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EFFECT
MODULATE
Parameter
Value
MOD RATE
0–100
MOD DEPTH
0–100
CHORUS
In this effect, a slightly detuned sound is added to the original sound to
add depth and breadth .
Parameter
Value
CHORUS ON/
OFF, ON
OFF
Selection for the chorus mode .
MONO
MODE
STEREO 1
STEREO 2
0–100,
RATE
BPM
–
DEPTH
0–100
EFFECT LEVEL 0–100
PRE DELAY
0 .0 ms–40 .0 ms
LOW CUT
FLAT, 20 Hz–800 Hz
630 Hz–12 .5 kHz,
HIGH CUT
FLAT
20
Explanation
Adjusts the modulation rate of the delay
sound .
Adjusts the modulation depth of the delay
sound .
Explanation
Turns this effect on/off .
This chorus effect outputs the same sound
from both L channel and R channel .
This is a stereo chorus effect that adds
different chorus sounds to L channel and R
channel .
This stereo chorus uses spatial synthesis, with
the direct sound output in the L channel and
the effect sound output in the R channel .
Adjusts the rate of the chorus effect .
* When set to BPM, the value of each
parameter will be set according to the
value of the "MASTER BPM" specified for
each patch . This makes it easier to achieve
effect sound settings that match the tempo
of the song .
* If, due to the tempo, the time is longer than
the range of allowable settings, it is then
synchronized to a period either 1/2 or 1/4
of that time .
Adjusts the depth of the chorus effect .
* To use it for doubling effect, set the value
to 0 .
Adjusts the volume of the effect sound .
Adjusts the time needed for the effect sound
to be output after the direct sound has been
output . By setting a longer pre delay time,
you can obtain an effect that sounds like
more than one sound is being played at the
same time (doubling effect) .
This sets the frequency at which the low
cut filter begins to take effect . When "Flat" is
selected, the low cut filter will have no effect .
This sets the frequency at which the high
cut filter begins to take effect . When "Flat"
is selected, the high cut filter will have no
effect .
REVERB
This effect adds reverberation to the sound .
Parameter
Value
REVERB ON/
OFF, ON
OFF
This selects the reverb type . Various different simulations of space
are offered .
AMBIENC
(AMBIENCE)
ROOM
HALL 1
TYPE
HALL 2
PLATE
SPRING
MOD (MODULATE)
REV TIME
0 .1 s–10 .0 s
PRE DELAY
0 ms–500 ms
EFFECT LEVEL 0–100
LOW CUT
FLAT, 20 Hz–800 Hz
630 Hz–12 .5 kHz,
HIGH CUT
FLAT
DENSITY
0–10
DIRECT MIX
0–100
SPRING SENS
0–100
(TYPE =
SPRING only)
Explanation
Turns this effect on/off .
Simulates an ambience mic (off-mic, placed
at a distance from the sound source) used in
recording and other applications . Rather than
emphasizing the reverberation, this reverb
is used to produce a sense of openness and
depth .
Simulates the reverberation in a small room .
Provides warm reverberations .
Simulates the reverberation in a concert hall .
Provides clear and spacious reverberations .
Simulates the reverberation in a concert hall .
Provides mild reverberations .
Simulates plate reverberation (a reverb unit
that uses the vibration of a metallic plate) .
Provides a metallic sound with a distinct
upper range .
This simulates the sound of a guitar amp's
built-in spring reverb .
This reverb adds the wavering sound found
in hall reverb to provide an extremely
pleasant reverb sound .
Adjusts the length (time) of reverberation .
Adjusts the time until the reverb sound
appears .
Adjusts the volume of the reverb sound .
This sets the frequency at which the low
cut filter begins to take effect . When "Flat" is
selected, the low cut filter will have no effect .
This sets the frequency at which the high
cut filter begins to take effect . When "Flat"
is selected, the high cut filter will have no
effect .
Adjusts the density of the reverb sound .
Adjusts the volume of the direct sound .
Adjusts the sensitivity of the spring effect .
When the value is set higher, the effect is
obtained even with a weak picking .
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