Universal Audio Ampex ATR-102 Manual page 272

Mode B (Bass 2)
Mode B is primarily for electric and DI bass with balanced mid range
harmonics to help the bass stick out of the mix.
Mode C (Synth)
Mode C is tuned specifically for synth bass and other full-range material. It
produces a wider range of harmonics than the Bass modes A and B. Mode C
also works well on sub-mixes and program material. Moderate compression
is applied to the harmonics signal, increasing the amplitude of the harmonics
and altering their timbre.
Mode D (Kick)
Mode D has a short decay, which makes this setting ideal for kick drum
sounds and other percussive instruments. Moderate compression is applied to
the harmonics signal, increasing the amplitude of the harmonics and altering
their timbre.
All Mode
All mode offers a more exaggerated and audible effect for
creative purposes or when less subtle results are desired.
Compression is applied to the harmonics signal, increasing
the amplitude of the harmonics and altering their timbre. The frequency range
is similar to Mode A.
Tip:
Slope
rumble/muddiness in the signal.
Slope can be set to 6, 12, 24, or 36 dB per octave. The active Slope can be
selected by clicking the Slope button repeatedly to rotate through the values,
or by clicking each Slope value or LED.
Note:
no audible effect.
UAD Powered Plug-Ins Manual
"All" mode can be selected by shift+clicking Mode letters or LEDs.
Slope changes the shape of the high pass filter that is ap-
plied to the effect signal. The high pass filter helps eliminate
When the Hz Frequency is set to a low value, Slope may have little or
- 272 - Chapter 30: Precision Enhancer Hz