Oce Arizona 360 GT User Manual
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Oce Arizona 360 GT User Manual

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Océ
User Manual
Océ Arizona 318 GL / 360 GT
Océ Arizona 318 GL, 360 GT/XT, Revision A

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Summary of Contents for Oce Arizona 360 GT

  • Page 1 Océ User Manual Océ Arizona 318 GL / 360 GT Océ Arizona 318 GL, 360 GT/XT, Revision A...
  • Page 2 Copyright © 2012, Océ All rights reserved. No part of this work may be reproduced, copied, adapted, or transmitted in any form or by any means without written permission from Océ. Océ makes no representation or warranties with respect to the contents hereof and specifi- cally disclaims any implied warranties of merchantability or fitness for any particular purpose.

  • Page 3: Table Of Contents

    Contents Contents Chapter 1 Introduction......................7 Preface......................8 Product Compliance.................11 Chapter 2 Product Overview.....................15 Printer Specifications................16 Chapter 3 Safety Information....................19 UV Ink and Flush..................20 UV Curing System ...................21 Safety Interlock System................23 Océ Arizona 318 GL / 360 GT Safety Labels...........24 Safety Awareness..................28 Roll Media Safety Awareness..............39 Chapter 4...
  • Page 4 Contents How to Handle Media.................92 Chapter 6 How to Operate the Océ Arizona 360 XT............97 Océ Arizona 360 XT Features..............98 How to Use the Océ Arizona 360 XT Vacuum System......100 How to Print With Dual Origins.............102 Chapter 7 How to Operate the Roll Media Option............105 Roll Media Option Hardware..............106...
  • Page 5 Contents Error Handling and Troubleshooting............207 Troubleshooting Overview..............208 How To Improve Quality When Banding Occurs.........210 Chapter 12 Printer Maintenance..................211 Maintenance Guidelines................212 Maintenance Procedures...............214 Clean Carriage Underside..............214 Printhead Maintenance..............217 Swab Printheads................225 How to Clean the UV Lamp Filter............229 How to Remove Ink................231 Empty the Ink Waste Tray..............233 Fill the Coolant Reservoir...
  • Page 6 Contents...

  • Page 7: Chapter 1 Introduction

    Chapter 1 Introduction...

  • Page 8: Preface

    This manual is also available in other languages. Printers are shipped with a printed copy of the US English version. You can download a PDF file of the manual in all of the lan- guages that we support from the Customer Support web site: http://dgs.oce.com/ Supported languages: •...
  • Page 9 Océ Display Graphics Systems products, please visit our web site: http://www.dgs.oce.com To provide feedback and report errors in this document: DGSTechnical.Writer@oce.com Safety Information This manual has three sections that contain details on safety when handling ink and using the printer.
  • Page 10 Preface The operator or other trained personnel are expected to handle all user maintenance as detailed in the User Manual, and also replacement of consumable parts (except print heads). If your site has a technician in charge of printer maintenance, that person is the optimal candidate.

  • Page 11: Product Compliance

    FCC Identifier: U2P-3010105668 Product Safety The CE Declaration of Conformity document is provided for your convenience. This documents and other applicable compliance certificates are available for download from the Arizona Customer Support section of our web site: http://dgs.oce.com/. Chapter 1 - Introduction...
  • Page 12 Product Compliance [1] CE Declaration of Conformity Noise Measurement Test Summary Tested according to EN13023:2003, EN11204, ISO3744:1994(E)/ISO3746:1995(E) and declared according to ISO4871:1984(E) Measurements taken at the sample in 5 different locations, Printer in normal operation with Vacuum Pump, does not exceed 75dB (maximum measured value: 66dB). For all locations, provide noise protection enclosure or remove pump from location.
  • Page 13 13231 Delf Place - Building #501 Richmond, British Columbia Canada V6V 2C3 Telephone +1 604)273-7730 - Fax +1 604 273-2775 E-mail: dgsinfo@oce.com Representative Marketing the Océ Arizona 318 GL / 360 GT in Europe: Océ Technologies B.V. St. Urbanusweg 43,...
  • Page 14 Product Compliance Chapter 1 - Introduction...

  • Page 15: Chapter 2 Product Overview

    Chapter 2 Product Overview...

  • Page 16: Printer Specifications

    A Roll Media Option is available to facilitate printing on roll media. Illustration [2] Arizona 360 GT Printer Printer Specifications The printer must be operated in accordance with the environmental conditions specified in the Océ...
  • Page 17 Printer Specifications Specifications Feature Specification Printing Technology Piezoelectric inkjet using Océ VariaDot™ technology: UV Ink Standard: CMYK or Optional: White. Maximum Media Size 318 GL /360 GT: 2.5m (98.4") x 1.25m (49.2") 360 XT: 2.5m (98.4") x 3.05m (120.1") Media Thickness Maximum: 48mm (1.890") Maximum Print Size 318 GL /360 GT: 2.51m (98.8") x 1.26m (49.6")
  • Page 18 Printer Specifications Chapter 2 - Product Overview...

  • Page 19: Chapter 3 Safety Information

    Chapter 3 Safety Information...

  • Page 20: Uv Ink And Flush

    UV ink and flush. Note: The MSDS for all UV inks and Flush are available from the Customer Support section of the ODGS web site: http://dgs.oce.com/. Caution: UV inks can be harmful if not properly handled. Follow the MSDS guidelines carefully in order to ensure maximum safety.

  • Page 21: Uv Curing System

    UV Curing System UV Curing System Introduction UV-curable ink need a high energy level of UV light to cure. The UV curing system is made up of two mercury arc lamps attached to the carriage. How to Handle UV Lamp: UV lamps operate at high temperatures. Never touch a lamp in operation.
  • Page 22 UV Curing System Note: Wear Industrial Protective Eyewear with lenses that block both UVA and UVB. Gloves and long-sleeved work clothes are essential to reduce the skin's exposure to UV emissions. Chapter 3 - Safety Information...

  • Page 23: Safety Interlock System

    Safety Interlock System Safety Interlock System Introduction The printer has three Emergency-Stop buttons. The Maintenance Station drawer and the Carriage Guard are also part of the safety interlock system. A beacon light indicates the status of the safety system and the printer. Components of the Interlock System Emergency Stop Buttons: They are located on the Operator Control Station, and on each end of the Gantry.

  • Page 24: Océ Arizona 318 Gl / 360 Gt Safety Labels

    Océ Arizona 318 GL / 360 GT Safety Labels Océ Arizona 318 GL / 360 GT Safety Labels Introduction The safety labels are placed at strategic locations on the printer to warn the operator of possible dangers and hazards. It is important to be aware of the meaning of these labels to ensure safe operation of the printer.
  • Page 25 Océ Arizona 318 GL / 360 GT Safety Labels Description Label Machine lockout: a reminder to turn off and lock out the AC power switch before servicing any elec- trical components. Located on the mains power switch. Warning: Electric Shock Hazard Located on the door to the electronics enclosure, the UV lamp power supply cover, the carriage cover, and the vacuum pump enclosure.
  • Page 26 Océ Arizona 318 GL / 360 GT Safety Labels Description Label Electrical Shock Hazard Equipment Powered by two power cords. Turn off power switch or remove both power cords before servicing Refer to the section "How to Power the Printer On and Off"...
  • Page 27 Océ Arizona 318 GL / 360 GT Safety Labels Description Label No Step Do not step on the table strut. If pressure is put on the table strut it can bend and thus affect the level of the printer table and therefore print quality. [20] No Step on Strut PE - K GND Protective Earth Identification.

  • Page 28: Safety Awareness

    Safety Awareness Safety Awareness Introduction This section contains two sets of principles that must be followed to assure maximum safety when operating your Océ Arizona printer. The first set uses negative examples to show you things to avoid in order to prevent injury to the operator. The second set of principles illustrates some of the residual risks that are inherent in the operation of the printer.
  • Page 29 Safety Awareness Avoid these Situations For Your Personal Safety Do not push or force the carriage to move manually if it is al- ready in motion. If you do move the car- riage, a Motion Error message will display and you will have to use the mouse to click Reset on the user inter- face LCD display.
  • Page 30 Safety Awareness Avoid these Situations For Your Personal Safety Do not push or force the gantry to move manually if it is al- ready in motion. If you do move the gantry, a Motion Er- ror message will dis- play and you will have to use the mouse to click Reset on the user interface LCD dis-...
  • Page 31 Safety Awareness Avoid these Situations For Your Personal Safety Movement of the car- riage up and down may be a crush haz- ard. Do not rest your hands in this area during daily print- head maintenance as this process causes the carriage to move up and down.
  • Page 32 Safety Awareness Avoid these Situations For Your Personal Safety Keep a distance of at least 1 m (3 ft.) to the UV light when print- ing. Avoid looking at the UV lamps, especially if you are seated at the same level as the car- riage.
  • Page 33 Safety Awareness Arizona Printer Residual Risks Residual Risk Area Hazard A high risk crushing hazard is created by the movement of the carriage and gantry supports. Keep hands away from this area unless the printer power is off. [29] Carriage guard and 45° guard on Gantry Supports A crushing hazard is created by the move- ment of the carriage...
  • Page 34 Safety Awareness Residual Risk Area Hazard A high risk crush- ing/pinch hazard is created by the table and the gantry. [31] Table/Gantry Pinch hazard A high risk crush- ing/pinch hazard is created by the table and the carriage. [32] Table/Carriage Pinch Hazard Chapter 3 - Safety Information...
  • Page 35 Safety Awareness Residual Risk Area Hazard A high risk crush- ing/pinch hazard is created by the carriage and the gantry when the Z-Axis is moving (carriage moves up or down). [33] Carriage Vertical Movement Pinch Hazard A high risk shearing hazard is created by the gantry and the gantry rail.
  • Page 36 Safety Awareness Residual Risk Area Hazard A high risk shearing hazard is created by the gantry and the gantry rail. This pho- to shows another view from the bottom. Do not place fingers or hands in this area. [35] Gantry Shear Hazard Chapter 3 - Safety Information...
  • Page 37 Safety Awareness Residual Risk Area Hazard A high risk shearing hazard is created by the carriage and the gantry frame. [36] Gantry Frame Shear Hazard Entanglement hazard A medium risk of fin- ger or material entan- glement is created by the web assembly (IGUS track).
  • Page 38 Safety Awareness Residual Risk Area Hazard A medium risk impact hazard is created by the carriage when cy- cling from left to right. [38] Carriage Impact Hazard Heat hazard: the UV lamp assembly and the surrounding car- riage guard can be hot.

  • Page 39: Roll Media Safety Awareness

    Roll Media Safety Awareness Roll Media Safety Awareness Introduction This section contains two sets of principles that must be followed to assure maximum safety when operating the Roll Media Option (RMO) for your Arizona printer. The first image uses a negative example to show you a situation to avoid in order to prevent injury to the operator.
  • Page 40 Roll Media Safety Awareness RMO Residual Risks Crushing/Shear Hazard Do not place your hand near the shaft drive motors when the printer is printing or when the dual foot controls are pressed. Do not place your hand on the Media Roll motor enclosure when the green bea- con light is On as the...

  • Page 41: How To Navigate The User Interface

    Chapter 4 How to Navigate the User Interface...

  • Page 42: Operator Interface Hardware

    Operator Interface Hardware Operator Interface Hardware Introduction The Operator interacts with printer components to print, maintain, and monitor the state of the printer. This section identifies and explains the functions of the hardware. [43] Printer Hardware Operator Interface Components Hardware Interface Components Component Function 1) Main Power...
  • Page 43 Operator Interface Hardware Component Function 7) Printer Status Indicates printer status. See Chapter 3 for details. Beacon 8) Emergency Stops Shuts down all motion and hazardous systems. See chapter 3 for details. 9) Maintenance Sta- Designated area for cleaning the print heads and the underside tion of the carriage.

  • Page 44: Printer Interface Software

    Printer Interface Software Printer Interface Software Introduction The printer software is displayed on the LCD monitor. The interface has six main modules that are accessed by tabs located at the bottom of the display. Click on these tabs to access the modules.
  • Page 45 Printer Interface Software Operator Interface Module Tabs [46] Interface Tabs Interface Modules Component Function Print Job Control Provides management of all aspects of working with print jobs. (Print tab) It also controls some features of the printer and provides access to Roll Media print controls (if that option is installed).

  • Page 46: Print Job Control Module

    Print Job Control Module Print Job Control Module Introduction Print Job Control is the first module displayed when the printer software is loaded. From this module you can manage all aspects of working with print jobs and also control many features of the printer.
  • Page 47 Print Job Control Module Component Function 3) Pause/Resume To the right is the print job Pause/Resume button and and the Ink System the Ink System Status icon - click to view an ink status report. Status 4) Command Displays icons for actions related to the print jobs and control Toolbar left of the printer.
  • Page 48 Print Job Control Module All incoming jobs go directly into the job list or job queue. Selecting a job in the list highlights the job and updates the job information area. The job information area contains offsets, print quality mode information, number of copies and overprints, and the name of the ProductionHouse profile used and the image to be printed is also displayed.
  • Page 49 Print Job Control Module Print job This command can do the following actions depending on context: • Activates a selected inactive job by moving it to the active list. • Un-holds a held job. • Un-holds an job that had an error currently. Hold job The command can do following actions depending on context: •...
  • Page 50 Print Job Control Module Flatbed Set- A dialog window automatically appears when confirmation is re- tings quired. If it is closed before you select Confirm, it can be reopened by clicking on this button. Media Parameters Enter or confirm the thickness of the media. The printer will auto- matically adjust the carriage height to media thickness and also the print gap.
  • Page 51 Print Job Control Module Ink Tempera- This icon controls the ink heater and also displays the ink temper- ture Control ature. The state of the button reflects the status of the ink heater. The heater times out after two hours of inactivity (time can be changed up to four hours by a service technician).
  • Page 52 Print Job Control Module Nozzle check This icon populates the active job list with a job that prints a nozzle check pattern. The nozzle check print is used to identify nozzle dropouts that can cause banding and other print quality problems. There are two versions of the nozzle check: Nozzle Check and Nozzle Check Narrow (narrow is for RMO media that is not wide enough for the length of the standard nozzle check print.
  • Page 53 Print Job Control Module 7) Job Placement Preview The table placement preview shows the print location and a proportional representation of the image in relation to the table. The zoom button in the bottom right corner activates a popup preview window. If a preview image is not available, an approximately sized white box is used as a placeholder, and the zoom button is not displayed.
  • Page 54 Print Job Control Module Offsets A job's vertical and horizontal offset parameters can be changed with the mouse wheel when the mouse cursor is positioned over the field. Rotate the mouse wheel up or down increments or decrements offset at the rate of one unit per notch. Hold the right mouse button and rotate the wheel increments or decrements at the rate of 10 units per notch.
  • Page 55 Print Job Control Module Matte or Quality-Density if you want to change how it was configured in your ONYX software. • Quality-Matte provides a matte finish to the entire image. This is helpful on some media such as FomeCore, GatorPlast or Styrene as a glossy image tends to have a matte line at the end of each swath with these media.

  • Page 56: Periodic Maintenance

    Use the cleaning methods and the maintenance schedule documented in this User manual, the Care and Use Poster, and the Printhead Maintenance video (you can download the poster and video from the customer support web site: http://dgs.oce.com/. Chapter 4 - How to Navigate the User Interface...
  • Page 57 How to Change Ink Filters in the Maintenance section). As needed Refer to the Océ Arizona Printer Care and Use poster (download from the customer support web site: http://dgs.oce.com/. Chapter 4 - How to Navigate the User Interface...

  • Page 58: Counters Module

    Counters Module Counters Module Introduction The Counters module displays counters that are of interest to the operator. It shows counters for each color of ink and the total ink used. It also shows the number of hours a UV lamp was used since last changed. Some of the counters can be reset. Illustration [50] Counters Module Screen Component - function table...

  • Page 59: Settings Module

    Settings Module Settings Module Introduction The Settings Module allows you to review and change the date and time, network con- nection settings, user interface configurations, printer settings and, if installed, the Roll Media settings. Date and Time Settings [51] Date and Time •...
  • Page 60 Settings Module Network Connection Settings Note: Typically, DHCP is used to automatically obtain network settings. If "Use DHCP" is selected, the only thing you might want to change is the network name of the printer. The settings are displayed to troubleshoot possible network connection problems. One situation that would require changes is if your network does not use DHCP to automat- ically obtain network settings.
  • Page 61 Settings Module User Interface Settings [53] User Interface Settings Settings Available The user interface allows you to change the following features: • Language • Measurement Units • Date format • Time format • Display job/time • Tie lamp controls together •...
  • Page 62 Settings Module Printer Settings [54] Printer Settings Allows you to set the following: • Flatbed print gap • Underlay thickness • Table vacuum timeout • End of swath delay • Full carriage travel • Automatic warmup day • Automatic warmup time •...
  • Page 63 Settings Module Bottom Margin Specifies the distance left unprinted below the image. Media Move on Unload Specifies the amount of media moved on unload in the selected measurement units. Note: This setting icon is displayed only if the Roll Media Option is installed. Chapter 4 - How to Navigate the User Interface...

  • Page 64: Tools And Utilities Module

    Tools and Utilities Module Tools and Utilities Module Introduction The Tools and Utilities Module has six sub-modules: Shutdown, Job Manager, Special Prints, Ink Flush, Spit Catcher Alignment, and the System Logs. When you click on the Tools and Utilities tab, Special Prints always appears first. Click on the other icons to access the sub-modules.
  • Page 65 Tools and Utilities Module Shutdown Use the Shutdown icon when you need to turn the printer power off. The printer should be left powered On at all times but there are some exceptions such as some service proce- dures, or if the printer requires a reboot. Job Manager The Job Manager allows you to view a select range of print jobs or to delete many print jobs at the same time.
  • Page 66 Tools and Utilities Module [57] Special Prints How to Load a Special Print 1) Click a special print to select it in the left window. 2) Click the Add button to place it in the print queue on the right. That special print is now available in the Active job list of the Print Job Control module.
  • Page 67 Tools and Utilities Module The Ink Flush Procedure The Ink Flush Procedure is used when the printer is switched from one type of ink to another that is not compatible with the first ink. It requires a special ink flush kit and will not work without it.
  • Page 68 Tools and Utilities Module Note: When System Logs are generated, any previously saved log files are deleted. Therefore, do not generate a second batch if you have just recently generated log files (unless re- quested to do so by a service technician). Chapter 4 - How to Navigate the User Interface...

  • Page 69: Installation And Upgrade Module

    Installation and Upgrade Module Installation and Upgrade Module Introduction As we are committed to improve and refine the quality and functionality of the Océ Arizona 318 GL / 360 GT printer, there will be periodic upgrades to the underlying firmware and printer software. Software updates are available only to customers with a service contract.
  • Page 70 Installation and Upgrade Module Chapter 4 - How to Navigate the User Interface...

  • Page 71: How To Operate Your Océ Arizona Printer

    Chapter 5 How to Operate Your Océ Arizona Printer...

  • Page 72: Training Requirements

    Training Requirements Training Requirements Introduction The operator must receive training for safety, printer operation, and the appropriate ONYX Workflow software (ProductionHouse® for the 360 and PosterShop for the 318 GL) prior to operating the Océ Arizona 318 GL / 360 GT printers. Safety Training Before operating the Océ...

  • Page 73: How To Power The Printer On And Off

    How to Power the Printer On and Off How to Power the Printer On and Off Introduction This section describes how to switch the printer On and Off. When the printer is switched On, the interface software is displayed on the LCD monitor that is located on the Oper- ator Control Station.
  • Page 74 How to Power the Printer On and Off During the boot-up procedure, the printer software is automatically started. The software displays a splash screen followed by a screen that requests you to raise and then lower the carriage guard. Lift the carriage guard slightly and then replace it. At the control station click on Continue to finish the startup procedure.
  • Page 75 How to Power the Printer On and Off How to Power Off Attention: To maintain optimal printer reliability, leave the power on at all times. However, there are exceptions such as for ink flushes, some service procedures, or if the printer requires a reboot.
  • Page 76 How to Power the Printer On and Off 24 to 72 hours • Turn off lamps • Perform printhead maintenance when the ink temperature is at least 40° Centigrade (104° Fahrenheit) • Swab print heads • Turn off ink heater •...
  • Page 77 How to Power the Printer On and Off Illustration [60] AC Power Switch and Lockout How to Use the Disconnect Device Attention: The AC power plug is the main disconnect device for the printer. For maximum safety, if the printer is moved, the AC power plug must first be unplugged from the printer. Follow the Lock-out procedure above.

  • Page 78: How To Install The Onyx Printer Driver

    How to Install the ONYX Printer Driver How to Install the ONYX Printer Driver Introduction This section explains how to install and configure the ONYX ProductionHouse or PosterShop installation files for the Océ Arizona 318 GL / 360 GT and Océ Arizona 360 XT printers.
  • Page 79 How to Install the ONYX Printer Driver After the printer driver is installed the Configure Printer Port window will launch auto- matically. Select TCP/IP Printer then click on Configure. [61] Configure Printer Port Enter the Network name of the printer (as displayed in Step 3) and make sure <Port 9100>...
  • Page 80 How to Install the ONYX Printer Driver Correction If no valid IP address is found, check that the network name of the printer is correct and that port 9100 was selected. Run the Test again. Result When a Valid IP address for the printer is verified, click on OK to complete the configu- ration of the communication link between ProductionHouse and the Océ...

  • Page 81: How To Manage Print Jobs

    Daily Start-up and Shut-down How to Manage Print Jobs Daily Start-up and Shut-down Introduction Keep your printer clean and perform all recommended scheduled maintenance to ensure that the printer is ready to produce optimal quality images. When to do The start-up procedure must be performed every morning or after a period of time when the printer has not been used.

  • Page 82: How To Set Up A Print Job

    How to Set Up a Print Job How to Set Up a Print Job Introduction This section explains how to select an image to print on the Océ Arizona 318 GL / 360 GT or Océ Arizona 360 XT. The basic steps are outlined here and explained below. More detailed explanations for some of these steps are available in Chapter 4 How to Navigate the User Interface.
  • Page 83 How to Set Up a Print Job Measure Media Thickness Use a digital slide caliper or micrometer to accurately measure the media thickness of the media. An error in measurement of media thickness will affect bi-directional alignment and can contribute to the amount of graininess in the printed image or cause a car- riage/printhead crash with the media.
  • Page 84 How to Set Up a Print Job table will have vacuum applied when the table vacuum pump is turned on. The vacuum zones are opened or closed using a quarter turn handle. Refer to the next section for details on the dimensions and placement of the vacuum zones. Note: The Arizona 318 GL has only one large vacuum zone that is either on of off.
  • Page 85 How to Set Up a Print Job Note: When the ink is at a low room temperature it may take up to 20 minutes for it to warm up to operating temperature. The printer will not print until the ink warms up. Also, when the printer is idle it will maintain the ink at operating temperature for two hours.

  • Page 86: How To Manage The Media Vacuum

    The Media Vacuum System How to Manage the Media Vacuum The Media Vacuum System Introduction Your printer uses a low-flow, high-pressure vacuum system to secure media for printing on the printer table. A vacuum pump is used to evacuate the air between the overlay and the table.
  • Page 87 The Media Vacuum System Vacuum Zone Control Handles These controls are meant for use with custom vacuum zones. If you only use the factory default of one large zone, make sure all three handles are left in the open position. When you create custom zones the three control valves are used to control which zones of the printer table will have vacuum applied when the table vacuum pump is turned on.
  • Page 88 The Media Vacuum System see dimples on the media that are the same size and location as the vacuum table punched holes, introduce bleed until the dimples disappear from the media. The bleed valve is off when its handle is in the horizontal position. To activate the bleed valve, turn the handle to the vertical position.

  • Page 89: Common Custom Vacuum Zones

    Common Custom Vacuum Zones Common Custom Vacuum Zones Introduction The aluminum overlay sheet on the surface of the printer table creates a vacuum field, which can be divided into zones. When the printer is shipped, a single zone equal to the maximum media size is available.
  • Page 90 Common Custom Vacuum Zones Custom Metric Vacuum Zones The following shows the media dimensions that are available with the recommended metric vaccum zones. The name of the zone indicates which vacuum handle controls that zone. Vacuum zone 1 = 700 x 1000 mm Vacuum zone 3 = 1400 x 1000 mm Vacuum zone 1, 2, &...
  • Page 91 Common Custom Vacuum Zones Vacuum zone 1, 2, & 3 = 96 x 48 inches [66] Common Imperial Vacuum zones Chapter 5 - How to Operate Your Océ Arizona Printer...

  • Page 92: How To Manage Media

    UV ink printers like the Océ Arizona 318 GL / 360 GT than for solvent-based printers. For access to Onyx ProductionHouse profiles, please consult our web site at: http://dgs.oce.com/ Definition The term media covers a wide range of possible materials for the Océ Arizona 318 GL / 360 GT printer.
  • Page 93 How to Handle Media humidity changes of the working environment. Ideally, store media in the same envi- ronmental conditions as it will be used. • Store media flat to reduce tendency to bow. Do not use creased, damaged, torn, curled, or warped material.
  • Page 94 Customer Support web site. See Appendix A of this document for a list of available bulletins or visit the web site to download bulletins: http://dgs.oce.com/ Thermal Expansion of Media When imaging on media that will expand when subjected to heat (e.g., styrene or Plexiglas, etc.), don’t wedge the media by butting other material against it as this may cause the...
  • Page 95 How to Handle Media cation of the cards. Note: these cards can be stacked, but if more than two of them are stacked, the carriage will collide with them if you print at zero media height. Always check the height if you use multiple stacked cards so that they match the height of your media and the set the carriage height accordingly.
  • Page 96 How to Handle Media Chapter 5 - How to Operate Your Océ Arizona Printer...

  • Page 97: How To Operate The Océ Arizona 360 Xt

    Chapter 6 How to Operate the Océ Arizona 360 XT...

  • Page 98: Océ Arizona 360 Xt Features

    Océ Arizona 360 XT Features Océ Arizona 360 XT Features Introduction The Océ Arizona 360 XT is the same as the Océ Arizona 318 GL / 360 GT in the follow- ing areas: Gantry, Carriage, RMO capable, and White Ink option. The Océ...
  • Page 99 Océ Arizona 360 XT Features Note: The Center Zone can also be referred to as Zone 3. Definition The Océ Arizona 360 XT is a flatbed inkjet printer capable of producing large format images on various rigid and flexible media. The printer consists of a flatbed vacuum table and moving gantry.

  • Page 100: How To Use The Océ Arizona 360 Xt Vacuum System

    How to Use the Océ Arizona 360 XT Vacuum System How to Use the Océ Arizona 360 XT Vacuum System Introduction The Océ Arizona 360 XT uses a vacuum system to secure rigid media for printing on the printer table. Two independent vacuum pumps provide vacuum to the table, which is divided into 3 zones.
  • Page 101 How to Use the Océ Arizona 360 XT Vacuum System Mask off any areas of the active vacuum zone(s) that will not be occupied by the media. [68] Center Zone Valve (shown in the Off position) Note: The media can occupy more than one zone, but if a zone will be active, all of the area not covered by the media must be masked so that all vacuum holes are covered.

  • Page 102: How To Print With Dual Origins

    How to Print With Dual Origins How to Print With Dual Origins Introduction Due to the larger table size and the vacuum zone arrangement of the Océ Arizona 360 XT printer, it is possible to print in an alternating 2-up arrangement with panels up to 1.25 x 2.5 meters (4 x 8 feet) in size.
  • Page 103 How to Print With Dual Origins Enter 2 or more copies in the Job Parameters Copies field. Click on the Enable Dual Origin box when it appears to make it active. Note: When Dual origins is enabled, a scaled view of the image appears on the screen preview in Zone 1 and a gray-scale box that represents the image appears in Zone 2.
  • Page 104 How to Print With Dual Origins Chapter 6 - How to Operate the Océ Arizona 360 XT...

  • Page 105: How To Operate The Roll Media Option

    Chapter 7 How to Operate the Roll Media Option...

  • Page 106: Roll Media Option Hardware

    Roll Media Option Hardware Roll Media Option Hardware Introduction The Roll Media Option (RMO) allows printing on media that is supplied on a roll. [70] Roll Media Option Components Component Locations Roll Media Hardware Component Function 1) Dual Foot Pedal Switches 6) Media Access Door 2) Media Drive Couplers 7) Media Cut Guide...
  • Page 107 Roll Media Option Hardware Roll Media Hardware Component Function 1) Dual Foot Pedal The dual foot pedal switches areused to control media Switches feed in both forward and reverse directions. Function varies depending on whether media is loaded or unloaded. 2) Media Drive Couplers The couplers keep the media shafts in place and engaged to the drive motor.

  • Page 108: Roll Media Option Specifications

    For printers with software/firmware greater than version 3.6, RMO print speeds are ap- proximately as shown in this table (based on a 2190 mm x 3000 mm image). RMO Print Mode Arizona 360 GT Arizona 360 XT Arizona 318 GL m²/hr.
  • Page 109 Roll Media Option Specifications Print Size Supported 2.190m (86.2”) This allows for a minimum 5mm (0.2”) border. This is necessary to ensure the platen is not contaminated with ink due to possible media tracking errors. Cured and uncured ink on the platen will have a serious effect on printer performance. Any spilled ink must be removed immediately (See RMO Maintenance section).

  • Page 110: Foot Pedal Switch Functions

    Foot Pedal Switch Functions Foot Pedal Switch Functions Introduction The foot pedal switches are used to control the forward and reverse movement of media shafts. Summary of Dual Foot Pedal Switch Functions The following table indicates the foot pedal functions for various RMO states. Actions for foot pedals in various states Media Reverse Media Forward...

  • Page 111: Roll Media Manager

    Roll Media Manager Roll Media Manager Introduction The Roll Media Manager is the area of the printer software where you prepare to print on roll media. With this menu you can load and unload media, change media type and parameters, and initialize the printer to prepare it to print on roll media. This section introduces the icons in the Roll Media Manager that are necessary to load and initialize a roll media print job.
  • Page 112 Roll Media Manager Roll Media Manager Menu Roll Media Manager Icons Icon Function Load Allows the operator to load new media. Set the foot pedal switches to the Load state. Unload Prepares the RMO to allow the operator to cut the existing media, remove it, and replace it with a new roll.

  • Page 113: How To Load Media

    How to Load Media How to Load Media Introduction This section explains how to load a new roll of media. It details the following actions that are associated with loading media: • A) Load Supply Media Roll On Media Shaft •...
  • Page 114 How to Load Media When to do This section explains how to load new media when none is currently loaded. If media is already loaded, first read the section How to Cut and Unload Media. Before you begin It is very important that the media is wound properly onto the core when it arrives from the manufacturer.
  • Page 115 How to Load Media A: Load Supply Media Roll On a Media Shaft Place an empty media shaft on a suitable flat work area, positioned as shown, so that the 5mm hex key is inserted on the right side of the shaft to lock and unlock the core locks. [74] Unlock the Media Shaft Core Locks To unlock the media shaft core locks (1) turn counter-clockwise with the supplied 5mm hex key (2).
  • Page 116 How to Load Media Accurately center the media using the supplied ruler. Media should be centered within 1mm on the ruler. [75] Ruler to Center Media Note: The supplied ruler has both metric (millimeters) and imperial (inches) scales. When a media roll is centered on the shaft, and the ruler is placed as shown in the photo, the value on the ruler scale will match the width of the roll.
  • Page 117 How to Load Media Note: Make sure that the core lock and coupler end of the shaft are on the right side of the printer. Lock the take-up media shaft core locks with the 5mm hex key. C: Loading the Media - Standard Method The standard way to load media is quick and efficient and ensures minimum waste of material.
  • Page 118 How to Load Media Thread the media under the media tension bar (Note that the media is threaded for Print Side Out in the photo below). Pay out media with the foot pedal as required. [76] Thread Media Under Tension Bar (Print side out) Open the media access door at the top of the Roll Media unit, then reach down through the open door to grasp the media and feed it up and over until it reaches the take-up roll.
  • Page 119 How to Load Media Check alignment of the media by feeding it down to the supply roll and make sure that the edge lines up with the edge of the supply roll. [78] Align Media Rewind the media by continually pressing down the left foot pedal until it is positioned where it can be taped to the take-up core.
  • Page 120 How to Load Media Tape the media onto the core. The media should have a clean straight edge prior to taping. First tape the center of the media to the core, and then tape both ends of the media. [79] Tape Media to the Take-up Roll Core Note: Important: Use the supplied ruler to check that the edge of the take-up roll is aligned within 1mm of the feed roll.
  • Page 121 How to Load Media Once you have aligned the media edges to the supply roll, without moving the media any further, tape the media to the platen. [80] Tape the media edges to the platen Pull the hanging media edge taut and cut the media off from each edge at an angle to result in a point just below the take-up core as shown here.
  • Page 122 How to Load Media Tape the pointed end of the media to the take-up core as shown below. [82] Tape media to core Remove the tape you used to hold the media to the platen. Select the "Initialize" icon from the Roll Media Manager to prepare the RMO for printing. After initialization has completed, advance the media until the cut area is wound onto the core across the width of the roll and verify with the ruler that the supply and take-up edges are at the same location.

  • Page 123: How To Unload And Cut Media

    How to Unload and Cut Media How to Unload and Cut Media Introduction This section explains all of the actions associated with how to cut and unload media when there is still some media left on the supply roll. Unload Media Summary The following actions are associated with unloading media: •...
  • Page 124 How to Unload and Cut Media Click on OK to proceed. C: Remove Media from the Take-up Shaft in Printer or Remove Take-up Shaft If you want to remove the printed images without removing the take-up roll from the printer you can press the left pedal to rotate the take-up media shaft in the reverse direc- tion.

  • Page 125: How To Set Up A Roll Media Job In Productionhouse

    How to Set Up a Roll Media Job in ProductionHouse How to Set Up a Roll Media Job in ProductionHouse Introduction Print jobs can be specified as either a roll job or a flatbed job in ProductionHouse. The job type can be changed after the print job is transferred to the printer. Purpose The operator can choose the type of desired print job and also put a hold on it so it will not print automatically.
  • Page 126 How to Set Up a Roll Media Job in ProductionHouse Note: If you don't set a hold in ProductionHouse, it is also possible to disable the Roll media print queue at the printer. To do this click on the Roll icon in the command toolbar of the Print Job module so that it become dim (grayed out).

  • Page 127: How To Print On Roll Media

    How to Print on Roll Media How to Print on Roll Media Introduction To print an RMO image, media must be loaded and the RMO initialized. Use the Print Job module and the Roll Media Manager to prepare and start the print job. How to Print on Backlit Media If your roll media is transparent or opaque and you are going to backlight the image and you want to increase the density, set Quality mode in ProductionHouse.
  • Page 128 How to Print on Roll Media Click on the Roll Manager icon to enter the Roll Media Manager dialog window. [86] Roll media manager Enter the Media width for the roll media that you have loaded. Note: If the media width entered is less than 1067 mm (3.5 ft) the standard nozzle check will not fit across the media.
  • Page 129 How to Print on Roll Media Note: Any changed parameter in the dialog window will be applied to the next roll media print job, even if the change was not saved. This allows temporary changes to the parameters without the need to save that media. [87] Roll Media Manager Keyboard Note: There is always at least one media in the list that is called Default Media.
  • Page 130 How to Print on Roll Media Result Any print jobs that are in the queue, not on hold, and marked as roll jobs will print. There is no explicit confirmation required to start a roll media print job. Any roll media jobs in the print queue will start to print immediately.

  • Page 131: How To Determine The Media Advance Correction Factor

    How to Determine the Media Advance Correction Factor How to Determine the Media Advance Correction Factor Introduction When you print on roll media, there can be discrepancies in the amount the media ad- vanced during each print swath. This is referred to as media stepping. It can cause banding to occur, in the form of either dark lines or white gaps.
  • Page 132 How to Determine the Media Advance Correction Factor In the 'Roll Media Manager' menu you can select the 'Media Advance Correction Factor' (MACF) and enter a value from 0 to 100. The default value is 50. You can enter a lower value to correct for white gaps or raise the value to correct for dark lines.

  • Page 133: How To Use Media Edge Protectors

    How to Use Media Edge Protectors How to Use Media Edge Protectors Introduction Some media tend to have dust and fiber that clings to the edge of the media roll. When released near the RMO (Roll Media Option) unit platen, these particles can find their way into the printhead nozzles and cause dropouts that reduce image quality and produce banding.
  • Page 134 How to Use Media Edge Protectors Bend the other two creases slightly so that they have a V shape when viewed, as illustrated in the side view figure below. [89] Side View of Media Protector Bend the height adjustor (small triangle in the top corner of the edge protector) slightly and then straighten it again.
  • Page 135 How to Use Media Edge Protectors Press down on the tape to fasten the protector in this position. [91] Edge Protector in Position Note: The adhesive on the edge protector can be re-used approximately ten times. If you find that it is not holding the protector in place, then use a new one. Result The media edge protectors will reduce the amount of fiber and other debris.
  • Page 136 How to Use Media Edge Protectors Chapter 7 - How to Operate the Roll Media Option...

  • Page 137: How To Use The Static Suppression Upgrade Kit

    Chapter 8 How to Use the Static Suppression Upgrade Kit...

  • Page 138: Reduce Static With A Static Suppression Kit

    Reduce Static with a Static Suppression Kit Reduce Static with a Static Suppression Kit Introduction The Océ Static Suppression Upgrade Kit is a Commercial Product that can be ordered as part # 3010106603. If you are experiencing static-related imaging problems this op- tional upgrade kit contains an ionizer bar that provides a solution to reduce static.
  • Page 139 Reduce Static with a Static Suppression Kit How to Activate the Static Suppression Ionizer Bar Press the Settings tab on the printer interface screen. Click on the Printer icon. If the Ionizer Bar option is set to Off, set it to ON (this option is not displayed if the ionizer bar is not installed).
  • Page 140 Reduce Static with a Static Suppression Kit Loosen the bracket mount screw and then slide the bracket up in the keyed slot to remove [93] Bracket Mounted Low Turn the bracket 180 degrees and then fit the other keyed slot over the bracket screw. Slide the bracket mount until the screw is located in the smaller end of the keyed slot.

  • Page 141: How To Work With White Ink

    Chapter 9 How to Work With White...

  • Page 142: Operator Guidelines For White Ink

    Operator Guidelines for White Ink Operator Guidelines for White Ink Introduction This chapter is necessary only if you have an Océ Arizona printer with the white ink option included. Due to the nature of the white ink, regular maintenance is required to keep the white printheads functioning properly.

  • Page 143: White Ink Workflow Overview

    White Ink Workflow Overview White Ink Workflow Overview Introduction Océ Arizona printers with the White Ink Option provide under-printing for non-white media or objects, over-printing for backlit applications on transparent media and/or printing white as a spot color. This section describes how the printer provides white ink support, gives a summary of the workflow data preparation, and also shows some of the ways white ink can be used in print applications.
  • Page 144 White Ink Workflow Overview • A Flood Fill layer is like an autofill that is done by the printer, where white data fills the entire bounding box (the rectangular area that defines the total perimeter) of the image. • White Spot data can be defined in image editing applications such as Adobe Illustra- tor®...
  • Page 145 White Ink Workflow Overview White Ink Applications The following are some specific examples of the ways that the white ink workflow can be applied. • Backlit Application The backlit application involves printing onto a transparent or translucent material and mounting the finished piece onto a light box or location where illumination from behind is possible.

  • Page 146: How To Configure Productionhouse For White Ink

    How to Configure ProductionHouse for White Ink How to Configure ProductionHouse for White Ink Introduction This section describes how to configure ProductionHouse to recognize white ink workflow elements and thus allow you to apply the approach that is best for your print job applica- tion.
  • Page 147 How to Configure ProductionHouse for White Ink In your Quick Set, or in Preflight/Job Properties/Postscript turn off two-stage processing (make sure the box is not checked). [98] Turn off Two Stage Processing Result ProductionHouse is now prepared to accept print jobs with white ink data. Chapter 9 - How to Work With White Ink...

  • Page 148: Quickstart

    Note: Sample Media models for white ink are available for download from the DGS website: http://dgs.oce.com/. These media are documented later in this chapter (see How to Use Media Models to Print With White Ink). How to Print a Simple Job Using White Ink Open an image of your choice using the media with a Quality-Layered print mode.
  • Page 149 QuickStart To define a white flood layer, modify the printer settings of a processed job in RIP Queue - right click the job, edit printer settings, select Quality-Layered for the Printer Print mode, then select Define Layers If you want to print first surface (e.g. opaque media) the bottom and middle layers can be configured to be white flood layers and the top layer to be a CMYK data layer.

  • Page 150: How To Prepare White Ink Print Jobs

    How to Create a White Flood Fill Layer How to Prepare White Ink Print Jobs How to Create a White Flood Fill Layer Introduction When working with white ink you can choose the workflow that best fits your needs. There are three main approaches to white ink workflow with your printer: •...
  • Page 151 How to Create a White Flood Fill Layer Note: The file must be sized at the final output dimensions required for the flood. Define one of the data layers as a white flood layer. To define a layer as a white flood layer first select Quality-Layered as the Printer Print Mode, then select Define Layers and finally define a white flood layer.

  • Page 152: How To Create Spot Data With The Spot Layer Tool

    How to Create Spot Data with the Spot Layer Tool How to Create Spot Data with the Spot Layer Tool Introduction In this section, you’ll learn how to access and set up the Spot Layer Tool. The tool provides a variety of options for generation of spot layers, and you may want to explore them with a sample file of your own to familiarize yourself with the functionality.
  • Page 153 How to Create Spot Data with the Spot Layer Tool white data in more than the mask area, you will need to set up a different background color not used anywhere else in the file to use as your mask. This must be done in an image-editing program prior to bringing the image into the Spot Layer Tool.
  • Page 154 Illustrator so that it will be recognized by the Spot Layer Tool and then printed as white by the printer. Download Application Bulletin 22 from the Customer Support web site: http://dgs.oce.com/. Chapter 9 - How to Work With White Ink...
  • Page 155 How to Create Spot Data with the Spot Layer Tool How to Access the Spot Layer Tool Open a print job in Preflight. Select the Color Corrections tab. Click on Tools and select Spot Layer Tool. This will open the feature set. Note: If the Enable checkbox won't activate, the media you used to open the job has not been configured with the Quality-Layered print mode.

  • Page 156: How To Create White Spot Data In Photoshop

    How to Create White Spot Data in Photoshop How to Create White Spot Data in Photoshop Introduction This section explains how to prepare images that include white spot data with raster-based image editing applications such as Adobe Photoshop®. In order to print with white ink, you must have a media properly configured for the use of white spot data (see the section, How to Create a Media for White Ink).
  • Page 157 How to Create White Spot Data in Photoshop How to Prepare an Image in Photoshop Use the following steps to create a new spot channel layer: Open the desired file in PhotoShop (if the file is in RGB mode, then convert it to CMYK mode).
  • Page 158 How to Create White Spot Data in Photoshop • Name – Enter the name “Spot 1”. This name is specifically reserved in RIP-Queue for this type of workflow, using any other name requires more steps to make spot in- formation addressed by the Rip software. Note: For instructions on how to use a naming convention other than Spot 1, refer to the sub-section at the end of this section "Naming Your Spot Data".
  • Page 159 How to Create White Spot Data in Photoshop [107] Flood 100 PSD [106] Flood 50 PSD In some cases, it may be easier to select the area in which you don't want any white ink data and then select the inverse. [108] Select [109] Select Inverse It is also possible to edit the spot channel much as you would any other data in a Photo-...
  • Page 160 How to Create White Spot Data in Photoshop • If you intend to use this file in a vector-based program such as Illustrator, save it as a .PSD file in order for all channel information to be carried over. The white spot color is printed in the order it appears in the Channels palette, with the spot channel printing underneath CMYK data.

  • Page 161: How To Create White Spot Data In Illustrator

    How to Create White Spot Data in Illustrator How to Create White Spot Data in Illustrator Introduction This section explains how to prepare images that include white spot data with vector- based image editing applications such as Adobe Illustrator®. In order to print with white ink, you must first have a media properly configured for the use of white spot data (‘How to Configure ProductionHouse for White Ink’...
  • Page 162 How to Create White Spot Data in Illustrator Within the Add Swatch dialog, enter the following information: [111] New Swatch [112] New Swatch Name • Name – Enter the name “Spot 1”. Note: For instructions on how to use a naming convention other than Spot 1, refer to the sub-section at the end of this section "Naming Your Spot Data".
  • Page 163 How to Create White Spot Data in Illustrator [113] Color Swatch [114] Spot Swatch Use the new swatch for any objects or fills which need to be printed with white ink. Clicking on new spot color swatch will make this the default fill color for this document. Select element you would like to be treated with Spot information and choose the fill swatch.
  • Page 164 How to Create White Spot Data in Illustrator Select the white ink object or objects that you want to overprint and place these above the image data layer that you would like to print. Or if you want them on the same layer the white ink objects should be in front of the image data.
  • Page 165 How to Create White Spot Data in Illustrator Note: While it is possible to set Overprint opacity levels less than 100%, ProductionHouse software only processes full opacity data. The opacity of regular knockout white data can be set as desired. [117] Overprint Attributes The images below shows white spot data with knockout and overprinting.
  • Page 166 How to Create White Spot Data in Illustrator Note: When processing this file in ProductionHouse, media layers must be set up with a spot layer to represent this data, as Illustrator identifies this as a Spot, rather than a flood layer. [120] Pixel Preview Flood How to Place Raster Images in Illustrator Begin by placing the desired file.
  • Page 167 How to Create White Spot Data in Illustrator Once the file has been brought into program, click the Embed button to place it in the Illustrator document. This step is necessary in order to make use of all channel data contained in the file.
  • Page 168 How to Create White Spot Data in Illustrator [124] Select Clipping [125] Copied Path Then move the new layer outside of the group it is in to un-link it from the clipping path. [126] Moved Channel Once outside the group, make sure path is selected and fill it with your Spot 1 color. Chapter 9 - How to Work With White Ink...
  • Page 169 How to Create White Spot Data in Illustrator Once that is done, replace path in the group above the image and clipping layers. Ensure that Overprint is turned on. [127] Replace path in Group Save the file. Note: In testing, we have found the .eps file format to be the best. However, Postscript and PDF files will work as well, but may require some additional setup.
  • Page 170 How to Create White Spot Data in Illustrator Create a box around your image using the Rectangle Tool or other appropriately shaped box tool. Make sure this new box is selected and select Fill swatch located at the bottom of the Il- lustrator toolbar.
  • Page 171 How to Create White Spot Data in Illustrator How to Name Your Spot Data In order for ProductionHouse to correctly distinguish and address Spot data, naming conventions for this data must be adhered to both in the image editing creation stage and the Rip.
  • Page 172 How to Create White Spot Data in Illustrator Open file in Preflight and access the Color Management/Edit Profiles tab. Click on Spot Channel Replacement box. [131] Spot Channel Replacement Enter the new name in PostScript Spot Color Name in Spot 1 space. Click OK to save your settings.

  • Page 173: How To Print With White Ink

    DGS web site. These media models can be found at http://dgs.oce.com/ in the Customer Support area. Note that the names of these models contain a specific printer model, although they will work for all printers with the white ink option.
  • Page 174 How to Use Media Models Note: ProductionHouse also allows you to create Media Groups that contain various Media Models. You can create a group that contains media models with different settings for the same physical material. Or you can group together various media models that have something in common, for example the five media described in this section belong to the group "WhiteInkUsageMedias".
  • Page 175 How to Use Media Models [134] Day/Night Print Reflection When you process a print job in ProductionHouse with this media model as provided, the job information displayed in the printer's Print Job Control module will appear as follows: [135] Day/Night Parameters Select the Layers button in the Job Control module to activate a graphical representation of the Print Layers that allows you to verify the layer order.
  • Page 176 How to Use Media Models in Production House, or it can be set up with Onyx Preflight Spot Layer Tool. To re- purpose the model for use with flood fill, access the drop-down menu and change from Spot to Flood Data. If a Flood Fill layer has been defined, no additional file preparation is required to activate white printing.
  • Page 177 How to Use Media Models Backlit Application on Clear Substrate Download file: Oce_Arizona_350_GT_WhiteInk_ClearBacklit.OML This media model is intended for use when you print data for backlit viewing on clear materials. Clear materials do not provide any light diffusion, which is often desired for more pleasing presentation on non-diffused light sources.
  • Page 178 How to Use Media Models If you want to re-use this media model for images to be viewed from the front, or print surface, simply re-order the layers with flood fill at the bottom and turn off Print Reflec- tion. When you process a print job in ProductionHouse with this media model as provided, the job information displayed in the Arizona 350 GT Print Job Control module will appear as follows:...
  • Page 179 How to Use Media Models [144] Define Layers When you process a print job in ProductionHouse with this media model as provided, the job information displayed in the Arizona 350 GT Print Job Control module will appear as follows: [145] Parameters Select the Layers button in the Job Control module to activate a graphical representation of the Print Layers that allows you to verify the layer order.
  • Page 180 How to Use Media Models color and then subsequently address it with white Spot data within Preflight’s Spot Layer Tool. [147] Setup Spot Color [148] Mode Options When you process a print job in ProductionHouse with this media model as provided, the job information displayed in the Print Job Control screen will appear as follows: Chapter 9 - How to Work With White Ink...
  • Page 181 How to Use Media Models [149] Parameters Chapter 9 - How to Work With White Ink...

  • Page 182: How To Create A Media For White Ink Print Jobs

    DGS web site in the Customer Support area at http://dgs.oce.com/. These media models provide a good start point for the white ink workflow. However, we recommend that you create your own new ones to ensure optimal success with your particular white ink workflow.
  • Page 183 How to Create a Media for White Ink Print Jobs Note: The term "media" can be confusing as it really has two meanings in the context of your Onyx workflow. In general use it refers to a physical material that you can print on. ProductionHouse uses the term media to refer to the definition of how a particular material is used and included within a media model that you define and then use when you open a print job.
  • Page 184 How to Create a Media for White Ink Print Jobs How to Create a Media Model for White Ink From the Home page in Media Manager click > Create Profiles > Create Media Select the Media Group (or create a new one) and enter a Media Name, then click > Next.
  • Page 185 How to Create a Media for White Ink Print Jobs Click > Insert to add “Spot 1” to the Spot Color Setup dialog. [152] Insert Spot1 If you want to change the preview color of your spot layer, highlight “Spot 1” and click >...
  • Page 186 How to Create a Media for White Ink Print Jobs Note: The printer only has one available white ink spot channel, so do not insert a second spot or the Rip will treat files using this configuration as separations. Click > OK. At this point, the media you have created can be used in Preflight to view and Rip files for white ink output.
  • Page 187 How to Create a Media for White Ink Print Jobs In Basic Mode Settings, click on Mode Options. [154] Mode Options In the Mode Options window, select the Quality-Layered Print Mode. Click OK to save these settings and close the window. [155] Define Layers Chapter 9 - How to Work With White Ink...
  • Page 188 How to Create a Media for White Ink Print Jobs Once you select a mode the Define Layers button appears under the Printer Print Mode. [156] Define Layers Click on Define Layers to open this dialog and the following window should appear. [157] Define Layers This is where you can set up how you want the ink to behave in each layer.
  • Page 189 How to Create a Media for White Ink Print Jobs drop down menu and click on the Custom tab to the right of this. This action will bring up the Define Single Layer window. [158] Define [159] Define Single Layer Note: The data used in the white spot layer needs to comes from the spot data found in the image you have created in an image editing program such as Adobe Illustrator.
  • Page 190 How to Create a Media for White Ink Print Jobs Configure White Flood Layers If you want to create linearizations and ICC profiles with a white underlay, we recommend you configure one or more flood fill white layers for white based on the desired opacity for your application and one layer for CMYK data.
  • Page 191 How to Create a Media for White Ink Print Jobs in the Advanced tab in the Spot field. In testing, we have found this value is usually ac- ceptable if left at 100%. [161] Set Ink Restrictions If you are printing on clear materials make sure the opacity is acceptable as well as exhibit- ing no over-inking artifacts.
  • Page 192 How to Create a Media for White Ink Print Jobs Note: If you use a strip device such as the Gretag-MacBeth EyeOne, you may get invalid readings for the white data. To ensure that you get usable spot data points for each measurement, you will need to use the data from the black channel.
  • Page 193 How to Create a Media for White Ink Print Jobs Set Ink Limits To print the Ink Limits swatch: Click > Print Swatch and determine Ink Limits as usual. Look for bleed in the columns and choose a value where you can eliminate waste ink. Click>...
  • Page 194 How to Create a Media for White Ink Print Jobs media from Rip-Queue. Remember that changes to the layer order and ink color usage may also be made on a per job basis from Rip-Queue. Right click on the desired file then choose Edit/Printer Settings.

  • Page 195: How To Create And Use Quick Sets

    How to Create and Use Quick Sets How to Create and Use Quick Sets Introduction This section describes how to create and use Quick Sets. A Quick Set contains a set of printer configuration parameters that are defined and then saved for use with print jobs that will benefit from that particular set of parameters.
  • Page 196 How to Create and Use Quick Sets • Get Media and Page Size from Printer Unselect "Get Media and Page Size From Printer" so that you can select the media, print mode, and layer definitions to be associated with the Quick Set. First select a media name that contains a Quality Layered Printer Print Mode, then verify/select a Print Mode that contains a Quality Layered Print Mode "...
  • Page 197 How to Create and Use Quick Sets How to Create or Edit a Quick Set for White Ink In ProductionHouse RIP-Queue select your printer, and click on the Configure Printer button. This opens the Configure Printer dialog. From the Quick Sets tab, select the Quick Set you want to edit or copy (or select New to build one from defaults).
  • Page 198 How to Create and Use Quick Sets Chapter 9 - How to Work With White Ink...

  • Page 199: Chapter 10 Ink System Management

    Chapter 10 Ink System Management...

  • Page 200: Arizona Printer Inks

    Application Bulletin 28 - "Selecting Appropriate Océ Ink for Your Applications: Océ IJC255 or Océ IJC256" on the customer support web site at http://dgs.oce.com/. These inks have very little odor, but for optimal safety some ventilation is needed. The printer should operate in an area where a good standard of general ventilation is available at 5 to 10 air changes per hour.
  • Page 201 Arizona Printer Inks The printer is optimized for the specific UV-curable ink supplied by Océ Display Graphics Systems. The ink is supplied to the printer in 2 liter collapsible bags that are loaded into the printer by means of quick-change connectors that are bonded into the top corner.
  • Page 202 Arizona Printer Inks Note: The UV lamp power settings can be lowered to reduce warping of some media. However, set the lamp power as high as possible for each media to ensure that the ink cures prop- erly. This will minimize the risk of skin irritation and sensitization from exposure to uncured ink.
  • Page 203 MSDS (Material Safety Data Sheets) for each color of ink and the UV Flush are available on the customer web site at: http://dgs.oce.com/. Read and periodically review this safety information to ensure optimal safe handling procedures and proper emergency responses are followed when using UV inks and flush.

  • Page 204: How To Change Ink Bags

    How to Change Ink Bags How to Change Ink Bags Introduction The ink is supplied in 2 liter or 800 milliliter bags, dependant on the printer model (White ink comes in 1 liter bags for all models). The bags have a non-spill coupler bonded into the top corner.
  • Page 205 How to Change Ink Bags Illustration [165] Remove the Quick-Release Coupler How To Change an Ink Bag Attention: For personal safety, we recommend that the operator always wear nitrile gloves, a protective apron, and safety glasses with side shields when handling inks. Open the clear plastic door on the Ink Station.
  • Page 206 How to Change Ink Bags Chapter 10 - Ink System Management...

  • Page 207: Error Handling And Troubleshooting

    Chapter 11 Error Handling and Trou- bleshooting...

  • Page 208: Troubleshooting Overview

    Troubleshooting Overview Troubleshooting Overview Introduction This section covers general problems that may occur with the printer. Malfunctions that trigger system error messages can be caused by human error, a system malfunction, an interface cable malfunction, mechanical printer malfunction and/or printer firmware failure.
  • Page 209 Troubleshooting Overview tion. The printer relies on this service for primary branch protection. If the printer is without power, check the local supply voltage and verify that it is set correctly. Example 2 Drops of Ink Appear on the Media •...

  • Page 210: How To Improve Quality When Banding Occurs

    How To Improve Quality When Banding Occurs How To Improve Quality When Banding Occurs Introduction Banding can occur in an image for a number of reasons. Typically it occurs due to neighboring nozzles that do not fire or multiple nozzles that fire with poor directionality. This can occur if the printer sits idle for an extended period of time (e.g., overnight or longer), or if debris has been picked up from the media or table by a printhead.

  • Page 211: Chapter 12 Printer Maintenance

    Chapter 12 Printer Maintenance...

  • Page 212: Maintenance Guidelines

    Maintenance Guidelines Maintenance Guidelines Introduction The printer operator is responsible for the regular maintenance of the printer. This section provides detailed information about what is required for proper printer maintenance. While Océ Display Graphics Systems furnishes guidelines for periodic maintenance, the optimum maintenance schedule evolves from careful observation of your printer over a period of use.
  • Page 213 Maintenance Guidelines Note: Do not bump the carriage or gantry as this can cause dropouts in the printhead nozzles. A hard bump can break the meniscus vacuum in the ink lines and thus allow air into the lines, which blocks the nozzle until a purge is performed. Also some procedures, such as Printhead Maintenance, require that you slide open the door to access the maintenance station.

  • Page 214: Maintenance Procedures

    Clean Carriage Underside Maintenance Procedures Clean Carriage Underside Introduction To maintain optimal print quality, it is important to periodically clean the underside of the carriage to remove any excess ink. If the buildup of ink is excessive, it can be transferred to media and thus reduce print quality.
  • Page 215 Clean Carriage Underside Caution: The underside of the UV lamps may be hot, avoid touching them. How to Clean the Carriage Underside Slide the maintenance station drawer out from under the carriage. Press the middle switch to raise the carriage to its maximum height. Prepare a clean poly wipe cloth as shown below.
  • Page 216 Clean Carriage Underside Note: The Océ IJC256 ink formulation causes a more sticky ink build-up between nozzle plates when compared to Océ IJC255 ink. This ink build-up requires cleaning with a lint-free cloth wetted with flush, rather than a dry one. Follow up with a dry cloth to ensure that all residual flush is cleaned from the surface.

  • Page 217: Printhead Maintenance

    The video can be viewed from the main Customer Support page and is also available to download: http://dgs.oce.com/. When to do Maintenance occurs at the start of the day (after the printer has warmed up) or when necessary (misfiring nozzles, banding in image, etc.).
  • Page 218 Printhead Maintenance Note: More maintenance is required in dusty environments, or when there are fibres protruding from the media, or when printing on reflective media such as glass or metal (more re- flected UV light hits the printheads). When printing on reflective media it is advised to monitor the nozzle check and printhead nozzle plates and to perform additional printhead maintenance, if required, to prevent ink from partially curing/gelling on the printhead nozzle plates.
  • Page 219 Printhead Maintenance Attention: Do NOT press up too hard on the printhead while you swipe it with the suction-head as this can dislodge the printhead and require a service call to re-seat the printhead. Note: Maintenance Station Switches: There are 3 switches inside of the maintenance station . They can be operated in any order.
  • Page 220 Printhead Maintenance Press and release switch 1 to initiate a purge. The carriage will lower to its purge height (4mm above the table surface). Watch the ink as it falls from the heads. After a few seconds most of the ink stops dripping and you can then raise the carriage. Press switch 2 to raise the carriage to its maximum height.
  • Page 221 Printhead Maintenance stainless steel strips on the printhead. Check to see that all ink is removed – repeat if necessary. [170] Swipe Printhead Wipe the suction-head on a clean piece of new lint-free wipe before proceeding to the next printhead. Note: During maintenance, be careful not to touch the nozzle plates as this can damage the printhead.
  • Page 222 Printhead Maintenance Note: When you print on the RMO, if the media width entered is less than 1067 mm (3.5 ft) the standard nozzle check will not fit across the media. In this case, if the Nozzle Check icon is selected from the Print Job Control command toolbar, the narrow version (Nozzle Check Narrow 886.5 x 214.7 (2.9 x 0.70 ft)) is automatically added to the print queue.
  • Page 223 Printhead Maintenance Result When a printhead does not have any dropouts, it will look like the Nozzle Check print of the black (K) section illustrated below. Note: There is an indication of some poor directionality in one of the nozzles illustrated in the top left section of the sample below, but it will not affect image quality (although it could, if multiple adjacent nozzles show this problem).
  • Page 224 Printhead Maintenance Remember to open any purge valves that were closed for this procedure. Note: If a purge valve is left closed, there is no vacuum pressure to hold the ink and it will drip out of the printhead. Drops of ink will appear on the media if you print with purge valves closed.

  • Page 225: Swab Printheads

    Swab Printheads Swab Printheads Introduction To ensure optimal print quality, it is important to periodically clean the printheads with a swab to remove any excess ink or any debris that was not removed by Printhead Main- tenance. Purpose Important Caution: To maintain print quality it is very important to swab the printheads at least once a week, or more frequently, if required.
  • Page 226 Swab Printheads Attention: Never "scrub" the printhead with a swab as this will drag debris into other nozzles. Always slowly move the swab across the printhead with the swab at a slight angle and not perpendicular to the printhead. Never use Isopropyl alcohol to clean the printheads. Do not allow swabs to be contaminated with any dust or dirt prior to use.
  • Page 227 Swab Printheads How to Swab a Single Printhead Note: Swab one printhead at a time to reduce ink waste during the purge and also to minimize ink spill on your hand. In order to achieve the most effective swab, it is best to swab im- mediately after a purge while the ink is still dripping from the printheads.
  • Page 228 Swab Printheads Rotate the swab by 180 degrees and repeat the previous step. Discard the swab and repeat Steps 2 to 6 for all the other printheads (if needed). Perform Printhead Maintenance. Once finished, all residual flush and ink in the gaps around the head should be carefully wiped away with a clean swab.

  • Page 229: How To Clean The Uv Lamp Filter

    How to Clean the UV Lamp Filter How to Clean the UV Lamp Filter Introduction The top of the housings for the left and right UV lamps contain a filter that keeps dust and other airborne particles from entering the lamp housings. If the filter becomes clogged with dust and debris it can cause overheating of the lamps.
  • Page 230 How to Clean the UV Lamp Filter Clean the UV Lamp Filter Wait for the lamp fans to stop to ensure the housing has cooled down. Remove the lamp filter by first lifting one corner, then bend it in the center by placing your finger under the filter and lift it away from the power connector and off the lamp housing.

  • Page 231: How To Remove Ink

    How to Remove Ink How to Remove Ink Introduction How often you need to perform these procedures will vary, depending on printer usage and work habits. Remove ink from the table and other metal surfaces: Remove ink from the table whenever necessary. If the ink is not cured, you can wipe it up with a paper towel or lint-free cloth.
  • Page 232 How to Remove Ink How to Remove Cured Ink from the Table Scrape any cured ink from the surface of the table with a scraper (or a razor blade in a holder). Note: Do not use a scraper on any of the printer skin surfaces or the Maintenance Station as this will scratch the finish.

  • Page 233: Empty The Ink Waste Tray

    Empty the Ink Waste Tray Empty the Ink Waste Tray Introduction The waste tray is located below the Maintenance Station. It accumulates ink that has dripped from the printheads or ink waste that results from a purge when performing Printhead Maintenance or Swabbing the Printheads. The ink drops onto a sloped drain plate at the base of the Maintenance Station and drains from there into the waste tray.
  • Page 234 Empty the Ink Waste Tray Place a suitable empty container that holds at least 1 liter under the waste tray drain. [177] Waste Tray Valve Turn the valve on the waste tray until it starts to drain the waste material. Shut off the valve when ink no longer drains out (or if the container become full).

  • Page 235: Fill The Coolant Reservoir

    Fill the Coolant Reservoir Fill the Coolant Reservoir Introduction The coolant is a thermal fluid used to maintain the temperature of the ink in the printheads and ink reservoirs on the carriage. Temperature control of the ink is required in order to achieve the correct ink viscosity, which affects the jetting velocity of the ink and thus the quality of printed images.
  • Page 236 Fill the Coolant Reservoir Required tool • Syringe (supplied with Starter kit) • Wear gloves (coolant will not harm the skin, but gloves are recommended). • Coolant Illustration [178] Fill Coolant Reservoir Fill the Coolant Reservoir Open the container of coolant fluid. Insert the syringe into the fluid and draw back the plunger until the syringe is almost full (leave a small amount of air so that you can expel it at the end to avoid fluid dripping from the fill nozzle.
  • Page 237 Fill the Coolant Reservoir Note: Do not overfill the coolant as this can cause temperature variations. If the coolant does not flow into the fill nozzle the printer may have a defective nozzle and this will require a service call. Remove the hose and store the syringe and the coolant fluid container until it is needed again.

  • Page 238: Replace The Spit Catcher Foam Pad

    Replace the Spit Catcher Foam Pad Replace the Spit Catcher Foam Pad Introduction The Spit Catcher consists of a slotted cover for the Maintenance Station drawer and a foam pad that is held in place under the drawer. The Spit Catcher is necessary for IJC255 white ink and also for all five of the newer Océ...
  • Page 239 Replace the Spit Catcher Foam Pad Swing the metal base on its bracket part way down to reveal the pad. [179] Change Spit Catcher Pad Remove the spit catcher foam pad and replace it with a new one. [180] Close Spit Catcher Swing the metal base up and lock it with the knob.

  • Page 240: Clean Gantry Rails

    Clean Gantry Rails Clean Gantry Rails Introduction Dust and debris can accumulate on the gantry rails, which run along the length of the table. The bearings that run on the rails are equipped with shields that are designed to keep debris from entering the bearing housing. After a period of time and use, debris can accumulate on the outside of the bearing shields as the gantry travels along the table.
  • Page 241 Clean Gantry Rails [182] Dust on the gantry rail When to do If you notice any dirt or ink on the gantry rails, or an accumulation of debris on the grey rail bearing shields, clean them immediately with a Poly-Wipe lint-free cloth. Note: Gently wipe dirt or debris from the gantry rails or bearing shields to avoid removing the lubricating grease.

  • Page 242: How To Change Ink Filters

    How to Change Ink Filters How to Change Ink Filters Introduction Each ink color has a filter that removes any particulate matter from the ink as it is pumped from the ink bag toward the printheads. The ink filters are located to the right of the AC power switch at the electronics end of the printer around the corner from the ink bags.
  • Page 243 How to Change Ink Filters Attention: A clogged ink filter can result in damage to your printer's ink system. Particulate matter buildup in the ink can cause problems that will require a service call. Be sure to change all ink filters every 12 months to avoid such problems. How to Change an Ink Filter Open the sliding maintenance station door to disable the ink pumps.
  • Page 244 How to Change Ink Filters Remove the two screws that hold the ink filter enclosure cover in place (thumbscrews can be loosened by hand or use a Philips screwdriver if they are too tight). [184] Remove Ink Filter Enclosure Cover Locate the bleed tube valve on the top of the ink filter you are going to change (the cap that holds it in place indicates the color of the ink line into that filter).
  • Page 245 How to Change Ink Filters Note: The ink system is under pressure and so it is possible that some ink may spray out at first. Keep the cloth wrapped around the end of the bleed tube so that any ink spay is contained. Pull the target ink filter out of its metal retainer clip.
  • Page 246 How to Change Ink Filters Press the Purge button (switch 1 on the right) to initiate an ink purge. Repeat this step until the ink status window shows an Ink Low condition for the target color. [187] Maintenance Station Buttons Press the Raise Carriage button (switch 2, middle) and then use the maintenance suction nozzle to remove any excess ink from the printhead that you purged.

  • Page 247: How To Change A Uv Lamp Bulb

    How to Change a UV Lamp Bulb How to Change a UV Lamp Bulb Introduction Your Océ Arizona printer uses two UV lamps, one on each side of the carriage, to cure the UV ink during printing. The bulbs in these UV lamps have a limited lifetime and must be replaced by the operator if they fail or when they can no longer cure the ink at maximum available power.
  • Page 248 How to Change a UV Lamp Bulb Caution: The UV lamps and the carriage guard may be hot if the printer has been active. Avoid touching the guard and the lamp assembly until it is cool. Caution: These UV lamp bulbs contain mercury, and if they are broken the vapor is toxic if inhaled. The lamp bulbs must be disposed of according to local environmental regulations.
  • Page 249 How to Change a UV Lamp Bulb Remove the foam filter from the top of the housing by lifting the exposed edge as shown below. It is flexible and will bend as you remove it. [189] Remove Lamp Filter Swing the UV lamp housing interlock safety arm out of the way: [190] Interlock Safety Arm •...
  • Page 250 How to Change a UV Lamp Bulb Put on protective eye wear and cotton gloves. Turn the housing upside down on a clean work space away from the printer. Rotate the shutter motor dampener until the UV shutters are open. [191] Rotate shutter motor dampener Open the two UV light shields located at both ends of the UV lamp by rotating them fully in the counter-clockwise direction.
  • Page 251 How to Change a UV Lamp Bulb Disconnect both UV lamp cables by first loosening the screw lock and then pulling the lock away from the connectors. [193] Remove connectors Ease the bulb out of the retainer clips, one end at a time and then remove it from the housing.
  • Page 252 How to Change a UV Lamp Bulb How to Replace the Lamp Bulb Attention: Wear cotton gloves. Avoid bare skin contact with the UV lamp bulbs. When heated, compounds from the skin can form permanent etching on the surface of the UV bulb. A contaminated bulb may fail prematurely.
  • Page 253 How to Change a UV Lamp Bulb How to Replace the Lamp Housing Wipe both the top and bottom of the quartz window at the base of the UV lamp-housing carriage bucket with an alcohol wipe. Also check the bottom of the quartz window for any buildup of ink, which can be caused by misting if the carriage height is incorrect.

  • Page 254: How To Maintain White Ink

    How to Maintain White Ink How to Maintain White Ink Introduction Printers with the White Ink Option require care and maintenance to ensure that the white printheads function properly. White ink is re-circulated in the system to limit any settling of the ink. For this to take place, the printer must be left powered On at all times.
  • Page 255 How to Maintain White Ink How to Agitate the White Ink Bag If you do not agitate the white ink bag at least once a month, you will see a message on the printer display that reminds you to agitate it. You will not be able to use the printer until this is done.

  • Page 256: Roll Media Option Maintenance

    RMO Maintenance Guidelines Roll Media Option Maintenance RMO Maintenance Guidelines Introduction The Océ Arizona 318 GL / 360 GT operator is responsible for the regular maintenance of the printer and, if it is installed, the roll media option. When the RMO unit is kept clean and free of blemishes and defects, you will be ensured of accurate media transport and optimal print quality.

  • Page 257: How To Clean The Rubber Capstan

    How to Clean the Rubber Capstan How to Clean the Rubber Capstan Introduction The capstan is a rubber-coated roller that helps to track and guide the media position. It has an encoder at one end and a brake at the other. The capstan must be kept clean and its rubber surface free of blemishes or defects to ensure accurate media transport and op- timal print quality.
  • Page 258 How to Clean the Rubber Capstan Removing Solid Debris Dust the surface of the capstan using a Swiffer or other lint-free brush or cloth. Surface may be brushed in any direction. [196] Remove lint, dust, paper particles and debris Removing Stains (coffee, tea, soda pop, etc.) Supplies Needed: Rubber gloves, soap, hot water, and lint-free cloth.
  • Page 259 How to Clean the Rubber Capstan Removing Uncured Ink Supplies needed: Nitrile gloves, safety goggles with side shields, several absorbent clothes, and Isopropyl Alcohol (95% pure). Put on gloves and goggles. [197] Ink Spill on Capstan Chapter 12 - Printer Maintenance...
  • Page 260 How to Clean the Rubber Capstan Wipe up the majority of the ink by blotting with the absorbent cloth. [198] Wipe up ink with cloth Wet a new absorbent cloth with alcohol and wipe up the remaining ink. [199] Wet fresh cloth with alcohol Chapter 12 - Printer Maintenance...
  • Page 261 How to Clean the Rubber Capstan Note: It may be difficult to tell whether or not all the ink has left the surface. Continue to wet and wipe the capstan surface until the cloth does not show any sign of ink color. [200] Wipe up remainder of ink Allow adequate time for capstan to dry.
  • Page 262 How to Clean the Rubber Capstan Chapter 12 - Printer Maintenance...

  • Page 263: Application Information

    Appendix A Application Information...

  • Page 264: Application Resources On The Web Site

    Hints and Tips, Media Recommendations, Media Models, MSDS information, Customer Application Bulletins, and more. To access this information, navigate to: http://dgs.oce.com/ then select Printer Support - Customer Access. There is a Media Notes document that contains useful information about printing on various media.
  • Page 265 Application Resources on the Web Site Application Bulletin 21 - More Media Models Added to Support Web Page Application Bulletin 23 - Double-Sided Printing on the Océ Arizona Roll Media Option Application Bulletin 24 - Printer Shutdown Procedures Application Bulletin 25 - Use a White Ink Underlay to Improve Image Quality Application Bulletin 26 - Variable Reduced Density in White Spot Data for Raster Images Application Bulletin 27 - Ink Filters Must be Changed Every 12 Months Application Bulletin 28 - Selecting Appropriate Océ...
  • Page 266 Index Flatbed button ..........83 Index foot switch foot switch ............106 AC power AC power ............73 Gantry Rails AC power plug Gantry Rails ..........240 AC power plug ..........73 Graphical User Interface Alphanumeric input Graphical User Interface .........44 Alphanumeric input ........46 ICC profile Banding ICC profile .............92...
  • Page 267 Index Media Adhesion ..........94 Media shaft Media shaft ..........106 Media Storage Pause/Resume button Media Storage ..........92 Pause/Resume button ........47 media thickness Periodic Maintenance media thickness ..........83 Periodic Maintenance ........45 Metric Vacuum Zones Print button Metric Vacuum Zones ........89 Print button ...........84 MSDS (Material Safety Data Sheets) Print Job Control...
  • Page 268 Index suction-head ..........219 Thermal Expansion Thermal Expansion ........94 Training Training ............72 Upgrade Upgrade ............45 User Interface Settings User Interface Settings ........61 UV Flush UV Flush .............200 Vacuum Bleed Valve Vacuum Bleed Valve ........42, 87 Vacuum Overlay Vacuum Overlay ..........86 Vacuum Pump Timeout Vacuum Pump Timeout .........86 Vacuum System...

This manual is also suitable for:

Arizona 360 xtArizona 180 gl

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