Yamaha MU128 Sound List & Midi Data page 23

Effect Parameter List
LFO Phase Difference PHASER type,FLANGER type
Liveness EARLY REF type
Low Adjust VOICE CANCEL
Low/High 2WAY ROTARY SPEAKER
LPF Cutoff All types
LPF Resonance LO-FI
Mic L-R Angle 2WAY ROTARY SPEAKER
Mix Level HARMONIC ENHANCER*
Move Speed TALKING MODULATOR
Output Gain LO-FI
Output Level All types
Output Level 1 PITCH CHANGE type
Output Level 2 PITCH CHANGE type
Output Phase AMBIENCE
Pan 1 PITCH CHANGE type
Pan 2 PITCH CHANGE type
PAN Direction AUTO PAN
Phase Shift Offset PHASER type
Pitch PITCH CHANGE type
PM Depth TREMOLO
R->L Delay CROSS DELAY
Ratio COMPRESSOR type
Rch Delay DELAY type
Rch Delay1 ECHO
Rch Delay2 ECHO
Rch Feedback Level ECHO
Rch Init Delay ENSEMBLE DETUNE
Release COMPRESSOR type
NOISE GATE
TOUCH WAH2, TOUCH WAH+ODRV
Resonance WAH type
Rev Delay REVERB type
Reverb Time REVERB type
Room Size EARLY REF type
Rotor Speed 2WAY ROTARY SPEAKER
Sampling Freq Control LO-FI
Sensitive WAH type
Stage PHASER type
Threshold COMPRESSOR type
NOISE GATE
Type EARLY REF type
Vowel TALKING MODULATOR
Wah Release WAH+DIST+DELAY,WAH+ODRV+DELAY
Wall Vary REVERB type
Width REVERB type
Word Length LO-FI
Additional note: In the preceding pages, indication of effect types such as REVERB-type respectively
include the following effect types.
CHORUS type CHORUS1,CHORUS2,CHORUS3,CHORUS4,CELESTE1,CELESTE2,CELESTE3,CELESTE4
COMPRESSOR type COMPRESSOR,COMP+DIST, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY
DELAY type DELAY L,C,R, DELAY L,R, ECHO, CROSS DELAY, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY,
COMP+OVERDRIVE+DELAY, WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY
DISTORTION type DISTORTION, OVERDRIVE, AMP SIMULATOR, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH+DIST, TOUCH WAH+ODRV,
COMP+DIST, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY,
WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY
EARLY REF type EARLY REF1, EARLY REF2, GATE REVERB, REVERSE GATE
FLANGER type FLANGER1,FLANGER2, FLANGER3
KARAOKE1, KARAOKE2, KARAOKE3
KARAOKE type
PHASER type PHASER1, PHASER2
PITCH CHANGE type PITCH CHANGE1, PITCH CHANGE2
REVERB type HALL1,HALL2,ROOM1,ROOM2,ROOM3,STAGE1,STAGE2,PLATE,
WHITE ROOM,TUNNEL,CANYON,BASEMENT
WAH type AUTO WAH, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH1, TOUCH WAH2, TOUCH WAH+DIST, TOUCH WAH+ODRV,
WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY
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L/R phase difference for modulation waveform (0 deg (=64) is no phase difference)
ER decay. Lower values cause faster decay.
Adjust the lower frequency limit of the mid-range that will be attenuated
Volume balance between the high-range and low-range speakers
Frequency at which the low pass filter will cut the high frequency range
Add character to the low pass filter of the input
L/R angle of the mic that picks up the output
Level of the effect sound that is mixed into the dry sound
Time over which the sound specified by Vowel is reached
Output gain
Output level
Output level for first unit
Output level for second unit
Swap phase of the effect sound between L/R
Pan of first unit
Pan of second unit
Autopan type (L<->R is sine wave, L/R is square wave)
Offset value for phase modulation
Pitch setting in semitones
Depth of delay modulation
Delay time from right (input) to left (output)
Compression ratio of the compressor
Length of right channel delay
Length of first right channel delay
Length of second right channel delay
Amount of right channel feedback
Length of right channel delay
Time until the sound is released from the compressor effect
Time until the gate closes
Time until the center frequency of the wah filter returns to normal
Bandwidth of the wah filter
Delay time between the early reflections and the reverberation
Length of reverb
Size of room. Increasing this value will lengthen ER.
Frequency at which the speaker rotates
Sampling frequency control
Sensitivity with which the wah filter will change in response to changes in the input
Number of steps for the phase shifter
Input level at which compression will begin
Input level at which the gate will begin to open
Type selection
Vowel selection
Time until the center frequency of the wah filter returns to normal
Condition of the walls of the simulated room (higher values produce more random reflections)
Width of the simulated room
Specify the roughness of the sound
* The Harmonic Enhancer produces the same effect as its MU series predecessor.
MU128 EFFECT