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SATURATION
This circuit is reminiscent of classic tape saturation. Wooly and warm.
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ENHANCEMENT
Adding tube-like glow and sheen to a track or loop.
MID DRIVE
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Mid-range focused overdrive with a solid and distinct body.
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ROUGH CRUNCH
Gritty, worn and gnarly character. Full of flavor.
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CLASSIC DIST
Pleasantly distorts upper mid-range frequencies. Ideal for acid bass lines.
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ROUND FUZZ
Adds a lot of harmonics and alters the signal in interesting and often unpredictable ways.
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HIGH GAIN
Probably the most aggressive of all the circuits. Very maxed out!
5.4 FILTER TYPE
Change the type of filter by pressing one of the two [FILTER TYPE] keys. You can also press the two
[FILTER TYPE] keys simultaneously to toggle the filter on/off. It is possible to change the filter type
even if the filter is turned off.
There are seven different analog filter types in the Analog Heat to help to shape the sound.
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LOW PASS 2 (two-pole, 12 dB per octave)
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LOW PASS 1 (one-pole, 6 dB per octave)
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BAND PASS
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HIGH PASS 1 (one-pole, 6 dB per octave)
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HIGH PASS 2 (two-pole, 12 dB per octave)
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BAND STOP
PEAK
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5.5 EQUALIZER
LOW and HIGH adjusts the amount of low-end and high-end frequency gain or attenuation of the
effect circuit. Each character circuit comes with its tailor-made equalizer characteristics.
5.6 DRIVE
Sets the gain level in the effect circuit. A higher setting increases the effect of the selected circuit type,
typically resulting in more distortion.
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