SoundCraft Ghost User Manual page 169

Music production console
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H) Control Room Outputs:
26) Signals can’t be heard at the
Control Room Outputs.
27) I hear something other than the
selected source in the Control Room
Outputs.
28) The Control Room Output level
suddenly drops.
29) The Control Room Outputs are in
MONO.
I) PFL/AFL/SOLO:
30) I press a PFL/AFL/SOLO switch,
but I don’t hear anything in the Control
Room or the level is low.
31) When I press a Channel SOLO
switch, the PFL/AFL Trim knob has no
effect.
GHOST Troubleshooting
26a) The Control Room Level control
is down.
26b) No Control Room Source has
been selected or no signal is available
at the selected source.
26c) Headphones are plugged into the
front armrest jack.
26d) The ALT switch is set incorrectly.
26e) One or more PFL/AFL/SOLO
switches are depressed in sections
where there are no signals
present.(Note: The SOLO switches
function as PFL switches when SIP is
off.)
27) One or more PFL/AFL/SOLO
switches are depressed.(Note: The
SOLO switches function as PFL
switches when SIP is off.)
28) A TALKBACK routing switch is
depressed.
29) The MONO CHECK switch is on.
30) The PFL/AFL Trim control is set to
a low level.(Note: The SOLO switch-
es function as PFL switches when SIP is
off.)
31) SOLO-IN-PLACE (SIP) is activated.
25b) Select either AUX 1-2, MIX B,
or CRM as the source in the appropri-
ate STUDIO FOLDBACK section. If
you select AUX 1-2 or MIX B, make
sure you have sent signals to those
buses. If you select CRM, make sure an
audible signal is available in the Control
Room Monitor section.
26a) Turn up the CRM LEVEL knob.
26b) Select either MIX A, MIX B,
2TK A, or 2 TK B with the CRM
SRCE switches. If you select MIX A or
MIX B, make sure you have sent sig-
nals to those buses and that the MIX
and MIX B MASTER FADERS are
turned up, respectively. If you select
either 2 TK A or 2 TK B, make sure
the outputs of the appropriate 2 Track
are connected to the associated 2 Track
inputs and that their Output Level con-
trols are turned up.
26c) Unplug the Headphones if you
want to listen to the Control Room or
ALT monitors.
26d) Make sure the ALT switch is UP,
if you’re monitoring through the CRM
O/P jacks; and make sure the ALT
switch is DOWN, if you’re monitoring
through the ALT O/P jacks.
26e) Make sure all PFL/AFL/SOLO
switches are not engaged, unless you
are intentionally soloing a signal.
27) When any PFL/AFL/SOLO switch
is depressed, you will hear its associated
signal in the Control Room, in place of
the selected Control Room source. To
hear the selected Control Room
Source, make sure no PFL/AFL/SOLO
switches are engaged.
28) Whenever any TALKBACK
Routing switch is depressed, the
Control Room Outputs are automati-
cally dimmed.
29) Make sure the MONO CHECK
switch is off (UP).
30) The PFL/AFL TRIM knob has a
+/- 10 dB range. Turn the knob clock-
wise to increase the level of the
PFL/AFL signals.
31) When SIP is engaged, the Channel
SOLO switches do not function as PFL
switches and are not controlled with
the PFL/AFL TRIM knob.
10.5

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