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DELAY
This effect adds delayed sound to the direct sound, giving more body to
the sound or creating special effects .
Parameter
Value
Explanation
DELAY
OFF, ON
Turns this effect on/off .
ON/OFF
This selects which type of delay .
* If you switch patches with the Type set to either DUAL-S, DUAL-P,
or DUAL- L/R and then begin to play immediately after the
patches change, you may be unable to attain the intended effect
in the first portion of what you perform .
* The stereo effect is cancelled if a monaural effect or COSM amp is
connected after a stereo delay effect .*
SINGLE
This is a simple monaural delay .
This delay is specifically for stereo output . This
allows you to obtain the tap delay effect that
divides the delay time, then deliver them to L and
R channels .
PAN
INPUT
The direct sound is output from the left channel,
STEREO
and the effect sound is output from the right
channel .
This is a delay comprising two different delays
connected in series . Each delay time can be set in
a range from 1 ms to 1000 ms .
DUAL-S
TYPE
This is a delay comprising two delays connected in
parallel . Each delay time can be set in a range from
1 ms to 1000 ms .
DUAL-P
This is a delay with individual settings available for
the left and right channels . Delay 1 goes to the left
channel, Delay 2 to the right .
DUAL-L/R
This produces an effect where the sound is played
REVERSE
back in reverse .
This gives a mild analog delay sound . The delay
ANALOG
time can be set within the range of 1 to 2000 ms .
This setting provides the characteristic wavering
TAPE
sound of the tape echo . The delay time can be set
within the range of 1 to 3400 ms .
MOD
This delay adds a pleasant wavering effect to the
sound .
(MODULATE)
Tap Time
OUTPUT L
E ectLev
Dly Time
DELAY
OUTPUT R
Feedback
D1: DELAY 1
D1
D2
D2: DELAY 2
D1
D2
D1
L
D2
R
COMMON
Parameter
Value
1 ms–2000 ms,
DELAY TIME
BPM
–
F .BACK
0–100
630 Hz–12 .5 kHz,
HIGH CUT
FLAT
EFFECT LEVEL 0–120
DIRECT MIX
0–100
PAN
Parameter
Value
TAP TIME
0–100%
DUAL-S, DUAL-P, DUAL-L/R
Parameter
Value
D1:TIME
1 ms–1000 ms,
BPM
–
D2:TIME
D1:F .BACK
0–100
D2:F .BACK
D1:HI CUT
630 Hz–12 .5 kHz,
FLAT
D2:HI CUT
D1:LEVEL
0–120
D2:LEVEL
EFFECT
Explanation
This determines the delay time .
* When set to BPM, the value of each
parameter will be set according to the
value of the "MASTER BPM" specified for
each patch . This makes it easier to achieve
effect sound settings that match the tempo
of the song .
* If, due to the tempo, the time is longer than
the range of allowable settings, it is then
synchronized to a period either 1/2 or 1/4
of that time .
This sets the amount of delay sound returned
to the input . A higher value will increase the
number of the delay repeats .
This sets the frequency at which the high
cut filter begins to take effect . When "Flat"
is selected, the high cut filter will have no
effect .
Adjusts the volume of the delay sound .
Adjusts the volume of the direct sound .
Explanation
Adjusts the delay time of the left channel
delay . This setting adjusts the L channel delay
time relative to the R channel delay time
(considered as 100%) .
Explanation
This determines the delay time .
* When set to BPM, the value of each
parameter will be set according to the
value of the "MASTER BPM" specified for
each patch . This makes it easier to achieve
effect sound settings that match the tempo
of the song .
* If, due to the tempo, the time is longer than
the range of allowable settings, it is then
synchronized to a period either 1/2 or 1/4
of that time .
Adjusts the amount of feedback of the DELAY
1 (or DELAY 2) . A higher value will increase
the number of the delay repeats .
This sets the frequency at which the high
cut filter begins to take effect . When "FLAT"
is selected, the high cut filter will have no
effect .
Adjusts the volume of the DELAY 1 (or DELAY
2) .
19
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