Page 1 PUB. DIE-0559-000 4K Camcorder Instruction Manual...
Page 2: Safety Instructions
Safety Instructions Be sure to read these instructions in order to operate the product safely. Follow these instructions to prevent injury or harm to the operator of the product or others. WARNING Denotes the risk of serious injury or death. •...
Page 3 CAUTIONS Follow the cautions below. Otherwise physical injury or property damage may result. • Do not leave the product in places exposed to extremely high or low temperatures. The product may become extremely hot/cold and cause burns or injury when touched. •...
Page 5: Table Of Contents
Table of Contents Safety Instructions 2 3. Recording 41 Recording Video and Photos 41 1. Introduction 9 Recording 41 About this Manual 9 Onscreen Displays 43 Conventions Used in this Manual 9 Reviewing a Recording 48 Supplied Accessories 10 Adjusting Camera and Recording Settings 49 Names of Parts 11 Performing Basic Settings with Direct Touch Camera 11...
Page 6 Manual Focus 73 Recorded 101 Push AF/MF 76 Using Metadata 102 AF-Boosted MF 76 Setting a User Memo Created with Canon XF Continuous AF 77 Utility 102 Changing the AF Frame Type and Position 78 Using News Metadata 103 Face Detection 78...
Page 7 5. Playback 129 7. Network Functions 157 Playback 129 Network functions and connection types 157 Displaying the Index Screen 129 Using a Wi-Fi Network 158 Playing Back Recordings 131 Using a Wired (Ethernet) Network 159 Onscreen Displays During Clip Playback 132 Configuring Connection Settings 160 Activating a Network Connection 160 Clip Playback Controls 133...
Page 9: Introduction
Introduction About this Manual Thank you for purchasing the Canon XF605. Please read this manual carefully before you use the camera and Troubleshooting retain it for future reference. Should the camera fail to operate correctly, refer to (A 207). Before Using the Camera •...
Page 10: Supplied Accessories
Supplied Accessories Supplied Accessories Optional The following accessories are supplied with the camera. For accessories sold separately, please refer to Accessories (A 222). Unless indicated otherwise, accessories mentioned in this manual are the ones supplied with the camera. CA-CP200 L Compact Power Adapter CG-A20 Battery Charger BP-A30 Battery Pack Lens Hood with Lens Barrier...
Page 11: Names Of Parts
Names of Parts Names of Parts Camera Focal plane mark 5 Focus ring (A 73) 2 × (headphone) terminal (A 97, 134) 6 Zoom ring (A 69) 3 Lens hood (A 28) 7 Iris ring (A 63) 4 Lens barrier switch (A 41) 8 Protective cover for audio controls (A 91)
Page 12 Names of Parts 12 13 14 15 16 17 19 20 21 22 23 24 25 1 ND FILTER +/– buttons (A 61) 14 WFM (waveform monitor) button (A 99)/ 2 PUSH AF/MF (momentary autofocus) button Assignable button Camera 4 (A 115) (A 76) 15 ZEBRA button (A 84)/ 3 FOCUS (focus mode) switch (A 73)
Page 13 Names of Parts 1 Strap mount 7 Grip belt 2 MIC (microphone) terminal (A 93) 3 INPUT 1/INPUT 2 terminal (XLR) (A 93) 4 Exhaust ventilation outlet (A 40) 5 USB (HOST) terminal Used for future functionality expansion. 6 REMOTE A terminal For connecting the RC-V100 Remote Controller (A 111) or commercially available remote controllers.
Page 14 Names of Parts 13 14 15 16 1 Accessory shoe 12 CANCEL button (A 25) 2 Grip zoom rocker (A 69) 13 Rear tally lamp (A 41) 3 MAGN. (magnification) button (A 75)/ 14 REC (start/stop recording) button (A 41) Assignable button Camera 6 (A 115) 15 Handle REC button's lock lever (A 15) 4 u (review recording) button (A 48)/...
Page 15 Names of Parts Locking the camera’s controls (key lock) You can set lock lever (A 14) or the KEY LOCK switch to C (key lock) to lock all the camera’s buttons* and switches. This is useful in preventing settings from being changed due to inadvertently pressing one of the buttons.
Page 16 Names of Parts 1 Built-in speaker (A 134) 3 Screw hole for 1/4"-20 mounting screws Located below the space where the LCD monitor (7.5 mm (0.30 in.) deep) is stored. 4 Socket for tripod's anti-rotation pin (5.5 mm 2 Socket for tripod's anti-rotation pin (5 mm (0.22 in.) deep) (0.20 in.) deep, x2) For tripods with 3/8"-16 mounting screws.
Page 17 Names of Parts 1 Microphone lock screw (A 93) 5 Front tally lamp (A 41) 2 Microphone holder (A 93) 6 Infrared light (A 110) 3 Microphone cable clamp (A 93) 7 Air intake vent (A 40) 4 Built-in stereo microphone (A 91) 8 Assignable button Camera 11 (A 115)
Page 18 Names of Parts 23 24 1 LCD monitor with touch screen (A 23) 12 CANCEL button (A 25) 2 SLOT SELECT (SD card selection) button (A 33) 13 USB (Type-C) terminal (A 113, 155) 3 SD card access indicators (SD2/SD3) (A 32) (Ethernet) indicator (A 159) 4 SD card slots (A 32): SD CARD2 (top) and 15 REMOTE B terminal...
Page 19: Preparations
Preparations Preparing the Power Supply You can power the camera using a battery or a power outlet. Even when a battery is attached, if the camera is connected to a power outlet, it will not draw power from the battery. Using a Battery You can power the camera using the BP-A30 Battery Pack or the BP-A60 Battery Pack.
Page 20 Preparing the Power Supply NOTES • We recommend charging the battery in temperatures between 10 ºC and 30 ºC (50 ºF and 86 ºF). Outside the temperature range of 0 ºC to 40 ºC (32 ºF to 104 ºF), charging will not start. •...
Page 21 Preparing the Power Supply Checking the Remaining Battery Charge When the camera is turned on, you can check the approximate remaining battery usage time (in minutes) by looking at any recording/playback screen or the [B System Setup] status screen (A 202). You can also check the approximate charge level on the battery itself.
Page 22: Using A Power Outlet
Preparing the Power Supply Using a Power Outlet You can also power the camera directly from a power outlet using the CA-CP200 L Compact Power Adapter (AC adapter). While the camera is powered using a power outlet, you can replace the battery pack even when the camera is turned on.
Page 23: Using The Lcd Screen
Using the LCD Screen Using the LCD Screen This section explains how to adjust the LCD monitor. You can adjust the direction of the screen as shown below, as well as image settings such as brightness or contrast. Additionally, you can use the touch screen to select the subject or perform a variety of settings using direct touch control (A 49).
Page 24: Date, Time And Language Settings
Date, Time and Language Settings Date, Time and Language Settings Setting the Date and Time You will need to set the date and time on the camera the first time you power it on, or after the camera's settings have been reset. The [Date/Time] screen will appear automatically when the camera’s clock is not set. Refer to Using the Menus (A 25) for instructions on how to operate the menus.
Page 25: Using The Menus
Using the Menus Using the Menus Many of the camera’s functions can be adjusted using the menus. In CAMERA mode, you can also register frequently used menu settings in a customized menu (My Menu) for easy access. For details about the available Menu Options menu options and settings, refer to (A 185).
Page 26: Using The Customized Menus (My Menu)
Using the Menus • You can also touch the desired page or menu item. • Going forward, this operation will be referred to as “press SET” in this manual. 4 Select the desired menu item ([Language ], in the example) and then press SET. •...
Page 27 Using the Menus 3 Move the menu setting to the desired position and press SET. Removing Menu Settings 1 Select > [¥ My Menu] > Desired menu page > [Edit] > [Delete]. 2 Select the menu setting you want to remove and then select [OK]. Resetting All the My Menu Sets Reset all the menu settings registered to the currently selected My Menu set.
Page 28: Preparing The Camera
Preparing the Camera Preparing the Camera This section details how to prepare the camera for the first time, including how to attach the microphone holder and the lens hood, as well as how to adjust the viewfinder. Attaching the Microphone Holder To the Right Side of the Handle Unit 1 Attach the microphone holder to the handle unit.
Page 29: Lens Diffraction Correction
Preparing the Camera Lens Diffraction Correction The image produced may not be as sharp at certain apertures (lens diffraction), in which case, you can apply a correction to compensate as necessary. 1 Turn on the camera in CAMERA mode. 2 Select >...
Page 30 Preparing the Camera Attaching and Removing the Eye Cup Eye cup Attach the eye cup so that it covers the rubber rim of the viewfinder unit. To remove the eye cup, pull it gently in a “peeling off” motion from the bottom up. Viewfinder •...
Page 31: Preparing Recording Media
* The SD card is used also to save/read other files such as custom picture files. Compatible Recording Media The following types of memory card can be used with this camera. For the latest information about recording media tested for use with this camera, visit your local Canon website. SD cards SD card type:...
Page 32: Inserting And Removing An Sd Card
Preparing Recording Media Inserting and Removing an SD Card 1 Wait until the SD CARD access indicator is off or is illuminated in green. 2 Open the card compartment cover. 3 Insert the card straight, with the label facing the side of the operation buttons, into the SD card slot until it SD CARD indicator clicks.
Page 33: Setting A Card's Volume Label
[Canon]: The card’s volume label will be “CANON” regardless of the clip file name settings. [Canon + Metadata]: The card’s volume label will be “CANON”, plus the camera index number and the reel number (A 37). Switching Between Card Slots If both slots contain a card, you can switch the card used for recording/playback as necessary.
Page 34: Recovering Recordings
Preparing Recording Media Recovering Recordings Some actions, such as suddenly turning off the camera or removing the card while data is being recorded, can cause data errors in the recorded file. You may be able to recover recordings with corrupted data using the following procedure.
Page 35: Selecting The Video Recording Method
Selecting the Video Recording Method Selecting the Video Recording Method This camera features various recording modes, as well as video recording methods using two cards. You can also stream the audio/video while recording it on a card (A 175). Below is an overview. For details, refer to each function’s section.
Page 36 Selecting the Video Recording Method Available simultaneous recording configurations Second card recording function Proxy Audio Relay Double Slot Recording Recording Recording Recording Recording Ü Ü Ü Ü Ü Ü Normal Recording Ü – – – – – Slow & Fast Motion Recording Ü...
Page 37: Setting The File Name For Recordings
Setting the File Name for Recordings Setting the File Name for Recordings This section explains how to set the file names for XF-AVC clips, MP4 clips and photos. XF-AVC Clips File Names The camera allows you to change several settings that determine the clip file name of recorded XF-AVC clips (only in CAMERA mode).
Page 38: Mp4 Clip And Photo Numbering
Setting the File Name for Recordings To set the reel number or initial clip number 1 Select > [Æ Recording/Media Setup] > [Metadata] > [Reel Number] or [Clip Number] > [Change]. • To return to initial settings, select [Reset] instead. 2 Enter the reel/clip number using the data entry screen (A 27).
Page 39 Setting the File Name for Recordings Options [Reset]: Recording numbers will restart from 100-0001 every time you insert a new card. If a card already contains previous recordings, numbers will continue from the number following that of the last MP4 clip/photo on the card. [Continuous]: Recording numbers will continue from the number following that of the last MP4 clip/photo recorded with the camera.
Page 40: Using The Fan
Using the Fan Using the Fan The camera uses a cooling fan to lower the camera’s internal temperature. In CAMERA mode, you can change the fan's operation mode from the menu. In MEDIA mode, the fan runs at all times. Setting the Fan’s Operation in CAMERA Mode 1 Select >...
Page 41: Recording
Recording Recording Video and Photos Recording This section explains the basics of recording clips* and photos. For details on recording audio, refer to Audio (A 91). * “Clip” refers to a single movie unit recorded with a single recording operation. You can also include metadata and News Metadata (A 103) with the clip.
Page 42 Recording Video and Photos IMPORTANT • Be sure to save your recordings regularly, especially after making important recordings. Canon shall not be liable for any loss or corruption of data. NOTES NOTES • If you record using metadata or News Metadata settings, those settings will be recorded with the clip. For...
Page 43: Onscreen Displays
Recording Video and Photos Onscreen Displays Refer to this section for an explanation of the various screen displays that appear in CAMERA mode. You can use the custom display function ( 191) to turn off individual onscreen displays if they are not required. The menu item that controls each display is given in the following tables (1: indicates a menu item under [Custom Display 1] and 2: indicates a menu item under [Custom Display 2]).
Page 44 Recording Video and Photos Left side of the screen Icon/Display Description Custom Display Zoom (A 68). 1: [Zoom Indicator], Z 00/00 [Zoom Position] Focus mode (A 73). 1: [Focus Mode] Face AF (A 78). Digital tele-converter (A 68) 1: [Tele-converter] TL-U58, WA-U58 Conversion lens optimization (A 72) 1: [Conversion Lens]...
Page 45 Recording Video and Photos Icon/Display Description Custom Display Double slot recording (A 35). 2: [Recording Mode] Recording operation Ü STBY, Clip recording: record standby, recording. S&F STBY, Slow & fast motion recording (A 105): record standby, recording. Ü S&F PRE STBY, Pre-recording (A 107): record standby, recording.
Page 46 Recording Video and Photos Icon/Display Description Custom Display Audio level meter (A 95). 2: [Audio Level Indicator] × Headphone volume (A 134). – Date/time 2: [Date/Time] CH0/CH0, Audio output channels (A 153). 2: [Monitor Channels] CH0+CH0/CH0+CH0 Audio limiter (A 96). 2: [Audio Level Indicator] 1/0000.00, 000.00°, Shutter speed (A 57).
Page 47 Recording Video and Photos CAMERA mode Display level Options Description [DISP Level 1] [All Displays] All onscreen displays at a larger size. [All Displays (Periph. Border)] All onscreen displays at a smaller size, more appropriate for use with the peripheral border. [DISP Level 2] [Main Recording Displays] Only the onscreen displays most relevant for shooting.
Page 48: Reviewing A Recording
Recording Video and Photos Reviewing a Recording You can review all or part of the last clip recorded even with the camera set to CAMERA mode. 1 Select > [ System Setup] > [Review Recording] > Desired option. 2 After you finish recording a clip, press the button.
Page 49: Adjusting Camera And Recording Settings
Adjusting Camera and Recording Settings Adjusting Camera and Recording Settings Using direct touch control, you can perform a variety of settings (camera, recording, assistance functions, etc.) in CAMERA mode. White balance and exposure related settings can also be modified with the direct setting mode, using the FUNC button.
Page 50: Direct Setting Mode (Func Button)
Adjusting Camera and Recording Settings Changing Camera Settings 1 Touch the setting you want to adjust, then select the desired value/ setting. • Once the settings menu is displayed, touch to select the desired value/setting as needed. • When the slider appears, drag the slider left/right or touch the / ...
Page 51 Adjusting Camera and Recording Settings • If you set an assignable button to [White Balance], [Iris], [ISO/Gain] or [Shutter] (A 115), you can press the button to enter direct setting mode with the respective function highlighted.
Page 52: Video Recording Configuration: Video Format
Video Recording Configuration: Video Format, System Frequency, Resolution and Frame Rate Video Recording Configuration: Video Format, System Frequency, Resolution and Frame Rate When recording media, you can set the video configuration used for primary clips with the following procedures. Select the main recording format (video format, color sampling, bit depth), primary resolution/bit rate and frame rate settings that best match your creative needs.
Page 53: Selecting The System Frequency
Video Recording Configuration: Video Format, System Frequency, Resolution and Frame Rate Selecting the System Frequency You can change the system frequency also in MEDIA mode if you want to play back clips from a card recorded with a different system frequency setting. 1 Select >...
Page 54: Proxy Clips
Proxy Clips Proxy Clips While recording a primary clip on an SD card A, you can simultaneously record the same scene as a proxy clip on another SD card B. Because proxy clips have smaller files, they are suitable for offline editing. You can also use direct touch control to perform this function (A 49).
Page 55: Sub Recording Clips
Sub Recording Clips Sub Recording Clips While recording a primary clip on an SD card A, you can simultaneously record the same scene on SD card B. See the following table for more details on the video configuration for sub recording clips. For more details on Recording Audio audio, see (A 91).
Page 56 Sub Recording Clips Video configuration of sub recording clips Primary clip Sub recording format, resolution and bit rate Main MP4 (HEVC) MP4 (HEVC) MP4 (H.264) recording Main resolution/bit rate Frame rate YCC422 10 bit YCC420 10 bit YCC420 8 bit format 1920x1080 / 35 Mbps, 170 Mbps...
Page 57: Shutter Speed
Shutter Speed Shutter Speed You can set the shutter speed according to the shooting conditions. For example, you may want to set slower shutter speeds in darker environments. The camera offers the following modes. You can also perform this function remotely using Browser Remote on a connected network device (A 181). [Speed]: Allows you to set the shutter speed (in fractions of a second).
Page 58: Changing The Shutter Speed Value
Shutter Speed Changing the Shutter Speed Value When the shutter speed mode is set to a mode other than OFF or automatic, you can set the shutter speed manually. 1 Select the shutter speed mode ( 57). 2 For [Speed] only: Select >...
Page 59: Iso Speed/Gain
Available values will depend on the gamma curve component of the [Gamma/Color space] setting in the custom picture file. [Wide DR] or [Canon Log 3]: ISO 500 to ISO 12800 (-2.0 dB to 21.0 dB). [PQ] or [HLG]: ISO 320 to ISO 12800 (-6.0 dB to 21.0 dB).
Page 60: Manual Iso Speed/Gain Value
ISO Speed/Gain Manual ISO Speed/Gain Value You can set beforehand 3 gain levels and then select quickly which one to apply simply by changing the position of the ISO/GAIN switch. 1 Set the AGC switch to OFF. 2 Set the ISO/GAIN switch to the position you want to adjust (L, M or H).
Page 61: Nd Filter
ND Filter ND Filter Using the ND filter allows you to open up the aperture to obtain a shallower depth of field even when recording in bright surroundings. You can also use the ND filter to avoid the soft focus caused by diffraction when using small apertures.
Page 62: Aperture
Aperture Aperture You can affect the brightness of your recordings or change the depth of field by adjusting the aperture. You can also perform this function remotely using Browser Remote on a connected network device (A 181). Automatic aperture: The camera adjusts the aperture automatically. Push Auto Iris: Momentary automatic aperture.
Page 63: Manual Aperture: Changing The Aperture Value
Aperture Manual Aperture: Changing the Aperture Value 1 Set the IRIS switch to M. 2 Select > [ Camera Setup] > [Iris Increment] > [1/3 Stop] or [1/4 Stop]. • You can also set > [v Camera Setup] > [Fine Increment] to [On] to use the smallest iris increment.
Page 64: Exposure Compensation - Ae Shift
Aperture Exposure Compensation - AE Shift Use AE shift to compensate the exposure that was set using automatic aperture, in order to darken or lighten the image. You can also perform this function remotely using Browser Remote on a connected network device (A 181). 1 Select >...
Page 65: White Balance
White Balance White Balance The camera uses an electronic white balance process to calibrate the picture and produce accurate colors under different lighting conditions. The camera offers the following methods to set the white balance (which can be set to one of the WHITE BAL. switch positions, and switched as desired*). You can also perform this function remotely using Browser Remote on a connected network device (A 179).
Page 66: Auto White Balance (Awb)
White Balance Auto White Balance (AWB) The camera constantly adjusts the white balance automatically to achieve an appropriate level. The camera will adjust the white balance if the light source changes. Set the AWB switch to ON. • The color temperature and CC value set automatically by the camera will appear at the bottom of the screen next to icon.
Page 67: Custom White Balance
White Balance Adjustment range White balance mode/setting Color temperature (K) Color compensation (CC) value ¼ (daylight) 4,300 K to 8,000 K –5 to +5 É (tungsten lamp) 2,700 K to 3,700 K È (color temperature) 2,000 K to 15,000 K –20 to +20 NOTES NOTES...
Page 68: Zoom
Zoom Zoom You can operate the zoom using the zoom ring or one of the zoom rockers (grip/handle). In addition, you can choose the digital tele-converter function from the menu. Selecting the Zoom Mode Select > [ Camera Setup] > [Digital Zoom] > Desired option. Options [Tele-converter 6.0x], [Tele-converter 3.0x], [Tele-converter 1.5x]: The camera processes the image digitally to multiply the focal length by a factor of 6, 3 or 1.5,...
Page 69: Using The Zoom Ring
Zoom Using the Zoom Ring The zoom speed depends on how fast you turn the zoom ring. 1 Set the ZOOM switch to RING. 2 Turn the zoom ring to zoom. • The zoom ratio is determined by the position of the zoom ring.
Page 70 Zoom Setting the Zoom Speed (Grip Zoom Rocker) 1 Select > [ Camera Setup] > [Zoom Speed Level] > Desired option. • The selected speed will also be applied to the grip zoom rocker. 2 Select > [ Camera Setup] > [Grip Zoom Speed] > Desired option. Options [Constant]: Select one of 16 constant zoom speeds.
Page 71 Zoom Using the Handle Zoom Rocker You can set the zoom speed of the handle zoom rocker using the menu. 1 Set the ZOOM switch to ROCKER. 2 Move the zoom rocker toward to zoom out (wide- angle) and toward to zoom in (telephoto).
Page 72 Zoom Using Conversion Lenses You can use the following conversion lenses with this camera. For details on the following accessories, refer to their respective instruction manuals. Conversion Lens Focal Length Factor Minimum Focusing Distance TL-U58 Tele-converter Approx. 1.5x Approx. 130 cm (4.3 ft.) throughout the zoom range WA-U58 Wide Attachment Approx.
Page 73: Focus
Focus Focus The camera offers the following ways to focus. The camera incorporates Dual Pixel CMOS AF technology for advanced autofocus performance. You can also adjust the focus remotely using Browser Remote on a connected network device (A 181). Note that some methods allow you to operate aspects of the focus by touching the LCD screen. Manual focus: Turn the focus ring on the lens to adjust the focus.
Page 74 Focus Using the Focus Assistance Functions In order to focus more accurately, you can use the following focus assistance functions: Dual Pixel Focus Guide, an onscreen guide that shows you if the selected subject is in focus; peaking, which creates a clearer contrast by emphasizing the outlines of the subject;...
Page 75 Focus Peaking The camera offers two peaking levels. 1 Press the PEAKING button. • The peaking icon (J or K) appears on the left of the screen and outlines (contour lines) in the image that are in focus will be shown highlighted. •...
Page 76: Push Af/Mf
Focus Push AF/MF When the focus mode is set to manual, the camera will focus automatically as long as you hold the PUSH AF/MF button pressed down. During autofocus, holding the PUSH AF/MF button pressed down will allow you to adjust the focus manually.
Page 77: Continuous Af
Focus Continuous AF The camera will focus automatically on a subject inside the main area of the image (approximately 80% of the screen’s length and height). 1 Set the focus mode switch to automatic. • @ appears on the screen. 2 Select >...
Page 78: Changing The Af Frame Type And Position
Focus Changing the AF Frame Type and Position You can change the type and position of the AF frame that appears on the screen (except for the face detection/ tracking frame) while using one of the autofocus functions. 1 Select >...
Page 79 Focus 5 Point the camera at a person. • All detected faces will have a face detection frame. The main subject will be indicated with a face detection frame with small arrows (white when autofocus is active, gray or yellow* during manual focus). If eye detection is enabled, a frame will appear on the eyes of the main subject.
Page 80: Focus Limit And Macro Shooting
Focus Tracking a Specific Subject You can have the camera track other moving subjects that are not faces and also combine the tracking function with one of the autofocus functions to let the camera focus on the desired subject automatically. When [AF Mode] is set to [Continuous] and [AF Frame] is set to [Whole Area] Touch the desired subject on the LCD screen.
Page 81: Image Stabilization
Image Stabilization Image Stabilization You can use the image stabilizer to compensate for camera shake and achieve steadier shots. Select an IS mode that best fits your needs. When you are stationary and zooming in on far subjects using high zoom ratios, it is possible to compensate for a high degree of camera shake by using Powered IS.
Page 82: Onscreen Markers, Zebra Patterns And False Color
Onscreen Markers, Zebra Patterns and False Color Onscreen Markers, Zebra Patterns and False Color Using onscreen markers allows you to make sure your subject is correctly framed and is within the appropriate safe area. Zebra patterns help you identify areas that are overexposed. The false color overlay allows you to check if the exposure is correct.
Page 83 Onscreen Markers, Zebra Patterns and False Color 2 For [Center Marker] only: Select > [A Assistance Functions] > [Center Marker Type] > Desired marker shape. Aspect Marker > [A Assistance Functions] > [Aspect Marker] > Desired marker color or transparency of the 1 Select masked area.
Page 84: Displaying Zebra Patterns
Onscreen Markers, Zebra Patterns and False Color Displaying Zebra Patterns The camera has a zebra pattern function that shows black and white diagonal stripes over areas that are overexposed. There are two types of zebra patterns and you can display both simultaneously.
Page 85: Setting The Time Code
Setting the Time Code Setting the Time Code The camera generates a time code signal and records it with the recorded clips. The time code signal can be output from the SDI OUT terminal, TIME CODE terminal or HDMI OUT terminal. Depending on the frame rate used, you may be able to select between a drop frame an non-drop frame time code signal (A 86).
Page 86: Selecting Drop Or Non-Drop Frame
Setting the Time Code Selecting Drop or Non-Drop Frame When the frame rate is set to 59.94P, 59.94i or 29.97P, you can select between a drop frame (DF) or non-drop frame (NDF) time code, depending on how you plan to use your recordings. With all other frame rates, the time code is set to non-drop frame (NDF) and cannot be changed.
Page 87: Setting The User Bit
Setting the Time Code Setting the User Bit You can set a user bit composed of the date or the time of recording or an identification code consisting of 8 characters in the hexadecimal system. There are sixteen possible characters: the numbers 0 to 9 and the letters A to F.
Page 88: Synchronizing With An External Device
Synchronizing with an External Device Synchronizing with an External Device You can use the camera’s TIME CODE terminal to synchronize this camera’s time code to an external signal. Using the same external time code signal with multiple cameras allows you to set up a multi-camera recording. You can output the time code signal from this camera to other cameras.
Page 89: Time Code Signal Output
Synchronizing with an External Device • When a suitable external time code signal is received, the camera’s own time code will be synchronized to it and the synchronization will be maintained even if you disconnect the cable from the TIME CODE terminal. •...
Page 90: Reference Video Signal Output
Synchronizing with an External Device Reference Video Signal Output After changing the function of the G-LOCK/SYNC terminal, you can use the camera’s video signal as a reference sync signal (tri-level HD signal) to synchronize an external device to this camera. The reference signal’s configuration is determined by the video output configuration of the SDI OUT terminal and other menu settings.
Page 91: Recording Audio
Recording Audio Recording Audio The camera features the following options for audio recording and playback. You can record audio using an external microphone/line-in device (INPUT terminal / MIC terminal), or the built-in microphone. The audio signal will be output with the video signal from the SDI OUT terminal or HDMI OUT terminal. You can record the audio signal on an external recorder.
Page 92: Audio Format For Mp4 Clips
Recording Audio Menu settings Recorded audio channels/audio sources [Audio Input Selection] [CH2 Input] [CH1/CH2] [CH3/CH4] Built-in microphone Built-in microphone Built-in microphone Built-in microphone [Built-in Mic] [Built-in Mic] – Audio terminal Audio terminal [Multi-Function Built-in microphone Built-in microphone [Built-in Mic] – (commercially (commercially Shoe]...
Page 93: Connecting An External Microphone Or External Audio Input Source To The Camera
Recording Audio - Audio will not be recorded if there is an existing WAV file with the same file name. - A maximum of 999 WAV files can be recorded. Connecting an External Microphone or External Audio Input Source to the Camera To each of the INPUT terminals you can attach commercially available microphones or analog line in sources with an XLR connector.
Page 94: Selecting The Audio Input Source For Audio Channels
Recording Audio Selecting the Input Type for the INPUT 1/INPUT 2 Terminals Change the position of the corresponding INPUT (audio source selection) switch according to the audio device connected to the INPUT 1/INPUT 2 terminals. Set the INPUT 1 or INPUT 2 switch to LINE, MIC, or MIC+48V. •...
Page 95: Adjusting The Audio Recording Level
Recording Audio Adjusting the Audio Recording Level You can adjust the audio recording level of the INPUT terminals, MIC terminal or the built-in microphone. You can select automatic or manual audio level adjustment, and adjust each audio channel separately or adjust CH1/ CH2 or CH3/CH4 together (when the audio level adjustment of the audio channels is linked, A 96).
Page 96: Advanced Audio Input Settings
Recording Audio Automatic Level Control (ALC): Linking the audio level adjustment of CH1/CH2 or CH3/CH4 • When both CH1 and CH2 are set to the MIC terminal or INPUT terminals and to the same type of analog audio source (external line input or external microphone), you can use the >...
Page 97: Monitoring The Audio With Headphones
Recording Audio Changing the Reference Level of the External Microphone (INPUT Terminals) You can select the reference level of each INPUT terminal (-18 dB or -20 dB). Select > [ ¡ Audio Setup] > [INPUT Reference Level] > Desired option. Built-in Microphone Sensitivity You can adjust the sensitivity according as necessary.
Page 98: Colors Bars/Audio Reference Signal
Colors Bars/Audio Reference Signal Colors Bars/Audio Reference Signal You can have the camera generate color bars and a 1 kHz audio reference signal and output them from the following terminals. × LCD monitor Viewfinder SDI OUT terminal HDMI OUT terminal (headphone) terminal Ü...
Page 99: Video Scopes
Video Scopes Video Scopes The camera can display a simplified waveform monitor or a vectorscope to check your recordings. The selected video scope is displayed on the screen and can be output to other monitoring devices as well. Displaying a Video Scope 1 Select >...
Page 100: Changing The Vectorscope Settings
Video Scopes Options for [Type] [Line]: Sets the waveform monitor to line display mode. [Line+Spot]: The waveform of the area in the red frame is displayed in red on top of the [Line] mode waveform. [Select Line]: The selected horizontal line (in red) will be displayed along with its waveform. [RGB]: Shows 3 side-by-side waveforms in an RGB parade.
Page 101: Adding Marks To Clips In Camera Mode
Adding Marks to Clips in CAMERA Mode Adding Marks to Clips in CAMERA Mode When the main recording format is set to XF-AVC, while recording, you can add shot marks (!) to flag an important shot or frame. After recording a clip, you can add an OK mark ($) or check mark (%) to help you identify particular clips.
Page 102: Using Metadata
Setting a User Memo Created with Canon XF Utility Before you can add a user memo, you must first install Canon XF Utility (A 154). Next, create the user memo and then save it to an SD card. Once you insert the SD card in the camera and select the user memo, it will be added to clips you record.
Page 103: Using News Metadata
Using Metadata Using News Metadata When recording, you can add News Metadata* to the recorded clips. Using a smartphone, you can check and edit News Metadata files. The most recently set News Metadata will be prioritized and added. See the following table for details on News Metadata settings.
Page 104: Entering Slate Information About The Recording
Using Metadata • Automatically, > [Æ Recording/Media Setup] > [Metadata] > [Add XML File] will be set to [On], and [XML File Format] will be set to [News Metadata]. • Only the most recently transferred file can be saved. Resetting News Metadata You can reset the News Metadata added to clips.
Page 105: Special Recording Modes
Special Recording Modes Special Recording Modes The camera features the following special recording modes. Slow & fast motion recording: This mode allows you to change the shooting frame rate to achieve a slow motion or fast motion effect during playback. Recording audio in WAV format is also possible. Pre-recording: The camera will start recording a few seconds before you press the REC button.
Page 106 Special Recording Modes Æ > [ Recording/Media Setup] >[Main Rec Format]. Æ > [ Recording/Media Setup] > [Main Resolution/Bit rate] 1 To record audio, insert an SD card into the card slot where video is not being recorded. 2 Select >...
Page 107: Pre-Recording
Special Recording Modes Pre-recording When pre-recording is activated, the camera starts recording continuously onto a temporary memory (approx. 3 seconds) so when you press the REC button, the clip will contain also a few seconds of video and audio recorded before you pressed the button. You can also use direct touch control to perform this function (A 49).
Page 108: Interval Recording Mode
Special Recording Modes NOTES NOTES • Frame recording cannot be used simultaneously with slow & fast motion recording, pre-recording, interval recording or continuous recording. • Frame recording cannot be used when the frame rate is set to 59.94i or 50.00i. When in use, frame recording will end if the frame rate is set to 59.94i or 50.00i.
Page 109: Continuous Recording
Special Recording Modes • About the time code when interval recording is activated: - The time code mode can be set to [Regen.], or to [Preset] with [Rec Run] running mode. The time code advances by the number of frames recorded every time. - If the time code running mode was set to [Free Run] or the camera was synchronized to an external time code signal, the time code running mode will be changed automatically to [Rec Run] when interval recording is activated.
Page 110: Infrared Recording
Infrared Recording Infrared Recording You can use the infrared mode to record in very dark situations using available infrared light. You can also use the camera's infrared light to make the recordings even brighter, and select the color for the picture (white or green). 1 Set the INFRARED switch to ON.
Page 111: Using The Rc-V100 Remote Controller
Using the RC-V100 Remote Controller Using the RC-V100 Remote Controller You can connect the RC-V100 Remote Controller to the camera in order to control the camera (including advanced recording functions) from a distance. The remote controller lets you turn the camera on, navigate the menus and remotely control the aperture and shutter speed, change picture-related settings like the knee and sharpness, and more.
Page 112: Recording Remotely Using An Nu Protocol Compatible Device
Recording Remotely Using an NU Protocol Compatible Device Recording Remotely Using an NU Protocol Compatible Device You can connect a device compatible with the NU Protocol to the camera in order to control the camera from a distance. NU Protocol compatible device 1 Turn off the camera and connect the NU Protocol compatible device to the camera.
Page 113: Web Camera Function
Only video can be recorded while using this function. For more details about supported operative systems or software tested for use with the camera, visit your local Canon website. For more details, refer to the computer’s and the USB cable's instruction manuals.
Page 114 Web Camera Function...
Page 115: Customization
Customization Assignable Buttons The camera offers a number of assignable buttons to which you can assign various function. Assign often-used functions to the buttons you find most convenient to personalize the camera to your needs and preferences. You can find 11 assignable buttons on the camera’s body, and 4 assignable buttons on the RC-V100 Remote Controller.
Page 116 Assignable Buttons 3 If you selected [User Setting], select the menu setting you want to register. • The selected menu setting will be assigned to the selected button. User-selected settings will be indicated with a icon in the [ Assignable Buttons] menu. 4 Press the assignable button to use the assigned function as described in the following table.
Page 117 Assignable Buttons CAMERA MEDIA Function name Description mode mode Toggles the light metering mode between [Standard] and [Backlight]/[Spotlight], Ü [Backlight], [Spotlight] – respectively. Ü [IR Rec Color] Changes the color of the infrared picture between white and green. – Only when >...
Page 118 Assignable Buttons CAMERA MEDIA Function name Description mode mode Ü [Flicker Reduction] Turns automatic flicker reduction on/off. – Ü [IP Streaming] Turns the IP streaming function on/off. – Ü [Photo] Records a photo. – Ü [Review Recording] Plays back the last clip recorded in CAMERA mode. –...
Page 119: Custom Picture Settings
[Video] – monitors, and use a gamma curve that meets ITU-R BT.709 BT.709] standards. [Canon Log 3 / These settings use Canon Log 3 gamma and require post- C4: [Canon Log 3] [Neutral] – C.Gamut] production processing. These settings use a high dynamic range gamma curve C5: [PQ] [PQ / BT.2020]...
Page 120: Editing A Custom Picture File's Settings
- There are also other LUTs available that can be applied for processing in post-production. For the latest information on available LUTs, please visit your local Canon website. About changing custom picture related settings using the RC-V100 Remote Controller - When an RC-V100 Remote Controller is connected to the camera, you can press the remote controller’s...
Page 121: Look Files
Custom Picture Settings Resetting Custom Picture Files 1 Select a custom picture file (A 119). > [/ Custom Picture] > [Edit / File] > [Reset]. 2 Select 3 Select a preset custom picture setting and then select [OK]. • The custom picture file will be reset to the selected values. Look Files You can register 3D LUT files (.cube format) created with Blackmagic Design’s DaVinci Resolve or other software as Look Files in the custom picture file.
Page 122: Saving A Custom Picture File
Custom Picture Settings Deleting a Look File You can delete Look Files registered in custom picture files. 1 Select a custom picture file (A 119). > [/ Custom Picture] > [Edit / File] > [Look File Setup] > [Delete] > [OK]. 2 Select •...
Page 123: Available Custom Picture Settings
Options / Additional information [Gamma/Color Space] [Canon Log 3 / C.Gamut], [Canon Log 3 / BT.2020], [Canon Log 3 / BT.709], [PQ / BT.2020], [HLG / BT.2020], [BT.709 Wide DR / BT.2020], [BT.709 Wide DR / BT.709], [BT.709 Normal / BT.2020], [BT.709 Normal / BT.709], [BT.709 Standard / BT.709]...
Page 124 These settings correct the color cast in blacks. These settings are not available when the gamma [Master Black Blue] curve component of the [Gamma/Color Space] setting is set to one of the [Canon Log 2] or [Canon Log 3] options.
Page 125 Custom Picture Settings Menu items Options / Additional information [Sharpness] [Level] –10 to +50 (±0) Sets the sharpness level of the video output signal and the recorded signal. [Detail Frequency] –8 to +8 (±0) Sets the center frequency of horizontal sharpness. Setting higher values increases the frequency, which, in turn, increases the sharpness.
Page 126 Determines how the camera handles video signals exceeding 100%. This setting is not available when the gamma curve component of the [Gamma/Color Space] setting is set to one of the [Canon Log 3], [PQ] or [HLG] options. [Through]: Leave the signal unchanged.
Page 127 Custom Picture Settings • When an RC-V100 Remote Controller is connected to the camera, the following custom picture settings can be changed using the buttons and dials on the remote controller. - [Black] > [Master Pedestal], [Master Black Red], [Master Black Blue] - [Black Gamma] >...
Page 128: Saving And Loading Menu Settings
Saving and Loading Menu Settings Saving and Loading Menu Settings After you adjust settings in the various menus, you can save those settings in the camera or on SD card B. You can load those settings at a later date or on another camera of the same model so that you can use that camera in the same way.
Page 129 Playback Playback This section explains how to play back files recorded with the camera. For details on playing back recordings Connecting to an External Monitor or External Recorder using an external monitor, refer to (A 144). Displaying the Index Screen 1 Press the switch and set it to ON.
Page 130 Playback NOTES • If the card contains XF-AVC clips recorded at a system frequency other than the one currently used by the camera, you will not be able to play back the clips and the clip thumbnails will not appear in the index screen. To play back such clips, change the camera’s system frequency (A 53) to match the recordings on the card.
Page 131 Playback Playing Back Recordings After selecting the desired index screen, play back the desired clips, photos or audio files. You can use the touch screen, assignable buttons, or joystick to play back the recordings. Touch the thumbnail of the recording you want to play back.
Page 132 Playback Onscreen Displays During Clip Playback 8 9 10 1 Fan operation (A 40) and temperature warning 8 Frame rate (A 53) (A 209) 9 Custom picture file embedded (A 122) 10 $ mark 2 LUT (A 148) /% mark / Proxy clip (A 54, 137) 3 Output onscreen displays (A 145) 11 Time code (A 85)
Page 133 Playback WAV file playback screen Onscreen Displays During Clip Playback (A 132) for the description of onscreen displays that are common on all playback screens. 1 Audio file name 3 Audio level meter 2 Sampling frequency and bit depth Clip Playback Controls The following playback types are available using the joystick and the touch screen.
Page 134 Playback Adjusting the Volume You can use headphones or the built-in speaker to listen to × (headphone) terminal the audio during normal playback. When you connect headphones to the × (headphone) terminal, the speaker will be muted. The audio signal will also be output from the SDI OUT terminal and the HDMI OUT terminal.
Page 135 File Operations File Operations You can perform various operations on the file selected in the index screen using the file menu. Available options will depend on the type of recording selected. File Menu Operations 1 Select the desired recording. 2 Press SET. •...
Page 136 File Operations Displaying Clip Information 1 Select the desired clip in the clip index screen. 2 On the file menu, select [Display Clip Info]. • The [Clip Info] screen will appear. • Push the joystick left/right to move to the previous/next clip. Press the CANCEL button to return to the index screen.
Page 137 File Operations Adding $ Marks or % Marks You can add an OK mark ($) or check mark (%) to XF-AVC clips to help you identify particular clips. Since clips with an $ mark cannot be deleted with the camera, you can use this mark also to protect important clips. Adding an $ Mark or % Mark During Playback You can add an $ mark or % mark to a clip during playback or playback pause.
Page 138 File Operations Deleting All the Shot Marks from a Clip 1 Select the desired XF-AVC clip in the index screen. 2 Press SET (file menu) and select [Del. All Shot Marks] > [OK]. • All shot marks in the selected clip are deleted. Deleting Recordings You can delete clips, photos and audio files in WAV format.
Page 139 External Connections Video Output Configuration The video signal output from the SDI OUT terminal or the HDMI OUT terminal, depends on the clip’s video configuration and on various menu settings. HDMI OUT Terminal Video Output Configuration (Recording) > Video output >...
Page 140 Video Output Configuration > Video output > Video output Main recording video configuration [B System Setup] configuration [B System Setup] configuration Main recording Resolution Frame rate [HDMI Output Signal] HDMI OUT terminal [SDI Output Signal] SDI OUT terminal format 1920x1080P 1920x1080 1920x1080P 1920x1080...
Page 141 Video Output Configuration Video Output Configuration (Playback) > Video output > Video output Main recording video configuration [B System Setup] configuration [B System Setup] configuration Main recording Resolution Frame rate [HDMI Output Signal] HDMI OUT terminal [SDI Output Signal] SDI OUT terminal format 3840x2160P 3840x2160...
Page 142 Video Output Configuration > Video output > Video output Main recording video configuration [B System Setup] configuration [B System Setup] configuration Main recording Resolution Frame rate [HDMI Output Signal] HDMI OUT terminal [SDI Output Signal] SDI OUT terminal format 3840x2160P 3840x2160P 1920x1080 1920x1080...
Page 143 Video Output Configuration > Video output > Video output Main recording video configuration [B System Setup] configuration [B System Setup] configuration Main recording Resolution Frame rate [HDMI Output Signal] HDMI OUT terminal [SDI Output Signal] SDI OUT terminal format 3840x2160P 3840x2160P 1920x1080P 1920x1080P...
Page 144 Connecting to an External Monitor or External Recorder Connecting to an External Monitor or External Recorder When you connect the camera to an external device, be it a monitor (to monitor the recording or for playback) or an external video recorder (for recording), adjust the required settings in the menu. For details about output Video Output Configuration signals, refer to (A 139).
Page 145 Connecting to an External Monitor or External Recorder • When outputting in SD resolution and using the magnification function, [SD Resize on Output] will be locked to [Squeeze]. Using the HDMI OUT Terminal The digital signal that is output from the HDMI OUT terminal includes the video signal and audio signal.
Page 146 You can select the output range of video signals (when using log gamma or PQ/HLG HDR) output from the SDI OUT terminal or the HDMI OUT terminal to determine how the image levels are mapped to code values. Moreover, you can select the setting independently for Canon Log output and for HDR output. Applied output range settings...
Page 147 ¢ Monitoring Setup] > [Range: SDI]. 2 Select [During Canon Log Output] or [During HDR Output] > Desired option. • Repeat the procedure as necessary to select the output range for other terminals or output signals. Options for [Range: SDI] [Full Range]: The signal output will use full range coding.
Page 148 Applying a LUT/the View Assistance Function to the LCD Screen Applying a LUT/the View Assistance Function to the LCD Screen While recording using special gamma curves, you can apply a LUT to the image output from the SDI OUT terminal or the View Assistance function to the image displayed on the screen and video output from the HDMI OUT terminal.
Page 149 [Gamma/Color Space] [BT.709] [BT.2020] [DCI] [PQ] [HLG] [User LUT4] Ü Ü Ü Ü Ü Ü [Canon Log 3 / C.Gamut] Ü Ü Ü Ü Ü [Canon Log 3 / BT.2020] – Ü Ü [Canon Log 3 / BT.709] – –...
Page 150 Available View Assistances (when not using a Look File) Available View Assistances [Gamma/Color Space] [BT.709] [HDR Assist. (800%)] [HDR Assist. (400%)] Ü Ü Ü [Canon Log 3 / C.Gamut] Ü Ü Ü [Canon Log 3 / BT.2020] Ü [Canon Log 3 / BT.709] – –...
Page 151 Applying a LUT/the View Assistance Function to the LCD Screen 3 Select the LUT file on SD card B. 4 Select the color space for the output signal ([Color Space (Output)]). • To leave the color space unchanged, select [Do Not Convert] instead. 5 Select the output range ([Range (Output)]).
Page 152 Applying a LUT/the View Assistance Function to the LCD Screen NOTES • Setting [View Assist: HDMI] to [On (BT.709)] disables the > [¢ Monitoring Setup] > [Range: HDMI] setting. • The colors modified by using this function are an approximation, and differ from the colors obtained when you set [Gamma/Color Space] in the custom picture file (A 123) to [BT.709 Wide DR / BT.709].
Page 153 Audio Output Channels Audio Output Channels The camera can output audio from the SDI OUT terminal or the HDMI OUT terminal, × (headphone) terminal or speaker. When recording or playing back clips recorded with 4-channel audio, you can select which audio channels are output from the HDMI OUT terminal and headphones.
Page 154 Saving Files Use Canon XF Utility to save and organize XF-AVC clips and other recorded files on a computer. You can use the Canon XF plugins to easily use XF-AVC clips directly from Avid non-linear editing (NLE) software. The software and plugins are available as free downloads from your local Canon website.
Page 155 A smartphone application is needed for this operation. You can connect a smartphone to the camera using a compatible USB cable* or the network functions (A 184). * For details on compatible USB cables, visit your local Canon website. Smartphone...
Page 156 Working with Files on a Computer...
Page 157 (Wi-Fi) networks. Canon cannot provide support regarding network configurations. IMPORTANT • Canon shall not be liable for any loss of data or damage resulting from incorrect network configuration or settings. Additionally, Canon shall not be liable for any loss or damage caused by the use of network functions.
Page 158 Network functions and connection types NOTES • Do not open the card compartment cover while using network functions. Built-in wireless antenna • Do not place cables connected to the camera’s SDI OUT terminal or HDMI OUT terminal, INPUT terminals, MIC terminal or USB terminal near the built-in wireless antenna.
Page 159 Network functions and connection types Using a Wired (Ethernet) Network Connect a commercially available Ethernet cable to the camera’s (Ethernet) terminal to use a wired network. Use Category 5e or better shielded twisted pair (STP) Ethernet cables compatible with Gigabit Ethernet (1000BASE-T) and with good shielding capability.
Page 160 Step 2 FTP transfer (A 174) IP streaming (A 175) Browser Remote (A 177) Canon App (A 184) Activating a Network Connection Activate the desired network connection to use network functions or to configure the connection setting online. 1 Select >...
Page 161 • The communication settings are saved to an [NW] file. • Continue with one the following procedures to configure the selected function’s settings. FTP transfer (A 161), IP streaming (A 163), Browser Remote (A 164), Canon App (A 164) NOTES •...
Page 162 Configuring Connection Settings 3 Configure the destination FTP server. Select [Server] and [Port No.] > [OK]. • Enter the FTP server’s IP address or host name using the keyboard screen. Enter the port number using the data entry screen (A 27). •...
Page 163 Configuring Connection Settings IP Streaming This section continues the connection settings wizard (A 161). In the function settings you will configure the streaming video bit rate and resolution, the protocol used and the receiver’s settings. For details refer to the instruction manual of the decoder device or software you will use.
Page 164 (A 184). For more details, refer to the smartphone's instruction manual. 1 Select [Create New Func. Setting]. • Once you have added multiple function settings, you can select [Select Existing Setting] to reuse Canon App settings that you saved previously. 2 Select [OK].
Page 165 Configuring Connection Settings 2 Make sure the Ethernet cable is correctly connected (A 159) and select [Setup with Network Connection]. • Select [Setup without Network Connection] to only configure the settings, without connecting to the network. 3 Set the IP address (A 167). 4 Select [OK] to continue to configure the function settings.
Page 166 • The communication settings are saved to an [NW] file. • Continue with one the following procedures to configure the selected function’s settings. FTP transfer (A 161), IP streaming (A 163), Browser Remote (A 164), Canon App (A 164) Detected Access Points The camera will automatically detect access points in the vicinity.
Page 167 • The communication settings are saved to an [NW] file. • Continue with one the following procedures to configure the selected function’s settings. FTP transfer (A 161), IP streaming (A 163), Browser Remote (A 164), Canon App (A 164) Offline Configuration without Connecting to a Network 1 In the [Select a network] screen, select [Configure Offline].
Page 168 Configuring Connection Settings 3 Select > [ Network Settings] > [Advanced Settings] > [FTP Transfer Settings] > [Read Root Certificate] > [OK]. • The root certificate file is read from the card. • After reading a root certificate file, you can select [Root Certificate Details] to check the certificate’s issuer and expiration date, or select [Delete Root Certificate] to delete the root certificate in the camera.
Page 169 Configuring Connection Settings Changing Settings using the Wizard 1 Select > [ Network Settings] > [Connection Setting] > Desired connection setting ([SET1] to [SET20]) > [Change with Wizard]. 2 Select the desired network function and then follow the wizard as described in the previous procedure (from step 3, A 161) and make any changes as necessary.
Page 170 Configuring Connection Settings Checking and Changing Communication Settings (NW)/Function Settings (MODE) You can check the content of communication settings ([NW] files) and function settings ([MODE] files) saved in the camera and change or delete them as necessary. Checking the Content of a Communication Setting/Function Setting 1 Select >...
Page 171 Configuring Connection Settings Individual settings available for manual change (communication settings) Menu item Setting options and additional information [Wi-Fi] [SSID] – [Advanced Settings] [Authentication Method], [Password] [TCP/IPv4] [IP Address Settings]* [Automatic Setting], [Manual Setting] [DNS Server] [Disable], [Auto Assign], [Manual Setting] [DNS Address]*, [IP Address]*, [Subnet Mask]*, [Gateway]* [TCP/IPv6]...
Page 172 Configuring Connection Settings Menu item Setting options and additional information [Video Output Conf.]* [9Mbps/1920x1080 59.94P], [4Mbps/1920x1080 59.94P], [9Mbps/1920x1080 50.00P], [4Mbps/1920x1080 50.00P], [9Mbps/1920x1080 59.94i], [4Mbps/1920x1080 59.94i], [9Mbps/1920x1080 50.00i], [4Mbps/1920x1080 50.00i], [Audio Out Channels]* [CH1/CH2], [CH3/CH4] * Change these settings as explained in the wizard ( 161).
Page 173 Checking the Network’s Status Checking the Network’s Status Unless you selected to configure a connection setting offline (without connecting to the network), immediately after configuring a new connection setting, the camera will connect to the network automatically and the selected function settings will be activated. The icons displayed on the screen will indicate the type of network selected and the connection status.
Page 174 FTP File Transfer FTP File Transfer In MEDIA mode, you can transfer clips from the camera to another device connected to the network, using the FTP protocol. The following explanations assume that the FTP server is on, ready and correctly configured. Transferring a Single Clip 1 Connect the camera to the desired network and activate the network functions ( 160).
Page 175 * This can be a dedicated video transfer device or decoder software on a computer. For details about compatible decoders, please visit your local Canon website. Configuration of video streamed over IP Main recording video configuration...
Page 176 IP Streaming • Opening the card compartment cover and removing a card while IP streaming is activated may cause brief stops in the streamed video and audio. • IP streaming cannot be used in the following cases: - When using a recording mode other than [Normal Recording]. - When [2nd Card Rec Functions] is set to an option other than [Off].
Page 177 Web browser* of any network device** connected to the same network. * A Web browser that supports JavaScript and is enabled to accept cookies is required. ** For details about compatible devices, operating systems, Web browsers, etc., please visit your local Canon website. Preparations on the Camera 1 Connect the camera to the desired network and activate the network functions (A 160).
Page 178 Browser Remote: Controlling the Camera from a Network Device NOTES • Depending on the network used and the connection performance, you may notice delays in the refreshing of the live view image and other settings. If the delay is too long, changing the resolution of the live view image is recommended (A 183).
Page 179 Browser Remote: Controlling the Camera from a Network Device Using Browser Remote NOTES • Browser Remote does not support multi-touch gestures. The Main Remote Operation Screen 9 10 11 12 13 16 17 1 Network connection indicator 10 [Touch Focus] button While Browser Remote is correctly connected to Touch the button to unlock (enable) the touch the camera, the dots will keep turning on and off...
Page 180 Browser Remote: Controlling the Camera from a Network Device 14 [SLOT SELECT] button 16 Assignable functions check Touch to select the other card when both card 17 Double slot recording slots contain a card. 18 Remaining battery charge / Power supply 15 Assignable buttons level (A 45)
Page 181 Browser Remote: Controlling the Camera from a Network Device 25 White balance method selection 26 27 28 When the white balance mode is set to , touch [AWB Lock] to lock the current white balance settings. Touch again to resume the automatic white balance (AWB). When the white balance mode is set to ÅA or ÅB, touch Å...
Page 182 Browser Remote: Controlling the Camera from a Network Device Full Controls 1 AF frame position 13 Black Red 2 AF response 14 Knee Automatic 3 Eye detection 15 Knee Point 4 Fine aperture adjustment 16 Sharpness Level 5 Function shortcut button 17 Noise Reduction Automatic Displays the various adjustable functions.
Page 183 Browser Remote: Controlling the Camera from a Network Device Browser Remote Settings Tab 1 Language selection Changes the language used for controls in the [ ] (metadata input) screen and for error messages. Still, most of the application’s controls emulate physical buttons on the camera and appear in English only, regardless of the language selected.
Page 184 • When you end the connection from the smartphone, > [ Network Settings] > [Network] will be set to [Disable]. NOTES • When setting up a connection with the [Canon App] function setting using the GP-E2 GPS Receiver, connect the receiver to the multi-function shoe.
Page 185 The initial values may differ depending on the gamma settings: [BT.709 Normal], [BT.709 Standard]: ISO200 ([1 stop] / [1/3 stop]) [PQ], [HLG]: ISO400 ([1 stop]), ISO320 ([1/3 stop]) [BT.709 Wide DR], [Canon Log 3]: ISO800 ([1 stop]), ISO500 ([1/3 stop])
Page 186 The initial values may differ depending on the gamma settings: [BT.709 Normal], [BT.709 Standard]: ISO400 ([1 stop] / [1/3 stop]) [PQ], [HLG]: ISO800 ([1 stop]), ISO640 ([1/3 stop]) [BT.709 Wide DR], [Canon Log 3]: ISO1600 ([1 stop]), ISO1000 ([1/3 stop]) [ISO/Gain H] When [ISO/Gain] is set to [ISO]:...
Page 187 – (A 120) [Protect] [Unprotect], [Protect] [Reset] [BT.709 Normal], [BT.709 Wide DR], [BT.709 Standard], [Canon Log 3], [PQ], [HLG], [EOS Standard], [EOS Neutral], [USER (BT.709 Normal)] Available Custom Picture Settings Detailed custom picture Refer to the tables in the section.
Page 188 Menu Options Menu item Setting options and additional information [Recording Mode] [Normal Recording], [Slow & Fast Motion], [S&F Clip / Audio (WAV)], (A 35, 105) [Pre-Recording], [ Main / Continuous Rec], [Frame Recording], [Interval Recording] [Slow & Fast Frame Rate] (A 105) Available options and default value vary depending on other settings.
Page 189 [A] to [Z] (A 37) [Reel Number], [Clip Number] [001] to [999] [User Defined] User defined string up to 5 characters ([CANON]) (A 38) [Scene], [Take] Scene description up to 16 characters / Take description up to 8 characters (A 104)
Page 190 Menu Options Menu item Setting options and additional information [INPUT 1 Mic Att.], [INPUT 2 Mic Att.] [On], [Off] (A 96) [INPUT 1 Mic Low Cut], [Off], [LC1], [LC2] (A 97) [INPUT 2 Mic Low Cut] [INPUT Reference Level] [–18 dB], [–20 dB] (A 97) [INPUT Limiter] [On], [Off]...
Page 191 Menu Options Menu item Setting options and additional information [Apply Peripheral Border] [DISP Level 1/2/3], [DISP Level 1/2], [DISP Level 1], [DISP Level 2], [DISP Level 3], [Off] (A 47) [Custom Display 1] (A 43) [Light Metering], [On], [Off] [Custom Picture] [Zoom Indicator] [Bar], [Numerical] [Zoom Position],...
Page 192 * Up to 8 characters. [Reset All User LUTs] – [User LUT Info] – [Range: SDI] (A 146) [During Canon Log Output] [Full Range], [Narrow Range] [During HDR Output] [Full Range], [Narrow Range] [Range: HDMI] (A 146) [During Canon Log Output]...
Page 193 Menu Options [A Assistance Functions] menu Menu item Setting options and additional information [Focus Guide] [On], [Off] (A 74) [Peaking: LCD], [Peaking: VF], [On], [Off] (A 75) [Peaking: SDI], [Peaking: HDMI] [Peaking] [Peaking 1], [Peaking 2] [Peaking 1] [Color] [White], [Red], [Yellow], [Blue] [Gain] [Off], 1 to 15 (8) [Frequency]...
Page 194 [NW1] to [NW25] [Function Settings] [MODE1] to [MODE25] [Browser Remote Settings] [User Name/Password], [Port No. (HTTP)], [Port No. (HTTPS)], [HTTPS] 172) [802.1X Authentication] [Setup Wizard], [Check Settings], [Delete Settings] 168) [Nickname] User defined string up to 16 characters ([XF605]) (A 168)
Page 195 [REMOTE Term.] [NU Protocol (REMOTE B)], [Standard + RC-V100], [RC-V100 (REMOTE B)], (A 111) [RC-V100 (REMOTE A)], [Standard] NU Protocol refers to a Canon proprietary communication protocol that makes connecting to certain accessories possible. [HDMI Output Signal] [3840x2160P], [1920x1080P], [1920x1080i], [1280x720P]...
Page 196 Time] setting will not be available. • The time will not be updated while recording video. [USB (Type-C) Mode] [Video Output (UVC)], [Canon App(s) for iPhone], [PTP Connection/GP-E2] (A 113) Select [PTP Connection/GP-E2] when connecting the GP-E2 GPS Receiver to the camera using an optional interface cable.
Page 197 Displaying the Status Screens Displaying the Status Screens You can use the status screens to check the camera’s various settings. You can also output the status screens to an external monitor. 1 Press the STATUS button to open the status screens.
Page 198 Displaying the Status Screens Gamma/Color Space/Range] status screens (CAMERA mode only) 1 Gamma curve, color space (A 123) and range 5 Gamma curve, color space (A 123, 148) and used for clips recorded on the cards range (A 146) used for video outputs/monitoring 2 Look File applied (A 121) devices 3 Gain for HDR-to-SDR conversion (A 152)
Page 199 Displaying the Status Screens [v Camera Setup] status screens (CAMERA mode only) 1 Automatic exposure (AE) 5 White balance (A 65) AE shift (A 64), AE response (A 62) PRESET, shockless white balance, auto white 2 Aperture (A 62) balance (AWB) response Iris increment, fine increment, iris limit 6 Lens diffraction correction (A 29) 3 Shutter speed increment (A 57)
Page 200 Displaying the Status Screens Assignable Buttons] status screens Current functions of the assignable buttons (A 115) 1 On the camera’s body 2 Browser Remote 3 On the RC-V100 Remote Controller...
Page 201 Displaying the Status Screens [¡ Audio Setup] status screens CAMERA mode: MEDIA mode: 1 Audio source input, audio level adjustment mode 4 Audio configuration used for recording on the and audio level indicator for each audio channel cards (A 91) and for output (SDI OUT terminal, HDMI OUT terminal, A 153) (A 91) 2 Audio channels output from the headphones/...
Page 202 Displaying the Status Screens [B System Setup] status screens 1 HDMI OUT terminal status (A 145): Signal type Information about the Canon battery pack (A 19) (HDMI/DVI), video output, frame rate, audio 8 Remaining recording time output 9 Remaining charge level (visual bar)
Page 203 Displaying the Status Screens [Æ Recording/Media Setup] status screens Pages 2 to 7 are displayed only in CAMERA mode. 1 Information about SD cards A and B 7 Custom picture file embedded (A 122) Visual bar, total capacity, used (recorded) space, 8 Recording mode (A 35) approximate available recording time, speed class 9 Frame recording frame rate (A 107)
Page 204 Displaying the Status Screens NOTES • Depending on the card, the total space displayed on the screen may differ from the nominal capacity printed on the card itself. Network Settings] status screens Network connection used (A 160) 1 Network functions activated/deactivated 3 Communication settings of the primary/ 2 Connection setting in use secondary network...
Page 205 Displaying the Status Screens IP streaming settings (CAMERA mode only, A 163) 1 IP streaming activated/deactivated (A 175) 4 RTSP user name required to control streaming 2 Streaming protocol and receiver settings sessions 3 Error correction settings 5 Streaming video configuration and audio channels Settings for Browser Remote (CAMERA mode only, A 164) 1 Port number (HTTP)
Page 206 Displaying the Status Screens Canon App 1 Canon App Connection device name, USB (Type-C) mode...
Page 207 Troubleshooting Troubleshooting If you have a problem with your camera, refer to this section. Consult your dealer or a Canon Service Center if the problem persists. Power source The camera will not turn on or it turns off by itself.
Page 208 - The camera may become hot after using it continuously for long periods of time; this is not a malfunction. If the camera becomes unusually hot or it becomes hot after using it only for a short while, it may indicate a problem with the camera. Consult a Canon Service Center. Playback...
Page 209 The ND filter indicator appears in red or as [- -] on the screen, and the ND filter indicators on the RC-V100 Remote Controller are flashing. - The ND filter mechanism may not be working properly. Consult a Canon Service Center. Picture and Sound There is no picture from an external monitor.
Page 210 Troubleshooting Horizontal bands appear on the screen. - This is a phenomenon typical of CMOS image sensors when recording under some types of lighting. This is not a malfunction. You may be able to reduce the symptoms by setting the shutter speed mode to [Speed] and the shutter speed to a value matching the frequency of the local electrical system: 1/50* or 1/100 for 50 Hz systems, 1/60 or 1/120 for 60 Hz systems.
Page 211 - The device, operating system or Web browser used may not be supported. For the latest information about supported systems, visit your local Canon website. - Enable JavaScript and cookies in your Web browser’s settings. For details, refer to the help modules or online documentation of the Web browser used.
Page 212 Troubleshooting Precautions Regarding Wi-Fi Networks When using a Wi-Fi network, try the following corrective actions if the transmission rate drops, the connection is lost, or other problems occur. Positioning a network device (access point, mobile device, etc.) - When using a Wi-Fi network indoors, place the network device in the same room as the camera. - Place the network device in an open, unobstructed location, where people or objects do not come between it and the camera.
Page 213 - You attached a battery pack that is not recommended by Canon for use with this camera. - If you are using a battery pack recommended by Canon for use with this camera, there may be a problem with the battery pack or camera.
Page 214 Troubleshooting Invalid operation - The following are not valid operations and cannot be performed. • In MEDIA mode, during playback, trying to add a shot mark to a frame that has one already. • Trying to add an $ mark and a % mark to the same clip. •...
Page 215 * Corrupted file control information cannot be recovered. Cards or XF-AVC clips with corrupted file control information cannot be read by the software (Canon XF Utility or plugins for NLE applications). SD Card ASD Card B / SD Card BSD Card A Switched - This message appears when you use the SLOT SELECT button to switch the card slot in use or recording continued from one card to the other.
Page 216 Troubleshooting Network Functions Along with this list, refer also to the instruction manuals of the access point or other external devices you are using. A user with the same login name is already accessing the camera. - This message appears on the screen of the connected device. Another device connected to the network is already operating the camera.
Page 217 Troubleshooting No response from DNS server. - The camera is set to automatic IP address assignment. If the selected network does not use a DNS server, change the camera’s DNS address to [Disable] and configure the IP address (A 167). - Enter the same IP address of the DNS server used in the camera’s network settings.
Page 218 Troubleshooting Unable to log in to FTP server. Error code returned. - Check the FTP server’s [User Name] and [Password] in the camera’s network settings. - Change the file access permission settings on the FTP server to allow reading, writing and accessing logs. - Change the destination folder so the path includes only ASCII characters.
Page 219 If any of the above should get into the camera it may damage the camera and/or the lens. Consult a Canon Service Center as soon as possible. • Be careful to avoid dust and dirt particles accumulating on the lens or entering the camera. When you finish using the camera, make sure to attach the body cap to the lens mount and the lens cap and dust cap to the lens.
Page 220 Recording Media • Periodically backing up recordings from the cards used to a computer is recommended. Data may be corrupted or lost due to defects or exposure to static electricity. Canon shall not be liable for lost or corrupted data.
Page 221 Maintenance/Others Maintenance/Others Condensation Moving the camera rapidly between hot and cold temperatures may cause condensation (water droplets) to form on its internal surfaces. Stop using the camera if condensation is detected. Continued use may damage the camera. Condensation may form in the following cases: •...
Page 222 An optional IFC-40AB III/IFC-150AB III Interface Cable is required for a wired connection between this accessory and the camera. For our customers in the USA: Call or visit your local retailer/dealer for genuine Canon video accessories. You can also obtain genuine accessories for your Canon camera by calling: 1-800-828-4040, Canon U.S.A.
Page 223 Specifications Specifications XF605 System • Recording System Clips: XF-AVC Video compression: MPEG-4 AVC / H.264 Audio format: Linear PCM, 24 bit, 48 kHz, 4 channels File format: Video compression: H.265 / HEVC, MPEG-4 AVC / H.264 Audio format: Linear PCM, 16 bit, 48 kHz, 4 channels...
Page 224 Specifications Proxy clips: XF-AVC Bit rate: 35 Mbps, 24 Mbps, 17 Mbps / Long GOP Resolution: 1920x1080, 1280x720 Color sampling: YCbCr 4:2:0, 8 bit Frame rate: 59.94P, 59.94i, 50.00P, 50.00i, 29.97P, 25.00P, 23.98P Bit rate: 9 Mbps, 6 Mbps / Long GOP Resolution: 1920x1080, 1280x720 Color sampling:...
Page 225 Specifications • White Balance Custom white balance (two sets, A and B); two preset settings (daylight, 5,600 K and tungsten lamp, 3,200 K ); color temperature setting (2,000 K to 15,000 K); automatic white balance (AWB) Color temperature and color compensation (CC) adjustment available for all settings except custom white balance and AWB.
Page 226 Specifications • INPUT Terminals (INPUT 1 and INPUT 2) XLR 3-pin jack (pin1: shield, pin2: hot, pin3: cold), 2 sets, balanced Sensitivity: MIC setting: –60 dBu (volume center, full scale –18 dB) / microphone attenuator: 20 dB LINE setting: 4 dBu (volume center, full scale –18 dB) •...
Page 227 Specifications Accessories CG-A20 Battery Charger • Rated Input: 24 V DC, 1.8 A • Rated Output: 16.7 V DC, 1.5 A • Operating Temperature: 0 – 40 °C (32 – 104 °F) • Dimensions (W x H x D): 100 x 24 x 100 mm (3.9 x 0.9 x 3.9 in.) •...
Page 228 Reference Tables Reference Tables Approximate Recording Time on a Card Main recording format and bit rate 32 GB 128 GB 512 GB 410 Mbps 9 min. 39 min. 156 min. 310 Mbps 12 min. 51 min. 207 min. XF-AVC 260 Mbps 15 min.
Page 229 Appendix: Camera Dimensions Appendix: Camera Dimensions Unless indicated with the " (inch) mark, all units are in mm. represents the depth of a hole or socket. 1/4 in. 7.5mm 332.5 179.8 Front Left 100.8 50.3 280.6 47.1 Rear Right 133.6 107.6 1/4 in.
Page 230 Appendix: Camera Dimensions Camera with lens hood, microphone holder and eye cup 80.53 300.3 385.1 120.5 78.7 179.5 182.6 156.6...
Page 231 Double slot recording ....35 Canon App ....157, 164, 184 Drop frame (time code) .
Page 232 Encryption ......165, 166 H.264 codec ......53 Exposure bar .
Page 233 External ..... .93, 94 Canon battery packs ....19 Sensitivity / Attenuator / Low cut filter .
Page 234 Router .......158 Running mode (time code) ....85 USB (HOST) terminal, USB (Type-C) terminal .
Page 235 Trademark Acknowledgements • SD, SDHC and SDXC Logos are trademarks of SD-3C, LLC. • Microsoft and Windows are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. • Apple, macOS, App Store, iPhone are trademarks of Apple Inc., registered in the U.S. and other countries. •...
Page 236 B. If the Equipment is defective as a result of leaking batteries, sand, dirt or water damage; C. If defects or damages are caused by the use of parts or supplies (other than those sold by Canon USA) that cause damage to the Equipment or that cause abnormally frequent service calls or service problems;...
Page 237 Parts: Defective parts will be exchanged for new parts or comparable rebuilt parts for a period of ONE YEAR from the date of original purchase. Labor: For a period of ONE YEAR from the date of original purchase, labor will be provided free of charge by Canon Canada's factory service center or designated service facilities located in Canada.
Page 238 Canon Inc. 30-2, Shimomaruko 3-chome, Ohta-ku, Tokyo 146-8501, Japan Canon Europa N.V. Bovenkerkerweg 59, 1185 XB Amstelveen, The Netherlands http://www.canon-europe.com The information in this document is verified as of July 2021. Subject to change without notice. Visit your local Canon website to download the latest version.

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