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00 00 lE
OD
07
PICKUP SENS
4
(String
ffll
00 00 lF
(String
ff2l
00 00 20
(String
ff3)
00 00 21
(String
ff4)
00 00 22
( String
ff51
00 00 23
(String #16)
/Exampll~ using RQ1 /
To C',tract the all system parameters, S(..>nd the foll0winp; mess,1ge to th~ GR-33.
FO 41 10 00 JO 11 00 00 00 00 00 00 00 24 SC F7
/Exampli! usin~ DTl
i
Chapter 11 Appendices
Tl1ch,mgc-BEND RANGE to 12 and BEND DATA THIN to Off, send the- following message to the GR*3J.
FO 41 10 00 30 12 00 00 00 04. 06 00 76 F7
4-2 Patd1(Total size= OHi OOH)
Offset
I
I
I
Address
Data
Contents
Remarks
'
00 00 00
I
20
7F
I
PATCH NAME
l
12
I
ASCII
Character
'
00 00 OB
'
'
00 00
oc
I
00
64
I
PATCH LEVEL
I
0
-
100
no
(J{J
OD
I
DO
OF
I
PLAY FEEL
I
Normal, Finger,
Ha1·d,
Soft,
Tapping,
No Dynamics ,
Envelope 1, Envelope2,
Accl Normal,
Accl
Finger, Accl Hard, Accl
Soft,
Accl Tapping,
Accl
No Dynamics,
Accl
Envelopel,
Accl Envelope2
00
OU UE
I
oc,
OB
I
PAN MOfJE
I
Normal, Cross
'fonei:;,
1- 6,
6-1,
Odd-Even, Even-Odd, Random Both,
Random 1st. Random 2nd,
Alten1ate Both, Alternate 1st, Alternate 2nd
00 00 OF
I
OE
72
I
PAN
I
-50
-
+50
• l l
'
00 00 10
I
00
03
I
CHROMATIC
I
Off, Type 1,
Type2,
Type3
00 00 11
I
00
23
I
WAH TYPE
I
Wahl
5. AutoWahl
-
5, Brighr.nessl
-
5,
NarrowWahl
5,
R.Wahl
5.
R. Brightnessl
5,
R.NarrowWahl
5'
Modulation
,----•
00 00 12
I
00
-
OD
I
GLIDE TYPE
I
Down?
-
l, Upl
7
00 00 13
I
00
OE
I
HOLD TYPE
( for Arpeggio OFF)
I
Damper All,
Damper
1st,
Damper 2nd,
Damper
1&2,
Damper Ext, Damper Ext&l,
Damper Ext &.2, sostenuto All, sostenuto 1st. Sostenuto 2nd,
Sostenulo 1&2,
Sostenuto 1:-~xt, Snstenuto Ext&l, sostenuto Ext&2, String
'
DO 00
14
I
00
03
I
HOLD TYPE
(for Ar-peggio ON)
I
Damper, sostenuto,
L3tch TypeA,
Latch
Types
,.
DO DO
15
I
00
Cl
I
CTRL PEDAL
I
HAR/ARP
Control, Mul
t :i -
FX Bypa!=!!"l
.
DO 00 16
I
00
so
I
EXP PEDAL
I
Volume, Volume 1st, Volume 2nd, Balance. Tone Param, Multi~FX Param,
Brightness,
Wah,
Pitch, Modulat. ion, Pan (Norma]
l ,
Pan ( Cross Tones) ,
Cho Send Level, Rev Send Leve 1, Arp Tempol
3'
Tempo
&
Pitch,
cc
1
31,
cc
64
95
00 00 17
00
-
7F
MIDI
[PC)
(String
#11
Transmit Program Change
ttl
1:!B
00 00 18
{String
#21
00 00 19
(String
#31
00 00 lA
(String
#4 I
00 00 lB
(String
#5)
00 00 lC
{String #6)
+
00 00 lD
GO
01
MIDI
[PC)
!Off/On)
(String
#1)
0'
Transmit Program Change
" Off,
l,
Transmit Program C'hangP. =
On
00 00
lE
(String
#2)
DC
00 lF
(String
#31
00 00 20
(String
#4)
00 00 21
(String
#SI
00 00 22
(String
it6)
·-"~"+
00 00 23
00
7F
MIDI
[CCO)
(String
#11
Transmit
CC#O 0
-
127
00 00 24
(String #2)
00 00 25
{String #3)
00 00 26
(String #4)
DO 00 27
{String #5)
00 00 28
(String #6)
'
--·-----
··-~------,
00 00 29
00
01
MIDI
[CCOJ
(Off/Onl
(String #1)
0'
Tranamit CC#O
.
Off,
1'
Transmit CC#O
..., On
00 OD 2A
{String #2)
00 OD 2B
{String #3)
00 OD 2C
{String
#4 I
00 OD 2D
(String #5)
00 00 2E
(String
ff6)
----
00 00 2F
00
7F
MIDI
[CC:32]
(String
#11
Transmit
CC#32 0
1:n
00 OD 30
(String
tt2)
00 DO 31
(String
#3)
00 00 32
(String
ff4 I
00 00 33
(Str-ing
#5 I
00 00 34
(Stdng
#61
00 00 35
00
01
MIDI
[CC32]
(Off/On)
(String
ffl)
0'
Transmit CC#D2
=
Off,
1'
Transmit CC#32
=
On
00 00
36
(String U2
I
00 00 37
{Stdng
#3 I
00 00
18
(String #4.l
00 00 .19
(String #5 l
00 00 3A
(String
#fl
00 00 3B
lC
58
MIDI !TP.A.NSPOSE]
iSLl:inq #11
-36
24
[semi tone]
00 00 3C
(Strin9
#2)
00 00 3D
tStrin9 #3)
00 00 3E
I String
#4 I
00 00 3F
{String
#5}
00 00 40
f
St.ring #0 I
111
I
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