A
B
INPUT
PGM
AUD
TEL
ASSIGN
CUE
0
5
10
15
20
30
40
50
00
R-5 / Jan 97
R-5 / Feb 99
CONTROLS and FEATURES
GAIN SET - The stereo line inputs have two possible input gain settings:
+4dBu (for balanced, professional level equipment, usually equipped with
XLR output jacks), and –10dBu (for low level consumer-type equipment,
usually equipped with RCA plugs). The factory default setting is for +4dBu
levels; if you will be using low level equipment, it will be necessary to re-
program input gain at the channel's LOGIC (upper) I/O connector. See top
of page 3-5 for details.
A/B SOURCE - This switch (LED illuminated) selects between the two
electronically balanced stereo line level inputs. The "B" source is selected
when the switch is lit.
CUE – When pressed, this switch (LED illuminated), routes the channel
signal to the console's CUE bus, where it may be heard by the operator on
the meterbridge mounted internal cue speaker. CUE also automatically
interrupts the operator's headphones, and can be programmed to interrupt
the console's control room output as well, allowing it to be heard on the CR
monitor speakers.
ASSIGN - These switches (LED illuminated) determine where the input
signal will be sent; they route the channel signal to the console's stereo
Program (PGM), stereo Audition (AUD) and/or mono Telephone (TEL)
busses.
FADER - Stereo, long-throw carbon; plug-in for easy service.
ON/OFF SWITCHES - Turn the channel signal ON and OFF. Brightly
illuminated. If desired, they can perform several remote functions:
EXTERNAL CONTROL - Channel ON and OFF switches can START and
STOP an external source machine. The external machine can also
automatically shut OFF the channel when it reaches end-of-play, and can
flash the channel OFF switch indicator LED when it is READY and cued
up for play. All control ports are opto-isolated. Exact wiring details are
called out on pages 3-5 and 3-6.
S
L
I
TEREO
INE
NPUTS
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