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BK-MSTR-Full
Same as Full Orchestra A, but the high cut filter is set to 10 kHz which softens
Orchestra B
the high frequency ambience to tighten the percussion.
If the hall or chamber in the original recording is missing some presence,
BK-MSTR-Clear
Presence
here's a suggestion on what to do.
This preset subtly raises the Mid level 1 dB above the side level and recovers
BK-MSTR-Raise
Mid Instruments
a bit of the spacious ambience which is commonly lost when the mid/side ra-
tio is raised.
BK-MSTR-Warm
This preset adds overall warmth to the recovery settings.
Ambience
Try this preset on a stereo recording of a piano to enhance the size and body
BK-MIX-Big
Steinway
of the instrument without losing its definition. This preset will illustrate how am-
bience EQ is very different from direct EQ. Here we turn up the bottom end
and lower midrange of the ambience channel. It might turn a six-foot Yamaha
into a nine-foot Steinway, so be careful, or maybe that's exactly what you
want to do!
This preset turns up the ambience level a bit to quickly show you the possibil-
BK-MIX-Big
ities.
BK-MIX-Too Big
This preset turns up the ambience level very far to quickly show you extreme
possibilities.
UAD Powered Plug-Ins Manual
K-Stereo is a trademark of Robert Katz and Digital Domain, Inc.
- 295 - Chapter 33: Precision K-Stereo Ambience Recovery
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