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2 Adjust the input signal levels so that the track
meters read high, but the
not light.
NOTE
Use the reference level you have chosen (7.7, "Reference
levels") to be your "nominal" level.
3 Hold down the
RECORD
PLAY
key. The tape starts to move and record-
ing starts.
The
REC FUNCTION
light steadily.
When you start recording, the point at which
recording starts is automatically stored into
memory for punch-in purposes.
4 To stop recording and stop the tape, press the
key. You can also press the
STOP
which will continue the tape movement, but
stop recording.
6.3.6
Recording the basic tracks (ii)
This is an alternative method of recording basic
tracks on a blank, formatted tape.
1 Arm the tracks and adjust the levels as
described in [1] and [2] above (6.3.5, "Record-
ing the basic tracks (i)").
The
REC FUNCTION
tracks flash.
2 Press the
key. The tape starts to move.
PLAY
3 When you reach the point at which you want to
start recording, press the
The
REC FUNCTION
tracks will light steadily.
The point at which recording starts is automat-
ically stored into memory for punch-in
purposes.
4 Stop recording as described above.
6.3.7
Replaying the first tracks
When you have positioned the tape at the beginning
of the recording you have just made (or at the pre-roll
point), you can start playing back the tape.
1 Turn off the
RECORD FUNCTION
track you have just recorded.
Though it is not strictly necessary, we suggest
turning off the
RECORD FUNCTION
armed tracks (or using the
This will prevent you from accidentally hitting
6 – Basic Operations–Overdubbing
segment does
OVER
key, and press the
indicators of all tracks
key,
PLAY
indicators of all armed
key.
RECORD
indicators of all armed
key of the
on all
g
key
).
ALL SAFE
the
key and going into record mode,
RECORD
overwriting what you have already recorded.
2 Make sure that the
INPUT MONITOR
track you have just recorded is turned off
(5.1.1, "ALL INPUT and INPUT MONI-
TOR").
3 Rewind the tape to the point that you started
recording (use the
PREROLL
position easily, as the point at which recording
started is automatically stored) and press
.
PLAY
If the
indicator
AUTO PLAY
will automatically start when the location point
is reached.
6.4
Overdubbing
Overdubbing subsequent tracks is carried out in a
very similar way to recording the first tracks.
If you are unsure about the difference between moni-
toring modes as implemented on the DA-98HR, now
is a good time to read the section 5, "Monitoring
modes".
Obviously you will want to record while you listen to
the signals from previously-recorded tracks and the
input source on tracks where recording is taking
place.
Note, however, that the use of confidence mode when
overdubbing (5.3, "Confidence mode") is not recom-
mended, as the off-tape replay signals will be
delayed, making it impossible to provide accurate
cues.
6.5
Track bouncing
Though the DA-98HR provides a method of copying
from track to track digitally (6.3.3, "Selecting input
sources"), there is no way of combining tracks within
the DA-98HR.
If you need to combine tracks, this must be done
through an external console, routing all tracks to be
combined through an output group, and routing that
group to the appropriate track input.
6.6
Punch-in and punch-out
There are a number of ways in which the DA-98HR
can be used to perform reliable punch-in and punch-
outs automatically. Punch points can be set and
of the
key to find this
I
is lit, playback
35
TASCAM DA-98HR
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