Konica Minolta DiMAGE A2 Instruction Manual
  1. Manuals
  2. Brands
  3. Konica Minolta Manuals
  4. Digital Camera
  5. DIMAGE A2 - SOFTWARE
  6. Instruction manual

Konica Minolta DiMAGE A2 Instruction Manual

Konica digital camera instruction manual a2
Hide thumbs
Table of Contents

Advertisement

Quick Links

INSTRUCTION MANUAL

Advertisement

Table of Contents
loading

Related Manuals for Konica Minolta DiMAGE A2

Summary of Contents for Konica Minolta DiMAGE A2

  • Page 1 INSTRUCTION MANUAL...

  • Page 2: Color Mode

    COLOR MODE The color mode controls whether a still image is color or black and white as well as the color space. The color mode is set in section 3 of the recording menu (p. 80). The live image on the monitors will reflect the selected color mode. For more on the color mode see page 102.

  • Page 3: Before You Begin

    Konica Minolta is a trademark of Konica Minolta Holdings, Inc. DiMAGE is a trademark of Konica Minolta Camera, Inc. Apple, Macintosh, and Mac OS are registered trademarks of Apple Computer Inc.

  • Page 4: For Proper And Safe Use

    FOR PROPER AND SAFE USE NP-400 LITHIUM-ION BATTERIES This camera operates on a powerful lithium-ion battery. Misuse or abuse of the lithium- ion battery can cause damage or injury through fire, electric shock, or chemical leakage. Read and understand all warnings before using the battery. DANGER •...
  • Page 5 GENERAL PRODUCT WARNINGS AND CAUTIONS Read and understand the following warnings and cautions for safe use of the digital camera and its accessories. WARNING • Only use the battery specified in this manual. • Only use the specified charger or AC adapter within the voltage range indicated on the unit.
  • Page 6 The continued use of a damaged product or part may cause injuries or fire. • Take the product to a Konica Minolta service facility when repairs are required. • Handling the cord on this product may expose you to lead, a chemical known to the State of California to cause cancer, and birth defects or other reproductive harm.
  • Page 7 CAUTION • Do not use or store these products in a hot or humid environment such as the glove compartment or trunk of a car. It may damage the camera, charger, and battery which may result in burns or injuries caused by heat, fire, explosion, or leaking battery fluid. •...

  • Page 8: Table Of Contents

    TABLE OF CONTENTS Color mode ...2 Before you begin ...3 For proper and safe use...4 Names of parts ...14 Camera body ...14 Data panel ...17 Monitor display - recording mode ...18 Monitor display - Quick View & playback mode ...19 Getting up and running ...20 Attaching the camera strap ...20 Removing the lens cap...20...
  • Page 9 Viewing images and histogram ...41 Rotating images...41 Deleting single images ...41 Changing the Quick View & playback display ...42 Enlarged playback ...43 Viewing movies...44 Advanced recording ...45 Display-information button...45 Focus-mode switch...46 Digital zoom...47 Flex Focus Point...48 Macro mode...49 Exposure lock ...50 Exposure-mode dial...50 Program - P ...51 Program shift - P...
  • Page 10 Depth-of-field preview...77 Digital Effects Control ...78 Color-saturation compensation ...78 Contrast compensation ...79 Filter ...79 Recording menu ...80 Navigating the recording-mode menu ...80 Image size and image quality...82 About RAW image quality...84 Notes on image size and resolution ...85 Flash modes ...86 Wireless/Remote flash...88 Wireless/Remote camera and flash ranges...90 Notes on wireless/remote flash ...91...
  • Page 11 Movie menu ...112 Navigating the movie menu ...112 Image size and frame rate...113 Movie mode ...113 Movie reset ...114 Notes on movie recording...114 Advanced playback ...115 Playing back voice memos ...115 Navigating the playback menu ...116 Frame-selection screen ...118 Delete ...119 Format ...120 View folder ...120 Lock...
  • Page 12 Focus signals...141 Shutter FX ...142 Volume ...142 Auto power save...142 Anti-shake...143 Full-time AF ...143 Grip sensor ...143 Control dial setup...144 Control dial setup - Manual exposure ...145 Delete confirmation...145 Lens accessory...145 Data-transfer mode ...146 System requirements...146 Connecting the camera to a computer ...147 Connecting to Windows 98 / 98 second edition ...148 Automatic installation ...148 Manual installation ...149...
  • Page 13 LCD monitor care ...170 Copyright ...170 Before important events or journeys ...171 Questions and service ...171 Notes ...172 Index ...174 Technical specifications...176 Battery Pack BP-400 ...178 Filter examples ...179...

  • Page 14: Names Of Parts

    NAMES OF PARTS CAMERA BODY * This camera is a sophisticated optical instrument. Care should be taken to keep these surfaces clean. Please read the care and storage instructions in the back of this manual (p. 168). Microphone Strap eyelet (p. 20) USB port/AV-out terminal (p.
  • Page 15 Manual exposure (p. 56) Shutter priority (p. 55) Aperture priority (p. 54) Program exposure (p. 51) Auto recording (p. 52) Exposure-mode dial QV/ Delete button (p. 40) Display mode switch (p. 39) Eyepiece sensors* Electronic viewfinder* (EVF) (p. 29) LCD monitor* (p. 18, 19, 29) Main switch Memory recall (p.
  • Page 16 Metering modes (p. 69) Custom function (p. 136) Memory set (p. 72) Function dial (p. 60) Accessory shoe Speaker Custom white-balance button(p. 71) Macro release (p. 49) Battery-chamber lock (p. 23) AMES OF PARTS Function button Drive modes (p. 61) White balance (p.

  • Page 17: Data Panel

    DATA PANEL Located on the top of the camera body, the data panel shows the status of the camera. All icons have been shown for clarity. The single-frame advance and continuous advance indicators are displayed in the same area of the data panel.

  • Page 18: Monitor Display - Recording Mode

    MONITOR DISPLAY - RECORDING MODE 1. Microphone indicator 2. Flash-mode indicator (p. 61) 3. Flash signal (p. 36 ) 4. Mode indicator 5. Flash-compensation display (p. 59) 6. Filter display (p. 78) 7. Sharpness display (p. 97) 8. Color-saturation-compensation 9. Contrast-compensation display (p. 78) AMES OF PARTS 10.

  • Page 19: Monitor Display - Quick View & Playback Mode

    MONITOR DISPLAY - QUICK VIEW & PLAYBACK MODE Histogram The dark area of the histogram shows the luminance distribution of the recorded image from black (left) to white (right). Each one of the 256 vertical lines indicates the relative proportion of that light value in the image. The histogram can be used to evaluate exposure and contrast, but displays no color information.

  • Page 20: Getting Up And Running

    GETTING UP AND RUNNING This section covers the preparation of the camera. This includes the changing of batteries and memory card as well as the use of external power supplies. ATTACHING THE CAMERA STRAP Attach the camera strap to the strap eyelets as shown.

  • Page 21: Attaching The Lens Hood

    ATTACHING THE LENS HOOD The lens hood is used to control stray light from entering the lens and causing flare. When using the camera under bright light, the use of the lens hood is recommended. The lens hood should not be used with the built-in flash as it can cause a shadow.

  • Page 22: Charging The Battery

    CHARGING THE BATTERY Before the camera can be used, the lithium-ion battery must be charged. Before charging the battery, read the safety warnings on page 4 of this manual. Only recharge the battery with the supplied battery charger. The battery should be recharged before each shooting session.

  • Page 23: Installing And Changing The Battery

    INSTALLING AND CHANGING THE BATTERY This digital camera uses one NP-400 lithium-ion battery. Before using the battery, read the safety warnings on pages 4 of this manual. When replacing batteries, the camera should be off. Open the battery-chamber door by sliding the battery- chamber lock to the open position.

  • Page 24: Battery Condition Indicator

    BATTERY CONDITION INDICATOR This camera is equipped with an automatic battery-condition indicator. When the camera is on, the indicator appears on the data panel and monitors. The monitor indicator will change from white to red when battery power is low. If the data panel and monitors are blank, the battery may be exhausted.

  • Page 25: External Power Supplies (Sold Separately)

    EXTERNAL POWER SUPPLIES The AC Adapter allows the camera to be powered from an electrical household outlet. The AC Adapter is recommended when the camera is interfaced with a computer or during periods of heavy use. AC Adapter model AC-1L is for use in North America and Japan, and AC-11 is for use in all other areas.

  • Page 26: Inserting And Changing A Memory Card

    INSERTING AND CHANGING A MEMORY CARD Always turn off the camera and confirm the access lamp is not lit before inserting or removing a memory card, otherwise the card may be damaged, and data lost. A memory card must be inserted for the camera to operate. If a card has not been inserted, a no-card warning will be displayed on the monitors.
  • Page 27 To eject a card, open the card-slot door (1), and press and release the card-eject lever to extend it (2). Press (3) the card-eject lever to eject the card (3). The card can now be pulled out. Take care when removing the card as it becomes hot with use. The card-eject lever should remain inside the camera body.

  • Page 28: Turning On The Camera

    TURNING ON THE CAMERA HANDLING THE CAMERA While using the electronic viewfinder (EVF) or LCD monitor, grip the camera firmly with your right hand while supporting the body with the palm of your left hand. Keep your elbows at your side and your feet shoulder-width apart to hold the camera steadily.

  • Page 29: Adjusting The Viewfinder And Monitor

    ADJUSTING THE VIEWFINDER AND MONITOR Always store the camera with finder and monitor against the body. DIOPTER ADJUSTMENT The EVF has a built-in diopter that can be adjusted between –3.5 to +1.5. While looking through the EVF, turn the diopter-adjustment dial until the viewfinder image is sharp.

  • Page 30: Setting The Date And Time

    SETTING THE DATE AND TIME After initially inserting a memory card and battery, the camera’s clock and calendar must be set. When images are recorded, the image data is saved with the date and time of recording. Depending on the region, the menu language may also have to be set. To change the language, see the camera notes on the following page.
  • Page 31 Custom set Color mode File # memory Off Folder Name Std. form Select folder 100KM003 New folder – Date/Time set – Press the central button to display the date/time setting screen. Date/Time set 2004 10 . 13 : 14 YYYY/MM/DD :move :sel :enter...

  • Page 32: Basic Recording

    BASIC RECORDING SETTING THE CAMERA TO RECORD IMAGES AUTOMATICALLY EVF AND LCD MONITOR DISPLAY Focus frame Mode indicator Anti-shake indicator (p. 37) Metering-mode indicator (p. 69) Exposure-mode indicator (p. 50) ASIC RECORDING Set the exposure dial to the program (P) position (1). Confirm the mode switch is in the recording position (2).

  • Page 33: Basic Recording Operation

    BASIC RECORDING OPERATION Use the zooming ring to frame the subject (1). The effect of the zoom is immediately displayed in the viewfinder (EVF) and LCD monitor. Place the subject within the focus frame. For off-center subjects, use the focus-lock function (p. 34). The subject must be within the focus range of the lens: 0.5m (1.6ft) - .

  • Page 34: Focus Lock

    FOCUS LOCK The focus-lock function is used when the subject is off-center and outside the focus frame. Focus lock may also be used when a special focusing situation prevents the camera from focusing on the subject. AUTOMATIC MONITOR AMPLIFICATION In extremely low-light conditions when the camera-sensitivity gain has reached its limit, the automatic monitor-amplification function will intensify the EVF and LCD monitor image.

  • Page 35: Focus Signals

    FOCUS SIGNALS This digital camera has a quick, accurate autofocusing system. The focus signals in the lower right corner of the EVF and LCD monitor indicate the focus status. For more information on autofocus modes, see p. 46. White focus indicator - focus confirmed.

  • Page 36: Using The Built-In Flash

    USING THE BUILT-IN FLASH In low-light conditions or indoors, the flash is needed to illuminate the subject and reduce blurring through camera shake. The flash can also be used as a fill light in direct sunlight to soften harsh shadows. Always remove the lens hood when using the built-in flash; the hood may cast a shadow if mounted.

  • Page 37: Anti-Shake System

    ANTI-SHAKE SYSTEM The Anti-shake system minimizes the affect of camera shake, a slight blurring caused by subtle hand motion. Camera shake is more pronounced at the telephoto setting than at the wide-angle. Anti-shake is employed when the shutter speed falls below a certain limit depending on the focal length in use.

  • Page 38: Movie Recording

    MOVIE RECORDING Recording time in seconds Recording indicator ASIC RECORDING Set the mode switch to the movie-recording position (1). Before recording, the data-panel and monitor frame counters show the maximum time in seconds that can be recorded. The length of the movie clip depends on the image size and frame rate, and the space available on the memory card.

  • Page 39: Display Mode Switch

    DISPLAY MODE SWITCH Located on the back of the camera, the display-mode switch controls which monitor is active. The three position switch allows the choice between automatic display and setting the display to the EVF or LCD monitor. Auto display - the camera will automatically change between displaying the live image in the EVF or on the LCD monitor.

  • Page 40: Basic Playback

    BASIC PLAYBACK Images can be viewed in the Quick View or playback modes. This section covers the basic functions in both modes. The playback mode has additional menu functions, see page 116. SINGLE-FRAME PLAYBACK AND HISTOGRAM DISPLAY Time of capture Date of capture Frame number/ total number of images ASIC PLAYBACK...

  • Page 41: Viewing Images And Histogram

    VIEWING IMAGES AND HISTOGRAM DELETING SINGLE IMAGES The displayed image can be deleted. Once deleted, an image cannot be recovered. To delete a displayed image, press the QV/delete button; a confirmation screen will appear. Use the left/right keys to highlight “Yes.” “No” will cancel the operation.

  • Page 42: Changing The Quick View & Playback Display

    CHANGING THE QUICK VIEW & PLAYBACK DISPLAY The display-information button controls the display format. Each time the button is pressed, the display cycles through to the next format: full display, image only, index playback. Image only Full display Index playback In index playback, the four-way keys of the controller will move the yellow border to the adjacent image.

  • Page 43: Enlarged Playback

    Zoom Scroll Press the central button of the controller to switch between the zoom and scroll functions. The scroll arrows or magnification display will turn blue to indicate the active function. Scroll Zoom Locator ENLARGED PLAYBACK In single-frame playback, a still image can be enlarged for closer examination from 1.2X.

  • Page 44: Viewing Movies

    VIEWING MOVIES Movies can be played back on the camera. Movie files are indicated by an indicator at the bottom of the display. Play Pause DVANCED RECORDING Press the center of the controller to play back the file. Press the controller to pause the movie; pressing the controller again will resume the playback.

  • Page 45: Advanced Recording

    ADVANCED RECORDING This section contains detailed information on the camera’s recording functions and operation. Read the sections pertaining to your interest and need. DISPLAY-INFORMATION BUTTON The display-information button controls what information is displayed with the live image. Each time the button is pressed, the display cycles to the next format: standard display, real-time histogram, focus frame, and live image only.

  • Page 46: Focus-Mode Switch

    FOCUS-MODE SWITCH Single-shot AF (Autofocus), continuous AF, and manual focus is set with the focus-mode switch. Slide the switch to select the appropriate focus mode. Single-shot AF - a general purpose autofocusing mode. Its operation is described in the basic recording section. Continuous AF - used for photographing moving subjects.

  • Page 47: Digital Zoom

    Manual focus - the MF indicator is displayed in the lower right corner of the monitors to indicate the focus mode. Use the focusing ring at the rear of the lens barrel to focus. Always use the monitor image to confirm focus.

  • Page 48: Flex Focus Point

    FLEX FOCUS POINT The Flex Focus Point (FFP) is a powerful tool for off-center subjects. It can be moved to any point in the image area. The FFP cannot be used with the digital zoom or movie recording. DVANCED RECORDING Press and hold the center button of the controller to activate the Flex Focus Point;...

  • Page 49: Macro Mode

    MACRO MODE The macro mode is used for close-up photographs of small objects. The built-in flash cannot be used with macro mode. The use of a tripod is recommended. Align one of the arrows on the zooming ring with the index next to the macro switch and slide the switch forward.

  • Page 50: Exposure Lock

    EXPOSURE LOCK EXPOSURE-MODE DIAL The exposure-mode dial is used to select traditional exposure modes as well as subject programs that optimize camera settings to specific shooting conditions. Camera settings saved in the camera can also be recalled with this dial. Simply turn the dial to the appropriate position.

  • Page 51: Program - P

    PROGRAM - P Program exposure is set with the exposure-mode dial (p. 50). The program AE uses luminance and focal-length information to calculate exposures. This allows the photographer to shoot without worrying about exposure settings. The shutter speed and aperture values of the exposure are displayed on the monitors and data panel. If the brightness level of the scene is outside the exposure control range of the camera, the shutter-speed and aperture displays turn red on the monitors and blink on the data panel.

  • Page 52: Auto Recording

    AUTO RECORDING Auto recording is set with the exposure-mode dial. Auto recording is the same as the program exposure mode (p. 51), except that when the camera is on, if the exposure mode dial is turned to or from the auto position, the auto exposure mode is reset. Turning the camera off will not reset the mode.
  • Page 53 Instant playback Voice memo Color mode Sharpness Noise reduction Monitor amplification Monitor amplification - Manual exp. Magnification button DSP setup Subject tracking AF AE Lock Spot AE area Direct manual Focus (DMF) EVF mode Custom setup Natural color (sRGB) Normal Auto Exposure priority Digital zoom...

  • Page 54: Aperture Priority - A

    APERTURE PRIORITY - A Aperture priority is set with the exposure-mode dial (p. 50). The photographer selects the aperture and the camera sets the appropriate shutter speed ensure exposure. When A mode is selected, the aperture display on the monitors turns blue. Turn either the front or rear control dial to change the aperture.

  • Page 55: Shutter Priority - S

    SHUTTER PRIORITY - S Shutter priority is set with the exposure-mode dial (p. 50). The photographer selects the shutter speed and the camera sets the appropriate aperture to ensure correct exposure. When S mode is selected, the shutter speed display on the monitors turns blue. Turn either the front or rear control dial to change the shutter...

  • Page 56: Manual Exposure - M

    MANUAL EXPOSURE - M Manual exposure mode allows individual selection of shutter speeds and apertures. This mode overrides the exposure system giving the photographer total control over the final exposure. Manual exposure is set with the exposure-mode dial (p. 50). The shutter speeds and aperture values can be changed in 1/3 stop increments.

  • Page 57: Bulb Exposures

    BULB EXPOSURES Bulb photographs can be taken in the manual-exposure mode (M). The maximum exposure time depends on the camera sensitivity setting, see page 55. The use of a tripod and a remote cord is recommended for bulb exposures. The camera’s exposure system cannot be used to calculate bulb exposures.

  • Page 58: Digital Subject Programs

    DIGITAL-SUBJECT-PROGRAMS Digital subject programs optimize the camera’s exposure, white- balance, and image-processing systems for specific conditions and subjects. Simply turn the exposure mode dial to select the appropriate subject program. Sports action - used to capture fast action by maximizing shutter speeds. When using a flash, make sure the subject is within the flash range (p.

  • Page 59: Exposure And Flash Compensation

    EXPOSURE AND FLASH COMPENSATION The ambient light and flash exposure can be adjusted before the image is captured to make the final picture lighter or darker. Exposure can be adjusted by as much as ±2Ev in 1/3 increments (p. 111). The exposure and flash compensation will remain in effect until it has been reset.

  • Page 60: Using The Function Dial

    USING THE FUNCTION DIAL The memory function, metering mode, drive mode, white balance, and camera sensitivity are controlled by the function dial. The custom position is for a designate menu function that can be set in section 2 of the setup menu. Only white balance can be set in the movie recording mode.

  • Page 61: Drive Modes

    DRIVE MODES The drive modes control the rate and method images are captured. Indicators showing the selected drive mode appear on the data panel and monitors. The drive mode is set with the function dial (p. 60). Single-frame advance - to take a single image each time the shutter- release button is pressed (p.

  • Page 62: Bracketing

    BRACKETING This drive mode makes a three image bracket of a scene. Bracketing is a method of taking a series of images of a static subject in which each image has a slight variation in exposure. Contrast, saturation, and filter brackets can also be made. Continuous-advance bracket - the order of the exposure bracket series is normal exposure (as indicated by the camera), underexposure, and overexposure.
  • Page 63 Compose the picture as described in the basic recording section (p. 33). Press and hold the shutter-release button all the way down (1) to make the bracket series; three consecutive images will be captured. If single-frame advance bracketing is selected, the shutter-release button must be pressed for each exposure.

  • Page 64: Continuous Advance

    CONTINUOUS ADVANCE Continuous-advance mode allows a series of images to be captured while holding down the shutter-release button. Continuous advance acts like a motor drive on a film camera. TIFF and RAW & JPEG image quality cannot be used. RAW cannot be used with UHS continuous advance.
  • Page 65 Camera Notes To change function dial or Digital Effects Controller settings quickly, simply press and hold the center dial or controller button (1) and select the setting with the front and rear control dials (2). Release the center button of the function dial or Digital Effects Controller to set the change.

  • Page 66: Interval

    INTERVAL The interval mode makes a series of still or moving images over a period of time. Similar to time-lapse photography, a series of images of a slow moving event can be taken: the blossoming of a flower, the construction of a building. The built-in flash can be used. The parameters of the interval series is set up in section 2 of the recording menu.
  • Page 67 After mounting the camera on a tripod, compose the image so that the subject area falls within the focus frames; the camera sets the focus, exposure, and white balance, and charges the flash just before each exposure. Continuous AF can be used. Settings locked with the AE lock button are canceled after the first frame.

  • Page 68: Self-Timer

    SELF-TIMER Used for self-portraits, the self-timer will delay the release of the shutter after the shutter button is pressed. A ten second and two second self-timer is available. With the camera on a tripod, compose the picture as described in the basic recording section (p.

  • Page 69: Metering Modes

    METERING MODES Multi-segment - uses 300 segments to measure luminance and color. This data is combined with distance information to calculate the camera exposure. This advanced metering system will give accurate worry-free exposures in almost all situations. Center weighted - a traditional metering method in film cameras. The system measures light values over the entire image area with emphasis given the central region.

  • Page 70: White Balance

    WHITE BALANCE Auto white balance - to automatically detect the type of light and adjust the white balance accordingly. When the built-in flash is used, the white balance is set for the color temperature of the flash. When set, no indicators appear on the data panel or monitors.

  • Page 71: Custom White Balance Calibration

    CUSTOM WHITE-BALANCE CALIBRATION Custom-white-balance function allows the camera to be calibrated to a specific lighting condition. Three setting can be stored in the camera and used repeatedly. Custom white balance is especially useful with mixed-lighting conditions or when critical control over color is needed.

  • Page 72: Memory - Storing Camera Settings

    MEMORY - STORING CAMERA SETTINGS Five sets of camera settings can be saved. This saves time under frequently repeating conditions by eliminating the need to set the camera. Except for functions like subject programs, data imprinting, voice memo, and instant playback, most recording-mode camera settings will be saved including the position of the Flex Focus Point, the display mode, and changes made with the function dial and digital effects control.

  • Page 73: Memory Recall

    MEMORY RECALL Camera settings saved with the function dial are recalled with the exposure-mode dial. Simply turn the exposure mode dial to the memory recall (MR) position (1); the register-selection screen will open. On the register-selection screen use the control dials or left/right keys of the controller (2) to select the memory register in which the settings are stored;...

  • Page 74: Camera Sensitivity - Iso

    CAMERA SENSITIVITY - ISO The auto setting automatically adjusts the camera sensitivity to the light conditions between ISO 64 and 200. When any other setting than auto is used, “ISO” will appear on the data panel, and “ISO” and the set value will be displayed on the monitors. Photographers can select a specific sensitivity setting.

  • Page 75: Flash Range And Camera Sensitivity

    FLASH RANGE AND CAMERA SENSITIVITY For correct flash exposures, the subject must be within the flash range. The flash range can be extended by changing the camera sensitivity. When the camera sensitivity is set to auto, the ISO is set between ISO 64 and 200. The flash range is measured from the CCD.

  • Page 76: Using The Flash Sync Terminal

    USING THE FLASH SYNC TERMINAL The flash sync terminal allows a studio or location flash system to be connected to the camera with a standard PC cord. The terminal is compatible with both center positive (normal polarity) and center negative (positive polarity) flash units with a voltage of 400V or lower.

  • Page 77: Depth-Of-Field Preview

    DEPTH-OF-FIELD PREVIEW The aperture controls depth of field; the area in front of the camera that appears in focus. The smaller the aperture, the greater the depth of field. Depth-of-field preview sets the aperture to the setting used in the exposure. Turn the function dial to the custom position (1).

  • Page 78: Digital Effects Control

    DIGITAL EFFECTS CONTROL The Digital Effects Controller can adjust image contrast, color, and saturation. Changes are instantly visible on the monitors before the image is captured. Adjustments can be made repeatedly and in combination. Adjustments remain in effect until manually reset. When set to any value other than zero, an indicator and value will be displayed on the monitors as a warning.

  • Page 79: Contrast Compensation

    CONTRAST COMPENSATION The contrast of a scene can be adjusted within eleven levels (±5) with the Digital Effects Controller. The contrast must be set before the image is captured. When changing the contrast setting, an indicator is displayed to show an increase (+) or decrease (–) in contrast. If contrast is set to any other value than zero, the indicator and value remain on the displays as a warning.

  • Page 80: Recording Menu

    RECORDING MENU In recording mode, press the menu button to activate the menu. The menu button also closes the menu after making settings. The four-way key of the controller is used to move the cursor in the menu. Pressing the central button of the controller will enter a setting. NAVIGATING THE RECORDING MENU Press the right controller key to display the settings;...
  • Page 81 Image size 3264x2448 Quality Fine Flash mode Fill-flash Flash control ADI flash AEL button AE hold Reset – Int. set – Bracket set 0.3Ev Data imprint Imprint to Image + Exif Inst.playback Voice memo Off Color mode Nat. (sRGB) Sharpness Normal Noise reductn On Monitor amp.

  • Page 82: Image Size And Image Quality

    IMAGE SIZE AND IMAGE QUALITY Image size and quality are set in section 1 of the recording menu (p. 80). Changes are displayed on the LCD monitor and data panel. 3264 3264 X 2448 3264 3264 X 2176 3:2 2560 2560 X 1920 2080 2080 X 1560...
  • Page 83 The number of images that can be stored on a memory card is determined by the size of the card and the file size of the images. One memory card can contain images with differing sizes and qualities. The actual file size is determined by the scene; some subjects can be compressed further than others.

  • Page 84: About Raw Image Quality

    For more on color modes, see page 102. Konica Minolta history In the center of the Sakai plant in Japan is Okina bridge. In the 15th century, Sakai was a pros- perous free city, and Okina bridge spanned the moat at one of the entrances into the walled town.

  • Page 85: Notes On Image Size And Resolution

    NOTES ON IMAGE SIZE AND RESOLUTION Image size changes the number of pixels in the image. When displayed at the same resolution, images appear to have the same amount of detail, but the dimensions of the image increases with the number of pixels; except for the 640 X 480 image, the other pictures are too large to be displayed on this page.

  • Page 86: Flash Modes

    FLASH MODES The flash mode can be changed in section 1 of the recording menu (p. 80). For the flash to fire, the built-in unit must be manually lifted. The flash will fire in the selected mode regardless of the amount of ambient light. When the flash is used, the camera sensitivity is automatically set between ISO 100 and 200.

  • Page 87: System Accessories

    The operation of the AE lock button can be changed in section 1 of the recording menu. System Accessories The Close-up Diffuser CD-1000 is used directly on the camera with the built-in flash to provide soft lighting for close-up photography. Contact your local Konica Minolta dealer for more information.

  • Page 88: Wireless/Remote Flash

    WIRELESS / REMOTE FLASH On-camera flash Wireless/ Remote flash Image size Quality Flash mode Fill-flash Flash control Red eye AEL button Rear sync. Reset Wireless ECORDING MENU Wireless/Remote flash allows the camera to control an off-camera Program/Maxxum 5600HS(D) and 3600HS(D) flash unit without the need of a cable. Single or multiple flash units can be placed around the subject to create different lighting effects.
  • Page 89 Raise the built-in flash on the camera. The wireless flash indicator (WL) will be displayed in the top left corner of the live image. The number next to it indicates the channel in use. The flash signal will turn white when the flash is charged. When the 5600HS(D) and 3600HS(D) flash is charged, the AF illuminator on the front of the unit will blink (2).

  • Page 90: Wireless/Remote Camera And Flash Ranges

    WIRELESS/REMOTE CAMERA AND FLASH RANGES Camera-to-subject distance Minimum camera-to-subject distance Aperture ƒ/2.8 1.1 m / 3.6 ft ƒ/4.0 0.8 m / 2.6 ft ƒ/5.6 0.6 m / 2.0 ft ƒ/8.0 0.4 m / 1.3 ft Minimum flash-to-subject distance ƒ/2.8 0.8 m / 2.6 ft ƒ/4.0 0.6 m / 2.0 ft...

  • Page 91: Notes On Wireless/Remote Flash

    NOTES ON WIRELESS/REMOTE FLASH Wireless/Remote flash performs best under subdued light or interior lighting. Under bright light sources, the flash may not be able to detect the control signals from the camera’s built-in flash. The wireless/remote system has four channels so that multiple lighting systems can be used in the same area without affecting each other.

  • Page 92: Flash Control

    FLASH CONTROL ADI, pre-flash TTL, and manual flash controls are available. Flash control is changed in section 1 of the recording menu (p. 80). ADI (Advanced Distance Integration) flash metering - combines distance information from the autofocusing system with information from a pre-flash exposure. Unlike conventional TTL flash metering, ADI is not influenced by the reflectance of the subject or background ensuring optimum flash exposures.

  • Page 93: Flash Notes

    The chart lists approximate guide numbers for manual flash calculations. The following equations are useful in determining the guide number (GN), aperture (ƒn), or flash-to- subject distance required for exposures. Guide no. (for distance in meters / feet) Camera sensitivity (ISO) Manual flash 1/1 (Full)

  • Page 94: Ael Button

    AEL BUTTON When the AEL button is pressed and held, the exposure is locked. The exposure remains locked after an image has been captured until the AEL button has been released (hold setting) or pressed again (toggle setting). How the button operates can be changed in section 1 of the recording menu (p.

  • Page 95: Recording-Mode Reset

    RECORDING MODE RESET The recording mode functions can be reset in section 1 of the recording menu (p. 80). When selected, a confirmation screen will appear; choosing “Yes” resets the following functions and settings, “No” cancels the operation. Exposure compensation Flash compensation Drive mode Anti-shake...

  • Page 96: Interval Setup

    INTERVAL SETUP The parameters for the interval drive mode (p. 66) are set in section 2 of the recording menu (p. 80). Int. set Enter Bracket set Int. set Interval 1 min No.of frames Start time No delay :enter Press the center of the controller to complete the operation. The menu button closes the screen and cancels any changes.

  • Page 97: Sharpness

    SHARPNESS The sharpness of the image can be altered. This must be set before the image is recorded. Sharpness is set in section 3 of the recording menu (p. 80). If any setting other than normal is selected, the sharpness indicator is displayed on the monitors. Menu options Hard (+) Increases the sharpness of the image, accentuating details.

  • Page 98: Data Imprinting

    DATA IMPRINTING Data can be printed on a still image and saved to the file’s Exif data. The function must be activated before the image is taken. Once activated, data will continue to be imprinted until the function is reset; a yellow bar is displayed behind the frame counter on the monitors to indicate the function is active.

  • Page 99: Electronic Keyboard

    ELECTRONIC KEYBOARD The electronic keyboard is used to enter text for imprinting data or for naming new folders. The keyboard automatically appears when text needs to be entered. To enter text, simply use the four-way keys of the controller to highlight the desired character and then press the central button of the controller to enter it.

  • Page 100: Instant Playback

    INSTANT PLAYBACK After an image is captured, it can be displayed on the monitors for two or ten seconds before being saved. When using the continuous-advance or continuous-advance bracketing drive mode, an index display is used. Instant- playback is activated and the length of the playback period is set in section 2 of the recording menu (P.

  • Page 101: Voice Memo

    VOICE MEMO Voice memo allows up to fifteen seconds of audio to be recorded with a still image. The function is activated in section 2 of the recording menu (p. 80) and is used in unison with instant playback. When the function is active, the microphone indicator is displayed on the monitors.

  • Page 102: Color Mode

    COLOR MODE The color mode controls whether a still image is color or black and white. This must be set before the image is recorded. The color mode is set in section 2 of the recording menu (p. 80). The live image on the monitors will reflect the selected color mode.

  • Page 103: About Adobe Rgb

    ABOUT ADOBE RGB Adobe RGB has a larger color gamut than the more common sRGB. The size of the gamut limits the colors that can be reproduced; the larger the gamut, the more colors. If the image will be printed out with a high-quality printer, the use of the Adobe RGB color mode is recommended over the sRGB color modes of Natural and Vivid Color.

  • Page 104: Monitor Amplification

    MONITOR AMPLIFICATION The monitor amplification options control the display of the live image. Monitor amplification has two settings: Auto - in low-light conditions when the camera-sensitivity gain has reached its limit, the automatic monitor- amplification function will intensify the monitor image. Although the live image turns black and white, this does not affect the color mode in use.

  • Page 105: Magnification Button

    MAGNIFICATION BUTTON The function assigned to the magnification button can be changed between the digital zoom (p. 47) and the Flex Digital Magnifier in section 3 of the recording menu (p. 80). The Flex Digital Magnifier can only be used during manual focus.

  • Page 106: Dsp (Digital Subject Program) Setup

    DSP (DIGITAL SUBJECT PROGRAM) SETUP The memory registers used for camera settings can be assigned to the Digital Subject Program positions on the exposure-mode dial. This is set in section 4 of the recording menu (p. 80). Two options are available: DSP - the Digital Subject Programs are active on the exposure-mode dial.

  • Page 107: Spot Ae Area

    SPOT AE AREA When using spot metering (p. 69) with the Flex Focus Point (p. 48), the position of the spot metering area can be specified at the center of the live image or linked to the Flex Focus Point; the spot moves after the position of the FFP is set.

  • Page 108: Evf Mode

    If full-time AF (p. 143) or movie recording is used, the frame rate is set to 30fps. Konica Minolta History On February 20th, 1962, John Glenn became the first American to orbit the Earth. On board his Friendship 7 spacecraft was a Minolta Hi-matic camera to record that historic event.

  • Page 109: A Short Guide To Photography

    A SHORT GUIDE TO PHOTOGRAPHY Photography can be a rewarding pursuit. It is a broad and disciplined field that can take years to master. But the pleasure in making photographs and the joy of capturing a magical moment cannot be compared. The guide is an introduction to some basic photographic principles.

  • Page 110: About Exposure And Flash Compensation

    ABOUT EXPOSURE AND FLASH COMPENSATION Sometimes the camera’s exposure meter is deceived by certain conditions. Exposure compensation can be used in these situations. For example, a very bright scene, such as a snowy landscape or a white sandy beach, can appear too dark in the captured image.

  • Page 111: What Is An Ev

    WHAT IS AN EV? Ev stands for exposure value. A change of one Ev adjusts the exposure calculated by the camera by a factor of two. LIGHT SOURCES AND COLOR The human eye adapts itself extremely well under different conditions. The paper of this manual you are reading looks white regardless of the type of lighting.

  • Page 112: Movie Menu

    MOVIE MENU In movie mode, press the menu button to activate the menu. The menu button also closes the menu after making settings. The four-way key of the controller is used to move the cursor in the menu. Pressing the central button of the controller will enter a setting. NAVIGATING THE MOVIE MENU Use the up/down key to highlight the new setting.

  • Page 113: Image Size And Frame Rate

    IMAGE SIZE AND FRAME RATE Movies can be recorded at two sizes: 544x408 and 320x240. The larger the image size, the higher the image quality and the larger the file sizes. Image size is set in the movie menu. Movies can be recorded at two frame rates: 15 fps and 30 fps. The higher the frame rate, the smoother the moving image and the larger the file sizes.

  • Page 114: Movie Reset

    MOVIE RESET This menu function resets the movie mode. When selected, a confirmation screen will appear; choosing “Yes” resets the following functions and settings, “No” cancels the operation. Exposure compensation Contrast compensation Color-saturation compensation Filter White balance Image size Frame rate Movie mode Anti-shake Button shortcuts can be used to reset the recording mode (p.

  • Page 115: Advanced Playback

    ADVANCED PLAYBACK This section covers how to playback voice memos as well as the playback mode’s menu functions. The menu navigation section covers basic menu operation. It is followed by detailed descriptions of the menu settings. PLAYING BACK VOICE MEMOS Voice memos can be played back in Quick View and the playback mode.

  • Page 116: Navigating The Playback Menu

    NAVIGATING THE PLAYBACK MENU In playback mode, press the menu button to activate the menu. The menu button also closes the menu after making settings. The four- way key of the controller is used to move the cursor in the menu. Pressing the central button of the controller will enter a setting.
  • Page 117 Delete – Format – View folder 100KM003 Lock – Copy – Index format 9 frames Slide show – Playback All frames Duration 5 sec. Repeat DPOF set – Date imprint Off Index print – Cancel print – To delete images on the memory card (p. 119). To format the memory card (p.

  • Page 118: Frame-Selection Screen

    FRAME-SELECTION SCREEN When a marked-frames setting is chosen on a menu, the frame selection screen will appear. This screen allows multiple files to be selected. The index format of the screen can be changed in section 1 of the playback menu (p. 121). :move :sel.

  • Page 119: Delete

    DELETE Deleting permanently erases the image. Once deleted, an image cannot be recovered. Care should be taken when using the delete function. Single, multiple, or all images in a folder can be deleted with the playback menu. Before an image is deleted, a confirmation screen will appear;...

  • Page 120: Format

    FORMAT When a memory card is formatted, all data on the card is erased. The formatting function is used to erase all data on a memory card. Before formatting a card, copy the data to a computer or storage device. Locking files will not protect them from being deleted when the card is formatted.

  • Page 121: Lock

    LOCK Single, multiple, or all images in a folder can be locked. A locked image cannot be deleted by either the playback menu functions or the QV/delete button. Important images should be locked. To lock images in other folders, the folder must first be selected with the view- folder option in section 1 of the playback menu (p.

  • Page 122: Copy

    COPY Image files can be copied from one memory card to another. Up to 29MB of data can be transferred. Every time the copy function is used, a new folder is automatically created for the image(s). This frame - To copy the image currently displayed. Marked frames - To copy single or multiple images.
  • Page 123 If the images were copied to a new card, the no-images message will be displayed when viewed on the camera. Select the copy folder with the view-folder option in section 1 of the playback menu (p. 116). Konica Minolta History Copied to 101KM_CP.

  • Page 124: Slide Show

    SLIDE SHOW Section 2 of the playback menu controls the slide-show function. This function automatically displays all still images in a folder in order. Press the central button of the controller to pause and restart the presentation. Use the left/right keys of the controller to advance to the next image or return to the previous one.
  • Page 125 Menu options Settings Slide Enter show All frames Playback Marked Frames Duration 1 - 60s. Repeat Yes / No To start the slide-show presentation. Pressing the central button of the controller will pause the presentation. During the slide show, press the menu button or the down key of the controller to stop the presentation and return to the playback- mode menu.

  • Page 126: About Dpof

    ABOUT DPOF This camera is supported by DPOF™ version 1.1. The DPOF (Digital Print Order Format) allows direct printing of still images from digital cameras. After the DPOF file is created, the memory card is simply taken to a photofinishing service or inserted into the memory -card slot of DPOF compatible printers.

  • Page 127: Date Imprint

    When the this-frame or all-frames setting is chosen, a screen will appear requesting the number of copies of each image; a maximum of nine copies can be ordered. Use the up/down keys of the controller to set the number of copies desired. If the all-frames setting was used to create a print order, any additional images saved afterwards in the folder will not be included in the order.

  • Page 128: Viewing Images On A Television

    VIEWING IMAGES ON A TELEVISION It is possible to view camera images on your television. The camera has a video-out terminal which can be used to connect the camera to a television using the supplied AV cable. The camera is compatible with the NTSC and PAL standards. The video-output setting can be checked and set in section 1 of the setup menu (p.

  • Page 129: Setup Menu

    SETUP MENU The setup menu controls camera operations. The menu navigation section covers basic menu operation. It is followed by detailed descriptions of the menu settings. OPENING THE SETUP MENU Image size 2560x1920 Quality Fine Flash mode Fill-flash Flash control ADI flash AEL button AE hold...

  • Page 130: Navigating The Setup Menu

    NAVIGATING THE SETUP MENU See page 129 on how to open the setup menu. The four-way key of the controller is used to move the cursor in the menu. Pressing the central button of the controller will enter a setting. Press the right controller key to display the settings;...
  • Page 131 Custom set DOF preview File # memory Off Folder Name Std. form Select folder 100KM003 New folder – Date/Time set – Reset default – Audio signals Focus signal Shutter FX Volume Power save 3 min. Anti-shake Display + Exp Full-time AF Grip sensor Ctrl dial set F/no.

  • Page 132: Lcd Brightness

    LCD BRIGHTNESS The brightness of the EVF and LCD monitor is set independently of each other. Select the display to adjust using section 1 of the setup menu; the corresponding monitor activates automatically and the brightness screen is displayed. Brightness is controlled in eleven levels. Use the left/right controller keys to adjust the brightness, the monitor will adjust accordingly.
  • Page 133 To display a grid or scale over the display formats, press and hold the function button (1) and press the display-information button (2) to cycle through the options: grid, scale, and off. For more on the displays modes, Scale see page 45. Grid When using manual focus, a shortcut allows switching between the digital zoom (p.
  • Page 134 LCDbrightness – Shortcut help – Transfer mode Data storage EVF auto swtch Auto EVF/LCD Video output NTSC Language English Hold down the function button (1) and press the QV/delete button (2) to reset the camera. This shortcut only resets the recording mode or movie mode depending on the position of the mode switch.

  • Page 135: Transfer Mode

    TRANSFER MODE The data-transfer mode must be specified depending on whether the camera is used to transfer data to a computer, print images with a PictBridge compatible printer, or record images with the optional DiMAGE Capture software. Select the appropriate option: Data storage - to transfer data between the camera and a computer.

  • Page 136: Custom Setup

    CUSTOM SETUP The one frequently used function can be allocated to the custom position on the function dial. The function is selected in section 2 of the setup menu (p. 130). The following recording functions are available: Image size (p. 82) Image quality (p.

  • Page 137: Folder Name

    The next (Standard) two letters refer to Konica Minolta, and the last three numbers indicate the camera used; 003 indicates a DiMAGE A2. A date folder name also starts with the three digit serial number and is...

  • Page 138: New Folder

    NEW FOLDER This allows the creation of new folders. The folder-name option on in section 2 of the setup menu must be set to standard form in order to use the new-folder function. When selected, the electronic keyboard (p. 99) automatically appears so the folder name can be entered.

  • Page 139: Reset Default

    RESET DEFAULT This option resets all camera modes: recording, movie, playback, and setup. To reset the recording or movie modes, see pages 95 and 114. When selected, a confirmation screen will appear; choosing “Yes” resets the following functions and settings, “No” cancels the operation.
  • Page 140 Data imprinting Imprint to Instant playback Voice memo Color mode Sharpness Noise reduction Monitor amplification Monitor amplification (Manual exposure) Magnification button DSP setup Subject Tracking AF AE lock Spot AE area Direct Manual Focus (DMF) EVF mode Image size Frame rate Movie mode Display mode Index format...

  • Page 141: Audio Signals

    LCD brightness Transfer mode EVF auto switch Custom setup File number memory Folder name Audio signals Focus signal Shutter FX Volume Auto power save Anti-shake Full-time AF Grip sensor Control dial setup Control dial setup (Manual exposure) Delete confirmation Lens accessory AUDIO SIGNALS Every time a button is pressed, an audio signal gives a positive confirmation of the operation.

  • Page 142: Shutter Fx

    SHUTTER FX A shutter sound effect gives positive audio confirmation when the shutter is released. The sound effects can be turned off in section 3 of the setup menu (p. 130). Two shutter effects are available. Signal 1 uses the shutter sound from the Dynax/Maxxum 9 SLR.

  • Page 143: Anti-Shake

    ANTI-SHAKE When the Anti-shake system activates can be changed in section 4 of the setup menu. Two options are available: Display + Exp. - when the shutter-release button is pressed partway down, the anti-shake function will activate if on. The affect of the Anti-shake system can be seen in the live image.

  • Page 144: Control Dial Setup

    CONTROL DIAL SETUP The control dial setup option in section 4 of the setup menu changes the front and rear control dial operation in the P, A, and S exposure modes. Exposure compensation (p. 59) can also be assigned to one of the control dials. Refer to the sections on the exposure modes for more information.

  • Page 145: Control Dial Setup - Manual Exposure

    When using this camera with the optional supplementary lenses, the accessory must be specified in section 5 of the setup menu. For more information on the Wide-angle Converter ACW-100 or Telephoto Converter ACT-100, contact your local Konica Minolta dealer. A firmware update is provided with these products to activate this option.

  • Page 146: Data-Transfer Mode

    Windows 98 driver software must repeat the installation procedure. The updated version of the driver software included on the supplied DiMAGE software CD-ROM is required for the operation of the DiMAGE A2 with a computer. The new software will have no affect on the performance of older DiMAGE cameras.

  • Page 147: Connecting The Camera To A Computer

    CONNECTING THE CAMERA TO A COMPUTER A fully charged battery should be used when the camera is connected to a computer. The AC adapter (sold separately) is recommended over the use of batteries. For users with Windows 98, read the section on how to install the necessary driver before connecting the camera to a computer.

  • Page 148: Connecting To Windows 98 / 98 Second Edition

    CONNECTING TO WINDOWS 98 / 98 SECOND EDITION The driver needs only to be installed once. If the driver cannot be installed automatically, it can be installed manually with the operating system’s add-new-hardware wizard; see the instructions on the following page. During installation, if the operating system requests the Windows 98 CD-ROM, inset it into the CD-ROM drive and follow the accompanying instructions on the screen.

  • Page 149: Manual Installation

    Manual installation To install the Windows 98 driver manually, follow the instructions in the connecting-the- camera-to-a-computer section on page 147. When the camera is plugged into the computer, the operating system will detect the new device and the add-new-hardware-wizard window will open.
  • Page 150 The last window will confirm the driver has been installed. Click “Finish” to close the add new hardware wizard. Restart the computer. TRANSFER MODE The add new hardware wizard will confirm the location of the driver. One of three drivers may be located: MNLVENUM.inf, USBPDR.inf, or USBSTRG.inf.

  • Page 151: Quicktime System Requirements

    QUICKTIME SYSTEM REQUIREMENTS To install QuickTime, follow the instructions in IBM PC / AT Compatible the installer. Macintosh users can download Pentium processor-based PC the latest version of QuickTime free of charge or compatible computer from the Apple Computer web site at http://www.apple.com.

  • Page 152: Memory Card Folder Organization

    MEMORY CARD FOLDER ORGANIZATION Once the camera is connected to the computer, image and audio files can be accessed by double clicking on icons. Image folders are located in the DCIM folder. To copying images and audio recordings, simply drag and drop the file icon into a location in the Drive Icon computer.
  • Page 153 Image and audio file names begin with “PICT” followed by a four-digit file number and a tif, mrw, jpg, jpe, mov, or thm extension. Voice-memo files have a wav extension and the file name corresponds to its image file. The thumbnail images (thm) are used in camera and DiMAGE Viewer operation.

  • Page 154: Disconnecting The Camera From The Computer

    DISCONNECTING THE CAMERA FROM THE COMPUTER Never disconnect the camera when the access lamp is lit - the data or memory card may permanently be damaged. WINDOWS 98 / 98 SECOND EDITION Confirm that the access lamp is not lit. Turn off the camera and then disconnect the USB cable.

  • Page 155: Macintosh

    The hardware devices to be stopped will be displayed. Highlight the device by clicking on it then click “Stop.” A confirmation screen will appear to indicate the devices to be stopped. Clicking “OK” will stop the device. A third and final screen will appear to indicate the camera can be safely disconnected from the computer;...

  • Page 156: Changing The Memory Card (Data-Transfer Mode)

    CHANGING THE MEMORY CARD (DATA-TRANSFER MODE) Care should be taken when changing memory cards while the camera is attached to the computer. Data could be lost or damaged if the camera is not properly disconnected. Always confirm the access lamp is out before removing the memory card. WINDOWS 98 / 98 SECOND EDITION 1.

  • Page 157: Removing The Driver Software - Windows

    REMOVING THE DRIVER SOFTWARE - WINDOWS 1.Insert a memory card in the camera and connect it to the computer with the USB cable. Other devices must not be connected to the computer during this procedure. 2.Right click on the My-computer icon. Select “properties” from the drop-down menu. Windows XP: from the start menu go to the control panel.

  • Page 158: Pictbridge

    PICTBRIDGE Confirm the transfer-mode option in section 1 of the setup menu is set to PTP. Connect the camera to a PictBridge compatible printer using the camera’s USB cable. The larger plug on the cable is connected to the printer. Open the AV out/ USB port cover and insert the smaller plug of the cable into the camera.

  • Page 159: Notes On Printing Errors

    No. of prints: Print size: Printer setup Layout: Printer setup Print quality: Printer setup Data print: Printer setup :start Once printing begins, the operation can be canceled by pressing the center of the controller. The printing- finished message indicates the end of the operation; turn the camera off to end the routine.

  • Page 160: Navigating The Pictbridge Menu

    NAVIGATING THE PICTBRIDGE MENU Pressing the menu button (1) turns the menu on and off. The four-way keys of the controller (2) move the cursor in the menu. Pressing the central button of the controller enters a setting. The options that can be changed vary with the printer. Activate the menu with the menu button.

  • Page 161: Batch Print

    Batch print – Index print – Batch print Batch print in section 1 selects all still images on the memory card for printing. Two options are available: All-frames - to print all images on the card. A screen opens so the number of copies of each image can be specified.

  • Page 162: Paper Size

    Paper size Printer setup Sizes N.American Layout Printer setup Print quality Printer setup Data print Printer setup Sizes To set paper sizes depending on region. This changes the paper-size option above to common sizes used in particular areas. Layout The layout of the print can be set. The printer-setup option uses the layout parameters of the printer.

  • Page 163: Dpof Print

    DPOF print – DPOF print DPOF print in section 3 allows still images and an index print selected with the DPOF printing options in section 2 of the playback menu to be printed from a DPOF compatible PictBridge printer. Simply select the start option from the menu to begin the routine. No.

  • Page 164: Troubleshooting

    TROUBLESHOOTING The section covers minor problems with basic camera operation. For major problems or damage to the camera or charger, or if a problem continues to reoccur frequently, contact a Konica Minolta service facility. Problem Symptom Nothing dis- played on the data panel or the monitors.
  • Page 165 Problem Symptom Focus signal is red. Pictures are not sharp. Pictures are taken indoors or in low-light situations with- out flash. While using flash, the pic- The subject is beyond the flash range (p. tures are too 75). dark. A shadow Lens hood appears on mounted when...

  • Page 166: When Using Filters

    Problem Symptom Shooting data is displayed, Camera set to but live image manual- is entirely exposure black or mode (M). white. Live image Camera used turns black under low-light and white. conditions. Inaccurate exposures Metering-mode with very indicator is bright or dark red.

  • Page 167: About The Lithium-Ion Battery Charger Cord

    ABOUT THE LITHIUM-ION BATTERY CHARGER CORD The included AC cord is designed for the current of the sales region. Only use the cord in the region it was purchased. Continental Europe, China, Korea, Singapore (220-240V) Great Britain, Hong Kong (220V-240V) United States, Canada (110V-120V) ATTACHING THE FERRITE CORE FRC-100 When using an optional remote cord (RC-1000S or RC-1000L), or when...

  • Page 168: Care And Storage

    CARE AND STORAGE Read this section in its entirety to get the best results from your camera. With proper care, your camera will provide years of service. CAMERA CARE • Do not subject the camera to shock or impact. • Turn off the camera when transporting. •...

  • Page 169: Operating Temperatures And Conditions

    • Using the card beyond its life. Purchasing a new card periodically may be necessary. • When using an IBM Microdrive, do not subject the camera to vibrations. Konica Minolta has no responsibility for any loss or damage to data. It is recommended that a copy of the card data be made.

  • Page 170: Batteries

    If the camera resets each time it is turned off, the battery is exhausted. It must be replaced at a Konica Minolta service facility. • Keep battery and camera charger contacts clean. Dirty contacts can prevent charging.

  • Page 171: Before Important Events Or Journeys

    BEFORE IMPORTANT EVENTS OR JOURNEYS • Check the camera’s operation; take test pictures and purchase spare batteries. • Konica Minolta has no responsibility for any damage or loss incurred by equipment malfunction. QUESTIONS AND SERVICE • If you have questions about your camera or charger, contact your local camera dealer or write to the Konica Minolta distributor in your area.

  • Page 172: Notes

    NOTES OTES...
  • Page 173 Conformité Européenne (European Conformity). FCC Compliance Statement Declaration on Conformity Responsible Party: Konica Minolta Photo Imaging U.S.A. Inc. Address: 725 Darlington Avenue, Mahwah, NJ 07430 This device complies with Part 15 of the FCC Rules. Operation is subject to the following two condi- tions: (1) This device may not cause harmful interference, and (2) this device must accept any inter- ference received, including interference that may cause undesired operation.

  • Page 174: Index

    INDEX AC adapter, 25, 67, 147 Adobe RGB, 2, 102, 103, 152 Auto focus Continuous, 46 Flex Focus Point (FFP), 48, 49, 107 Full-time, 143 Single-shot, 46 Subject Tracking, 46, 106 Signals, 35, 46 Anti-shake, 37, 143 Auto power save, 24, 142, 151 Battery Care and storage, 4, 170 Changing, 23...
  • Page 175 Attaching, 75, 76, 88 Compatible flash units, 75, 93 Compensation, 59, 110 Metering, 92-93 Range, 36, 75 Signals, 36 Terminal, 76 Flash modes Fill-flash, 86 Manual, 92-93 Rear sync, 87 Red-eye reduction, 86 Remote, 88-91 Slow shutter sync., 87 Wireless, 88-91 Flex Digital Magnifier, 105, 133 Flex Focus Point (FFP), 48, 49, 107, 133 Focus lock, 34, 35...

  • Page 176: Technical Specifications

    TECHNICAL SPECIFICATIONS Number of effective pixels: CCD: Camera sensitivity (ISO): Aspect ratio: Lens construction: Maximum aperture: Focal length: Focusing range (from the CCD): 0.5 m - infinity (1.6 ft - infinity) Filter diameter: Autofocusing system: Shutter: Built-in flash recycling time: Viewfinder LCD: Monitor LCD: Field of view:...
  • Page 177 (3264 X 2448), fine image quality, EVF off, LCD monitor on, flash used with 50% of the frames, no instant playback, no voice memo. the Konica Minolta standard with a NP-400 lithium-ion battery, LCD monitor on. 117.0 (W) X 85.0 (H) X 113.5 (D) mm 4.61 (W) X 3.35 (H) X 4.47 (D) in...

  • Page 178: Battery Pack Bp-400

    This accessory uses two NP-400 lithium-ion batteries or six Ni-MH or alkaline batteries to power the camera. For more details on the Battery Pack BP-400 or other accessories listed in this manual, contact your local Konica Minolta dealer. Approximate recording performance With two NP-400 lithium-ion batteries...

  • Page 179: Filter Examples

    FILTER EXAMPLES Filter levels with color images ±0 Filter settings with black and white images. For more on Filter effects, see page 79. –1 –2 –3 –4 –5...
  • Page 180 © 2003 Konica Minolta Camera, Inc. under the Berne Convention and the Universal Copyright Convention. 0-43325-53276-4 1AG6P1P1776-- 9222-2720-11 SY-A312 Printed in Japan...

Table of Contents