Roland VS-2400CD Appendices page 42

Preset Patch List
P129 MM:C3KB→Line Mic Modeling
P130 MM:Kick&Snr1
P131 MM:Kick&Snr2
P132 MM:H.Hat&Tom Mic Modeling
P133 MM:Dr.OvrTop Mic Modeling
P134 MM:Dr.OvrAll
P135 MM:Ac.Guitar
P136 MM:StudioVcl
P137 MM:StereoMic
P138 MM:Ambience
* D. mic = dynamic microphone, C. mic = condenser microphone
■ Vocal (10 presets)
No. Patch Name
P139 VO:Vocal Fx
P140 VO:JazzVocal
P141 VO:RockVocal
P142 VO:Narration
P143 VO:BigChorus
P144 VO:Club DJ
P145 VO:AM-Radio
P146 VO:PlusTwo
P147 VO:Robot Fx
P148 VO:Bull Horn
* PSD = Pitch Shifter Delay
■ Guitar (11 presets)
No. Patch Name
P149 GT:Rock Lead
P150 GT:LA Lead
P151 GT:MetalLead
P152 GT:Metal Jet
P153 GT:CleanRthm
P154 GT:DIedClean
P155 GT:Delay Rif
P156 GT:Acoustic
P157 GT:BluesDrv.
P158 GT:Liverpool
P159 GT:Country
■ Guitar Amp Modeling (9 presets)
No. Patch Name
P160 GA:JazChorus
P161 GA:CleanTwin
P162 GA:Vin.Tweed
P163 GA:BluesDrv.
P164 GA:MatchLead
P165 GA:StudioCmb
P166 GA:JMP-Stack
P167 GA:SLDN Lead
P168 GA:5150 Lead
* Mdl. = Modeling
■ Bass (6 presets)
No. Patch Name
P169 BS:DI'edBass
P170 BS:MikedBass
P171 BS:CompBass
P172 BS:Fat Bass
P173 BS:Auto Wah
P174 BS:FX Bass
* Mdl. = Modeling
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Insert
Mic Modeling Insert
Mic Modeling Insert
Insert
Insert
Mic Modeling Insert
Mic Modeling Insert
Mic Modeling Insert
Mic Modeling Insert
Mic Modeling Insert
Algorithm Type
Vocal Multi Insert
Vocal Multi Insert
Vocal Multi Insert
Vocal Multi Insert
Vocal Multi Insert
Vocal Multi Insert
Vocal Multi Insert
Stereo Pitch Shifter Delay Insert
Stereo Pitch Shifter Delay Insert
Guitar Multi 3 Insert
Algorithm Type
Guitar Multi 2 Insert
Guitar Multi 2 Insert
Guitar Multi 1 Insert
Guitar Multi 1 Insert
Guitar Multi 1 Insert
Vocal Multi Insert
Guitar Multi 2 Insert
Vocal Multi Insert
Guitar Multi 3 Insert
Guitar Multi 3 Insert
Guitar Multi 3 Insert
Algorithm Type
Guitar Amp Modeling Insert
Guitar Amp Modeling Insert
Guitar Amp Modeling Insert
Guitar Amp Modeling Insert
Guitar Amp Modeling Insert
Guitar Amp Modeling Insert
Guitar Amp Modeling Insert
Guitar Amp Modeling Insert
Guitar Amp Modeling Insert
Algorithm Type
Vocal Multi Insert
Guitar Amp Modeling Insert
Stereo Multi Insert
Mastering Tool Kit Insert
Guitar Multi 2 Insert
Stereo Delay Chorus Insert
2ch Cancels the characteristics of AKG C3000B, giving the sound a flat
frequency response.
2ch For the bass drum (L channel) and snare drum (R channel) of a drum set (1).
2ch For the bass drum (L channel) and snare drum (R channel) of a drum set (2).
2ch For the hi-hat (L channel) and tom (R channel) of a drum set.
2ch A patch for placing mics above the drums mainly to mic the cymbals.
2ch A patch for placing mics above the front of the drums to mic the entire set.
2ch For acoustic guitar. InsertL: brighter, InsertR: warmer.
2ch For vocals. InsertL: natural, InsertR: Rock.
2ch Gives time-lag to a sound miked in stereo, emphasizing spaciousness.
2ch Models ambience mics. Add reverb and mix with original source.
Input Comment
Mono Basic setup for recording/mixdown of vocals.
Mono A natural sounding jazz club-like ambience for warm reverb well-suited
for vocals.
Mono Sound featuring limiter/enhancer processing as well as a unison effect.
Mono An effect with heavy compression, used for narration.
Mono A spacious-sounding stereo effect similar to increasing the number of
vocalists.
Mono A club DJ-tailored effect that uses a pitch shifter to make voices lower.
Mono Sound featuring hard compression and narrower frequency range.
Stereo A special effect that adds two more voices using a pitch shifter.
Stereo SF movie-like effect using a pitch shifter.
Mono Modeled effect of sound produced from a Bull Horn or old radio.
Input Comment
Mono Straight distortion sound with delay.
Mono Lead guitar sound with tasty compression and chorus applied.
Mono Metal sound with dynamic, ultrahigh gain distortion.
Mono Distortion together with a metallic effect achieved by flanging.
Mono Clean sound with compression and chorus applied.
Mono Superclean sound like line recording directly into the console.
Mono Delay sounds at dotted eighth note intervals when a 120 BPM riff is played.
Mono Optimized for electroacoustic guitars.
Mono Crunchy overdrive sound suited to blues and R&R.
Mono Crunchy sound often heard on '60s British rock.
Mono Clean sound featuring distinctive compression and delay.
Input Comment
Mono Roland JC-120 amp. Sounds more authentic when used with chorus for
mixdown.
Mono U.S. tube combo amp circa "black panel."
Mono '50s U.S. tube amp overdrive.
Mono Old British amp crunchy overdrive.
Mono Hot-rodded British combo amp.
Mono Favorite late '70s amp of studio musicians.
Mono Late '60s British stacks.
Mono An '80s amp known for versatile distortion.
Mono Big tube amp standard for American heavy metal.
Input Comment
Mono Slight limiting and equalization optimized, ideal for line recording
applications.
Mono A miked speaker box with four 12"s.
Stereo Hard-compressed sound optimized for slaps.
Stereo Enhanced low end. Edit LoMid EQ to suit the source instruments.
Mono Synth bass like sound added with auto wah essential for '70s funk.
Stereo Solo-optimized sound with depth and spaciousness added through delay
and chorus.