Explanation Of Effect Parameters - Yamaha MU128 Sound List & Midi Data

Explanation of effect parameters

Parameter name Effect types in which the parameter exists
AM Depth TREMOLO
AMP Type AMP SIMULATOR
Attack COMPRESSOR type
NOISE GATE
Bit Assign LO-FI
Cch Delay DELAY L,C,R
Cch Level DELAY L,C,R
Crossover Frequency
2WAY ROTARY SPEAKER
Cutoff Frequency Offset WAH type
Delay Mix DIST+DELAY,OVERDRIVE+DELAY,
COMP+DIST+DELAY,COMP+ODRV+DELAY,
WAH+DIST+DELAY,WAH+ODRV+DELAY
Delay Offset CHORUS type
Delay Time KARAOKE1,2,3
AMBIENCE
Delay2 Level ECHO
Density REVERB type, EARLY REF type
Depth REVERB type
Detune ENSEMBLE DETUNE
Diffusion REVERB type, EARLY REF type, PHASER
Drive DISTORTION type
HARMONIC ENHANCER*
TALKING MODULATION
Drive High 2WAY ROTARY SPEAKER
Drive Low 2WAY ROTARY SPEAKER
Dry/Wet All types
Edge(Clip Curve) DISTORTION type
Emphasis LO-FI
EQ High Frequency All types
EQ High Gain All types
EQ Low Frequency All types
EQ Low Gain All types
EQ Mid Frequency All types
EQ Mid Gain All types
EQ Mid Width All types
Er/Rev Balance REVERB type
F/R Depth AUTO PAN
Feedback Delay DELAY L,C,R
Feedback Delay 1 DELAY L,R
Feedback Delay 2 DELAY L,R
Feedback Level REVERB type
DELAY type,EARLY REF type,PITCH CHANGE type
KARAOKE type
CHORUS type, FLANGER type
PHASER type
Filter Type LO-FI
Fine 1 PITCH CHANGE type
Fine 2 PITCH CHANGE type
Height REVERB type
High Adjust VOICE CANCELAR
High Damp REVERB type,DELAY type,EARLY REF type
HPF Cutoff REVERB type,EARLY REF type,KARAOKE type,HARMONIC ENHANCER*
Initial Delay REVERB type
EARLY REF type
PITCH CHANGE type
Input Mode All types
Input Select CROSS DELAY
L/R Depth AUTO PAN
L->R Delay CROSS DELAY
Lch Delay DELAY type
Lch Delay1 ECHO
Lch Delay2 ECHO
Lch Feedback Level ECHO
Lch Init Delay ENSEMBLE DETUNE
LFO Depth CHORUS type,FLANGER type,SYMPHONIC
ROTARY SPEAKER
PHASER type
WAH type
LFO Frequency CHORUS type,FLANGER type,SYMPHONIC
ROTARY SPEAKER
TREMOLO
AUTO PAN
PHASER type
WAH type
Explanation of parameter
Depth of volume modulation
Select the type of amp to be simulated
Time until the compressor effect begins to apply
Time until the gate begins to open
Adjust the word length of the audio data
Length of the center channel delay
Volume of the center channel
Crossover frequency between the high-range and low-range speakers
Frequency offset value that will control the wah filter
Mixing amount of delay sound
Offset value of delay modulation
Spacing of reflections for karaoke echo
Delay length
Volume of second delay
Density of reflections. Higher values produce closer spacing
Depth of the simulated room
Amount of pitch shift
Control the spaciousness
Depth of distortion
Depth at which the exciter effect is applied
Depth at which the exciter effect is applied
Depth of modulation caused by rotation of the low-range speaker
Depth of modulation caused by rotation of the high-range speaker
Balance between dry sound and effect sound
Curve of distortion characteristics (sharp(127) distorts suddenly, mild(0) distorts gradually)
Modify the character of the high range
Frequency at which the EQ will boost/cut the high range
Gain amount by which the EQ will boost/cut the high range
Frequency at which the EQ will boost/cut the low range
Gain amount by which the EQ will boost/cut the low range
Frequency at which the EQ will boost/cut the mid range
Gain amount by which the EQ will boost/cut the mid range
Width of the area boosted/cut by the mid-range EQ
Level balance between the early reflections and the reverberation
Depth of front/back panning (valid when PAN Direction=Lturn,Rturn)
Length of feedback delay
Length of feedback delay 1
Length of feedback delay 2
Feedback amount of initial delay
Feedback amount
Setting for repeated reflections
Level at which delay output is again returned to the input (negative values invert the phase)
Level at which phaser output is again returned to the input (negative values insert the phase)
Select the type of tonal effect
Fine adjustment to pitch of first sound
Fine adjustment to pitch of second sound
Height of simulated room
Adjust the upper limit of the mid-frequency range that will be attenuated
Attenuation of the high frequency range (lower values will cause the high range to decay more rapidly)
Frequency at which the high pass filter will cut the low range
Delay time until the early reflections
Delay length until ER (GateReverb) sounds
Delay length
Mono/stereo switch for input
Input select
Depth of left/right panning
Delay time from left (input) to right (output)
Length of left channel delay
Length of first left channel delay
Length of second left channel delay
Amount of left channel feedback
Length of left channel delay
Depth of delay modulation
Depth of modulation caused by speaker rotation
Depth of phase modulation
Depth at which the wah filter will be controlled
Frequency of delay modulation
Frequency at which the speaker will rotate
Modulation frequency
Autopan frequency
Phase modulation frequency
Frequency at which wah filter will be controlled
* The Harmonic Enhancer produces the same effect as its MU series predecessor.
MU128 EFFECT
Effect Parameter List
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