Octave 2: doubles the note of the right hand, one
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octave above as well as one octave below. No
left hand chord required.
Oscar: doubles the note of the right hand with a
note two octaves below. No left hand chord re-
quired.
Jazz: adds two notes above the note played by
the right hand, at intervals of a fourth and a mi-
nor seventh. No left hand chord required.
Rock: adds three notes of the perfect chord be-
low the note played with the right hand. No left
hand chord required.
TRACK: Selects the track to which the Harmony
Type can be assigned.
Harmony can orchestrate your Style playing,
making simple one-note melodies sound as if they
are being played by a full orchestra. Harmony is
associated to Styles only. Songs cannot exploit
this function.
The Harmony setting can be memorized to the
current Preset with STORE PRESET.
Harmony example. The left hand plays a chord in C Major.
The black notes represent the melody, the white note the
harmony added by the Harmony option.
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HARMONY TYPE STRUCTURES
ARRANGE MODE
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The ARRANGE MODE button gains access to
several options associated to the Styles: the Auto
and Fixed Chord modes, the Style Chord Rec-
ognition modes, Dynamic Arrange and
Autobacking and the Mixer Lock and Bass Fol-
low functions.
AUTO CHORD AND FIXED CHORD MODES
Chord recognition can be set to remain fixed re-
gardless of the keyboard mode setting, or to
change automatically according to the change in
the keyboard mode.
AUTO CHORD MODE: active by default, allows
changes of the chord recognition mode accord-
ing to the selected keyboard mode (Full Key-
board, Upper&Lower or Multi).
Given that the keyboard mode is memorized in a
Preset, the chord recognition can change along
with the Preset.
FIXED CHORD MODE: allows you to set a chord
recognition mode which does change with
changes in the keyboard mode (and consequently
any Preset changes).
The option selected remains memorized after
power down.
CHORD RECOGNITION MODES
The Chord Recognition modes generate the au-
tomatic accompaniments of the Styles in various
different ways according to how many notes are
pressed and where on the keyboard (above or
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Styles 5•3
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