AudioArts Engineering R-5 Owner's Manual page 44

studio (see page 2-5), and that studio's microphone signal is then routed to the
CUE bus (regardless of the studio mic channel ON/OFF switch status and fader
setting) where the console operator can hear it on his headphones and the
console cue speaker (provided, of course, that his own microphone is not on-the-
air; if this is the case, then the cue speaker will be mute). For telephone work CUE
allows the console operator to listen to a telephone caller (via the console's CUE
speaker or his headphones) prior to putting him over the air (page 4-2).
STUDIO MUTE (control)
CR MUTE (control)
CUE LOGIC (control)
TB TO STUDIO (audio)
MONITORS
FROM
CUE BUS
FROM
CONSOLE
MONITOR
BUSSES
L
EXT 1
R
L
EXT 2
R
SIGNAL FLOW DIAGRAM – R-5 MONITOR CIRCUITS
R-5 / Jan 97 R-5 / Jan 99
INTERNAL
PWR AMP
MUTE
G
H
A
CUE
I
L
N
SOURCE SELECT
PGM
AUD
TEL
EXT1
EXT2
CUE
SPKR
G
A
FET
I
N
CUE
CUE TO
CR
OPTION
G
A
FET
I
N
TB
TRIM
DIM
RESISTORS
G
A
TB FET
I
N
M
ONITORS
"ON AIR"
RELAY
INTERNAL
PWR AMP
LT
HDPN
RT
H
LT
L
CR
H
RT
L
H
LT
L
STUDIO
H
RT
L
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