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EFFECT
T. WAH
You can produce a wah effect with the filter changing in response to the
guitar level .
Parameter
Value
Selects the wah mode .
LPF
MODE
BPF
Selects the direction in which the filter will change in response to
the input .
POLAR
DOWN
UP
SENS
0–100
FREQ
0–100
PEAK
0–100
EFFECT LEVEL 0–100
DIRECT MIX
0–100
AUTO WAH
This changes the filtering over a periodic cycle, providing an automatic
wah effect .
Parameter
Value
Selects the wah mode .
LPF
MODE
BPF
0–100,
RATE
BPM
–
DEPTH
0–100
FREQ
0–100
PEAK
0–100
EFFECT LEVEL 0–100
DIRECT MIX
0–100
10
Explanation
This creates a wah effect over a wide
frequency range .
This creates a wah effect in a narrow
frequency range .
The frequency of the filter will fall .
The frequency of the filter will rise .
Adjusts the sensitivity at which the filter will
change in the direction determined by the
polarity setting . Higher values will result in
a stronger response . With a setting of 0, the
strength of picking will have no effect .
Adjusts the center frequency of the Wah
effect .
Adjusts the way in which the wah effect
applies to the area around the center
frequency .
Higher values will produce a stronger tone
which emphasizes the wah effect more . With
a value of 50 a standard wah sound will be
produced .
Adjusts the volume of the effect sound .
Adjusts the volume of the direct sound .
Explanation
This creates a wah effect over a wide
frequency range .
This creates a wah effect in a narrow
frequency range .
Adjusts the frequency (speed) of the change .
* When set to BPM, the value of each
parameter will be set according to the
value of the "MASTER BPM" specified for
each patch . This makes it easier to achieve
effect sound settings that match the tempo
of the song .
* If, due to the tempo, the time is longer than
the range of allowable settings, it is then
synchronized to a period either 1/2 or 1/4
of that time .
Adjusts the depth of the effect .
Adjusts the center frequency of the Wah
effect .
Adjusts the amount of wah effect applied in
the range near the center frequency . Higher
values will produce a stronger tone which
emphasizes the wah effect more . With a value
of 50 a standard wah sound will be produced .
Adjusts the volume of the effect sound .
Adjusts the volume of the direct sound .
SUB WAH
You can control the wah effect in real time by adjusting the [EXP] pedal or
the expression pedal connected to the SUB CTL 1, 2/SUB EXP jack .
Parameter
Value
Selects the type of wah .
CRY WAH
VO WAH
FAT WAH
TYPE
LIGHT WAH
7STRING WAH
RESO WAH
PEDAL POS
0–100
PEDAL MIN
0–100
PEDAL MAX
0–100
EFFECT LEVEL 0–100
DIRECT MIX
0–100
ADV. COMP
This is an effect that produces a long sustain by evening out the volume
level of the input signal . You can also use it as a limiter to suppress only the
sound peaks and prevent distortion .
Parameter
Value
Selects the compressor type .
BOSS COMP
HI-BAND
LIGHT
D-COMP
TYPE
ORANGE
FAT
MILD
STEREO COMP
SUSTAIN
0–100
ATTACK
0–100
LEVEL
0–100
TONE
-50–+50
Explanation
This models the sound of the CRY BABY wah
pedal popular in the '70s .
This models the sound of the VOX V846 .
This is a wah sound featuring a bold tone .
This wah has a refined sound with no unusual
characteristics .
This expanded wah features a variable range
compatible with seven-string and baritone
guitars .
This completely original effect offers en-
hancements on the characteristic resonances
produced by analog synth filters .
Adjusts the position of the wah pedal .
* This parameter is used after it's been as-
signed to an EXP Pedal or similar controller .
Selects the tone produced when the heel of
the EXP Pedal is depressed .
Selects the tone produced when the toe of
the EXP Pedal is depressed .
Adjusts the volume of the effect sound .
Adjusts the volume of the direct sound .
Explanation
This models a BOSS CS-3 .
This is a compressor that adds an even
stronger effect in the high end .
This is a compressor with a light effect .
This models a MXR DynaComp .
This is modeled on the sound of the Dan
Armstrong ORANGE SQUEEZER .
When applied heavily, this compressor effect
provides a fat tone with a boosted midrange .
When applied heavily, this compressor effect
produces a sweet tone with the high end cut .
This selects a stereo compressor .
Adjusts the range (time) over which low-level
signals are boosted . Larger values will result
in longer sustain .
Adjusts the attack time .
Adjusts the volume .
Adjusts the tone .
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