to shoot without worrying about exposure settings. The shutter speed and aperture values of the exposure are displayed on the monitors. If the brightness level of the scene is outside the exposure control range of the camera, the shutter-speed and aperture displays turn red on the monitors.

  • Page 52: Auto Recording

    AUTO RECORDING Auto recording is set with the exposure-mode dial. Auto recording is the same as the program exposure mode (p. 51), except that when the camera is on, if the exposure mode dial is turned to or from the auto position, the auto exposure mode is reset. Turning the camera off will not reset the mode.
  • Page 53 Full-time AF Direct Manual Focus (DMF) Noise reduction Monitor amplification Monitor amplification - Manual exp. Digital zoom Konica Minolta History Auto Exposure priority Interpolate Innovation and creativity has always been a driving force behind our products. The Electro-zoom X was purely an exercise in camera design.

  • Page 54: Aperture Priority - A

    APERTURE PRIORITY - A Aperture priority is set with the exposure-mode dial (p. 50). The photographer selects the aperture and the camera sets the appropriate shutter speed ensure exposure. When A mode is selected, the aperture display on the monitors turns blue. Turn the control dial to change the aperture.

  • Page 55: Shutter Priority - S

    SHUTTER PRIORITY - S Shutter priority is set with the exposure-mode dial (p. 50). The photographer selects the shutter speed and the camera sets the appropriate aperture to ensure correct exposure. When S mode is selected, the shutter speed display on the monitors turns blue. Turn the control dial to change the shutter speed.

  • Page 56: Manual Exposure - M

    MANUAL EXPOSURE - M Manual exposure mode allows individual selection of shutter speeds and apertures. This mode overrides the exposure system giving the photographer total control over the final exposure. Manual exposure is set with the exposure-mode dial (p. 50). The shutter speeds and aperture values can be changed in 1/3 stop increments.

  • Page 57: Bulb Exposures

    When using flash, the shutter speed should be set to the flash duration of flash unit to prevent underexposure. A maximum shutter speed of 1/1000s is recommended when using the built-in flash and 1/250s when using a compatible Minolta flash unit. The camera-shake warning does not appear in M mode.

  • Page 58: Digital Subject Programs

    DIGITAL-SUBJECT-PROGRAMS Digital subject programs optimize the camera’s exposure, white- balance, and image-processing systems for specific conditions and subjects. Simply turn the exposure mode dial to select the appropriate subject program. Sports action - used to capture fast action by maximizing shutter speeds. When using a flash, make sure the subject is within the flash range (p.

  • Page 59: Exposure And Flash Compensation

    EXPOSURE AND FLASH COMPENSATION The ambient light and flash exposure can be adjusted before the image is captured to make the final picture lighter or darker. Exposure can be adjusted by as much as ±2Ev in 1/3 increments (p. 105). The exposure and flash compensation will remain in effect until it has been reset.

  • Page 60: White Balance

    WHITE BALANCE White balance is the camera’s ability to make different types of lighting appear natural. Any changes are immediately visible on the monitors. :move Use the up/down keys of the controller (2) to select between auto, preset, or custom white balance. The left/right keys (3) change the preset and custom white balance settings.
  • Page 61 Auto Auto Auto To automatically detect the type of light and adjust the White white balance accordingly. When the built-in flash is used, Balance the white balance is set for the color temperature of the flash. Daylight Cloudy Fluorescent 1, 2 Preset white balance...

  • Page 62: Custom White Balance Calibration

    CUSTOM WHITE-BALANCE CALIBRATION Custom-white-balance function allows the camera to be calibrated to a specific lighting condition. Two settings can be stored in the camera and used repeatedly. Custom white balance is especially useful with mixed-lighting conditions or when critical control over color is needed.

  • Page 63: Shooting Tips

    On the register-selection screen use the left/right keys of the controller (2) to select the custom white-balance register in which to store the setting; any previous setting is replaced. Press the central button of the controller (3) to complete the operation. The menu button cancels the operation without saving the setting.

  • Page 64: Using The Function Button

    USING THE FUNCTION BUTTON The camera sensitivity, color mode, flash mode, metering mode, filter, color saturation, and contrast settings are controlled by the function button. Only filter, color saturation, and contrast can be set in the movie recording mode. :move Use the up/down keys of the controller to highlight the function (2), and the left/right keys to change the setting (3).
  • Page 65 Color mode :move Flash mode Metering Saturation Contrast Compensation Changes camera sensitivity (p. 66). To select color or B&W images, color space, or portrait (p. 68). To set the flash mode of the built-in flash (p. 70). Changes the metering pattern (p. 72). mode Changes the overall color of an image Filter...

  • Page 66: Camera Sensitivity - Iso

    CAMERA SENSITIVITY - ISO ISO Auto :move :sel. :enter The auto setting automatically adjusts the camera sensitivity to the light conditions between ISO 50 and 200. When any other setting than auto is used, “ISO” and the set value is displayed on the monitors. Photographers can select a specific sensitivity setting.

  • Page 67: Flash Range And Camera Sensitivity

    FLASH RANGE AND CAMERA SENSITIVITY For correct flash exposures, the subject must be within the flash range. The flash range can be extended by changing the camera sensitivity. When the camera sensitivity is set to auto, the ISO is set between ISO 50 and 200. The flash range is measured from the CCD.

  • Page 68: Color Mode

    COLOR MODE Nat. (sRGB) :move :sel. :enter Vivid Color - increases the saturation of the colors in the scene. The increased saturation affects the RAW image data. Employs the sRGB color space. See the color example on page 2. Natural Color - reproduces the colors in the scene faithfully. This mode uses no monitor indicator when active.

  • Page 69: About Adobe Rgb

    ABOUT ADOBE RGB Embedded Adobe RGB employs the Adobe RGB color space. Adobe RGB has a larger color gamut than the more common sRGB. The size of the gamut limits the colors that can be reproduced; the larger the gamut, the more colors. If the image will be printed out with a high-quality printer, the use of the Adobe RGB color mode is recommended over the sRGB color modes of Natural Color, Vivid Color, or Portrait.

  • Page 70: Flash Modes

    FLASH MODES Flash mode is selected with the function button and the controller (p. 64). For the flash to fire, the built-in unit must be manually lifted. The flash fires in the selected mode regardless of the amount of ambient light. The auto-white- balance setting gives priority to the flash’s color temperature.
  • Page 71 SLOW SHUTTER SYNC. WITH RED-EYE REDUCTION With slow shutter sync, the flash and ambient light exposures are balanced; red-eye reduction is used. Use slow shutter sync. to reveal background details in dark locations. Ask your subject not to move after the flash burst; the shutter may still be open for the background exposure.

  • Page 72: Metering Modes

    METERING MODES MultiSegment :move :sel. :enter Multi-segment - uses 256 segments to measure luminance and color. This data is combined with distance information to calculate the camera exposure. This advanced metering system will give accurate worry-free exposures in almost all situations.

  • Page 73: Filter

    FILTER Filter - 3 :move :sel. :enter When used with Natural Color, Vivid Color, Portrait, or Embedded Adobe RGB, the Filter can be adjusted in eleven levels (±5). A positive adjustment acts like a warming filter. A negative adjustment makes the image cooler. When used with the black-and-white color mode, the Filter can tone the neutral monochrome image in eleven steps.

  • Page 74: Color-Saturation Compensation

    COLOR-SATURATION COMPENSATION Saturation +1 :move :sel. :enter CONTRAST COMPENSATION Contrast +2 :move :sel. :enter Contrast decreased DVANCED RECORDING The color saturation of a scene can be adjusted within eleven levels (±5). Colors can be accented, positive value, or subdued, negative value. Color saturation is set with the function button and the controller (p.
  • Page 75 Camera Notes Multiple settings can be made on the function-setting screen or exposure/flash compensation screen. Simply use the up/down keys to move to other functions before pressing the central button to complete the operation. Portrait(sRGB) :move :sel. :enter MultiSegment :move :sel.

  • Page 76: Using The Drive-Mode Button

    USING THE DRIVE-MODE BUTTON The drive mode is set with the drive-mode button. The drive modes control the rate and method images are captured. Indicators showing the selected drive mode appear monitors. Single :move Single-frame advance Self-timer Remote control Bracketing Continuous advance DVANCED RECORDING...

  • Page 77: Self-Timer

    SELF-TIMER Used for self-portraits, the self-timer will delay the release of the shutter after the shutter button is pressed. A ten second and two second self-timer is available. 10s self-timer :move :sel. :enter With the camera on a tripod, compose the picture as described in the basic recording section (p.

  • Page 78: Recording With Remote Control

    RECORDING WITH REMOTE CONTROL The camera can be operated up to approximately 4m (13.1 ft.) away with the Wireless Remote Control RC-D1 supplied with the camera. This section covers how to setup the camera for remote control and recording operation for still and movie images. See page 126 for playback operation, and page 127 on how to replace the battery.

  • Page 79: Using The Remote Control

    Using the remote control Emitter window Release button Controller Digital-zoom buttons Information display button Battery chamber Press the release button or the center (2s) button of the controller to take the picture. The central button delays the release of the shutter for approximately two seconds; the self- timer lamp and the audio signal indicates the countdown.

  • Page 80: Bracketing

    BRACKETING This drive mode makes a three image bracket of a scene. Bracketing is a method of taking a series of images of a static subject in which each image has a slight variation in exposure or white balance. 0.3EV bracket :move :sel.
  • Page 81 Compose the picture as described in the basic recording section (p. 30). To make an exposure bracket, press and hold the shutter- release button all the way down (1); three consecutive images are captured. Normal Under Over 0.3 Ev bracket To make a white-balance bracket, press and release the shutter button.

  • Page 82: Continuous Advance

    CONTINUOUS ADVANCE Continuous-advance mode allows a series of images to be captured while holding down the shutter-release button. Continuous advance acts like a motor drive on a film camera. RAW & JPEG image quality cannot be used. RAW cannot be used with UHS continuous advance.
  • Page 83 Camera Notes When a large amount of image data is captured in a short period, the camera’s internal buffer memory becomes full; the frame counter turns yellow on the monitors. Time must be given for this data to be written to the memory card. Wait for the indicator to turn white before capturing more images.

  • Page 84: Recording Menu

    RECORDING MENU In recording mode, press the menu button to activate the menu. The menu button also closes the menu after making settings. The four-way key of the controller is used to move the cursor in the menu. Pressing the central button of the controller will enter a setting. NAVIGATING THE RECORDING MENU Press the right controller key to display the settings;...
  • Page 85 Image size 3264x2448 Quality Fine Spot AE area Center spot Flash control Auto AEL button AE hold Reset – Sharpness Normal Date imprint Inst.Playback Full-time AF Direct MF Memory – DSP set Noise reductn On Monitor amp. Auto Manual exp. Exp. priority Digital zoom To set image resolution (p.

  • Page 86: Image Size And Image Quality

    IMAGE SIZE AND IMAGE QUALITY Image size and quality are set in section 1 of the recording menu (p. 84). Changes are displayed in the top right corner of the monitors. 3264 X 2448 3264 3264 X 2176 3:2 3264 2560 X 1920 2560 2080 X 1560...
  • Page 87 The number of images that can be stored on a memory card is determined by the size of the card and the file size of the images. One memory card can contain images with differing sizes and qualities. The actual file size is determined by the scene; some subjects can be compressed further than others.

  • Page 88: About Raw Image Quality

    Natural Color and Vivid Color modes is preserved in the RAW data. For more on color modes, see page 68. Konica Minolta history In the center of the Sakai plant in Japan is Okina bridge. In the 15th century, Sakai was a pros- perous free city, and Okina bridge spanned the moat at one of the entrances into the walled town.

  • Page 89: Notes On Image Size And Resolution

    NOTES ON IMAGE SIZE AND RESOLUTION Image size changes the number of pixels in the image. When displayed at the same resolution, images appear to have the same amount of detail, but the dimensions of the image increases with the number of pixels; except for the 640 X 480 image, the other pictures are too large to be displayed on this page.

  • Page 90: Spot Ae Area

    SPOT AE AREA When using spot metering (p. 72) with the Flex Focus Point (p. 48), the position of the spot metering area can be specified at the center of the live image or linked to the Flex Focus Point; the spot moves after the position of the FFP is moved.

  • Page 91: Flash Notes

    The chart lists approximate guide numbers for manual flash calculations. The following equations are useful in determining the guide number (GN), aperture (ƒn), or flash-to- subject distance required for exposures. Guide no. (for distance in meters / feet) Camera sensitivity (ISO) Manual flash 1/1 (Full)

  • Page 92: Ael Button

    AEL BUTTON When the AEL button is pressed and held, the exposure is locked. The exposure remains locked after an image has been captured until the AEL button has been released (hold setting) or pressed again (toggle setting). How the button operates can be changed in section 1 of the recording menu (p.

  • Page 93: Recording-Mode Reset

    RECORDING MODE RESET The recording mode functions can be reset in section 1 of the recording menu (p. 84). When selected, a confirmation screen will appear; choosing “Yes” resets the following functions and settings, “No” cancels the operation. Anti-shake Focus mode AF-area mode Exposure compensation Flash compensation...

  • Page 94: Sharpness

    SHARPNESS The sharpness of the image can be altered. This must be set before the image is recorded. Sharpness is set in section 2 of the recording menu (p. 84). If any setting other than normal is selected, the sharpness indicator is displayed on the monitors. Hard (+) - Increases the sharpness of the image, accentuating details.

  • Page 95: Date Imprinting

    DATE IMPRINTING The date and time of recording can be printed directly on a still image. The imprinting function must be activated before the image is taken. Once activated, the date will continue to be imprinted until the function is reset; a yellow bar is displayed behind the frame counter on the monitors to indicate the function is active.

  • Page 96: Instant Playback

    INSTANT PLAYBACK After an image is captured, it can be displayed on the monitors for one, two, five, or ten seconds before being saved. Instant playback is activated and the length of the playback period is set in section 2 of the recording menu (p. 84).

  • Page 97: Full-Time Af

    FULL-TIME AF Full-time AF continually focuses the camera when using spot AF areas and the FFP so the monitor image is always sharp. This also reduces the autofocusing time when taking pictures. Full time AF is set in section 2 of the recording menu. The full-time AF can be turned off to conserve power.

  • Page 98: Memory - Storing Camera Settings

    MEMORY - STORING CAMERA SETTINGS Five sets of camera settings can be saved in section 3 of the recording menu. This saves time under frequently repeating conditions by eliminating the need to set the camera. Except for functions like subject programs, date imprinting and instant playback, most recording-mode camera settings will be saved including the position of the Flex Focus Point, the selected spot AF area, the display format and changes made with the function button or drive-mode button.

  • Page 99: Memory Recall

    MEMORY RECALL Camera settings saved with the menu are recalled with the exposure-mode dial. Simply turn the exposure mode dial to the memory recall (MR) position (1); the register-selection screen opens. On the register-selection screen use the left/right keys of the controller (2) to select the memory register in which the settings are stored;...

  • Page 100: Dsp (Digital Subject Program) Setup

    DSP (DIGITAL SUBJECT PROGRAM) SETUP The memory registers used for camera settings can be assigned to the Digital Subject Program positions on the exposure-mode dial. This is set in section 3 of the recording menu (p. 84). Two options are available: DSP - the Digital Subject Programs are active on the exposure-mode dial.

  • Page 101: Monitor Amplification

    MONITOR AMPLIFICATION The monitor amplification options control the display of the live image. Monitor amplification has two settings: Auto - in low-light conditions when the camera-sensitivity gain has reached its limit, the automatic monitor- amplification function will intensify the monitor image. If the real-time histogram (p.

  • Page 102: Digital Zoom

    Memory – DSP set Noise reductn On Monitor amp. Auto Manual exp. Exp. priority Digital zoom Interpolate Magnification display Digital-zoom position Digital-zoom scale ECORDING MENU DIGITAL ZOOM The digital zoom extends the power of the optical zoom. The maximum magnification depends on the digital zoom setting and the position of the optical zoom.

  • Page 103: A Short Guide To Photography

    A SHORT GUIDE TO PHOTOGRAPHY Photography can be a rewarding pursuit. It is a broad and disciplined field that can take years to master. But the pleasure in making photographs and the joy of capturing a magical moment cannot be compared. The guide is an introduction to some basic photographic principles.

  • Page 104: About Exposure And Flash Compensation

    ABOUT EXPOSURE AND FLASH COMPENSATION Sometimes the camera’s exposure meter is deceived by certain conditions. Exposure compensation can be used in these situations. For example, a very bright scene, such as a snowy landscape or a white sandy beach, can appear too dark in the captured image.

  • Page 105: What Is An Ev

    WHAT IS AN EV? Ev stands for exposure value. A change of one Ev adjusts the exposure calculated by the camera by a factor of two. LIGHT SOURCES AND COLOR The human eye adapts itself extremely well under different conditions. The paper of this manual you are reading looks white regardless of the type of lighting.

  • Page 106: Movie Mode

    Movie Mode Remaining time Recording indicator OVIE MODE MOVIE RECORDING This camera can record digital video with sound. Set the mode switch to the movie-recording position (1). Before recording, the monitor frame counter shows the maximum time in seconds that can be recorded. The length of the movie clip depends on the image size and frame rate, and the space available on the memory card.

  • Page 107: Navigating The Movie Menu

    NAVIGATING THE MOVIE MENU In movie mode, press the menu button to activate the menu. The menu button also closes the menu after making settings. The four-way key of the controller is used to move the cursor in the menu. Pressing the central button of the controller will enter a setting. Use the up/down key to highlight the new setting.

  • Page 108: Image Size And Frame Rate

    The actual file size is determined by the scene; some subjects can be compressed further than others. The writing speed of the memory card may prematurely end the recording of a movie clip. Test the card before important events. Check the Konica Minolta web site for the latest compatibility information: North America: http://www.konicaminolta.us/...

  • Page 109: Movie Reset

    Night Movie - to record under low light levels. While Night Movies can be recorded under normal conditions, bright outdoor lighting may be beyond the exposure control range. Standard movie - to record a movie under normal lighting conditions. MOVIE RESET This menu function resets the movie mode.

  • Page 110: Advanced Playback

    ADVANCED PLAYBACK This section covers how to play back movies as well as playback mode’s menu functions. The menu navigation section covers basic menu operation. It is followed by detailed descriptions of the menu settings. VIEWING MOVIES Movies can be played back on the camera. Movie files are indicated by an indicator at the bottom of the display.

  • Page 111: Capturing A Movie Frame

    CAPTURING A MOVIE FRAME A single frame from a movie clip can be copied and saved as a still image. The copied image has the same image size as the original movie. This function is not available during Slide Show playback. Pause Rew Fwd Vol Play Rew Fwd...

  • Page 112: Navigating The Playback Menu

    NAVIGATING THE PLAYBACK MENU In playback mode, press the menu button to activate the menu. The menu button also closes the menu after making settings. The four- way key of the controller is used to move the cursor in the menu. Pressing the central button of the controller will enter a setting.
  • Page 113 Delete – Format – Lock – View folder Single folder Folder name 101KM020 Edit movie – Slide show – DPOF set – Date imprint Index print – Cancel print – Copy – E-mail copy – Mag. setup X2.0 To delete images on the memory card (p. 115). To format the memory card (p.

  • Page 114: Frame-Selection Screen

    FRAME-SELECTION SCREEN When a marked-frames setting is chosen on a menu, the frame selection screen will appear. This screen allows multiple files to be selected. :move :sel. :enter As images are selected, indicators appear next to the frame: The file is selected for deletion. The file is locked or selected to be locked.

  • Page 115: Delete

    DELETE Deleting permanently erases the image. Once deleted, an image cannot be recovered. Care should be taken when using the delete function. Single, multiple, or all images in a folder or on the memory card can be deleted in section 1 of the playback menu. Before an image is deleted, a confirmation screen will appear;...

  • Page 116: Format

    FORMAT When a memory card is formatted, all data on the card is erased. The formatting function is used to erase all data on a memory card. Before formatting a card, copy the data to a computer or storage device. Locking files will not protect them from being deleted when the card is formatted.

  • Page 117: Lock

    LOCK Single, multiple, or all images in a folder or on the memory card can be locked in section 1 of the playback menu. A locked image cannot be deleted by either the playback menu functions or the Quick View/delete button. Important images should be locked. To lock images in a specific folder, select single folder from the view-folder option and display the folder name containing the images below it (p.

  • Page 118: Movie Editing

    MOVIE EDITING The edit-movie option in section 1 of the playback menu allows an unwanted section to be cut from a movie clip. The movie to be edited must first be displayed in the playback mode before opening the playback menu. Highlight “Enter” in the movie edit option and press the central button of the controller to open the editing screen.
  • Page 119 Preview edit. :function :play After playback, use the down key to continue if the edit is acceptable. To make changes to the edit, use the up key of the controller to return to the previous steps to adjust the start and end points. To cancel the edit operation, press the menu button. Save edit.

  • Page 120: Slide Show

    SLIDE SHOW Section 2 of the playback menu controls the slide-show function. This function automatically displays all still images and movie clips in a folder or on the memory card in order. MAGNIFICATION SETUP The enlarged playback starting magnification can be selected from X2.0, X4.0, and X10.0 in section 3 of the playback menu.

  • Page 121: About Dpof

    ABOUT DPOF This camera is supported by DPOF™ version 1.1. The DPOF (Digital Print Order Format) allows direct printing of still images from digital cameras. After the DPOF file is created, the memory card is simply taken to a photofinishing service or inserted into the memory -card slot of DPOF compatible printers.

  • Page 122: Date Imprint

    When the this-frame, all-in-folder, or all-on-card setting is chosen, a screen will appear requesting the number of copies of each image; a maximum of nine copies can be ordered. Use the up/down keys of the controller to set the number of copies desired. If the all-in-folder or all-on-card setting was used to create a print order, any additional images saved afterwards in the folder will not be included in the order.

  • Page 123: Cancel Print

    CANCEL PRINT After the pictures have been printed, the DPOF file will still remain on the memory card and must be canceled manually. The cancel-print option in section 2 of the playback menu deletes the DPOF files. When the setting is selected, a confirmation screen will appear;...
  • Page 124 The copy and E-mail copy functions have two menu options: This frame - To copy the image currently displayed or highlighted in playback mode. Marked frames - To copy single or multiple images in the selected folder or on the memory card. When selected, the frame-selection screen (p.
  • Page 125 Copy Copying to camera memory. Change card. Copying to card. Copying completed. Enter Wait until the copy-completed message is highlighted. A new screen will appear to indicate the name of the new folder containing the copied images; press the central button of the controller to return to the playback menu.

  • Page 126: Viewing Images Using The Remote Control

    VIEWING IMAGES USING THE REMOTE CONTROL The remote control can be used in the playback mode. Most playback operations can be made with the remote control. See page 78 for the remote control working range. The emitter window must be pointed toward the camera’s self-timer lamp/remote-control receiver.

  • Page 127: Changing The Battery

    Changing the battery The remote control battery should be replaced if the self-timer lamp does not blink to indicate the camera has received a signal from the remote control unit. The remote control uses a 3V CR2025 lithium battery. Replace the battery as shown with the positive pole down. Slide the battery chamber back into the remote control until it clicks into place.

  • Page 128: Viewing Images On A Television

    VIEWING IMAGES ON A TELEVISION It is possible to view camera images on your television. The camera has a video-out terminal which can be used to connect the camera to a television using the supplied AV cable. The camera is compatible with the NTSC and PAL standards. The video-output setting can be checked and set in section 1 of the setup menu (p.

  • Page 129: Setup Menu

    SETUP MENU The setup menu controls camera operations. The menu navigation section covers basic menu operation. It is followed by detailed descriptions of the menu settings. OPENING THE SETUP MENU Memory – DSP set Noise reductn Monitor amp. Auto Manual exp. Exp. priority Digital zoom Interpolate Enter...

  • Page 130: Navigating The Setup Menu

    NAVIGATING THE SETUP MENU See page 129 on how to open the setup menu. The four-way key of the controller is used to move the cursor in the menu. Pressing the central button of the controller will enter a setting. Press the right controller key to display the settings;...

  • Page 131: Date And Time Setup

    Shortcut help – File # memory Off Folder Name Std. form Select folder 101KM020 New folder – Reset default – Audio signals Focus signal Shutter FX Volume Power save 3 min. Anti-shake Display + Exp Delete conf. “No” DATE AND TIME SETUP The date/time setup screen is opened from section 1 of the setup menu (p.

  • Page 132: Lcd Brightness

    LCD BRIGHTNESS The brightness of the EVF and LCD monitor is set independently of each other. Select the display to adjust using section 1 of the setup menu; the corresponding monitor activates automatically and the brightness screen is displayed. Brightness is controlled in eleven levels. Use the left/right controller keys to adjust the brightness, the monitor will adjust accordingly.

  • Page 133: Transfer Mode

    TRANSFER MODE The data-transfer mode must be specified depending on whether the camera is used to transfer data to a computer or print images with a PictBridge compatible printer. The transfer mode option can be selected in section 1 of the setup menu. Select the appropriate option: Data storage - to transfer data between the camera and a computer.

  • Page 134: Language

    LANGUAGE The language used in the menus can be changed in section 1 of the setup menu. See page 29 on how to set the language. SHORTCUT HELP The shortcut help in section 2 of the setup menu shows button commands to open the LCD brightness screen, change the focusing screens, open the setup menu, reset the camera, or open the custom white-balance calibration screen.
  • Page 135 LCDbrightness – Lens acc. None Transfer mode Data storage Date/Time set – Video output NTSC Language English Hold down the shift button (1) and press the Quick View/Delete button (2) to reset the camera. This shortcut only resets the recording mode or movie mode depending on the position of the mode switch.

  • Page 136: File Number Memory

    (Standard) which will increase by one each time a new folder is created. The next two letters refer to Konica Minolta, and the last three numbers indicate the camera used; 020 indicates a DiMAGE A200. A date folder name also starts with the three digit serial number and is...

  • Page 137: Select Folder

    SELECT FOLDER This option in section 2 of the setup menu allows the selection of existing folders. In quick view or playback mode, the images in the selected folder can be viewed or edited unless all-folder option is selected in the view-folder option in the playback menu (p. 116). In recording mode, the folder-name option in section 2 of the setup menu must be set to standard form in order to select the folder in which to place the subsequent recorded images.

  • Page 138: Reset Default

    RESET DEFAULT This option in section 3 of the setup menu resets all camera modes: recording, movie, playback, and setup. To reset the recording or movie modes, see pages 93 and 109. When selected, a confirmation screen will appear; choosing “Yes” resets the following functions and settings, “No”...
  • Page 139 Image size Image quality Spot AE area Flash control AEL button Sharpness Date imprinting Instant playback Full-time AF Direct manual Focus (DMF) Memory DSP setup Noise reduction Monitor amplification Monitor amplification - Manual exp. Digital zoom Image size Frame rate Movie mode Manual focus Recording menu...

  • Page 140: Audio Signals

    Display format View folder Magnification setup Date imprint LCD brightness Lens accessory Transfer mode File number memory Folder name Audio signals Focus signal Shutter FX Volume Auto power save Anti-shake Delete confirmation AUDIO SIGNALS Every time a button is pressed, an audio signal gives a positive confirmation of the operation.

  • Page 141: Shutter Fx

    SHUTTER FX A shutter sound effect gives positive audio confirmation when the shutter is released. The sound effects can be turned off in section 3 of the setup menu (p. 130). Two shutter effects are available. Signal 1 uses the shutter sound from the Dynax/Maxxum 9 SLR.

  • Page 142: Data-Transfer Mode

    Windows 98 driver software must repeat the installation procedure. The updated version of the driver software included on the supplied DiMAGE software CD-ROM is required for the operation of the DiMAGE A200 with a computer. The new software will have no affect on the performance of older DiMAGE cameras.

  • Page 143: Connecting The Camera To A Computer

    CONNECTING THE CAMERA TO A COMPUTER A fully charged battery should be used when the camera is connected to a computer. The AC adapter (sold separately) is recommended over the use of batteries. For users with Windows 98, read the section on how to install the necessary driver before connecting the camera to a computer.

  • Page 144: Connecting To Windows 98 / 98 Second Edition

    CONNECTING TO WINDOWS 98 / 98 SECOND EDITION The driver needs only to be installed once. If the driver cannot be installed automatically, it can be installed manually with the operating system’s add-new-hardware wizard; see the instructions on the following page. During installation, if the operating system requests the Windows 98 CD-ROM, inset it into the CD-ROM drive and follow the accompanying instructions on the screen.

  • Page 145: Manual Installation

    Manual installation To install the Windows 98 driver manually, follow the instructions in the connecting-the- camera-to-a-computer section on page 143. When the camera is plugged into the computer, the operating system will detect the new device and the add-new-hardware-wizard window will open.
  • Page 146 The last window will confirm the driver has been installed. Click “Finish” to close the add new hardware wizard. Restart the computer. TRANSFER MODE The add new hardware wizard will confirm the location of the driver. One of three drivers may be located: MNLVENUM.inf, USBPDR.inf, or USBSTRG.inf.

  • Page 147: Quicktime System Requirements

    AUTO POWER SAVE (DATA-TRANSFER MODE) If the camera does not receive a read or write command within ten minutes, it will shut down to save power. When the camera shuts down, an unsafe-removal-of-device warning may appear on the computer monitor. Click “OK.” Neither the camera or computer will be damaged in this operation.

  • Page 148: Memory Card Folder Organization

    MEMORY CARD FOLDER ORGANIZATION Once the camera is connected to the computer, image files can be accessed by double clicking on icons. Image folders are located in the DCIM folder. To copy images and audio recordings, simply drag and drop the file icon into a location in the computer. Drive Icon The misc.
  • Page 149 Image file names begin with “PICT” followed by a four-digit file number and an mrw, jpg, jpe, mov, or thm extension. The thumbnail images (thm) are used in camera and DiMAGE Viewer operation. When a new folder is created, the first three digits in the folder name will be one greater than the largest folder number on the card.

  • Page 150: Disconnecting The Camera From The Computer

    DISCONNECTING THE CAMERA FROM THE COMPUTER Never disconnect the camera when the access lamp is lit - the data or memory card may permanently be damaged. Windows 98 / 98 second edition Confirm that the access lamp is not lit. Turn off the camera and then disconnect the USB cable.

  • Page 151: Macintosh

    The hardware devices to be stopped will be displayed. Highlight the device by clicking on it then click “Stop.” A confirmation screen will appear to indicate the devices to be stopped. Clicking “OK” will stop the device. A third and final screen will appear to indicate the camera can be safely disconnected from the computer;...

  • Page 152: Changing The Memory Card (Data-Transfer Mode)

    CHANGING THE MEMORY CARD (DATA-TRANSFER MODE) Care should be taken when changing memory cards while the camera is attached to the computer. Data could be lost or damaged if the camera is not properly disconnected. Always confirm the access lamp is out before removing the memory card. Windows 98 / 98 second edition 1.

  • Page 153: Removing The Driver Software - Windows

    Click on the locations to display the files. The driver should be indicated with “Konica Minolta”. Under certain conditions, the driver name may not contain the company name. However, the driver will be indicated by either a question mark or exclamation point.

  • Page 154: Pictbridge

    PICTBRIDGE Confirm the transfer-mode option in section 1 of the setup menu is set to PTP. Connect the camera to a PictBridge compatible printer using the camera’s USB cable. The larger plug on the cable is connected to the printer. Open the terminal cover and insert the smaller plug of the cable into the camera.

  • Page 155: Notes On Printing Errors

    No. of prints: Print size: Printer setup Layout: Printer setup Print quality: Printer setup Data print: Printer setup :start Once printing begins, the operation can be canceled by pressing the center of the controller. The printing- finished message indicates the end of the operation; turn the camera off to end the routine.

  • Page 156: Navigating The Pictbridge Menu

    NAVIGATING THE PICTBRIDGE MENU Pressing the menu button (1) turns the menu on and off. The four-way keys of the controller (2) move the cursor in the menu. Pressing the central button of the controller enters a setting. The options that can be changed vary with the printer. Once a setting has been selected, the cursor will return to the menu options and the new setting will be displayed.

  • Page 157: Batch Print

    Batch print – Index print – Batch print Batch print in section 1 selects all still images on the memory card for printing. Two options are available: All-frames - to print all images on the card. A screen opens so the number of copies of each image can be specified.

  • Page 158: Paper Size

    Paper size Paper size Printer setup Layout Print quality Data print Paper size Printer setup 2” x 3” card 100mmx150mm Postcard 4” x 6” 8” x 10” Letter :sel. :enter Printing Notes The following are the dimensions for postcard, L, and 2L paper sizes in both millimeters and inches for your reference: Postcard Layout...

  • Page 159: Print Quality

    Print quality The print quality can be set. The printer-setup option uses the quality set with the printer. The fine quality can be specified with the camera. Data print Data can be printed with the image. The printer-setup option uses the options set with the printer.

  • Page 160: Troubleshooting

    TROUBLESHOOTING The section covers minor problems with basic camera operation. For major problems or damage to the camera or charger, or if a problem continues to reoccur frequently, contact a Konica Minolta service facility. Problem Symptom Nothing dis- played on the monitors.
  • Page 161 Problem Symptom Focus signal is red. Pictures are not sharp. Pictures are taken indoors or in low-light situations with- out flash. While using flash, the pic- The subject is beyond the flash range (p. tures are too 67). dark. A shadow Lens hood appears on mounted when...

  • Page 162: When Using Filters

    Problem Symptom Shooting data is displayed, Camera set to but live image manual- is entirely exposure black or mode (M). white. Inaccurate exposures Metering-mode with very indicator is bright or dark red. scenes. Occasionally The sandglass the camera indicator will not turn appears on the off immediate- blank LCD...

  • Page 163: About The Lithium-Ion Battery Charger Cord

    The PCT-100 allows a studio or location flash system to be connected to the camera with a standard PC cord. The update CD-ROM supplied with the adapter should NOT be used with the DiMAGE A200. The use of custom white balance is recommended with off camera flash systems (p. 62).

  • Page 164: Wide-Angle Converter Acw-100, Telephoto Converter Act-100, Close-Up Lens Cl-49-200

    This manual contains information on products and accessories available at the time of printing. To obtain compatibility information on products not contained in this manual, contact a Konica Minolta service facility. CARE AND STORAGE Read this section in its entirety to get the best results from your camera. With proper care, your camera will provide years of service.

  • Page 165: Cleaning

    CLEANING • If the camera or the outside of the lens is dirty, gently wipe it with a soft, clean, dry cloth. If the camera or lens comes in contact with sand, gently blow away loose particles. Wiping may scratch the surface. •...

  • Page 166: Memory Card Care And Handling

    • Using the card beyond its life. Purchasing a new card periodically may be necessary. • When using a Microdrive, do not subject the camera to vibrations. Konica Minolta has no responsibility for any loss or damage to data. It is recommended that a copy of the card data be made.

  • Page 167: Lcd Monitor Care

    BEFORE IMPORTANT EVENTS OR JOURNEYS • Check the camera’s operation; take test pictures and purchase spare batteries. • Konica Minolta has no responsibility for any damage or loss incurred by equipment malfunction. QUESTIONS AND SERVICE •...

  • Page 168: Technical Specifications

    TECHNICAL SPECIFICATIONS Number of effective pixels: CCD: Camera sensitivity (ISO): Aspect ratio: Lens construction: Maximum aperture: Focal length: Focusing range (from the CCD): 0.5 m to infinity (1.6 ft - infinity) Filter diameter: Autofocus system: Shutter: Built-in flash recycling time: Viewfinder LCD: Monitor LCD: Field of view:...
  • Page 169 Specifications are based on the latest information available at the time of printing and are subject to change without notice. NP-800 lithium-ion battery. the Konica Minolta standard test method with an NP- 800 lithium-ion battery and the LCD monitor on. 114 (W) X 80 (H) X 115 (D) mm 4.49 (W) X 3.15 (H) X 4.53 (D) in...
  • Page 170 Conformité Européenne (European Conformity). FCC Compliance Statement Declaration on Conformity Responsible Party: Konica Minolta Photo Imaging U.S.A. Inc. Address: 725 Darlington Avenue, Mahwah, NJ 07430 This device complies with Part 15 of the FCC Rules. Operation is subject to the following two condi- tions: (1) This device may not cause harmful interference, and (2) this device must accept any inter- ference received, including interference that may cause undesired operation.

  • Page 171: Filter Examples

    FILTER EXAMPLES Filter levels with color images ±0 Filter settings with black and white images. For more on Filter effects, see page 73. –1 –2 –3 –4 –5...
  • Page 172 © 2004 Konica Minolta Photo Imaging, Inc. under the Berne Convention and the Universal Copyright Convention. Printed in Japan 1AG6P1P2284-A 9222-2747-11 SY-B411...

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