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Rodgers W-5000 User Manual

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INSTRUMENTS LLC
W-5000
Contempora ry Keyboa rd
User's Guide

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Summary of Contents for Rodgers W-5000

  • Page 1 INSTRUMENTS LLC W-5000 Contempora ry Keyboa rd User’s Guide...

  • Page 2: Important Safety Instructions

    The lightning flash with arrowhead symbol, within an equilateral CAUTION triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure RISK OF ELECTRIC SHOCK DO NOT OPEN that may be of sufficient magnitude to constitute a risk of electric shock to persons.

  • Page 3: Features

    This User’s Guide contains all of the ‘nuts and bolts’ of W-5000 operation. Refer to this guide when you need specific information about particular operations or functions. The W-5000 Quick Start guide, on the other hand, provides a very brief, step-by-step description of playing the instrument.
  • Page 4 Rodgers W-5000 Copyright © 1997 RODGERS INSTRUMENTS LLC All rights reserved. No part of this publication may be reproduced in any form without the permission of Rodgers Instruments LLC. Information in this publication is subject to change without prior notice.

  • Page 5: Table Of Contents

    User’s Guide TABLE OF CONTENTS Introduction ................................iii Features..................................iii Customer Support ............................. viii Conventions Used In This Manual ........................viii The General MIDI (GM) System......................... ix The GS Format..............................ix Standard MIDI Files (SMF)........................... ix Important Notes..............................x CHAPTER 1 Introduction & Installation Front Panel Description .............................12 Rear Panel Description ............................14 Setup And Installation............................16...
  • Page 6 Handling The Disk Drive ........................75 Formatting A Floppy Disk ........................76 Using The Sequencer ............................77 Listening To A Song On Disk.......................77 Playback Controls ..........................78 Recording Your Performances.........................80 Storing W-5000 Data On Disk..........................81 Registrations ............................81 CHAPTER 8 Audio The Audio System ...............................86 Outputs..............................86 Inputs ..............................88 Speaker And Line Mixes ............................88...
  • Page 7 User’s Guide CHAPTER 9 Using MIDI Using MIDI ................................96 Using External Sound Modules .........................96 Using The W-5000 As A Sound Module ......................98 External Sequencing ............................100 Master Channel Sequencing ......................100 Native Mode Sequencing .......................104 Multi-Track Recording........................105 Synchronizing .............................106 Controlling Another Rodgers Organ ......................108 CHAPTER 10 Appendix Parameter Lists ..............................110...

  • Page 8: Customer Support

    Rodgers W-5000 CUSTOMER SUPPORT The Customer Service Department of Rodgers Instruments LLC is available to answer any of your questions. Before you call, however, please try the following steps: • Check your documentation • Contact your local Rodgers dealer •...

  • Page 9: The General Midi (Gm) System

    STANDARD MIDI FILES (SMF) The W-5000 can also playback Standard MIDI Files (720 Kbyte or 1.2 Mb format, 3.5 inch floppy disks) such as the data on any commercially available SMF music disk.

  • Page 10: Important Notes

    Rodgers W-5000 IMPORTANT NOTES In addition to the Important Safety Instructions inside the front cover, please read and observe the following: POWER SUPPLY • Before connecting the instrument to other devices, be sure the power to all units is off; this will help prevent damage or malfunction.

  • Page 11: Chapter 1 Introduction & Installation

    CHAPTER 1 Introduction & Installation...

  • Page 12: Front Panel Description

    Chapter 1 FRONT PANEL DESCRIPTION 9 10 11 12 16 17 18 19 Power Switch This switch turns the W-5000 on and off. Tweeters These are high-frequency speakers.
  • Page 13 Introduction & Installation EFFECTS These buttons access a variety of the W-5000's effects, such as reverb, chorus, drawbar Section click, aftertouch and so on. UPPER Tone These buttons select Tones and functions for the Upper manual. Select Music Rest Music rest and panel light intensity can be changed as required.

  • Page 14: Rear Panel Description

    Chapter 1 REAR PANEL DESCRIPTION Internal Speaker/Expression Pedal/Pedalboard 13 14 15...
  • Page 15 Line mix output). MIDI 1 These MIDI ports allow you to connect your W-5000 to external MIDI devices (such as sound modules, sequencers etc.). Control of these ports is accessed through the [MIDI] buttons found in each section (UPPER/LOWER/BASS) and the [MIDI] button in the FUNCTIONS section.

  • Page 16: Setup And Installation

    BASIC ASSEMBLY Your Rodgers dealer may deliver your W-5000 in one piece, or it may be necessary to assemble the two main sections; the keyboard itself and the stand. The information provided here will also be useful should you need to disassemble the instrument for future transport.

  • Page 17: Installing The Pedalboard/(Model W-5000A)

    NOTE: If your W-5000 is sitting on a very thick carpet, it may be difficult to slide the Pedalboard into place. If that is the case, very carefully lift one side of the instrument and rotate the adjustable feet to provide more clearance.
  • Page 18 Chapter 1 INSTALLING THE PEDALBOARD (W-5000 Version "A" Only) Once the instrument is secured to the stand, it will be necessary to install the Pedalboard. The Pedalboard unit contains two metal hooks which simply hook over top of the short metal bars on the bottom of the stand.

  • Page 19: Opening The Lid

    Introduction & Installation OPENING THE LID The instrument's lid may have been locked for transit. Find the key and unlock the lid. To open the instrument lid, simply lift the handle and fold back. When the lid is folded, push it straight back into the instrument case.

  • Page 20: Connecting The Power Cord, Expression Pedal And Speakers

    Chapter 1 CONNECTING THE POWER CORD, EXPRESSION PEDAL AND SPEAKERS Be sure the [Power] switch (on the far left-hand side of the panel) is in the OFF position. Also be sure the [SPKR] knob (main volume) (just below the Power switch) is at the minimum position and that the Expression pedal is in the full-up (minimum) position: Connect the included AC power cord to the MAIN POWER inlet on the rear panel of the instrument;...
  • Page 21 Introduction & Installation The speakers, Expression pedal and the Pedalboard must be connected to the keyboard. Find the multi-plug connector (which is located in the channel of the leg) and connect it to the receptacle above and to the left of the MAIN POWER inlet.
  • Page 22 Chapter 1...
  • Page 23 CHAPTER 2 Performa nce Ba sics...

  • Page 24: Powering Up

    Chapter 2 POWERING UP Press the [Power] switch. (It's just that easy!) LCD CONTRAST If the LCD is difficult to read because of poor lighting conditions or whatever, there is a simple way to adjust the display contrast: Ê Find and press the [UTILITY] button in the FUNCTIONS section (directly under the LCD): Ë...

  • Page 25: Panel / Pedalboard Lighting

    Press the [+] and [-] buttons in the EDIT section until the LCD is easily readable. (The adjustable range is 0-9.): PANEL / PEDALBOARD LIGHTING The W-5000 contains panel and Pedalboard lights which make it easy to see what you're doing on a dark stage. These lights can be adjusted with the following procedure: Ê...

  • Page 26: Performance Basics

    Chapter 2 PERFORMANCE BASICS The W-5000 contains three tone generators; the Drawbar/Tone-Wheel generator (for contemporary organ sounds), the Classic Organ generator (for classical and church organ sounds), and the Synth generator (for synthesized instrument and percussion sounds). The following sections describe how to select and play sounds from these three generators.
  • Page 27 Find the [CURRENT DRAWBAR] button in the group of buttons marked UPPER; the button's red LED (Light Emitting Diode) should be lit. (When a [CURRENT DRAWBAR] button is lit, the W-5000's Tone-Wheel generator is active.) Í While playing the Upper manual with your right hand, move some of the UPPER drawbars (the...
  • Page 28 To add to the fun, find the [ROTARY] button (located on the vertical panel just under the Upper manual). When this button is lit, the W-5000's rotary speaker simulator is active. (This simulates the effect of real rotary speakers such as the famed Leslie.) To change the rotary speed, press the [FAST/SLOW] button.

  • Page 29: Classic Organ Tones

    Lower manual (the bottom keyboard). All of the relevant controls for the Lower manual are (cleverly enough) marked LOWER! There are several parameters (settings) which you can set to customize the W-5000's drawbar sounds and rotary effect. Refer to 'Drawbar Parameters' on page 113, and '[ROTARY] Parameters' on page 122 for a complete list of these parameters and what they do.
  • Page 30 This indicates a Program Number ('1' in this case), a Bank Number ('0'), and a name ('Gedackt'). (Note that much of the terminology used with the W-5000's Classic Organ Tones comes from traditional pipe organs.) Play the Upper manual to hear the sound you have selected.

  • Page 31: Synth Tones

    The Classic Organ and Drawbar/Tone-Wheel generators are independent of one another. The drawbars are active ONLY when a [CURRENT DRAWBAR] button is lit. Finally, we come to the last Tone generator in the W-5000, the generator that produces... SYNTH TONES Ê...
  • Page 32 Note that this lever affects all but a few of the Synth Tones available; a simple trial will tell you which. (Drawbar Tones are unaffected by this lever.) The [Bender/Modulation] lever is one of the W-5000 controllers. Pushing the [Bender/Modulation lever to the right raises the pitch (+), pushing it to the left lowers the pitch (-), and pushing it forward adds a vibrato effect.

  • Page 33: Layering Tones

    Performance Basics The idea behind the W-5000's structure is that you're able to assign any Tone to any Tone button. So, for example, if you have three favorite piano sounds, you can easily assign each of them to one of the three Piano buttons ([PIANO 1], [PIANO 2] or [PIANO 3]) in a Tone select section.
  • Page 34 Chapter 2 Î Play the Upper manual to hear the two Tones together. If you'd like to adjust the balance between the two Tones, simply move the UPPER [TONE 1] and [TONE 2] sliders in the BALANCE section (just above the [SPKR] knob). Pulling a slider down will reduce the volume for the corresponding Tone. There are a number of different parameters (settings) that you can set that affect Tone 1 and Tone 2 sounds.

  • Page 35: The Solo Function

    Performance Basics THE SOLO FUNCTION The UPPER and LOWER sections of the W-5000 each contain a [SOLO] button. When this function is active (the button LED is lit), an additional Tone is enabled, which can be restricted to following a single note, or arpeggiating a chord.
  • Page 36 Chapter 2 Arpeggio Modes The seven Arpeggio modes are an extension of the W-5000's Solo function. The delay time between the arpeggiated notes or chords is determined by the Vibrato rate. Arpeggio sequences may also be 'latched' using the Sustain pedal. These Arpeggio modes are:...

  • Page 37: Bass Tones

    BASS TONES PEDALBOARD No serious players' instrument of this type would be complete without a Pedalboard! And the W-5000's is as versatile as the rest of the instrument. The BASS Tone select section allows you to select a variety of Tones for the Pedalboard. Again, you can layer Tones (using the [TONE 1/TONE 2] button) and create the appropriate balance using the BASS [TONE 1] and [TONE 2] sliders in the BALANCE section.

  • Page 38: Bass Sustain/Solo

    Chapter 2 The Lower manual will be divided or split into two sections: Ë Pressing the [+]/[-] or [++]/[--] buttons in the EDIT section allow you to move the split point on the Lower manual. Use these buttons to set the desired split point. Ì...
  • Page 39 Performance Basics In addition to all of its great Classic Organ, Drawbar/Tone-Wheel and Synth Tones, the W-5000 contains a wide variety of percussion sounds. These sounds are organized into Drum Sets and are easily selected. Ê Press the [MANUAL DRUMS] button in the EFFECTS section (on the far left-hand side of the panel) Ë...
  • Page 40 Chapter 2 NOTE: As a default setting, the USER [2] drawbar has been assigned as a volume control for the Manual Drum sounds. Î Press [MANUAL DRUMS] again to return to playing standard Tones across the entire Lower manual. If you refer to page 117 you'll find the '[MANUAL DRUMS] Parameters'. All the parameters that relate to Manual Drums are listed there.
  • Page 41 CHAPTER 3 Adva nced Performa nce Fea tures...

  • Page 42: Advanced Performance Features

    142.) As described earlier in the section about Synth Tones, it is possible to assign any Tone in the W-5000 to any Tone button on the front panel. So although every button comes with a pre-assigned Tone, you can, if you...
  • Page 43 Advanced Performance Features Each Program Number represents a basic instrument sound and the Bank Number represents a variation of that basic sound. For example, if you press the [PIANO 1] button in the UPPER section (which normally selects the PR-300 Tone Map), the display will read: The Tone ‘Piano 1’...

  • Page 44: More Performance Functions

    Chapter 3 OK, suppose you want to assign the Tone 'Hyper Alto' to the [PIANO 2] button in the UPPER Tone select section: Ê Press the [PIANO 2] button in the UPPER section. Ë Select the Tone 'Hyper Alto' (Program Number 66, Bank Number 8 in the Synth Tone map). Do this by pressing the [++] button (which moves you in jumps of eight) until you reach Program Number 65, then increase the Program Number to 66 by pressing the [+] button.

  • Page 45: [Octave +/-] Button

    [HOLD] BUTTON (UPPER; LOWER; BASS) Each section of the W-5000 has a [HOLD] button. Quite simply, whenever this button is lit in a particular section, notes played on the corresponding keyboard will be sustained* whenever the left 'kick' switch on the...

  • Page 46: [Organ Trem] Button

    Chapter 3 Expression pedal is activated (i.e. moved and held to the left). The [HOLD] button also allows note latching when in arpeggio modes (page 36). Right ‘kick’ switch (footswitch) controls Left ‘kick’ switch rotary speed. (footswitch) controls the Hold function. * Some instrument sounds - like acoustic piano or acoustic guitar - cannot be sustained indefinitely.

  • Page 47: [Sustain] Button (Bass)

    Advanced Performance Features [SUSTAIN] BUTTON (BASS) When on (the button LED is lit), this function adds a release time to the Drawbar and Synth Bass notes played. This function affects both the Keybass section and Pedalboard Tones. Ê Press the [SUSTAIN] button (in the BASS section). Ë...
  • Page 48 Chapter 3...

  • Page 49: Chapter 4 Effects

    CHAPTER 4 Effects...

  • Page 50: Effects Section

    Chapter 4 EFFECTS SECTION The 10 buttons in the EFFECTS section control a number of effects and special performance functions. When an EFFECTS section button is pressed, the LCD will instantly show the current setting or value for the first parameter of that effect. When the value is displayed, the [+] and [-] buttons in the EDIT section can be used to change the value or setting.

  • Page 51: [Upper Db Vib] + [Lower Db Vib] Buttons

    Effects [UPPER DB VIB] + [LOWER DB VIB] BUTTONS These buttons (one for each manual) add low frequency modulation to the Upper and Lower Drawbar Tones to simulate Tone-Wheel type vibrato effects. (These buttons turn the effect on and off.) There are several settings you can make for this effect.

  • Page 52: [Drawbar Click] Button

    [DRAWBAR CLICK] BUTTON One of the things that made those old Tone-Wheel organs sound so unique was the keyswitch noise. Pressing the [DRAWBAR CLICK] button on the W-5000 allows you to add that distinctive quality to your own sound: Ê...

  • Page 53: [Aftertouch] Button

    (at the bottom of its travel). Only the W-5000's Lower manual is aftertouch sensitive. The Aftertouch depth for Pitch, TVF Cutoff, Volume, LFO rate, LFO pitch depth, LFO TVF depth, LFO TVA depth and expression can be set.

  • Page 54: [General Reverb] Button

    Chapter 4 [GENERAL REVERB] BUTTON Reverb is a digital effect which creates the illusion that you're playing in spaces of different sizes (like a concert hall or room, for example). That is, the sound decays naturally over time. Pressing the [GENERAL REVERB] button allows you to select the reverb time (which applies to all Tones): Ê...

  • Page 55: [Transpose] Button

    While not strictly part of the EFFECTS group, these two buttons are nonetheless very important as effects, so we'll talk a bit about them here. As you've probably already discovered, the [ROTARY] button activates the W-5000's rotary speaker simulator; a very special software system that generates those amazing vibrato sounds unique to real rotary speakers.
  • Page 56 Chapter 4 Ë Press [NEXT] (as necessary) until the words 'Tw Rise Time' appear. (This parameter allows you to set the time it takes for the tweeter rotation speed to reach maximum from its minimum speed. Parameters for setting the minimum and maximum speeds are also available.) Ì...
  • Page 57 CHAPTER 5 Genera l Presets...

  • Page 58: General Presets

    In order for registrations to be retained in memory when the instrument is turned off, they are also stored in 'files' in the W-5000's internal, non-volatile memory. As we will see later, these files can also be stored on floppy disk, greatly expanding the flexibility of your instrument.

  • Page 59: Globals

    General Presets Ê Make all the necessary panel settings (Tone assignments, effects settings and function settings) until everything sounds just right. Ë Be sure the [MEMORY] button is on or off, depending on which bank of registrations you wish to work with.

  • Page 60: Preset Storage

    Chapter 5 PRESET STORAGE The W-5000 contains several functions which allow you to save, load and protect important data. These functions - accessible through the [PRESETS] button in the FUNCTIONS section - are discussed here. Note that the various Reset functions require that the 'Preset Lock' switch be set to 'Off' (otherwise these operations will not be possible).
  • Page 61 General Presets Presets Reset Memory (+) This function resets the eight registrations in the currently selected memory to their factory defaults. It overwrites the eight 'files' in the internal, non-volatile memory with their factory defaults, and loads them into the General Preset buttons. Ê...
  • Page 62 Auto Load: On, Off This function tells the W-5000 whether or not to select and load a folder when a floppy disk is inserted or removed from the disk drive. See the section entitled 'Storing W-5000 Data On Disk' on page 81 for further details.
  • Page 63 Press the [+]/[-] buttons to turn the lock 'On' or 'Off'. Presets Delete Folder (+) This function allows you to delete a folder from a disk. See the section entitled 'Storing W-5000 Data On Disk' on page 81 for further details.
  • Page 64 Chapter 5 Ê Press the [MEMORY] button, to display the currently selected folder. Ë Press the [+]/[-] buttons to select the folder you wish to delete. Note that you cannot delete the Internal folder. Ì Press the [PRESETS] button in the FUNCTION section. Í...
  • Page 65 CHAPTER 6 Voicing & Controller Settings...

  • Page 66: Voicing & Controller Settings

    VOICING AND CONTROLLER SETTINGS Your W-5000 contains a number of controllers; physical controls that you use to play and manipulate sound. In this chapter we'll tell you how you can change the settings for these controllers and even assign different functions to them if you like.

  • Page 67: Controllers

    Voicing & Controller Settings CONTROLLERS Controllers are the physical controls on the instrument (such as the [Bender/Modulation] lever or the right kick switch) that you can use to manipulate or control the sound as you play. Basically there are two kinds of controllers;...
  • Page 68 Chapter 6 controller is at its maximum position. Basically this gives you a two-level control system, not unlike the Gain and Master Gain controls on some amplifiers, for example. The available destinations (and setting ranges) are: Mappable Values Voicable Values Switchable Values Destinations...

  • Page 69: Setting The Controllers

    Voicing & Controller Settings SETTING THE CONTROLLERS The best way to understand what all of this means is to try an example. Once you've done that you'll see what we mean! In the LCD, [CONTROLS] parameters are presented in five fields: one for keyboard selection, layer selection, controller selection, destination selection and finally for a depth value: OK, suppose you want to be able to control the pitch of Tone 1 in the Upper manual using the USER [1] slider.

  • Page 70: Voicing

    Chapter 6 VOICING The Voicing parameters are provided for those who wish to customize the W-5000's Synth or Drawbar Tones. The available voicing parameters are as follows: Keyboards: Upper, Lower, Pedal, All Layers: Tone 1, Tone 2, Drawbar, MIDI, Solo, All...
  • Page 71 Voicing & Controller Settings Í Press [NEXT] to move to the next field. With the [++] and [--] buttons select 'Release' (the destination). Î With the [+] and [-] buttons, set the value to '10' (the maximum value). (Negative numbers in the value field will actually 'clip' the sound you play to make it very short.) Now as you play the Lower keyboard you'll hear that the notes you play have a very long release time;...
  • Page 72 Chapter 6...
  • Page 73 CHAPTER 7 Floppy Disk Drive...

  • Page 74: The Floppy Disk Drive

    W-5000 data (General Preset or Global data). Data from one W-5000 can also be stored on disk and used to configure another W-5000; after all, it's somewhat easier to carry a floppy disk than a W-5000! Before we begin describing these functions, however, we need to discuss a few things in regard to floppy disks and the drive itself.

  • Page 75: Handling The Disk Drive

    The Floppy Disk Drive • Floppy disks contain a 'write protect' tab which protects your data from accidental erasure. To preserve your data, keep the tab in the 'PROTECT' position. Move the tab to the 'WRITE' position only when you wish to add new data to the disk: WRITE PROTECT...

  • Page 76: Formatting A Floppy Disk

    To maintain the drive in good working order, make occasional use of a commercially available disk drive cleaning kit. FORMATTING A FLOPPY DISK Before any disk (new or previously used) can be used in the W-5000 for the first time, it must be formatted (prepared). To format a disk, follow this procedure: Ê...

  • Page 77: Using The Sequencer

    LISTENING TO A SONG ON DISK A sequencer is simply a special kind of recording device for MIDI instruments. This same sequencer can also play commercially available song data. The W-5000's sequencer controls are found in the SEQ (Sequencer) section under the LCD: If you have song data on a disk and you'd like to hear it, follow this procedure: Ê...

  • Page 78: Playback Controls

    Chapter 7 PLAYBACK CONTROLS PAUSE You can temporarily pause playback by pressing [PLAY]. Press [PLAY] again to resume playback. STOP If you press [STOP], playback will stop and the song will be reset to the beginning. SEQUENCE TEMPO It's possible to change the playback tempo of a song while playback is in progress (or before playback begins).
  • Page 79 [+]/[-] buttons. ROLAND SETUP RULES If you are using Roland music data, this parameter will instruct your W-5000 to comply with the data's specific requirements. Press the [NEXT] or [PREVIOUS] button until the Setup Rules screen appears in the LCD: Press the [+] button to activate this function.

  • Page 80: Recording Your Performances

    Chapter 7 RECORDING YOUR PERFORMANCES The W-5000's sequencer allows you to make recordings of your own keyboard performances. Be aware, however, that this unit is only capable of 'single-pass' recording; you can't go back and add more things to your performance. (For information on multi-track recording, please refer to page 105.) Ê...

  • Page 81: Storing W-5000 Data On Disk

    [CANCEL] button), one of these files in the non-volatile memory is overwritten with new data. If you insert a disk into the drive, the W-5000's storage space for registrations is vastly expanded. Each set of sixteen piston registrations (two banks of eight) constitutes a 'folder', which means that the internal, non- volatile memory consists of a single folder.
  • Page 82 The [PRESETS] menu contains an Auto Load function, mentioned earlier, which can be set to 'On' or 'Off'. When on, the W-5000 automatically tries to load folder number one whenever a disk is inserted into the drive. If the disk doesn't have folder number one, the internal folder remains active. Similarly, when the disk is removed from the drive, the internal folder is automtically selected.
  • Page 83 The Floppy Disk Drive • When you execute the 'Write Globals' function ([PRESETS] menu), the global settings are written to the global file in the internal, non-volatile memory. They will therefore be activated next time the instrument is turned on. •...
  • Page 84 Chapter 7...

  • Page 85: Chapter 8 Audio

    CHAPTER 8 Audio...

  • Page 86: The Audio System

    Once all the equipment is on, then set the volume controls to appropriate levels. OUTPUTS Audio output from the W-5000 is provided in a variety of forms. With the output array provided you'll be able to create the configuration you need. (Refer back to page 14 (Rear Panel Description) if you need to refresh your memory.)

  • Page 87: Classic Output

    These models are similar the 122XB except that they support a stationary channel (called MAIN) as well as the rotating channel. In the W-5000, the drawbar signal can be sent to this MAIN stationary channel. This simulates the combination of the old Leslie 122 and the stationary organ tone cabinet sometimes used in church environments.

  • Page 88: Inputs

    INPUTS AUX INPUTS (XLR) These XLR connectors allow you to connect a variety of external devices to your W-5000. These include other keyboard instruments, mixing consoles or microphones. The signals input to the W-5000 can be routed through the on-board reverb unit and then directed to one or more of the output connectors.

  • Page 89: Auxiliary Inputs

    ] (or [++]/[--]) buttons. AUXILIARY INPUTS However, if you've connected external devices to the W-5000 (through the AUX INPUTs (XLR or 1/4"), you can also hear these sources through the internal speakers. So, for example, if you want to connect two microphones to the 1/4"...

  • Page 90: The Line Mix

    THE LINE MIX In addition to the Speaker mix, the W-5000 also provides a Line mix; a mix of sounds (which can be completely different from the Speaker mix) that you can send to external mixing boards, digital processors or recording equipment via the MIXED LINE BALANCED OUPUTs (XLR) or MIXED LINE OUTPUTs (1/4").

  • Page 91: Auxiliary Inputs

    Audio Aux Left RevSnd: 0-127 This parameter allows you to send the signal from the left AUX INPUT to the W-5000's internal reverb unit. Press [NEXT] as necessary to select this parameter. Set the reverb send level with the [+]/[-] (or [++]/[--]) buttons.

  • Page 92: Audio System Configurations

    Chapter 8 AUDIO SYSTEM CONFIGURATIONS The following few pages present some recommended audio system setups using the W-5000 and a variety of external Rodgers devices. Three setups are illustrated, each targeted at spaces of differing sizes (small, medium and large). Keep in mind that these are suggestions only. To create a system which is custom- tailored to your particular needs, please consult your Rodgers dealer.

  • Page 93: Mid-Sized Audio Setup

    Drawbar sounds can be taken from the Spkr or Line mix, or the real rotary sounds from the Leslie can be 'paralleled' with the W-5000's simulated rotary sounds:...

  • Page 94: Large Audio Setup

    LARGE AUDIO SETUP If you're using the W-5000 in situations where high volume levels (and wide sound dispersion) are required, the setup illustrated below is an option to consider. Three pairs of FR 1.7s (one for each of the individual outputs;...
  • Page 95 CHAPTER 9 Using MIDI...

  • Page 96: Using Midi

    USING EXTERNAL SOUND MODULES As the W-5000 features two MIDI ports, you can connect one or two external sound modules to the instrument and then use them to produce additional sounds. For our example, however, we'll assume that only one module is being used (and that it is connected to MIDI port 1).
  • Page 97 Press the [MIDI] button in the UPPER section. Set the parameters as indicated below: Upper MIDI Port: 1, 2 This parameter determines from which port on the W-5000 (1 or 2) the MIDI data is sent. Select port '1' with the [+] and [-] buttons. Upper MIDI Channel: 1-16 This parameter determines on which channel (1-16) the data will be sent.

  • Page 98: Using The W-5000 As A Sound Module

    5000 as a sound module for other devices! To setup for this type of arrangement, connect the MIDI OUT port on the external sequencer or keyboard to either of the W-5000's MIDI IN ports. For our example we'll use the MIDI IN connector of port 1:...
  • Page 99 Using MIDI MIDI Mst In Filt U: None, PC, CC, CC+PC, Note, PC+Note, CC+Note, All This parameter determines what type of data will be filtered out of the incoming data via the Master MIDI Input for the Upper section. The following options can be selected: •...

  • Page 100: External Sequencing

    To do Master Channel sequencing, first connect the MIDI IN port of the sequencer to one of the MIDI OUT ports on the W-5000 (we suggest using MIDI port 1 for this mode). Then, connect the MIDI OUT port of the sequencer to the corresponding MIDI IN port on the W-5000.
  • Page 101 Stat Send: Both, CC, PC, None This parameter determines what type of information is sent when the W-5000 receives a MIDI Song Start or Song Continue message: Both, CC, PC, None. If set to 'None', nothing is sent when these MIDI timing...
  • Page 102 If 'On', then playing the keyboard or controller will trigger the W-5000, as well as result in data being sent to the Master MIDI Output. If 'Off', then playing the keyboard or controller will result in data only being sent to the Master MIDI Output.
  • Page 103 Press [STOP] on the PR-300S when recording is complete. Ñ Select an appropriate Upper manual sound on the W-5000. Be sure that all the controllers you want assigned to the Upper manual are so assigned (you can use a General Preset to do this).

  • Page 104: Native Mode Sequencing

    Record the final pass by pressing [RECORD] on the PR-300S and pressing the General Presets on the W-5000 at the appropriate time. Only Program Changes responding to the General Presets will be recorded. Also, if you play on the pedals or the Lower manual, you won't hear any sound because their local control parameters are turned off.

  • Page 105: Multi-Track Recording

    MULTI-TRACK RECORDING The W-5000's Native Mode interface only sends data on those channels that correspond to layers that are currently on. This means that if you record a sequence using only Tone 1 (for example) in the upper keyboard, MIDI channels 1, 3, 4 and 5 will be silent. You can therefore do a certain amount of multi-track recording, as long as in each track you use a different set of layers.

  • Page 106: Synchronizing

    CC language to reduce MIDI bandwidth. SYNCHRONIZING The W-5000 also includes the ability to synchronize its internal metronome (which regulates the speed of the internal sequencer) to an external device. The [MIDI] menu contains two parameters to control this:...
  • Page 107 The W-5000 (from either of its MIDI OUT ports) can control another Rodgers organ. However, it cannot select individual Tones; it can only select General Presets on the other instrument. For this example, connect the MIDI IN of the other Rodgers organ to the MIDI OUT 1 port of the W-5000: Your W-5000 The ‘Other’...

  • Page 108: Controlling Another Rodgers Organ

    If you also want to hear the W-5000 while you're playing, be sure that the three local control parameters are set to 'On'. If you do not want to send W-5000 General Preset selections to the other Rodgers organ, set the three Mst Out Filt parameters to 'PC'.

  • Page 109: Chapter 10 Appendix

    CHAPTER 10 Appendix...

  • Page 110: Parameter Lists

    Chapter 10 PARAMETER LISTS The following section contains a list of all the W-5000's parameters. These parameters allow you to configure your instrument in precisely the manner you wish, as they cover everything from chorus and reverb settings, to MIDI settings, to panel light adjustments.

  • Page 111: Upper/Lower/Bass Sections

    Appendix UPPER/LOWER/BASS SECTIONS [TONE] Parameters These parameters apply to Tone 1 and Tone 2 sounds. They can be accessed in the LCD whenever you press a Tone button: Prg: 1-128 Bnk: 0-127 Tone Name The first parameter allows you to select the desired Program (Prg) Number. Pressing the [+] and [-] buttons allow you to move through all 127 Program Numbers.

  • Page 112: [Solo] Parameters

    Chapter 10 [SOLO] Parameters These parameters allow you to select and modify the Solo Tone when the [SOLO] button is pressed: Prg: 1-128 Bnk: 0-127 Tone Name The first parameter allows you to select the desired Program (Prg) Number. Pressing the [+] and [-] buttons allow you to move through all 127 Program Numbers.

  • Page 113: [Octave +/-] Parameter

    Appendix [OCTAVE +/-] Parameter The [+/- OCTAVE] button allows you to change the octave setting for the selected keyboard. By simply pressing this button, one of three options can be selected: Red LED : pitch is raised by an octave (Up 1) Green LED : pitch is lowered by an octave (Down 1) LEDs dark...
  • Page 114 Chapter 10 Drawbar (Lower Manual) 2 2/3' Perc: 0-127 This parameter is a software version of the Upper manual's Perc 2 2/3' drawbar (as there is no physical drawbar here). Use the [+]/[-] buttons to make the setting. Drawbar Gain: 0-127 This parameter allows you to set the overall gain (level) of the Drawbar sounds.

  • Page 115: [Midi] Parameters

    Appendix [MIDI] Parameters These parameters allow you to set MIDI functions when external MIDI devices are being used. Press the [MIDI] button in the desired section (UPPER, LOWER or BASS) to access these parameters: Upper/Lower/Bass MIDI Port: 1, 2 This parameter allows you to select the MIDI OUT port to be used for data transmission. Use the [+] and [-] buttons to select the port.

  • Page 116: [Keybd Bass] Parameter

    Chapter 10 [KEYBD BASS] Parameter This parameter affects the Keybass section (when it is active). Press the [KEYBD BASS] button in the BASS section to access this parameter: Keyboard Bass Split: E2-G8 This parameter allows you to set the split point for the Keybass section. Press the [+] and [-] (or [++]/[--]) buttons to set the split point.

  • Page 117: Effects Section

    Appendix EFFECTS SECTION [MANUAL DRUMS] Parameters These parameters affect Manual Drums functions. Press the [MANUAL DRUMS] button in the EFFECTS section to access these parameters: Manual Drums Split: E2-G8 This parameter allows you to set the manual drums split point. Use the [+] and [-] (or [++]/[--]) buttons to set the split point.

  • Page 118: [Drawbar Distort] Parameters

    Chapter 10 Phase: 0-120 This parameter allows you to adjust the phase angle of the effect. Press the [NEXT] button to select this parameter. Use the [+] and [-] (or [++]/[--]) buttons to set the phase angle. [DRAWBAR DISTORT] Parameters These parameters affect the Drawbar distortion sound.

  • Page 119: [Crossfade] Parameters

    Appendix [CROSSFADE] Parameters These parameters affect the crossfade function (a velocity or aftertouch controlled mixing function). When two layers or Tones are selected, different playing velocities will result in different amounts of the two sounds being heard. Press the [CROSSFADE] button in the EFFECTS section to access these parameters: Crossfade Kbd: Upper, Lower, Upper+Lower, Pedal, Pedal+Upper, Pedal+Lower, All This parameter allows you to select the keyboard(s) to use with the crossfade function.

  • Page 120: [Aftertouch] Button

    Aftertouch is modulation added by exerting pressure on a keyboard key after it has already been pressed down (i.e. at the bottom of the key travel). The aftertouch effect can be used as a controller on the W-5000's Lower manual only. Aftertouch is assigned under the [CONTROLS] button. The [AFTERTOUCH] button in the EFFECTS section is an on/off switch for this function.

  • Page 121: [Transpose] Parameter

    Appendix Filter: 0-7 This parameter allows you to set the level of the pre low-pass filter. Press [NEXT] to select this parameter. Set the level with the [+]/[-] buttons. Feedback: 0-127 This parameter allows you to set the Synth chorus feedback level. Press [NEXT] to select this parameter. Use the[+]/[-] (or [++]/[--]) buttons to set the feedback level.

  • Page 122: General Controls

    Chapter 10 GENERAL CONTROLS [ROTARY] Parameters These parameters affect the rotary simulator. Press the [ROTARY] button to access these parameters: Rotary Control: Intern, Extern, Both, None This parameter allows you to select the type of rotary control. Use the [+] and [-] buttons. If set to 'Intern', [ROTARY] and [FAST/SLOW] effects will only affect the internal rotary simulator.

  • Page 123: [Fast/Slow] Parameters

    Appendix [FAST/SLOW] Parameters These parameters control the rotary simulator's speed changes. Press the [FAST/SLOW] button to access these parameters: Rotary Slow/Fast Tw Rise Time: 0-9 This parameter sets the tweeter's rise (speed up) time. Use the [+] and [-] buttons. Tw Fall Time: 0-9 This parameter sets the tweeter's fall (slow down) time.

  • Page 124: Functions Section

    Chapter 10 FUNCTIONS SECTION [CONTROLS] + [VOICING] Parameters Please refer to 'Voicing & Controller Settings' (page 66) for a complete explanation of these parameters and settings. [CONTROLS] Parameters Keyboards : All, Upr, Lwr, Ped Layers : All, Tone1, Tone2, Dbar, MIDI, Solo Controllers : BendR, BendL, Mod, AfterT, Exp, ExtExp, User1, User2, LeftFS, RghtFS, ExtFS, Pedals Mappable...

  • Page 125: Drum Volume

    Appendix Volume This parameter sets the volume level. Use the [+] and [-] buttons. (Used primarily for Expression.) Vib Depth This parameter sets the vibrato depth. Use the [+] and [-] buttons. (Used primarily with modulation and aftertouch; a negative value reduces the normal depth of a sound.) Vib Rate This parameter sets the vibrato rate (speed).
  • Page 126 Chapter 10 Detune This parameter makes detune settings; a setting which raises or lowers the pitch in very small increments (cents; 1/100th of a semitone). Detuning one Tone in a layer can create a 'fatter', chorus-like effect. Positive numbers increase the pitch above the normal pitch of the sound. Use the [+] and [-] buttons. Hz Detune This parameter makes another kind of detune setting (in 0.2 Hertz steps).

  • Page 127: [Presets] Parameters

    Reset All (+) This parameter resets all the W-5000's internal parameters. Be careful when you use this function as it will replace all of your custom settings with the unit's factory defaults! Press [+] to execute. (Can be protected by the 'Reset Lock'.)

  • Page 128: [Seq] Parameters

    Chapter 10 Save Globals (+) This parameter allows you to save global parameters to disk. Press [NEXT] to select this parameter. Press [+] to execute. (Global data has no overwrite protection, except the protect tab of a floppy disk when Global data is being saved to disk.) Load Cancel (+) This parameter allows you to load a [CANCEL] button registration from a floppy disk.
  • Page 129 Appendix Unlock Song (+) This parameter allows you to unlock the selected song data. Press [NEXT] to select this parameter. Press [+] to unlock the song. (This setting is stored with the song.) Time Sig: 1-16/1, 2, 4, 8, 16, 32 This parameter allows you to set the time signature for recording.

  • Page 130: [Audio] Parameters

    Chapter 10 [AUDIO] Parameters These parameters allow you to configure the W-5000's audio system (refer to the Audio Block Diagram on page 160 for additional information). Press the [AUDIO] button in the FUNCTIONS section to access these parameters: Audio Aux Pad: L0-255 R0-255 The first parameter allows you to set the left AUX INPUT pad (attenuation) level.
  • Page 131 This parameter allows you to set the left auxiliary reverb send level; the amount of left AUX INPUT signal that is sent to the W-5000's reverb unit. Press [NEXT] to select this parameter. Use the [+] and [-] (or [++]/[- -]) buttons.
  • Page 132 Audio DBar Rev Send: 0-127 This parameter allows you to set the level of the post-rotary simulator Drawbar signal sent to the W-5000's reverb unit. Press [NEXT] to select this parameter. Use the [+]/[-] (or [++]/[--]) buttons. Audio DBar Sig Switch: On, Off This parameter allows you to turn the DRAWBAR OUTPUT signal on and off.

  • Page 133: [Midi] Parameters

    Audio Rev Return Spkr Mix: 0-127 This parameter allows you to set the amount of the W-5000's reverb signal being sent to the MIXED SPKR OUTPUTs. Press [NEXT] to select this parameter. Use the [+] and [-] (or [++]/[--]) buttons.
  • Page 134 Sync In Port: None, 1, 2, Both This parameter tells the W-5000 which port(s) to monitor to receive MIDI Clock, Start, Continue and Stop messages. Press [NEXT] to select this function and the [+]/[-] buttons to select the port(s). Sync Out...
  • Page 135 CC#: 7, 11 This parameter allows you to determine which Control Change message received at the Master MIDI Input is interpreted as movement of the W-5000's Expression pedal. Press [NEXT] to select this parameter. Use the [+] and [-] buttons.

  • Page 136: [Utility] Parameters

    Master Tune: -50-50 (cents; 1/100 of a semitone) This parameter allows you to tune the W-5000 to match the pitch of other instruments. Press [NEXT] to select this parameter. Use the [+] and [-] buttons to tune the instrument. (Selecting this parameter also results in GS tuning messages being sent over ports selected for the UPPER, LOWER and BASS [MIDI] layers.
  • Page 137 Make SysDisk (+) This parameter allows you to create a system disk (that is, to copy the W-5000's system software onto disk). Press [NEXT] to select this parameter. Press [+] to execute (copy the system software). (This is useful for making backup copies of your system software.)
  • Page 138 Chapter 10 DB Growl: On, Off Adds a lower harmonic that is reminiscent of the bleed-through heard on classic tone wheel organs. DB Folding: On, Off This parameter causes the Lower manual drawbar sound to have the same pitch range as the Upper manual, with octave folding (reduction) outside that range.

  • Page 139: Synth Tone Map

    Appendix SYNTH TONE MAP INSTRUMENT VOICE INSTRUMENT VOICE INSTRUMENT VOICE Detuned Org.1 Distortion Gt. PIANO Piano 1 Organ 109 Dist. Gt 2 Piano 1w 60’s Organ 1 Dazed Guitar Piano 1d 60’s Organ 2 Feedback Gt. Piano 2 60’s Organ 3 Feedback Gt.
  • Page 140 Chapter 10 INSTRUMENT VOICE INSTRUMENT VOICE INSTRUMENT VOICE Cello French Horns Saw Wave Contrabass Fr. Horn 2 Tremolo Str. Fr. Horn Solo Pulse Saw Slow Tremolo Horn Orch. Feline GR Suspense Str. Brass 1 Big Lead Pizzicato Str. Brass 2 Velo Lead Harp Brass Fall...
  • Page 141 Appendix INSTRUMENT VOICE INSTRUMENT VOICE INSTRUMENT VOICE Soundtrack Tsugaru Fl. Key Click 1* ** Ancestral Koto Seashore 1* ** Prologue Tasiho koto Rain 1* ** Rave Kanoon Thunder 1* ** Crystal Kalimba Wind 1* ** Syn Mallet Bagpipe Stream 2* ** Soft Crystal Fiddle Bubble...

  • Page 142: Pr-300 Tone Map

    Chapter 10 PR-300 TONE MAP INSTRUMENT VOICE INSTRUMENT VOICE INSTRUMENT VOICE PIANO Accordion I ENSEMBLE Piano 1 Harmonica Strings Piano 1w Bandoneon Orchestra Piano 1d Slow Strings Piano 2 Syn. Strings 1 GUITAR Piano 2w Nylon-str. Gt Syn. Strings 3 Piano 3 Ukulele Syn.
  • Page 143 Appendix INSTRUMENT VOICE INSTRUMENT VOICE INSTRUMENT VOICE Agogo Gun Shot 1 ** SYNTHLEAD Square Wave Steel Drums Machine Gun 1 ** Square Woodblock 1 ** Lasergun 1 ** Sine Wave Castanets 1 ** Explosion 2 ** Saw Wave Taiko 1 ** Concert BD 1 ** Doctor Solo...

  • Page 144: Cm-64/Mt-32 (Pr-300 Subsets)

    Chapter 10 CM-64 (PR-300 SUBSET) MT-32 (PR-300 SUBSET) INSTRUMENT VOICE INSTRUMENT VOICE INSTRUMENT VOICE Piano 2 Acou Piano 1 Acou Bass 1 Piano 2 Acou Piano 2 Acou Bass 2 Piano 2 Acou Piano 3 Elec Bass 1 Honky-tonk Elec Piano 1 Elec Bass 2 Piano 1 Elec Piano 2...

  • Page 145: Classic Organ Tone Map

    042* Theatre Mix 043* RSS Strings : Program Change number (PC#) : Bank number (Variation number) (CC00#) INSTRUMENT : Instrument name VOICES : Number of voices used : Available on the W-5000 only if upgrade kit P/N 8003-146 is installed.

  • Page 146: Synth Drum Sets

    Chapter 10 SYNTH DRUM SETS NOTE STANDARD SET 1 (PC 1) STANDARD SET 2 (PC 2) ROOM SET (PC 9) POWER SET (PC 17) ELECTRONIC SET (PC 25) Slap <— <— <— <— Scratch Push [EXC7] <— <— <— Scratch Push 2 [EXC7] Scratch Pull [EXC7] <—...

  • Page 147: Pr-300 Drum Sets

    Appendix PR-300 DRUM SETS NOTE TR-808/909 SET (PC 26) DANCE SET (PC 27) JAZZ SET (PC33) BRUSH SET (PC 41) ORCHESTRAL SET (PC 49) <— <— <— <— Pedal Hi-hat [EXC1] Scratch Push 2 [EXC7] Scratch Push 2 [EXC7] <— <—...
  • Page 148 Chapter 10 NOTE ETHNIC SET (PC 50) KICK & SNARE SET (PC 51) SFX SET (PC 57) RHYTHM FX SET (PC 58_ Crash Cymbal 1 • • • <— • • • Snare Roll • • • <— • • • Concert Snare Drum •...
  • Page 149 Appendix Scratch Push <— <— <— <— Scratch Pull <— <— <— <— Sticks <— <— <— <— Square Click <— <— <— <— Metronome Click <— <— <— <— Metronome Bell <— <— <— <— Kick Drum 2 <— <—...
  • Page 150 Chapter 10 <— <— <— • • • <— <— <— <— • • • <— <— <— <— • • • <— Jazz BD 2 Jazz BD 2 Concert BD 2 • • • CM Kick Drum Jazz BD 1 Jazz BD 1 Concert BD 1 •...

  • Page 151: General Preset Parameters

    Appendix GENERAL PRESET PARAMETERS The following parameters are stored under the General Preset buttons ([1]-[8]): [TONE] Parameters [TRANSPOSE] Parameters [SOLO] Parameters [GENERAL REVERB] Parameters Drawbar Parameters [SYNTH CHORUS] Parameters All except Drawbar positions for [CURRENT DRAWBAR] [MANUAL DRUMS] Parameters [MIDI] Parameters (UPPER/LOWER/BASS) [KEYBD BASS] Parameters [DRAWBAR VIB] Parameters All (UPPER and LOWER values are identical)

  • Page 152: Global Parameters

    Chapter 10 GLOBAL PARAMETERS The following parameters are stored as Global data: [MEMORY] Select Parameters • Org Out Level • DBar Spkr Mix • DBar Line Mix [ROTARY] Parameters • DBar Out Level • DBar Sig Switch [FAST/SLOW] Parameters • DBar Freq Resp •...

  • Page 153: Software Updates

    Therefore, initially there is no need to update your system software. However, you should keep the latest System Disk as a backup in the event that you encounter a problem. If your W-5000 ever requires servicing, it's important that you have the latest System Disk available for the service technician.

  • Page 154: Midi Implementation

    Chapter 10 MIDI IMPLEMENTATION Switched Assignable Controllers: MIDI Commands (Other Than Notes) Transmitted On Master Channels: Name CC (Hex) NRPN (Hex) IntFS1 CC 40 on lwr mst chn Continuous Assignable Controllers: IntFS2 CC 43 on lwr mst chn Name CC (Hex) NRPN (Hex) ExtFS CC 42 on lwr mst chn...
  • Page 155 Appendix MIDI Commands (Other Than Notes) That Other Continuous Controllers: Appear In Native Sequences: Name NRPN (Hex) Standard MIDI Controls: DB16 NRPN 02:10 on upr/lwr/ped mst chn Name CC (Hex) Parameters DB513 NRPN 02:11 on upr/lwr/ped mst chn Program Bank CC 00 0..127 NRPN 02:12 on upr/lwr/ped mst chn...
  • Page 156 Chapter 10 Name NRPN NRPN 2-2/3’ CC 3B NRPN 03:25 0..127 is off to max Percussion (Hex) (Hex) Parameters Drawbar Hz Detune CC 5E NRPN 03:00 0..127 is - 2’ CC 3C NRPN 03:26 0..127 is off to max 6.4..6.3Hz Percussion Velocity CC 1E...
  • Page 157 Appendix Clipping Name NRPN Parameters Overdrive CC 0C NRPN 03:46 0..127 (Hex) Gain Trem Depth NRPN 03:70 0..127 Overdrive CC 0D NRPN 03:47 0..127 Trem Depth Change Time NRPN 03:71 0..127 Level Trem Rate NRPN 03:72 0..127 Overdrive CC 50 NRPN 03:48 0 is off, 127 is on On/Off...
  • Page 158 Chapter 10 Reverb [UTILITY] Master NRPN 00:01 0..0x3FFF is -1..1 Tuning semitone range Chorus Low-Pass 40 1b 39 vv 0..7 Chorus Feedback 40 1b 3A vv 0..127 GS Non-Registered Parameters (only MSB Chorus Delay 40 1b 3C vv 0..127 used): Chorus Rate 40 1b 3D vv 0..127...

  • Page 159: Audio Block Diagram

    Appendix AUDIO BLOCK DIAGRAM...

  • Page 160: Specifications

    Chapter 10 SPECIFICATIONS KEYBOARDS UPPER : 61 note organ style, velocity sensitive LOWER : 76 note piano style, velocity sensitive, aftertouch sensitive PEDAL : 25 note flat fanned style, velocity sensitive SPEAKING UPPER : 23 BUTTONS LOWER : 23 BASS : 14 DRAWBARS UPPER...
  • Page 161 FLOPPY DISK DRIVE ..........74 Mid-Sized Audio Setup........93 FLOPPY DISKS ............74 [AUDIO] Parameters ..........130 FORMATTING.............76 AUX INPUTS (1/4") ............88 Recommended For The W-5000.......74 AUX INPUTS (XLR) ...........88 FRONT PANEL DESCRIPTION........12 FUNCTIONS SECTION..........26 BALANCE Section............34 Bank Numbers............43 GENERAL MIDI (GM) SYSTEM ........ ix Bass [SUSTAIN] Parameters........116...
  • Page 162 Arpeggio Latching ..........36 [SOLO] Parameters..........111 Sound Modules [OCTAVE +/-] BUTTON..........45 Using External .............96 [OCTAVE +/-] Parameter..........113 Using The W-5000 As A........98 [ORGAN TREM] BUTTON........46 SPEAKERS, Connection ...........20 [ORGAN TREM] Parameters........113 SPEAKER MIX ............86 SPECIFICATIONS ...........161 [SPKR] Knob ............20, 26 PANEL/PEDALBOARD LIGHTING ......
  • Page 163 [UPPER DB VIB] + [LOWER DB VIB] BUTTONS ..51 VOICING ..............70 [UPPER DB VIB] + [LOWER DB VIB] Parameters.117 [VOICING] Button ..........67, 68 UPPER Drawbars ............27 UPPER Tone Select Section ........29 USER [1] Drawbar .............77 W-5000 DATA, STORING ON DISK .......83 USER [2] Drawbar ............40 [UTILITY] Button ............25...

  • Page 164: For Canada

    Hiermit wird bescheinigt, daß der/die/das Dem Zentralamt für Zulassungen im Fernmeldewesen wurde das Inverkehrbringen dieses Gerätes angezeigt und die Berechtigung zur Überprüfung der Serie auf die Einhaltung der Bestimmungen RODGERS W-5000 eingeräumt. (Gerät, Typ, Bezeichnung) Rodgers Instruments LLC in Übereinstimmung mit den Bestimmungen der BMPT- AmtsblVfg 243/1991 funk-entstört ist.
  • Page 165 INSTRUMENTS LLC 1905-530C...

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