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21) AUX1
This is normally placed after the EQ section and before the channel fader (PRE-
FADE, POST-EQ), and is therefore unaffected by the fader position and routing
status. This makes it particularly suitable for foldback or monitor feeds, which need to
be controlled separately from the main PA Mix.
22) AUX2
This is normally placed after the EQ section and before the channel fader (PRE-
FADE, POST-EQ), and therefore follows any changes in the fader level. This is
normally used to drive effect-processing units, which are fed back into the mixer and
which must fade out with the input channel.
23) BAL
The BAL control sends the post fader signal to either the Left or Right and G1 or G2.
When the knob is centrally positioned (zero point), an equal amount of signal is sent
to the Left or Right and G1 or G2.
24) PEAK. 0dB-10dB
The red LED lights up, when the signal level of the tone control is 5dB below clipping
point.
25) PFL
Used for headphone monitoring of each channel, regardless of the main mix. The PFL
(Pre-Fader-Listen)-function allows the user to listen to the level before fader control;
subsequent adjustment of the fader control (15) will not modify the level. This control
is useful during channel gain adjustment.
26) L-R
When you push this button, you can route the signal to the L/R fader.
27) G1-2
When you push this button, you can route the signal to the Group 1/2 fader.
28) STEREO Channel Fader
The fader adjusts channel signal level to be sent to the master Fader-Control L-R
(35). Set the slider to +15dB for maximum signal level; slide downwards to lower and
eventually eliminate the signal. For the best result, set the slide control to 3/4 of travel
upwards.
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