Explanation Of Effect Parameters - Yamaha Midi XG MU90R Sound List

Parameter name Effect types in which the parameter exists
AM Depth TREMOLO
AMP Type AMP SIMULATOR
Attack COMPRESSOR type
NOISE GATE
Cch Delay DELAY L,C,R
Cch Level DELAY L,C,R
Crossover Frequency 2WAY ROTARY SPEAKER
Cutoff Frequency Offset WAH type
Delay Offset CHORUS type
Delay Time KARAOKE 1,2,3
AMBIENCE
Delay2 Level ECHO
Density REVERB type, EARLY REF type
Depth REVERB type
Detune ENSEMBLE DETUNE
Diffusion REVERB type, EARLY REF type, PHASER
Drive DISTORTION type
AURAL EXCITER
Drive High 2WAY ROTARY SPEAKER
Drive Low 2WAY ROTARY SPEAKER
Dry/Wet All types
Edge (Clip Curve) DISTORTION type
EQ High Frequency All types
EQ High Gain All types
EQ Low Frequency All types
EQ Low Gain All types
EQ Mid Frequency All types
EQ Mid Gain All types
EQ Mid Width All types
Er/Rev Balance REVERB type
F/R Depth AUTO PAN
Feedback Delay DELAY L,C,R
Feedback Delay 1 DELAY L, R
Feedback Delay 2 DELAY L, R
Feedback Level REVERB type
DELAY type, EARLY REF type, PITCH CHANGE type
KARAOKE type
CHORUS type, FLANGER type
PHASER type
Fine 1 PITCH CHANGE type
Fine 2 PITCH CHANGE type
Height REVERB type
High Adjust VOICE CANCELAR
High Damp REVERB type, DELAY type, EARLY REF type
HPF Cutoff REVERB type, EARLY REF type, KARAOKE type, AURAL EXCITER Frequency at which the high pass filter will cut the low range
Initial Delay REVERB type
EARLY REF type
PITCH CHANGE type
Input Mode All types
Input Select CROSS DELAY
L/R Depth AUTO PAN
L->R Delay CROSS DELAY
Lch Delay DELAY type
Lch Delay 1 ECHO
Lch Delay 2 ECHO
Lch Feedback Level ECHO
Lch Init Delay ENSEMBLE DETUNE
LFO Depth CHORUS type, FLANGER type, SYMPHONIC type
ROTARY SPEAKER
PHASER type
WAH type
LFO Frequency CHORUS type, FLANGER type, SYMPHONIC
ROTARY SPEAKER
TREMOLO
AUTO PAN
PHASER type
WAH type
LFO Phase Difference PHASER type, FLANGER type
Liveness EARLY REF type
Low Adjust VOICE CANCELAR
Low/High 2WAY ROTARY SPEAKER
LPF Cutoff All types
Mic L-R Angle 2WAY ROTARY SPEAKER
Mix Level AURAL EXCITER
Output Level All types
Output Level 1 PITCH CHANGE type
Output Level 2 PITCH CHANGE type
Output Phase AMBIENCE
Pan 1 PITCH CHANGE type
Pan 2 PITCH CHANGE type
PAN Direction AUTO PAN
Phase Shift Offset PHASER type
Pitch PITCH CHANGE type

Explanation of effect parameters

Depth of volume modulation
Select the amp type to be simulated
Time until when the compressor begins to take effect
Time until when the gate begins to open
Delay length of center channel
Volume of center channel
Crossover frequency between the high frequency speaker and the low frequency speaker
Frequency offset value which will control the wah filter
Offset value of delay modulation
Interval between repeats of the karaoke echo
Delay length
Volume of the second delay
Density of the reflections. Higher values produce greater density.
Depth of the room to be simulated
Amount of pitch shift
Controls the amount of spread
The degree of distortion
The degree to which the exciter effect is applied
Depth of the modulation caused by the rotation of the low frequency speaker
Depth of the modulation caused by the rotation of the high frequency speaker
Balance between dry sound and effect sound
Curve of distortion character (sharp (127) distorts suddenly, and mild (0) distorts gradu-
ally)
Frequency at which the EQ will boost/cut the high range
Amount of gain with which the EQ will boost/cut the high range
Frequency at which the EQ will boost/cut the low range
Amount of gain with which the EQ will boost/cut the low range
Frequency at which the EQ will boost/cut the mid range
Amount of gain with which the EQ will boost/cut the mid range
Width of the area at which the EQ will boost/cut the mid range
Level balance between the early reflections and the reverb sound
Depth of front/back panning (valid when PAN Direction=Lturn, Rturn)
Length of feedback delay
Length of feedback delay 1
Length of feedback delay 2
Amount of feedback for the initial delay
Amount of feedback
Setting for delay repeats
Level at which the delayed output is returned to the input (negative values invert the
phase)
Level at which the output of the phaser is returned to the input (negative values invert the
phase)
Fine pitch setting for first unit
Fine pitch setting for second unit
Height of the room to be simulated
Adjust the upper limit of the mid-range frequencies to be attenuated
Adjust the decay of the high frequencies (smaller values will cause high frequencies to
decay more rapidly)
Delay time until the early reflections
Length of delay until the ER (Gate Reverb) sounds
Delay length
Mono/stereo switch for the input
Select the input
Depth of left/right panning
Delay time from left (input) to right (output)
Delay length of the left channel
First delay length of the left channel
Second delay length of the left channel
Feedback amount of the left channel
Length of left channel delay
Frequency of delay modulation
Modulation depth caused by speaker rotation
Depth of phase modulation
Depth to which wah filter is controlled
Frequency of delay modulation
Frequency at which the speaker rotates
Modulation frequency
Auto pan frequency
Frequency of phase modulation
Frequency at which wah filter is controlled
L/R phase difference between modulation waveforms (At 0 deg (=64) there is no phase
difference.)
ER decay. Lower values produce faster decay.
Adjust the lower limit of the mid-range that will be attenuated
Volume balance between the high range speaker and the low range speaker
Frequency at which the low pass filter will cut the high range
L/R angle of the mics which will pick up the output
Level of the effect sound which will be mixed into the dry sound
Output level
Output level of first unit
Output level of second unit
Exchange the L/R phase of the effect sound
PAN of first unit
PAN of second unit
Type of auto pan (L<->R is sine wave, L/R is square wave)
Offset value of phase modulation
Pitch setting in semitone steps
12
Explanation of parameter