Strymon TIMELINE User Manual page 4

TimeLine
- User Manual
In Depth: Filter & Grit controls
The Filter knob works in conjunction with the Grit knob to shape the fidelity of the repeats. The brightest and cleanest
repeats occur when they are both set at the minimum position.
*The below descriptions are for the Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem & Lo-Fi delay machines. To see how the Filter &
Grit knobs work for dBucket and dTape delay machines see their respective sections.
FILTER: At minimum setting, the Filter
Function provides a flat full-bandwidth
response. As you turn the knob up, the repeats
get progressively darker. Around 12:00, the
filter is voiced to give an analog delay EQ curve.
The darkest repeats occur with the Filter knob
between 12:00 and 2:00 in these machine types.
As you continue to turn the Filter Knob, the low
end is progressively reduced, and some highs
are added back in to create an EQ curve similar
to that of a Tape delay when the knob is at
maximum position.
Delay time ranges and Display
TAPE
TYPE
push the
TYPE encoder
Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem, Filter
Lo-Fi
dBucket (RANGE = SINGLE)
dBucket (RANGE = DOUBLE)
dTape (TAPE SPEED = NORMAL)
dTape (TAPE SPEED = FAST)
hold (global)
LO-FI
to toggle the display
between BANK & TIME
FILTER
GRIT: The intensity of the
Grit control will depend on the
strength of the input signal. Hotter
inputs will intensify the effect of the
Grit knob in all modes. The volume
of the wet signal may change as you
increase the Grit control (getting
louder or softer depending on the
input signal strength). Use the MIX
knob to compensate accordingly.
milliseconds or BPM based on
the MS/BPM global parameter
60mS - 2500mS
2 mS - 2500mS
40mS - 400mS
80mS - 800mS
60mS - 2500mS
30mS - 1250mS
TIME can be displayed in
®
GRIT
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