Rodgers Trillium T787 Owner's Manual
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Rodgers Trillium T787 Owner's Manual

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Rodgers T787
Owner's Manual
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Rodgers Instruments LLC

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  • Page 1 Rodgers T787 Owner’s Manual Copyright Rodgers Instruments LLC...

  • Page 3: Safety Instructions

    SAFETY INSTRUCTIONS Lithium Battery warning Caution: Danger of explosion is lithium battery is incorrectly replaced. Replace only with same or equivalent type. Manually operated mains power switch Caution: The mains power switch does not completely disconnect this equipment from the mains power when the switch is in the off position.

  • Page 4: Fcc Notice

    FCC NOTICE Radio and Television Interference Rodgers Trillium organs use and generate small amounts of radio-frequency (RF) energy. The instrument complies with the limits set for Class B computing devices. FCC Rules, Part 15, Subpart J define the limits for radio and television interference in a residential installation.

  • Page 5: Notice To Users

    Richmond, B.C. V6V 2M4 (604) 270-6332 ©Copyright 2000. Rodgers Instruments LLC, a member of the Roland Group. All rights reserved. Printed in the United States of America. QuickMenu™, Rodgers®, Rodgers Classic Organs®, Digital Dynamic Wind™, Dimensional Sound Modeling®, Parallel Digital Imaging®, Voice Palette™, DVM™, PDI™, TrueChimes™, Rodgers SmartCard™, and Trillium™...

  • Page 7: Table Of Contents

    CONTENTS SAFETY INSTRUCTIONS......................I FCC NOTICE ..........................II Radio and Television Interference .................... ii NOTICE TO USERS ........................III CONTENTS............................V INTRODUCTION ...........................2 How to Use this Manual ......................2 QUICK TOUR ..........................4 Console Controls........................4 Turn On/Turn Off ........................4 Manuals and Pedalboard ......................5 Activating Stops.........................5 Couplers .............................5 General Cancel...........................6 Using Pistons to Select Registrations ..................6...
  • Page 8 Setting Range of Bass Coupler ..................27 Antiphonal On/Main Off......................28 Controlling Pipes ........................28 Pipes Off/Ancillary On ......................28 Automatic Shutdown Timer.....................29 Rodgers SmartCard Memory System ...................29 Inserting a SmartCard ......................30 Saving to a SmartCard .......................30 SmartCard Folders ......................31 Selecting a SmartCard Folder ....................31 Storing Tutti Settings on a SmartCard ................32...
  • Page 9 Storing Additional Settings on a SmartCard..............33 Deleting Settings from a SmartCard ..................33 Deleting a Memory Level from a SmartCard ..............33 Using your SmartCard on Other Rodgers Organs .............33 About Stop Families ........................34 Other Families..........................34 Pitch Designations ........................35 Celeste ranks ..........................36 More about Couplers........................36...
  • Page 10 MIDI Save..........................75 Saving MIDI Control Settings ...................75 Saving a Combination Memory to a Sequencer ..............75 Saving a Combination Memory ..................75 Restoring a Combination Memory..................76 SPECIFICATIONS........................78 Rodgers T787 Controls Specification..................78 RODGERS T787 CONSOLE DIMENSIONS ................79 FACTORY DEFAULT COMBINATION SETTINGS ..............80 viii...
  • Page 11 Restoring Factory Default Combination Settings ..............80 DEMONSTRATION TOOLS .......................82 Accessing the Rodgers Ambiance Demo................82 Playing the Demo Songs....................82 CARE AND MAINTENANCE.....................84 Console and Pedalboard......................84 Keyboards and Stop Tabs ......................84 Pipes on Pipe-Augmented Instruments..................84...

  • Page 13: Introduction

    To keep abreast of the latest news and other items of interest, visit the Rodgers website at: www.rodgersinstruments.com.

  • Page 15: Quick Tour

    QUICK TOUR To get started, here is an overview of the basic operations of the Rodgers T787. Console Controls Many console controls which will be referred to in this overview are illustrated in Figure 1. Figure 1. Console Controls. Turn On/Turn Off...

  • Page 16: Manuals And Pedalboard

    Activating Stops The term stop is used to describe a single voice on an organ. The T787 has a large array of stops, each of which is given a name, such as Principal 8’, Clairon 4’, Mixture IV, etc. A stop sound will be heard if it is activated and keys or pedals which control it are also activated.

  • Page 17: General Cancel

    By now, you may have experimented with combinations of stops and couplers and have started to get a feel for the tremendous versatility of the T787. In organ terms, these combinations of stops and couplers are referred to as registrations.
  • Page 18 There are five divisional pistons for the Great and Swell; these pistons are numbered 1 to 5 and are located under the corresponding manual. For example, Great divisional pistons are located underneath the Great manual near the middle of the keyboard, and Swell divisional pistons are under the Swell manual.

  • Page 19: Setting A Piston

    Setting a Piston The Rodgers T787 is equipped with factory registrations, each of which can be used for a wide variety of wonderful musical effects. However, the contents of any piston can be easily changed to suit your particular needs.

  • Page 20: Unlocking And Locking A Combination Memory

    Release the memory piston. The memory is now unlocked. Reversibles The Rodgers T787 is equipped with a number of reversible controls, so named because pressing them once will activate them, pressing them again will turn them off. These reversibles, located on thumb and toe pistons, are especially useful in a performance when you want to quickly activate or remove a single coupler, stop or other setting.

  • Page 21: Expression Shoes And Controls

    Expression Shoes and Controls The Rodgers T787 has two expression shoes which are used to control the volume of the organ. The left shoe normally controls the volume of the Great and Pedal divisions and the middle shoe controls the volume of the Swell division. See figure 3 below.

  • Page 22: Tremulants

    In some gospel and evangelical musical traditions, tremulants with a wider and deeper excursion are frequently used. There are two types of tremulant controls on the Rodgers T787; divisional tremulants which affect only the stops in their respective division and general tremulants which affect all divisions.

  • Page 23: Melody Coupler

    Sometimes, however, it is difficult to separate the hands on two manuals. For this reason, the Rodgers Melody coupler was devised. When a Melody coupler is activated, the highest note played on the Great manual uses a registration from another manual.

  • Page 24: Features

    FEATURES The following section presents the capabilities of the T787 in greater detail. Use this portion of the Owner’s Manual to become more familiar with the many innovative features of your fine Rodgers instrument. Console Displays, Indicators, and Menus The Rodgers T787 is equipped with an informative display for many of the console functions described in this section.

  • Page 25: Changing A Setting With Quickmenu

    Category MIDI Settings Pipe Modeling Room Modeling Names of Menus Item (Rotate Alpha Dial to Change Setting) Figure 4. Category and Menu Hierarchy Now that you have an idea about how the menus are organized, we’ll discuss how to navigate through the menus using QuickMenu or by using the Select Knob and Alpha-Dial.
  • Page 26 3. Rotate the Alpha dial to change settings in the selected menu. To recap the differences between using QuickMenu and using SET and the Select Knob to navigate through the menus in the Console display: From QuickMenu QUICK Press and release. MENU Turn Select knob to select a desired category (it becomes highlighted).

  • Page 27: Getting Menu Information

    Getting Menu Information The T787 is also equipped with “help screens” which briefly describe the currently selected Category, Menu or Item. This is especially helpful when you want a hint about how to use a particular control. To see the help screen for a particular window: 1.
  • Page 28 Category Menu Item Settings Comments MIDI Couplers Tone Tone Names PGM, MSB, LSB Sets PGM, MSB, & LSB numbers or tone names. Tone names & numbers displayed. Coupler GT A, GT B, See page 50. PD A, PD B, SW A, SW B Channel 1 –...
  • Page 29 Category Menu Item Settings Comments Audio Control Master -20.00 – 5.00 Volume Aux In Audio Main Volume OFF– 6.25 This menu appears only when headphones are disconnected. Main Balance -10 – 10 See page 44 and following. Ant Volume OFF, -31.25 – 6.25 Ant Balance -10 –...
  • Page 30 Category Menu Item Settings Comments Pipe Modeling Temperament Equal, Mean-Tone, Pythagorean, Kirnberger, See page 38. Werckmster I, Werckmster III, Young I, Young II Wind Supply Flexible, Normal, Fixed See page 39. Shutters PD, GT, SW See page 40. pppp UnEncl Tremulants GT Main, GT Main II, GT...
  • Page 31 Category Menu Item Settings Comments Room Room Size Modeling Room Stage Sml hall See page 48. Med hall Sml Church Med church Lrg church Cathedral Wall Type Drapery Carpet Acou Tile Wood Brick Plaster Concrete Marble Rvb Lvl OFF, -20 – 5 Console Lamp Level BRIGHT, DIM...

  • Page 32: Master Tuning

    Master Tuning Normally, the Rodgers T787 is set to standard concert pitch (A=440.0Hz). However, it can easily and quickly be tuned flat or sharp to match the pitch of another musical instrument, such as a piano or harp. The Master Tuning control adjusts one-half semitone sharp or flat.

  • Page 33: Adjusting Pitch

    Adjusting Pitch Once the Master Tuning control has been unlocked, you can change the pitch of the T787 by rotating the Alpha dial clockwise to raise the pitch or counterclockwise to lower the pitch. The Transposer function is still controlled by the Select Knob.

  • Page 34: Crescendo

    P i p e M o d e l i n g T r e m u l a n t G T M A I N D e p t h R a t e 0 (this screen would be displayed if the Great tremulant had been selected) 4.

  • Page 35: Locking Crescendo

    C r e s c e n d o S e t C r e s c e n d o S e t M o d e S T D S T A G E : The stops and couplers currently set on stage one of the 63 stages in the Crescendo sequence turn on.

  • Page 36: Restoring Factory Crescendo Setting

    The Console Display reads CRESCENDO FACTORY DEFAULT. 3. Release both pistons. TUTTI Settings The flexible computer-based control system of the T787 allows you to easily view and change the contents of Tutti, if desired. In addition, you can always restore the Tutti contents to factory defaults.

  • Page 37: Setting Tutti

    Setting Tutti To change the contents of Tutti: 1. Make certain Tutti is unlocked (see “Unlocking or Locking Tutti” on Page 25). 2. Select the desired stops. 3. Press and hold SET and press the Tutti piston. You may want to lock the Tutti again after programming to prevent accidental changes. Restoring Factory Tutti Setting The factory defaults for Tutti is stored within the instrument, even after the Tutti settings has been changed.

  • Page 38: Melody And Bass Couplers

    Melody and Bass Couplers These controls provide great flexibility. The Melody Coupler allows you to use a different registration for the top note played on the Great so that you can accentuate the melody note even though both hands are on one manual. When MEL is activated, the top note on the Great will use the Swell registration.

  • Page 39: Antiphonal On/Main Off

    One of the great innovations from Rodgers is the successful, elegant marriage of traditional organ pipes and digitally sampled voices. In fact, any of the stops in the Rodgers T787 can be programmed to control real wind-blown pipes, allowing the opportunity to expand the instrument at any time.

  • Page 40: Automatic Shutdown Timer

    Media Card stores information for use with devices such as digital cameras, MP3 players, and more. If you already use a Smart Media Card with another device, the same card can be used with the T787. The card does no need to be re-formatted for use with the T787.

  • Page 41: Inserting A Smartcard

    A new card contains no combination memories. As long as an empty card is inserted in the T787, the organ uses the internal memory when recalling pistons. As soon as pistons are saved to the SmartCard, however, the card will be used rather than the internal memory.

  • Page 42: Smartcard Folders

    SmartCard. See page 33. SmartCard Folders The capacity of a Rodgers SmartCard is much greater than that of the organ’s internal combination memory. In order to make easy use of this additional capacity, Rodgers uses the concept of memory folders.

  • Page 43: Storing Tutti Settings On A Smartcard

    S m a r t C a r d F o l d e r : M : 1 3. Rotate the Alpha dial until the desired folder appears in the display. Folders are labeled A through Z. Each folder is completely independent. For example, each folder can contain its own pistons, Tutti and other settings.

  • Page 44: Storing Additional Settings On A Smartcard

    Using your SmartCard on Other Rodgers Organs The same SmartCard can be used in more than one Rodgers organ equipped with the SmartCard feature. The information on the SmartCard is kept separate for each organ model.

  • Page 45: About Stop Families

    Examples of reed stops are the Trompette, Hautbois and Cromorne. Other Families In addition to the four families of stops listed above, your T787 also has a few other stop families which can be used. The Percussion family contains voices such as the Chimes and Harpsichord. These stops have a percussive attack and gradually grow softer as you hold the note.

  • Page 46: Pitch Designations

    Pitch Designations The stops and couplers on your Rodgers T787 each have a pitch designation, listed in “feet”, (8’, 4’, 16’, etc.). 8’ refers to concert pitch; a note played on an 8’ stop will have an identical pitch as the same note played on a piano. 16’ represents an octave below concert pitch; a note played on a 16’...

  • Page 47: Celeste Ranks

    (i.e., you want to couple stops in Swell division to the Great but don’t want them to play from the Swell manual). The intramanual Swell Unison off coupler on the T787 is located on a tab located above the Swell Manual.

  • Page 48: Temperaments

    The Rodgers T787 offers a choice of eight temperaments: Equal, Mean-Tone, Kirnberger, Werckmeister I, Werckmeister III, Young I, Young II and Pythagorean. This selection of temperaments allows the organist to hear these historical works as their composers heard them, or to explore the application of unequal temperament to new music.

  • Page 49: Selecting A Temperament

    Werckmeister I and III: Andreas Werckmeister experimented with temperaments in the latter part of the 17th century. In Werckmeister I he further refined the Mean-Tone temperament. In Werckmeister III, four tones are practically tuned identical to Equal Temperament (C, D#, F# and A).

  • Page 50: Digital Dynamic Wind

    Even though this results in significant detuning, the human ear seems to perceive instead an increase in ensemble effect. A part of Dimensional Sound Modeling, Rodgers’ exclusive Digital Dynamic Wind emulates these characteristics by modeling the behavior of pipe organ wind regulating devices and the response of pipes to a slightly unsteady wind supply.

  • Page 51: Random Detuning

    Thus, the tuning of the instrument is a little different each time it is powered on, as it would be with a pipe organ. The amount of Random Detuning present in the organ is set by a Rodgers representative during final voicing. Shutter Thickness The minimum volume of each division when its Expression Shoe is closed can be adjusted to suit specific musical needs or personal tastes.

  • Page 52: Setting Shutter Thickness

    installing a pipe/electronic combination organ with enclosed pipe divisions. When speakers for the enclosed division (Swell) are placed inside a pipe organ swell box, the digitally sampled electronic stops in this division can sound at a constant volume by setting the shutter control menu item to Unenclosed.

  • Page 53: Voice Palette

    Voice Palette Many of the speaking stops on the Rodgers T787 have alternate voices that can be selected and used in performance via Rodgers’ exclusive Voice Palette feature. Voice Palette gives you a tremendous amount of added flexibility; for example, not only can you choose whether to use the Great Principal 8’...
  • Page 54 A complete listing of T787 stops and their Voice Palette alternatives (if any) follows. T787 STOP LIST WITH VOICE PALETTE ALTERNATIVES DIVISION STOP VOICE PALETTE ALTERNATIVES Great Principal 8’ Diapason 8’ Rohrflöte 8’ Gemshorn 8’ Flûte Celeste II 8’ Erzähler Celeste II 8’...

  • Page 55: Resetting Voice Palette Selections

    Resetting Voice Palette Selections All stop tabs return to their default voices when the organ is turned off, or when you press and hold General Cancel (‘0’) and momentarily press SET (this Reset procedure also returns MIDI couplers to their last saved status and returns Temperament to Equal). Master Volume Control Special situations and individual preferences sometimes require a temporary change in the overall volume of the organ.

  • Page 56: Audio Save

    Audio Save Changes made to audio settings are temporary, i.e., they are lost when the organ is turned off. If desired, however, audio settings can be saved and so that they are retained when the organ is powered off. Saving Audio Control Settings To save the Audio Control Settings: 1.

  • Page 57: Auxiliary Controls

    Auxiliary Controls The Rodgers T787 is equipped with stereo auxiliary input jacks (one for the left channel and one for the right channel) located on the connector panel under the keydesk to the right. When using these input jacks, audio signals from other sound generating devices like synthesizers, MIDI sound modules, and tape players are mixed into the organ’s main audio system.
  • Page 58 2. Rotate the Select knob to highlight Audio Controls. 3. Press the QUICKMENU piston to select the Audio Controls category. 4. Rotate the Select knob to highlight Aux In Audio. 5. Press the QUICKMENU piston to select the Auxiliary Audio category. The following screen is displayed: A u d i o C o n t r o l s A u x I n...

  • Page 59: Room Modeling

    The Room Modeling menus allow you to specify the size of room and type of wall covering for the T787 acoustic. For example, if you wanted to hear the instrument in a large room, you could select “Large Church” or “Cathedral”; if you wanted to change the wall covering from a soft to a hard material, you could select “Concrete”...

  • Page 60: Console Settings

    4. Rotate the Select knob to highlight the menu above to be adjusted. 5. Press and release the QUICKMENU piston to select the desired menu. 6. Rotate the Alpha dial to change the setting. Some of these Console settings can be stored on a Rodgers SmartCard.

  • Page 61: Midi (Musical Instrument Digital Interface)

    MIDI couplers are at the heart of the MIDI system on the T787. These couplers, labeled MIDI GT A, MIDI GT B, MIDI SW A, MIDI SW B, etc., are located on the piston rails. The Great, Swell, and Pedal each have two couplers;...
  • Page 62 Tones in external MIDI sound modules can be selected in one of two ways: by name or by number. Either of these techniques works well, and you may find that you use both operations from time to time, depending on which is most appropriate and expeditious. Selecting Tones by Name When a GS Format or General MIDI (‘GM’) sound module is connected to the organ, tones can be selected by name using the console display.
  • Page 63 For some organists, this may be faster than scrolling through the list of available tones in a GS or GM sound module. Also, this is the technique which can be used for non- GS/GM sound modules. This powerful technique ensures that the T787 can select tones in any sound module which follows the MIDI standard.
  • Page 64 As stated above, ‘MSB’ and ‘LSB’ are “Bank Select” messages; they are acronyms for “Most Significant Bit” and “Least Significant Bit”. They are typically used to select variations of sounds. The reason that both are supported in the T787 is that some manufacturers use MSB for Bank Select while others use LSB.

  • Page 65: Midi Channel

    GS Format. MIDI Channel Each of the T787 MIDI Couplers can control a different tone. This is accomplished by using separate MIDI Channels. Because the channels are independent, the instruments can be controlled individually. Moreover, since there are two MIDI couplers each for the Great, Swell, and Pedal, you can layer two sounds on each manual and in the Pedal.
  • Page 66 The Great A MIDI coupler normally sends on MIDI channel 1, however, it can be set to send on any of the 16 available MIDI channels. All of the channels for other couplers are fixed. Following are the MIDI coupler pistons and their MIDI channels: Division Coupler MIDI Channel...

  • Page 67: Octave Shift

    The Great A MIDI coupler channel assignment is saved with other settings in a combination piston. It can also be saved permanently by performing the MIDI Save procedure. See “MIDI Save” on page 75. Instead of saving, you may press and hold General Cancel (‘0’) and momentarily press SET to return MIDI couplers to their defaults.

  • Page 68: Velocity

    Rodgers organs can send out a constant (fixed) velocity value from the keyboard, a changeable velocity value sent relative to the position of the expression shoe, or a keyboard- responsive velocity controlled by the actual force of the fingers.
  • Page 69 you could reduce the Fixed Velocity value for that coupler and achieve a more satisfying balance. Selecting Fixed Velocity To set a Fixed Velocity value for a MIDI coupler: 1. Hold the SET piston and press a MIDI coupler piston. (The MIDI coupler will flash).
  • Page 70 and velocity are set to full, the instrument will be significantly louder than when using a lower fixed velocity value. Selecting Expression Velocity To set a coupler to Expression Velocity mode: 1. Hold SET and press the MIDI coupler piston. (The MIDI coupler will flash). 2.

  • Page 71: Pan

    Selecting Keyboard Velocity To select Keyboard Velocity for a MIDI coupler: 1. Hold SET and press the MIDI coupler piston. (The MIDI coupler will flash). 2. Rotate the Select knob to highlight the Velocity field in the display: M I D I C o u p l e r G T A C h a n n e l O c t a v e N O R M...

  • Page 72: Sustain/Sostenuto/Soft

    4. Press either the flashing MIDI coupler or General Cancel (‘0’) to exit. Sustain/Sostenuto/Soft The T787 is equipped with a foot switch which can be programmed to control one of three MIDI effects: Sustain, Sostenuto or Soft. These three effects are analogous to the types of pedals found on an acoustic piano.

  • Page 73: Reverb

    3. Rotate the Alpha dial to select the desired setting (Off, Sust, Sost, or Soft) 4. Press either the flashing MIDI coupler or the General Cancel to exit. The Foot Switch Function selection procedure is complete. Combination pistons which are set while the MIDI coupler is activated will also store this setting. A MIDI Save may be performed to save this setting as the default.

  • Page 74: Chorus

    Expression (CC#11) is used to create changes in the level of each part. Because it was the first message of this type, the T787 factory default specifies the Volume (CC#7) message for all couplers; typically, this setting is able to be used with most MIDI...

  • Page 75: Global Midi Settings

    Occasionally, it is desirable to send a MIDI “All Notes Off” message from a keyboard to reset notes played by external equipment. To send an “All Notes Off” message from the T787 Sequencer Out and MIDI Out ports: 1. Press and hold SET then momentarily press General Cancel (‘0’). Release both...

  • Page 76: Master Channels

    MIDI sound module. However, the stops and divisions of the Rodgers T787 can also be recorded by a sequencer and played back, either with or without sounds from an external sound module.

  • Page 77: Registrations

    All Master Channels are reset to Send & Receive when the organ is powered off. Registrations In addition to note and volume information sent on the Master Channels, the Rodgers T787 sends and receives MIDI information related to registrations. This information can be used...
  • Page 78 Registration settings are saved when the organ is turned off. Using Pistons to Control a Second Rodgers Console In cases where two Rodgers organs are available, it is possible to play either or both instruments from one location. This configuration is often seen in situations where two Rodgers organs are installed in the same building.

  • Page 79: Multitrack Mode

    You can also use the Local Off control to silence the Master console. See page 69. Multitrack Mode There are times when it is desirable to use the Great manual of the T787 to create a “Multitrack” or layered sequence using an external MIDI sequencer and sound module. This setup is most often used by people who have developed an advanced MIDI knowledge;...

  • Page 80: Local On/Off

    However, should the need arise, the control is available. When the T787 is in the Local On condition, the instrument operates normally. This is the default setting. When the T787 is in the Local Off condition, the stops, keyboards and pedalboard of the organ are disconnected from the internal (“Local”) sounds of the instrument, so that...

  • Page 81: Sequencer Update

    Finally, Local Off can be useful in specific sequencing applications when you are recording both organ and MIDI voices. To use it, MIDI SOFT THRU must be enabled on your sequencer. Selecting the Local Control Setting To select Local On or Local Off: 1.
  • Page 82 Continue messages; this configuration is reserved for very specific uses and won’t be applicable to most users. To recap the actions of the T787 when Sequencer Update is set to On: When the Start message is received, the organ sends current stop, expression, program change and bank values to the sequencer.

  • Page 83: Setting Velocity Sensitivity

    Setting Velocity Sensitivity As stated in the “Keyboard Velocity” section on page 59, sounds played from MIDI couplers can be controlled by velocity-sensitive keyboards, where the strength of a key strike determines the volume and attack characteristic of a note. In addition to this parameter in the MIDI coupler settings, there is also a global setting which determines the velocity sensitivity of the keyboards —...

  • Page 84: Midi Device Id

    The number can be set to 1, or 17 through 32. Setting the ID to 1 produces Stop Control messages that are compatible with older Rodgers PDI and C-Series organs. In most cases, the ID will not need to be changed.

  • Page 85: Tone Names

    Tone Names As detailed in the “MIDI Coupler Settings” section starting on page 50, the T787 can display the names of tones which are selected in the MIDI Coupler screens. This allows you to select instruments by name, if desired.

  • Page 86: Midi Connections

    MIDI Connections There are multiple MIDI jacks on the T787, labeled SEQ IN/OUT and MIDI IN/OUT/THRU. Always connect a sequencer or sequencer/sound module combination (such as the Rodgers PR- 300S) to the SEQ IN/OUT ports on the organ. The sequencer must not be in Soft Thru mode.

  • Page 87: Restoring A Combination Memory

    2. Start the sequencer in Record mode. 3. Wait until sequencer is recording (after the count-in measures, if any) then hold SET and momentarily press the memory piston (M1, M2, M3 or M4) corresponding to the memory you wish to store. 4.
  • Page 88 It is necessary to transfer each memory to its destination memory in the organ before playing back the next. If a Rodgers SmartCard is inserted when recording or playing back combination memories, and the card memory is in use for the memory level being saved/restored, the memory is saved from or restored to the SmartCard rather than the internal memory.

  • Page 89: Specifications

    SPECIFICATIONS Rodgers T787 Controls Specification GREAT (Manual I) PEDAL COMBINATION PISTONS Principal 8’ (Diapason 8’) Contre Violone 32’ General 1-2-3-4-5-6-7-8-9-10 Rohrflöte 8' Principal 16’ (Violone 16’) General 1-2-3-4-5-6-7-8-9-10 (toe) Gemshorn 8’ Subbass 16’ (Bordun 16’) Swell 1-2-3-4-5 Flûte Celeste II 8’ (Erzähler Celeste II 8’) Bourdon Doux 16’...

  • Page 90: Rodgers T787 Console Dimensions

    RODGERS T787 CONSOLE DIMENSIONS...

  • Page 91: Factory Default Combination Settings

    FACTORY DEFAULT COMBINATION SETTINGS The Rodgers T787 is shipped from the factory with default settings on combination memories M1, M2, and M3. Registrations on these memories can be changed, but if the original factory default settings are desired, they can be restored by performing the following procedure.

  • Page 93: Demonstration Tools

    The T787 organ has two demonstration tools which allow you to display the exceptional functionality and sound quality of your instrument. One of these tools presents the power of the Rodgers Sound Space system; the other plays demo songs located in the internal memory of the organ.
  • Page 94 To play songs: 1. Hold General Cancel (‘0’) and press SET. 2. Rotate the Select knob to move to the Demo Song screen: D e m o D e m o S o n g S o n g # 1 <...

  • Page 95: Care And Maintenance

    Your new Rodgers organ is not only a fine musical instrument, but also a fine piece of custom- made furniture finished to hold its attractiveness through generations of use. Only the best woods are used, carefully checked for uniformity of grain and intensity of figure and carefully hand assembled.
  • Page 97 INDEX additional settings Crescendo shoe, 10 deleting from card, 33 deleting a memory, 33 storing on card, 33 detuning ancillary on, 28 random, 40 antiphonal speaker system, 28 device ID, 73 automatic shutdown, 29 MIDI, 73 auxiliary inputs Dimensional Sound Modeling, 2 adjusting, 46 Digital Dynamic Wind, 39 basic operations, 4...
  • Page 98 menus on memory card, 32 console, 13 sequence MIDI adding stops, 24 coupler pistons, 55 building new, 24 device ID, 73 sequencer, connecting, 75 note velocity, 57 shift MIDI settings, 13 octave, 56 , 33 shoes, 10 save MIDI update with Start, Stop, Continue, 70 shutdown modifying features, 13 automatic, 29...
  • Page 99 Tuning master viewing Crescendo sequence, 24 see Master Tuning, 21 Voice Palette, 2, 13, 42 user menus accessing, 42 with SET and Select, 14 volume velocity master volume, 44 keyboard, 59 wind supply, 39 MIDI, 57...
  • Page 100 INSTRUMENTS LLC 1905-787B 1300 N.E. 25 AVENUE, HILLSBORO, OREGON 97124 • (503) 648-4181...

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