70
$
Under Video Processing Format , select either 8-bit or 10-bit to indicate
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the bit depth you want to use for processing video in a sequence. In some
cases, such as when the video output for an HD sequence is downconverted
to NTSC or PAL, the video processing format will be set to 8-bit .
Under Preroll/Postroll Frames for Audio Scrubbing , use the sliders to
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specify the number of audio frames you want to be played before/after the
location of the current-time indicator when you scrub a sequence. This lets
you hear more audio to help you better identify sounds when scrubbing. For
example, if you set the number of preroll frames for audio scrubbing to 3 ,
you will hear the audio for the current frame and three previous frames when
you scrub a frame in a sequence.
¦ Note
is available for all sliders in the Matrox dialog boxes.
Under Error Reporting , select Report dropped frames or lost genlock
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on playback
genlock source signal is lost when you play back video from the Timeline
panel. Otherwise, clear this option.
¦ Note
segments of the sequence that have dropped frames (even if you don't choose
to report dropped frames).
Under Premiere Pro Accelerated Effects , you can select various options
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for your realtime/accelerated Premiere Pro effects. For example, you can
choose to disable certain features and specify how you want your Motion
effects to be processed. For details, see
Premiere Pro effects"
Under Realtime Indicator Threshold , drag the slider to set the threshold at
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which Matrox Axio determines that a segment in the Timeline panel is
realtime. Drag to the left to set a lower (safer) threshold, or to the right to set
a higher (more aggressive) threshold. For example, if you find that Matrox
Axio does not identify any segments as being non-realtime (that is, with a
red bar) and you have dropped frames when you export your sequence to
tape, you can set a safer threshold to force more segments to require
rendering and avoid having dropped frames. Alternately, if you find that
some segments are identified with a red bar but they don't have dropped
frames, you can set a more aggressive threshold.
Chapter 8, Defining Your Adobe Premiere Pro Settings
(that is, levels that fall below the standard black level or exceed the standard
white level) are clipped.
Post Production
Processes video for post production. Any super black
or super white luminance levels in your video are retained.
To return a slider to it's default setting, click its D button. This button
if you want to be warned each time frames are dropped or the
Once playback of the sequence has stopped, a red bar will appear over
on page 72.
"Selecting options for accelerated
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