Table of Contents
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1 - TM-D1000 Operations Manual
Congratulations on your purchase of the TM-D1000.
This high-quality digital mixing console allows you
to produce crystal-clear multitrack recordings and to
mix them to a digital stereo mastering machine.
We do not expect you to read the Reference Manual
from cover to cover, but if you take the time to read
through this Operations Manual, this will be repaid
in terms of future familiarity with the unit.
Since the TM-D1000 is a complex unit, with many
software features that are not immediately visible
from the front panel, we suggest, however, that you
make yourself familiar with at least the contents of
the main reference manual, so that you can find the
answers you need when you have questions.
1.1 Table of Contents
1 - TM-D1000 Operations Manual . . . . . . . 1
1.1 - Table of Contents . . . . . . . . . . . . . . . . . . 1
1.2 - TM-D1000 features . . . . . . . . . . . . . . . . . 2
1.3 - Setting up your TM-D1000 . . . . . . . . . . . 2
2 - The TM-D1000 menu system . . . . . . . . 5
2.1 - PARAM SEL - OPTION . . . . . . . . . . . . . . 5
- STORE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
2.3 - ENTER - FDR/PAN NULL . . . . . . . . . . . . 5
2.4 - MEMO - OPTION MONITOR . . . . . . . . . . 5
2.5 - The display screen . . . . . . . . . . . . . . . . . 6
2.6 - Data editing knobs . . . . . . . . . . . . . . . . . 6
2.7 - DATA ENTRY . . . . . . . . . . . . . . . . . . . . . 6
them . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
4 - Buss functions . . . . . . . . . . . . . . . . . . . 10
4.1 - Default REC mode . . . . . . . . . . . . . . . . . 10
4.2 - Default MIX mode . . . . . . . . . . . . . . . . . . 10
4.3 - Choosing REC or MIX mode . . . . . . . . . 11
4.4 - Buss configurations . . . . . . . . . . . . . . . . 11
4.5 - Where do the busses go? . . . . . . . . . . . 12
5.2 - TDIF-1 word length . . . . . . . . . . . . . . . . . 13
5.3 - Connecting a 2-track recorder . . . . . . . . 14
5.4 - Connecting a digital audio source . . . . 14
5.5 - Using digital effect returns . . . . . . . . . . 15
6 - Word synchronization . . . . . . . . . . . . . 16
master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
slave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
1
7 - Channel operations . . . . . . . . . . . . . . . 18
7.1 - Equalization . . . . . . . . . . . . . . . . . . . . . . 18
7.2 - Routing channels to busses . . . . . . . . . 18
7.3 - Using the DIRECT OUTs . . . . . . . . . . . . 19
7.4 - Assigning channel dynamics . . . . . . . . 19
7.5 - External insert points . . . . . . . . . . . . . . . 20
parameter adjustment . . . . . . . . . . . . . . . . . . 20
8 - Monitoring, etc. . . . . . . . . . . . . . . . . . . . 21
8.1 - Choosing the monitoring source . . . . . 21
8.2 - Soloing . . . . . . . . . . . . . . . . . . . . . . . . . . 21
9 - Effects . . . . . . . . . . . . . . . . . . . . . . . . . . 23
9.1 - Selecting effect patterns . . . . . . . . . . . . 24
9.2 - External effects . . . . . . . . . . . . . . . . . . . . 24
9.3 - Setting aux send levels . . . . . . . . . . . . . 24
9.4 - Selecting the effect to use . . . . . . . . . . . 24
parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
10 - Snapshots . . . . . . . . . . . . . . . . . . . . . . 26
10.1 - Storing a snapshot . . . . . . . . . . . . . . . . 26
10.2 - Recalling snapshots . . . . . . . . . . . . . . 26
10.3 - Renaming snapshots . . . . . . . . . . . . . . 27
10.4 - "Nulling" the faders and panpots . . . . 27
10.5 - DIRECT RECALL . . . . . . . . . . . . . . . . . 27
11 - MIDI Machine control . . . . . . . . . . . . . 29
11.1 - Connections . . . . . . . . . . . . . . . . . . . . . 29
11.2 - Arming tracks . . . . . . . . . . . . . . . . . . . . 30
11.3 - Locations . . . . . . . . . . . . . . . . . . . . . . . 30
11.4 - Selecting the MTC type . . . . . . . . . . . . 30
11.5 - Capturing a location on the fly . . . . . . 30
11.6 - Locating to a memory position . . . . . . 31
11.7 - Editing a memory location . . . . . . . . . 31
12 - MIDI control of the TM-D1000 . . . . . . 32
channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
12.3 - Recording parameter changes . . . . . . 32
dumps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
13 - Options . . . . . . . . . . . . . . . . . . . . . . . . 34
13.1 - RM-D1000 rack mounting kit . . . . . . . . 34
13.2 - IF-TD1000 Digital Input Kit . . . . . . . . . . 34
13.3 - FX-D1000 Effect Board . . . . . . . . . . . . . 35
14 - Miscellaneous functions . . . . . . . . . . 36
14.1 - Footswitch (REMOTE CONT) . . . . . . . 36
14.2 - Meter settings . . . . . . . . . . . . . . . . . . . . 36
14.3 - LCD contrast . . . . . . . . . . . . . . . . . . . . . 36
14.4 - Battery levels . . . . . . . . . . . . . . . . . . . . 36
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Table of Contents
Related Manuals for Tascam TM-D1000
Summary of Contents for Tascam TM-D1000
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Page 1: Table Of Contents
10 - Snapshots ..... . 26 1.2 - TM-D1000 features ....2 10.1 - Storing a snapshot . -
Page 2: Tm-D1000 Features
1 through 4 are balanced. Refer to the print- as a digital sub-mixer, or in broadcast applications. ing on the TM-D1000 itself for details of how these connectors are wired. The XLR connectors can 1.3 Setting up your TM-D1000 accept levels from –65 dBu to –15 dBu, and the TRS... - Page 3 NOTE 1.3.3 INSERTs If you connect a hi-fi amplifier to these jacks, Use standard ‘Y’ cables such as TASCAM PW-4Y or turn down the monitor level control. The level PW-2Y cables to connect unbalanced equipment at of the TM-D1000’s...
- Page 4 Digital audio may be received through either the XLR or RCA coaxial input of this digital audio input. If the use of cables other than TASCAM cables causes or results in damage, the war- ranty is voided.
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Page 5: The Tm-D1000 Menu System
TM-D1000. When we talk about the key used in this positions from a snapshot. way, we refer to it as the... -
Page 6: The Display Screen
2 - The TM-D1000 menu system controls. However, when you come to the maximum 2.5 The display screen or minimum value permissible for a parameter, turn- ing the knob clockwise or counterclockwise respec- The display screen is typically used in the following tively will have no further effect. -
Page 7: Viewing Parameters Without Changing Them
© 2.8 Viewing parameters without S e t u p ¯ Ã changing them The Option Monitor allows you to look quickly through the settings made in the TM-D1000 without the risk of changing them accidentally. TASCAM TM-D1000 Operations Manual... -
Page 8: A Quick Guide To Common Functions
CH SEL even-numbered channel (you can also press and hold Initializing TM-D1000 internal data any even-numbered key and press odd-numbered key directly before it). See “Linking channels for simul- Hold and press the... - Page 9 ) key. Choose a memory, and (ESCAPE/RECALL Setting MIDI channels to control the TM- press (See “Storing a snapshot” on page 26.). ENTER D1000 (Program Change) Setting the MMC ID of the TM-D1000 Option MIDI MIDI Ch Option MIDI MMC Device...
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Page 10: Buss Functions
TM-D1000 leaves the factory. ously recorded tracks, these tracks are routed If you want to return the TM-D1000 to these through input channels 9 through 16. If you do default settings at any time, you should follow not assign these tracks to the L-R stereo the procedure described below. -
Page 11: Choosing Rec Or Mix Mode
(explained in the Reference right channels of the stereo buss. Manual). Aux sends may be assigned to be pre- or post-fader using the menu system (See “Setting aux send lev- els” on page 24.). TASCAM TM-D1000 Operations Manual... -
Page 12: Where Do The Busses Go
TDIF-1 output busses, with four “copies” of this number of group outputs which are being used in the pair going to 1-2, 3-4, 5-6, and 7-8. currently-selected buss function. These routing patterns are fixed, and cannot be changed. TASCAM TM-D1000 Operations Manual... -
Page 13: Using The Digital Inputs And Outputs
5 - Using the digital inputs and outputs some models of DAT recorders can only One of the main features of the TM-D1000 is its abil- record analog data at 48kHz, and if you are ity to keep sound in the digital domain throughout... -
Page 14: Connecting A 2-Track Recorder
Press and hold down the SHIFT key, and press the key. OPTION Because the TM-D1000 is a digital mixer, it is possi- Turn the knob until the bottom DATA ENTRY ble to use a digital audio source (e.g. a CD player, Setup... -
Page 15: Using Digital Effect Returns
(B) digital input. Again, if channels 7 and 8 input. If channels 7 and 8 are selected, the are being used, Digital input (C) can also be third (C) digital input will also be available. used. TASCAM TM-D1000 Operations Manual... -
Page 16: Word Synchronization
TM-D1000) can usually be con- figured to act as either a word clock master or slave. The TM-D1000 can accept a word clock from any of the digital audio inputs (including the TDIF-1 input, or inputs, if the optional expansion board is fitted) or 6.1 Setting up the TM-D1000 as a... - Page 17 Clock Select , and press ENTER When using the TM-D1000 with a DTRS or other recorder in varispeed mode, the TM- M a s t e r C l o c k S e l e c t D1000 must be configured as a word clock...
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Page 18: Channel Operations
Remember that there is no dedicated monitor gain and frequency are always visible and con- or cue buss on the TM-D1000. If you want to trolled by the center two data editing knobs). monitor an input channel or a tape track in... -
Page 19: Using The Direct Outs
The attack time of the processor use these processors: Rls-T The release time of the processor Press and hold down the SHIFT key, and Ratio Adjustable from 1:64 (full compression) to 64:1 (gating) press the key. OPTION TASCAM TM-D1000 Operations Manual... -
Page 20: External Insert Points
CH SEL The tip of the π-inch TRS jack plug is the “send” of of the channels to be linked. the TM-D1000 to the external processor, and the ring Press the key of the other channel. CH SEL is the “return”. -
Page 21: Monitoring, Etc
8 - Monitoring, etc. The TM-D1000 allows you to connect an amplifier/ switch allows you to check the mono MONO speaker monitoring system to the mix of any of these stereo pairs. However, you MONITOR OUT connectors. The level of the signal transmitted from... - Page 22 Press and hold down the key and press SHIFT In-Place SOLO (PFL) OPTION key. In-Place SOLO (AFL) PFL (In-Place Solo) Turn the DATA ENTRY knob until the bottom Setup AFL (In-Place SOLO) line of the display shows TASCAM TM-D1000 Operations Manual...
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Page 23: Effects
9 - Effects The TM-D1000 includes high-quality digital effects. The processor types are: There are three types of processor, and these can be Stereo effector—provides dynamic processor, delay, patterned together in various ways, depending on the chorus, pitch shifter, flanger, phaser, de-esser and current mode and buss function selected. -
Page 24: Selecting Effect Patterns
“Connecting a 2-track recorder” on page 14 to assign can select the effect units to use. the aux busses to the digital outputs. The digital returns are assigned as described in “Using digital NOTE effect returns” on page 15. TASCAM TM-D1000 Operations Manual... -
Page 25: Editing The Parameters Of The Effect
Feedback Level). Press when you have finished enter- ENTER Turn the knob to view and set DATA ENTRY ing the name. The parameters will be stored more parameters. into the memory that you have selected. TASCAM TM-D1000 Operations Manual... -
Page 26: Snapshots
K o t o Q u a r t e t pots) are reset to “flat” positions. When a snapshot is recalled, the TM-D1000 will Operating Tip fade from its prior values into the new snapshot val- ues over a preset time, set when the snapshot is... -
Page 27: Renaming Snapshots
B r a n d e n b u r g ESCAPE/RECALL key recalls snapshot 001, etc. The first (initial setting) snapshot 000 cannot be To return the controls to the snapshot values: recalled in this way. TASCAM TM-D1000 Operations Manual... - Page 28 10.5.1Direct recall defeat Select (direct recall is enabled) or To avoid accidental recall of snapshots, the TM- (direct recall is disabled) by turning the D1000 provides a “safety” (defeat) mode. knob, and press DATA ENTRY ENTER TASCAM TM-D1000 Operations Manual...
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Page 29: Midi Machine Control
11 - MIDI Machine control The TM-D1000 can be used together with any Turn the knob to choose DATA ENTRY recorder or other device that supports MIDI Machine Closed-loop Open- between Control commands, such as the TASCAM DA-88 loop , and press to confirm your... -
Page 30: Arming Tracks
“shift lock” made earlier. 11.5Capturing a location on the fly 11.2Arming tracks The TM-D1000 can store up to 16 memory locations for recall. These 16 locations are controlled by the keys serve another “shifted” function—as MUTE keys of the 16 input channels. -
Page 31: Locating To A Memory Position
MEMO Edit mes- sage. If MIDI Timecode is not being received, After checking that the new values are cor- you only need to press the key once. MEMO rect, press the ENTER key to confirm your setting. TASCAM TM-D1000 Operations Manual... -
Page 32: Midi Control Of The Tm-D1000
à M i x e r C h : Parameter changes may be recorded in real time from mix moves on the TM-D1000, or produced from any defeat other MIDI controller, and edited before being Set the value to , or a MIDI chan- replayed by a sequencer. -
Page 33: System Exclusive Parameters And Data Dumps
77 Solo mode (PFL) On/off 78 Solo mode (in-place) On/off The TM-D1000 also provides you with data dump 79 Solo mode (AFL) On/off and loading facilities, so that snapshots, effect set- 80 Channel Dynamics input level Continuous tings, etc. -
Page 34: Options
This kit requires internal connections to the sink of the TM-D1000. TM-D1000. For this reason, you should not install the kit yourself, but should refer instal- lation to a qualified TASCAM distributor. -
Page 35: Fx-D1000 Effect Board
TDIF-1 with much more power and flexibility in the way that connector. It may also be selected to be output in you use the internal effect system of the TM-D1000. parallel to both TDIF-1 connectors ( ) by selecting input channels 1–8 as the source for TDIF-... -
Page 36: Miscellaneous Functions
14.4Battery levels equivalent. If you are in any doubt as to the kind of footswitch you should use, contact The lithium batteries in the TM-D1000 provide your TASCAM dealer. backup for your settings and should last for a number of years before they need to be replaced. - Page 37 You can also check the current battery level using the We also, as noted above, suggest that you have the following procedure: battery replaced every three years or so, in order to avoid possible damage caused to the TM-D1000 by battery leakage. TASCAM TM-D1000 Operations Manual...
Need help?
Do you have a question about the TM-D1000 and is the answer not in the manual?
Questions and answers
Erratum: I'm not sure how to get out the setup mode...
Press the EXIT key to exit setup mode on the Tascam TM-D1000.
This answer is automatically generated
After setting up my TM-D1000, everything seems to work well but I can't get no sound output in my speakers. What do I have to do since my screen still on the setup mode. I'm sure how to exit the setup mode to start using the mixer.
To exit setup mode on the Tascam TM-D1000 mixer, press the EXIT button. If you were configuring settings and do not want to save changes, press the ESCAPE key instead of ENTER when prompted.
To get sound output, ensure that:
1. The correct digital output routing is set (refer to Digital Out A:B settings).
2. The faders are raised for the channels you want to hear.
3. The monitor level is adjusted properly.
4. The mixer is in the correct mode (REC or MIX) based on your needs.
This answer is automatically generated