Arturia Moog Modular V User Manual page 6

4.4.7 Key follow or sequencer connections
5 The modules
5.1 Programming section
5.1.1 Description
5.1.2 Oscillators
5.1.3 Filters
5.1.4 Modulation envelopes
5.1.5 Output amplifiers (VCA)
5.1.6 Low frequency oscillators (LFO)
5.1.7 Controlled amplifiers / Mixers
5.1.8 Trigger delay
5.1.9 Noise generator
5.1.10 Sample and hold
5.1.11 Envelope follower
5.1.12 Ring modulator
5.1.13 Formant Filter
5.1.14 Bode Frequency Shifter
5.2 Second section
5.2.1 Description
5.2.2 Resonant filter bank
5.2.3 Chorus
5.2.4 Phaser
5.2.5 Stereo Delay
5.2.6 Sequence generator
5.3 Third Section
5.4 Fourth section
5.4.1 Keyboard follow management
5.4.2 General settings
6 The basics of subtractive synthesis
6.1 The three main modules
6.1.1 The oscillator or VCO
6.1.2 The filter or VCF
6.1.3 The amplifier or VCA
6.2 Complimentary modules
6.2.1 The keyboard
6.2.2 The envelope generator.
6.2.3 The low frequency oscillator.
7 A few elements of sound design
7.1 Modular sound synthesis
7.1.1 Simple patch n°1
7.1.2 Simple patch n°2
7.1.3 Complex patch n°1
7.1.4 Complex patch n°2
7.2 The sequencer
7.2.1 Sequence n°1
7.2.2 Sequence n°2
7.2.3 Sequence n°3
7.3 Bonus features
7.3.1 Creative use of key follows
7.3.2 Creative use of triggers and trigger delays
7.3.3 Stereo without the effects
7.4 using the new Moog Modular V 2.0 modules
7.4.1 The Bode Frequency Shifter
7.4.2 The Envelope Follower
7.4.3 The sample and hold
8 Using the Moog Modular V in different modes
8.1 Stand-alone
8.1.1 Launching the application
8.1.2 Setting preferences
8.1.3 The control bar
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