Christie DS+6K User Manual
  1. Manuals
  2. Brands
  3. Christie Manuals
  4. Projector
  5. DS+6K
  6. User manual

Christie DS+6K User Manual

Hide thumbs Also See for DS+6K:
Table of Contents

Advertisement

Quick Links

U s e r ' s M a n u a l
U s e r ' s M a n u a l
020-100001-01

Advertisement

Table of Contents
loading

Related Manuals for Christie DS+6K

Summary of Contents for Christie DS+6K

  • Page 1 U s e r ' s M a n u a l U s e r ' s M a n u a l 020-100001-01...
  • Page 2 China RoHS Compliance Information 关于中国《电子信息产品污染控制管理办法》的说明 • Environmentally Friendly Use Period 环保使用期限 The year number in the centre of the label indicates the Environmentally Friendly Use Period, which is required to mark on the electronic information product sold in China according to the China RoHS regulations.

  • Page 4: Table Of Contents

    Table of Contents Projector Overview ..................1-1 INTRODUCTION Components..................... 1-2 Purchase Record and Servicing............... 1-3 Quick Setup..................... 2-1 INSTALLATION & Installation Considerations................2-3 SETUP Connecting Sources..................2-12 Connecting Communications ................ 2-15 System Integration – GPIO Connector............2-19 Power Connection ..................2-20 OPERATION About the Projector ..................

  • Page 6: Introduction

    Section 1 Introduction Christie DS+6K/5Kc/8K, HD6K/5Kc/8K/7Kc, Projector Mirage S+3K/6K/8K, Mirage HD3/6/8, Overview DW3K/3Kc/6K/6Kc, Matrix S+2K/5K/HD2/HD4/HD7, DLV1400-DX and DLV1920-DX are all professional 3-chip projectors based on next-generation Digital Light Processing™ (DLP™) technology by Texas Instruments™ to deliver high quality, crisp, clean images.

  • Page 7: Components

    DLV1920-DX Optional Mirage S+3K SXGA+ Optional Mirage HD3 Optional Matrix S+2K SXGA+ Matrix HD2 DW3K, DW3Kc 1000W Models Optional Christie DS+6K/5Kc SXGA+ Optional Christie HD6K/5Kc Optional Mirage S+6K SXGA+ Optional Mirage HD6 Optional Matrix S+5K SXGA+ Matrix HD4 DW6K, DW6Kc...

  • Page 8: Purchase Record

    Warranty Registration If you encounter any problems with the projector and require assistance, contact your dealer or Christie Digital Systems. Fill out the information in the table below and keep with your records for future reference. Purchase Record Dealer:...

  • Page 10: Installation & Setup

    Section 2 Installation & Setup The instructions provided here are for those that are familiar with the projector and Quick Setup wish to quickly set it up and use it temporarily. Refer to the remaining subsections of this manual for a more complete setup. Step 1 Install a Projection Lens The projection lens is shipped separately from the projector and must be installed...
  • Page 11 Section 2: Installation and Setup Step 4 Connect the Line Cord The North American-rated line cord is provided with each projector. Ensure that you are using a line cord, socket and power plug that meets the appropriate local rating standards. Plug the line cord to the AC receptacle located on the right hand side of the projector and the three-pronged end into a grounded AC outlet.

  • Page 12: Installation Considerations

    Section 2: Installation and Setup Proper installation of your projector will ensure the quality of your display. Whether Installation you are installing a projector temporarily or permanently you should take the Considerations following into account to ensure your projector performs optimally. Installation type Choose the installation type that best suits your needs: front or rear screen, floor mount or inverted mount.

  • Page 13: Rear Screen Installations

    Section 2: Installation and Setup Rear screen installations There are two basic types of rear screens: diffused and optical. A diffused screen has a surface, which spreads the light striking it. Purely diffused screens have a gain of less than one. The main advantage of the diffused screen is its wide viewing angle, similar to that of a flat screen for front screen projection.
  • Page 14 Section 2: Installation and Setup To fill a screen with an image, the aspect ratio of the screen should be equal to the aspect ratio of the image (expressed as the ratio of its width to its height). Standard video from a VCR has a 4:3 or 1.33:1 aspect ratio. For example, to display a VCR output with a 4:3 aspect ratio onto a 10-foot (3m) high screen, the width of the screen must be at least 13.3feet (4m).

  • Page 15: Vertical And Horizontal Position

    Section 2: Installation and Setup Vertical and horizontal position The correct vertical and horizontal position of the projector in relation to the screen depends on the lens type and the screen size. Ideally, the projector should be positioned perpendicular to the screen. This way, the image will appear rectangular instead of keystoned (trapezoidal).
  • Page 16 Section 2: Installation and Setup Figure 2.1. Vertical Offset Examples 020-100001-01 Rev. 01 (04/07) 2-7.
  • Page 17 Section 2: Installation and Setup Figure 2.2. Lens Vertical Offsets 020-100001-01 Rev. 01 (04/07)
  • Page 18 Section 2: Installation and Setup The horizontal position of the image can be offset – that is moved to the left or right of lens center, by adjusting the fully motorized lens mount through software. The amount of horizontal offset available depends on the lens installed and if the image has already been vertically offset.
  • Page 19 Section 2: Installation and Setup Figure 2.4. Lens Horizontal Offsets 2-10 020-100001-01 Rev. 01 (04/07)

  • Page 20: Adjusting Projector Height

    For more information, contact your dealer. Use only the CHRISTIE approved ceiling mount kit designed for your projector. Refer to the installation instructions and safety guidelines provided in the kit.

  • Page 21: Connecting Sources

    Section 2: Installation and Setup Sources connect to the Input Panel located at the back of the projector. See Figure 2.6. Connecting Sources The upper right corner ( ) typically accepts an RGB signal from an external INPUT 1 analog RGB source, or it can also be used for YPbPr signals or additional video sources.
  • Page 22 Section 2: Installation and Setup Figure 2.7. Connecting RGB and Sync NOTES: 1) If for some reason the projector fails to recognize a signal as an RGB signal, specify this Color Space option within the Image Settings menu. See 3.5 Adjusting the Image.
  • Page 23 Serial Digital Input Module • DVI Input Module (standard on Mirage HD models) • Dual SD/HD-SDI Module (standard on Christie HD models) NOTE: See Appendix F – Optional Input Modules for a brief description of each interface. 2-14 020-100001-01 Rev. 01 (04/07)

  • Page 24: Connecting Communications

    Section 2: Installation and Setup As an alternative to the projector’s keypad or remote, you may wish to communicate Connecting with the projector using a PC or other controller. Such a device sends commands and Communications receives feedback via serial links (RS232 and RS422), Ethernet or GPIO communications to the projector, all described below.
  • Page 25 Section 2: Installation and Setup Figure 2.11. Connecting RS422 Ethernet Communications Ethernet Communications To add the projector to an existing Ethernet network with other equipment such as controllers and other projectors, connect standard CAT5 Ethernet cable between your Ethernet controller (or hub) and the Ethernet port on the side of the projector. Upon connection to an Ethernet network, the projector’s factory default IP address of 0.0.0.0.0 will automatically enable the DHCP function (if available on the network) to assign a new IP address that is valid and unique for that network.
  • Page 26 Section 2: Installation and Setup Figure 2.12. RS232 Network : To control multiple projectors with a computer/controller having an MIXED NETWORK RS422 interface, first set them all to the same baud rate as your RS422 controller. NOTE: You must enable this combination of RS422 and RS232 in the Communications menu.
  • Page 27 Section 2: Installation and Setup : To add one or more projectors to an Ethernet network, ETHERNET NETWORK SETUP use standard CAT5 cable to connect each projector’s Ethernet port to a hub belonging to the network. A controller or PC must also be connected to the hub. See Figure 2.14. Figure 2.14.

  • Page 28: System Integration - Gpio Connector

    Section 2: Installation and Setup The Subnet Mask and Default Gateway are SUBNET MASK AND DEFAULT GATEWAY: automatically assigned when DHCP is enabled. If a static IP is being used, it must be assigned before the subnet mask. The Default Gateway is an optional router device used to send and receive data outside the subnet.

  • Page 29: Power Connection

    Section 2: Installation and Setup The North American rated line cord is provided with each projector. Ensure Power that you are using a line cord, socket and power plug that meets the Connection appropriate local rating standards. Plug the line cord to the AC receptacle located at the back of the projector, below the input panel, and the three-pronged end into a grounded AC outlet.

  • Page 30: Operation

    Section 3 Operation This section explains how to effectively operate the projector once it has been About the installed. It is recommended that you read this section and familiarize yourself with Projector the components and the available menu options before you begin using your projector for the first time.

  • Page 31: Projection Lenses

    Section 3: Operation Lens Mount & The projector is built with a motorized lens mount that allows for easy lens control Projection Lenses and adjustment. This includes such functions as adjusting vertical and horizontal offsets, zoom and focus. The lens mount can be fitted with any one of the available optional lenses –...

  • Page 32: Using The Remote Or Built-In Keypad

    Section 3: Operation Laser radiation is emitted from the laser diode in the remote. Do not look Using the directly into the beam of the remote. Remote or Built-In Keypad Keypad Commands The projector is typically controlled using one of the following keypads: •...
  • Page 33 Section 3: Operation *These are toggle keys, which require you to press and hold or press twice or press and use the up/down arrow keys. NOTE: To turn the OSD off you must press Figure 3.2. Remote Keypad 020-100001-01 Rev. 01 (04/07)
  • Page 34 Section 3: Operation Wired Remote You can convert the IR remote into a wired remote keypad using the cable provided with the projector. Connect one end into the remote and the other to the mini stereo connector on the input panel labeled as .
  • Page 35 Section 3: Operation Table 3.1. Auto Setup What an “Auto Setup” Does OPTIMIZES: SETS TO DEFAULT: Pixel Tracking Contrast Pixel Phase Brightness Size and Blanking Auto Input Level (off) Vertical Stretch Detail (if video source) Position Filter Input Levels Luma Delay NOTE: You must have an unlocked channel present to use Auto Setup.
  • Page 36 Section 3: Operation Input 6 Input 6 Press to display from the interface module installed in the Option 2 slot. INPUT 6 Input 6 NOTE: If you have the optional Dual SD/HD-SDI Module installed and there are two INPUT 8. inputs connected here, the second input (B) is considered If you are using the INPUT 6...
  • Page 37 Section 3: Operation OSD (On-screen display) Press to hide the projector’s menu system during use. To see the menus again, do one of the following: • Press and hold for two seconds • Press and release followed immediately by • Press Invisible menus are fully functional, enabling “hidden”...
  • Page 38 Section 3: Operation The “Projector” checkbox (read-only) shows whether or not the projector physically connected to a keypad is listening to commands from that keypad. A checkmark means that connected projector is listening; if there is no checkmark, you are communicating with a different projector.

  • Page 39: Navigating The Menus

    Section 3: Operation Lens NOTE: Use the Shift key (built-in keypad) with the general keys to get the same effect as if using the arrow keys related to “Lens V” or “Lens H” on the IR remote. Laser Press to activate the laser pointer on the remote.
  • Page 40 Section 3: Operation On-line Help If at any time you are uncertain what to do next, press to display summary Help information about the current menu or highlighted option. Press again to exit. In Help addition, a line of “hint” text is included at the bottom of some menus. Press from the presentation level to access general Help Topics.
  • Page 41 Section 3: Operation Once selected, change the setting as desired (see below) and press to save and return to the current function menu. Slide bars in menus – The current value for a given parameter, such as size or vertical stretch, appears to the left of its slide bar icon (adjustment window).
  • Page 42 Section 3: Operation Example of Pull-Down List If you prefer to quickly scroll through a list without first pulling it down, highlight the option and use . Press when the desired choice appears. NOTES: 1) Press to jump between pages in an extra long pull-down list. 2) Press Exit while in a pull-down list to cancel any change.

  • Page 43: Using Inputs And Channels

    Section 3: Operation Editing Numerical Values Enter numbers directly from the keypad in order to specify numbers representing projectors, channels (source setups), or slots. As each digit is entered, it is displayed and the cursor moves on. Note that channel numbers are defined with two digits—for example, if you enter only a single digit (such as “7”) for a channel number, the channel will automatically be defined as “07”.
  • Page 44 Section 3: Operation previously through the same input location. Once you have adjusted a display parameter, such as pixel tracking or contrast, all current settings are collectively stored in the projector's memory as a unique two-digit channel, such as . You can have numerous distinct channels available for the same input, any of which can be selected by using the key on the keypad followed by the two-digit channel...
  • Page 45 Section 3: Operation NOTES: 1) The current channel is highlighted upon entering the channel list, or, if this channel is not displayed here, the first channel in the list is highlighted. 2) Channels created automatically do not appear in the channel list unless a parameter for the channel has been changed.
  • Page 46 Section 3: Operation Table 3.2. Abbreviations for Signal Type Abbrev. Signal Type Composite (4 wire) on HC input Composite (4 wire) on V input Sync-on-green Separate H,V Separate H,V swapped SVid S-Video CVid Composite Video Digital To copy, delete or edit a channel, FUNCTIONS WITHIN THE CHANNEL SETUP MENU —...
  • Page 47 Section 3: Operation Figure 3.5. Deleting a Channel highlight any channel in the Channel Setup menu TO DELETE MULTIPLE CHANNELS and press to go to the Channel Copy/Delete submenu. Select “Delete Unlocked Func Only” and press to delete all unlocked channels. Select “Delete All Channels” to delete all channels, even those that are locked.

  • Page 48: Adjusting The Image

    Section 3: Operation NOTES: 1) If you enter a channel number that already exists, a dialog message appears indicating that this number is already in use–assign a different channel number. 2) You can define up to 50 channels. • 1-8, corresponding to where on the projector’s input panel the source is INPUT: connected.
  • Page 49 Section 3: Operation NOTES: 1) To hide these “direct” slide bars, disable the “Display Slide bars” checkbox in the Menu Preferences menu. 2) To hide the entire menu system from view, turn off the on-screen display by pressing Before You Begin Use Auto Setup ( Auto For a good and efficient first step in perfecting the image, press...
  • Page 50 Section 3: Operation Position, V-Position or Blanking do not correspond to those for a preset. This option is not offered in the Resize Presets pull-down list. • Select for most sources (factory default). The image will be centered “DEFAULT” and displayed as large as possible depending on the type of source. •...

  • Page 51: Vertical Stretch

    Section 3: Operation • Select to display an anamorphic “ANAMORPHIC” image in its native 16:9 aspect ratio. The image will fill the screen from side-to-side and be centered between black bars at top and bottom. Size “Size” controls both the image width and height in tandem, maintaining the current aspect ratio (proportion) of the displayed signal data.
  • Page 52 Section 3: Operation If some shimmer from a video or HDTV source persists, use the “Filter” control to remove high-frequency noise from the signal. H-Position This option moves the image right or left within the area of available pixels. NOTE: The value shown represents where the approximate center of the image lies in relation to the total number of pixels available horizontally.
  • Page 53 Section 3: Operation BLANKING (TOP, BOTTOM, LEFT, and Crop the image as desired so RIGHT): that unwanted edges are removed from the display (changed to black—see right). Blanking defines the size of the Active Input Window, or area of interest. Range of adjustment depends on the source resolution and other factors.
  • Page 54 Section 3: Operation Image Settings Menu Use options in the Image Settings menu to alter your main image without affecting its size or position. Changes made to the Image Settings menu are applied immediately and are saved when you exit the menu (press Exit ).

  • Page 55: Noise Reduction

    Section 3: Operation setting. In high ambient light conditions, lower gamma may produce better results than higher gamma. Gamma of 2.2 (default) indicates the gamma table has not been adjusted. For more information, refer to Advanced Image Settings submenu, Gamma Table.
  • Page 56 Section 3: Operation NOTE: When certain RGB signals are first connected, the projector may not initially recognize them as RGB and will incorrectly decode their color information as YPbPr (video). These signals can include: • RGB signals in NTSC, PAL, SECAM frequency ranges. •...
  • Page 57 Section 3: Operation NOTE: Generally, use “Auto” for all instances EXCEPT: 1) a poor quality input signal or 2) a black-and-white video signal. In order to detect and display such signals, select the relevant standard from the list. This control INPUT VIDEO BLACK: compensates for incoming elevated black levels present in certain video signals, and...
  • Page 58 Section 3: Operation Good RGB or input levels— that is, the drives and black levels for each of the three colors, red, green and blue— ensure that images from analog sources other than decoded video have maximum contrast without crushing black or white. By default (and in an “Auto Setup”), the projector automatically determines the...
  • Page 59 Section 3: Operation 3. Confirm that you are using an analog source not connected to INPUT 3 or INPUT 4, as Input Levels are not applicable for digital sources or sources going through the decoder. A grayscale is recommended. 4. If the blacks and/or whites appear OK, input levels do not need adjustment. If black levels are too high (and/or whites are too low, which is rare), you likely have a noisy source that is producing skewed input levels.
  • Page 60 Section 3: Operation 1. Display a 16 level grayscale test pattern from the desired external source, and enter a checkmark in the Peak Detector checkbox. NOTE: The “Peak Detector” will initially render the grayscale as a uniform gray field before adjustment or extreme crushing. 2.
  • Page 61 Section 3: Operation Advanced Image Settings — SUBMENU Use the Advanced Image Settings submenu to make the adjustments necessary for lesser- used but more specialized applications on your projector. This control applies a GAMMA TABLE: default video, graphics or simple gamma table or “curve”...
  • Page 62 Section 3: Operation precisely set the hue and intensity of each color component in the Color Adjustment by X/Y or Color Saturation submenus. It is most often needed with multiple-projector applications. Select the color adjustment producing the best color accuracy for your application and installation.
  • Page 63 Section 3: Operation Simulation 3D — SUBMENU OF ADVANCED IMAGE SETTINGS Use the options in the Simulation 3D menu to make the timing adjustments necessary for realistic simulation and 3D images. NOTES: 1) Available in SXGA+ and HD Mirage and Matrix projectors only.
  • Page 64 Section 3: Operation NOTE: If increasing AccuFrame does not improve image quality, reduce the value to 0. Increasing AccuFrame may increase ‘flicker’ of the display. (Mirage models only) This option defines 1) whether 3D STEREO SYNC LOCKING — or not the incoming stereographic 3D signal locks to the vertical sync output so that signals are synchronized, and 2) whether or not the 3D frames must be inverted, i.e.
  • Page 65 Section 3: Operation (Matrix models only) Requires optional ChristieTWIST module. WARP LATENCY — See ChristieTWIST User’s Manual provided with the module. Advanced Image Settings continued — SUBMENU This control is most useful for smoothing out moving images from MOTION FILTER — interlaced sources.

  • Page 66: Adjusting System Parameters And Advanced Controls

    Section 3: Operation Use the Configuration menu to define Adjusting general operating parameters and System communications with other projectors Parameters and and equipment, and to access other Advanced advanced processing and image Controls adjustments affecting overall performance. In addition, the Configuration menu provides access to diagnostics, calibration tools and the Service submenu (password-...
  • Page 67 Section 3: Operation Menu Preferences — SUBMENU Adjust the appearance, content and/or location of on-screen menus and messages. Enter a LARGE MENU FONT — checkmark to enlarge menus and their text. You may have to adjust “Menu Location” to accommodate the increased menu area.

  • Page 68: Network Routing

    Start-up And No Signal – A splash screen appears at start-up only if there is no source signal. To replace the default “Christie logo” splash screen (or other) with one of your own, use KoRE Librarian to download the desired .bmp to the projector. This will overwrite the current splash screen content in projector memory.
  • Page 69 Section 3: Operation Select “Separate” (factory default) to keep RS232, RS422 and Ethernet SEPARATE: messages on their respective paths instead of being broadcast to the other types of ports. In Figure 3.8A, RS422 controls only the projector to which it is connected. In Figure 3.8B, either RS232 or RS422 will control the network.
  • Page 70 Section 3: Operation Enter a valid and unique IP address for use on the network to which the IP ADDRESS: projector is currently connected. This address will overwrite any previous IP address such as the projector’s factory-defined default (0.0.0.0), or one that has been assigned by a DHCP server or other user.

  • Page 71: Broadcast Key

    Section 3: Operation DMX Channel Function Value 0 – 64 Open Base Shutter 65 – 192 No Action 193 – 255 Closed 0 – 254 Locked Base + 1 Slider Lock Unlocked * Base + 2 Input * 1 – 8 Input # Base + 3 Channel *...
  • Page 72 NOTE: If the optional ChristieTWIST module is installed, this option is Keystone and Warping, and activates a submenu for defining custom image shapes. Please refer to documentation included with your Christie TWIST module. Use to correct a keystoned image shape in which both sides of your image are inclined toward the top or bottom edge.
  • Page 73 Section 3: Operation NOTES: 1) See also 3.10, Using Multiple Projectors for the complete step-by-step procedure for achieving uniform brightness in adjacent displays. 2) If Christie TWIST module is installed, the enable checkbox changes to a list giving the option to choose from several different uniformity maps.
  • Page 74 Section 3: Operation • Color Adjustments by X,Y — Enter known x/y coordinates from the chromaticity graph. • Color Saturation — Adjust color slide bars and judge image color by eye or meter. A user-defined color “adjustment” can be applied by selecting it in the Advanced Image Settings menu (“Select Color Adjustment”).
  • Page 75 Section 3: Operation NOTE: Keep new x,y coordinates within the original color gamut triangle shown here. PROCEDURE FOR X,Y ADJUSTMENTS: See 3.10, Using Multiple Projectors. Use this submenu COLOR SATURATION: if you do not have specific color coordinates in mind and will simply judge color performance by eye or meter.
  • Page 76 Section 3: Operation Black Level Blending — SUBMENU Black Level Blending is a feature that eliminates the differences between black levels when edge blending multiple projectors. The Black Level Blending submenu provides many controls to allow the edges of adjacent images to be smoothly overlapped creating a “seamless”...

  • Page 77: Color Enable

    Section 3: Operation Test Pattern Grey Level Set the desired level of grey for displaying in the full gray field test pattern. Freeze Image Enter a check mark to freeze (stop) an image on a single frame. This diagnostic tool is useful if you need to examine in detail a still version of an incoming image that cannot be “frozen”...

  • Page 78: Peak Detector

    Section 3: Operation Figure 3.11. Using “Odd Pixel Adjustment” NOTES: 1) Adjust offset before gain, since offset affects gain. 2) A value of 128 represents no change in normal odd pixel offset or gain. 3) Odd Pixel Adjustment eliminates “one pixel on, one pixel off” artifact only, not any type of larger artifacts. Reserved No function.
  • Page 79 Section 3: Operation Aspect Ratio Overlay Selecting this option with a checkmark will overlay a number of common aspect ratio boxes on top of the source image. This is very helpful during the setup of the projector and can be turned off after desired specifications have been achieved. LiteLOC™...

  • Page 80: Working With Pip And Seamless Switching

    Section 3: Operation PIP (Picture-in-Picture) and Seamless Switching are independent but related projector Working with features that both utilize two image-processing paths within the projector. In the case PIP or of Picture-in-Picture, this double processing enables you to display two different Seamless images simultaneously –...
  • Page 81 Section 3: Operation Swap Main and PIP Image Toggle the current picture-in-picture relationship so that the primary (main) image becomes secondary (PIP), and the secondary image becomes primary. Swapping is available only when PIP is enabled. NOTE: There may be a slight delay when swapping the Primary and Secondary images.

  • Page 82: Image Optimization

    Section 3: Operation PIP Border Color Select the desired color for the PIP window border. NOTES: 1) Numbers 7 and 8 on the Picture-in-Picture and Switching submenu control switching parameters. 2) Disable PIP in order to work with Seamless Switching. 3) Disable PIP and Best Switching for Interlaced sources > 35kHz. Working with Seamless Seamless Switching is the ability to instantly and/or smoothly switch sources, and is Switching...

  • Page 83: Working With The Lamp

    Section 3: Operation Numbers Select Main Image Use Numbers Select Main Image to use the numeric keys #1-8 as input keys. This remapping of the keypad (see right) can be particularly useful with PIP displays, providing a convenient shortcut for changing the primary (background) image without first having to return to the Main menu.
  • Page 84 Section 3: Operation NOTES: 1) If you change modes over the life of a lamp, the lamp limit you originally expected may no longer be possible. 2) Turning the lamp on and off reduces lamp life significantly, as do other factors. 3) It is recommended that Lamp Limit not exceed the expected lamp life, otherwise a lamp could become dangerously fragile with overuse.
  • Page 85 Section 3: Operation NOTE: The number shown for “intensity” is not the actual lumen output, but rather a correlated value only—1246 may represent 3500 lumens, for example. To use “ ” mode, judge by eye (or use a meter) and set the level as desired for Intensity your application.
  • Page 86 Section 3: Operation to record the serial number for a newly installed lamp: CHANGE LAMP In the Lamp S/N window, use the number text entry keys to record the new lamp serial number and press again to accept the change. See Using Slide bars and Other Controls if you need help entering the number.

  • Page 87: Status Menu

    Section 3: Operation The read-only Status menu lists a variety of details about the standard and optional Status Menu components currently detected in the projector. Refer to the Status menu for versions of hardware and software installed, the type (size) of lamp, the hours logged in total and for a specific period (such as a rental period), and for your projector model name and serial number.

  • Page 88: Color Adjustment Procedure

    Section 3: Operation To return to the factory-set color primaries, such as when a projector is moved to different site, you must access the Service menu (password-protected). Select the “Reset to Factory Defaults?” option in the Color Primaries submenu. Then repeat the calibration process describe above, if desired, and continue with matching of colors.
  • Page 89 Section 3: Operation Figure 3.14. Copy X/Y Values into All Projectors 6. In each projector, judge by eye and adjust x/y coordinates slightly in the following manner: • To match reds, decrease “Red X” until full field red screens match. •...
  • Page 90 Section 3: Operation Using the Color Saturation Menu for Color Matching You may prefer to use the Color Saturation menu to match colors across multiple screens. In the three Color Adjustment submenus (Red, Green, Blue—see right), set all main values to 100 and the secondary values to 0.
  • Page 91 Section 3: Operation Light output and Brightness Uniformity can vary RUN LAMP FOR 100 HOURS— significantly during the first 100 hours of lamp use. For best results with new lamps, either set up Brightness Uniformity after this period, or do an initial setup and re-check at 100 hours.
  • Page 92 Section 3: Operation In either Color Adjustments menu, select a “User” color. Then: • If you have created a “User 1” color gamut (recommended) for a well- matched wall, continue to Step 1e. • If you prefer maximum brightness rather than a particular color temperature, select “Max Drives”.
  • Page 93 Section 3: Operation Figure 3.16. Match Zones to Center Color Temperature Repeat the color adjustment of sides and corners for each edge of the screen that does not yet match the center (note that each corner is adjustable in either of its two adjacent “side”...

  • Page 94: Main Functions

    “Uniformity Enable” checkbox at the top of the Brightness Uniformity menu. Edge Blending Christie Edge Blending is an innovative set of software functions that can quickly and easily blend white levels along the edges of multiple adjacent projected images to create a single seamless larger image.
  • Page 95 Section 3: Operation • determines how much area is used for blending along an overlapping Blend Width edge. Slide bar values represent the number of eight-pixel steps used for the blend. For example, a setting of “eight” creates a blended edge 24 pixels wide. A setting of “0”...

  • Page 96: Other Functions

    Section 3: Operation • turns your Show Blending Overlap defined blend width area to solid gray so that, if needed, simply overlapping the gray bars can seamlessly align two adjacent images. Toggle the Show Blending Overlap off to reactivate the blend effect.
  • Page 97 Section 3: Operation : On one projector, increase the Blend Width for an overlapping SET BLEND WIDTH edge (for example, if the projector’s image is on left, its right edge overlaps the adjacent image—adjust Right Blend Width). Use the same setting on the second projector for this shared edge.

  • Page 98: Remote Control Of The Projector

    RS422 port (recommended), or open an Ethernet socket (i.e., Telnet) between your controller and the valid projector address. Valid ASCII codes and messages are documented in the Christie Serial Communications document available at the Christie website. Connect your PC to the projector’s Ethernet port. In your web VIA WEB INTERFACE —...

  • Page 99: Error Conditions

    Section 3: Operation Repeat for remaining networked projectors as desired. Keep in mind that multiple units can be controlled from one PC, but each unit will be in its own ChristieNET interface (web browser) at the PC. Likewise, you can make up to five separate web locations to a single projector.
  • Page 100 Section 3: Operation No Signal The message "No signal" occurs when there is no source signal detected at the selected input—both HSYNC and VSYNC are inactive and the screen background is black. Connect or correct the signal, or try another input. Bad Sync The message "Bad Sync"...
  • Page 101 GENERAL Software bug. Contact dealer/factory. CRC error in flash ROM. Download new software. Engineering-only programming is complete. Call Christie, replace TIPM. Attempting to download code without being in boot mode Invalid interrupt. Power off/on. If it persists, contact dealer/factory. User forced system to stay in boot mode...
  • Page 102 Section 3: Operation Red modular Formatter communication failure Green modular Formatter communication failure Blue modular Formatter communication failure Modular formatter architecture error Modular formatter DMD mismatch Modular formatter sequence mismatch MISCELLANEOUS Unable to program the optional module Unable to power the optional module Unable to program the Dual Slot Backplane Module (DSBP) Unable to program the optional Post Processing Module (Warp module) Exit...

  • Page 104: Maintenance

    Section 4 Maintenance The projector is an international regulatory agency approved product designed for safe Warnings and and reliable operation. To assure complete safety at all times it is important to Safety acknowledge the following precautions while operating the projector. Guidelines WARNING Always power down the projector using appropriate procedure...
  • Page 105 Sudden stops, excessive force and uneven surfaces may cause the projector and cart combination to overturn. • Only use Christie-approved ceiling mount fixture, if the projector is to be ceiling mounted. Lamp Lamp: The projector uses a Cermax® Xenon lamp to deliver its high brightness. A lamp should be replaced when it has reached its end of life or if a noticeable change in brightness occurs.
  • Page 106 The projector has been dropped or the shipping case (if applicable) has been badly damaged. WARNING Do not attempt to service the projector yourself. All servicing must be performed by Christie accredited service technicians. Use replacement parts that are manufacturer-approved only. Use of any other part other than the ones specified...

  • Page 107: Cleaning And Maintenance Guide

    Replacement procedure later in this section. Filters Whenever a lamp is REPLACE: Do not reuse old filters. Use the replaced or sooner filter provided in the Christie Lamp and if required Filter Kit. Covers (External) As required CLEAN: Clean dust from external covers using a clean, lint free cotton cloth as required.

  • Page 108: Replacing Remote Batteries

    (below the input panel) and can be accessed by removing the Replacement lamp access panel. Use only the Christie approved Lamp and Filter Kit for your specific projector model. See Table 4.2 below. 020-100001-01 Rev. 01 (04/07)
  • Page 109 A qualified service technician must perform lamp replacement. Cool the lamp completely and handle by the housing only. Install the correct wattage lamp supplied by Christie (see above) and read the Lamp Replacement procedure in its entirety before proceeding. Do not touch the glass surface of the lamp. Fingerprints left on the surface can lead to an intense accumulation of heat called a “hotspot”, which could...
  • Page 110 Section 4: Maintenance 1. TURN THE LAMP OFF Press (power) to turn the lamp off. Allow the cooling fans to stop automatically (within approximately five minutes) before proceeding with Step 2. This wait period is also required to allow the lamp to sufficiently cool before handling.
  • Page 111 Section 4: Maintenance 5. REMOVE THE LAMP MODULE Firmly grasp the lamp by its housing only and pull it straight out (lamp slides along guides) until it is free. See Figure 4.4. Discard the lamp using safe disposal/recycling practices. Figure 4.4. Remove Lamp Module 6.
  • Page 112 Section 4: Maintenance NOTE: If you can’t turn the lamp lock into position, it is likely the lamp is not fully inserted. In this case, partially remove the lamp and try pushing it back in again. Then, try switching the lock lever to the “lock” position. 8.
  • Page 113 If you are working in an extremely dusty environment you may want to replace the filters sooner. Use the filters provided in the Christie approved Lamp and Filter Kit for your specific projector model. 1. TURN OFF THE PROJECTOR, COOL and UNPLUG Before removing or installing a filter, turn off the projector and allow it to cool for five minutes before unplugging.

  • Page 114: Replacing The Projection Lens

    Section 4: Maintenance A variety of lenses can accommodate different throw distances and specific types of Replacing the installations. Refer to Section 6 - Specifications for details. To change a lens, follow Projection Lens the steps below. No tools are required for “compact” lenses shown. STEP 1 Turn off the projector, cool and unplug NOTE: If necessary, a lens can be swapped out while the projector is running, but this...
  • Page 115 Section 4: Maintenance STEP 3 Rotate the lens Rotate the lens counter-clockwise until the tabs are free from the lens retainer ring. See Figure 4.10A. NOTE: The connector slide assembly allows the connector to move as the lens is rotated. STEP 4 Pull lens out Lens connectors will disconnect when...

  • Page 116: Troubleshooting

    Section 5 Troubleshooting If the projector does not appear to be operating properly, note the symptoms present and use the following guide to assist you. If you cannot resolve the problems yourself, contact your dealer for assistance. NOTE: A qualified service technician is required when opening the projector to diagnose any “probable cause”. Displays Symptom The projector is on but there’s no display...
  • Page 117 Section 5: Troubleshooting Symptom The upper portion of the display is waving, tearing or jittering… 1. This can sometimes occur with video or VCR sources. Check your source. CAUSE / REMEDY: Symptom Portions of the display are cut off or wrap to the opposite edge… CAUSE / REMEDY: 1.

  • Page 118: Lamp

    Section 5: Troubleshooting Symptom The display is “noisy”… 1. Display adjustment at your input source may be required. Adjust pixel tracking, CAUSE / REMEDY: phase and filter. Noise is particularly common on YPbPr signals from a DVD player. (If using a PC source, adjust using a high-frequency test pattern with one pixel on/off throughout.) 2.

  • Page 120: 6.1 Specifications

    NOTES: 1) Due to continuing research, specifications are subject to change without notice. 2) 6.1 Specifications Specifications apply to all models unless otherwise noted. Display Resolution SXGA+ (1400 x 1050) for DS+6K-5Kc-8K/MirageS+3K-6K-8K/Matrix S+2K- 5K and DLV1400-DX HD (1920 x 1080, widescreen) for HD6K-5Kc-8K-7Kc/Mirage HD3-HD6- HD8/Matrix HD2-HD4-HD7/DLV1920-DX HD2 (1280 x 720, widescreen) for DW3K-3Kc/DW6K-6Kc...

  • Page 121: Color Temperature

    Section 6: Specifications Contrast Ratio (ANSI, full field, min.) 450:1 ANSI 1500:1 full field for SXGA+, 1500-2000:1 full field for HD, 2000:1 full field for Matrix S+5K only Color Primaries (nominal) Without Yellow Notch Filter With Yellow Notch Filter 0.660 0.330 0.680 0.320...
  • Page 122 Section 6: Specifications Inputs Standard Analog RGB or YPbPr (Interlaced or Progressive Scan Format) Horizontal Frequency Range 31 – 120 kHz Vertical Frequency Range (See Note 2) 23.97 – 150 Hz Scan format Interlaced or progressive Pixel Clock Rate (max.) 220 MHz max Signal Format Analog RGB, YPbPr, Composite (on...
  • Page 123 Section 6: Specifications DVI-I Input Interface Standard DDWG DVI 1.0 Signal Types - RGB (Analog or Digital - YPbPr (Analog) - YCbCr (Digital) Color Space RGB or YPbPr Horizontal Frequency Range 31 – 120 kHz Vertical Frequency Range 23.97 – 150 Hz Pixel Clock Rate 25 –...
  • Page 124 CERMAX Xenon Power Mirage S+3K, Matrix S+2K, DLV1400-DX, DLV1920-DX, 500W Mirage HD3, Matrix HD2 Mirage S+6K, Mirage HD6 Christie DS+6K/5Kc, Christie HD6K/5Kc 1000W Matrix S+5K, Matrix HD4, DW3K/3Kc Mirage S+8K, Christie DS+8K, Christie HD8K/7Kc, 1200W Matrix HD7, DW6K/6Kc Adjustment Ranges 350 –...
  • Page 125 Section 6: Specifications Operating position Full rotation allowed about the lamp axis, ± 15 degrees minimum tilt of lamp axis from horizontal Warm up to full brightness 10 minutes max. Size and Weight Dimensions (without lens) 26.0” x 22.3” x 12.3” 660mm x 566mm x 313mm (Including feet at min.
  • Page 126 RGB400 Active Loop-Through Input Module RGB400 Buffered Amplifier Input Module PC250 Analog Input Module Serial Digital Input Module DVI Input Module (Standard with Mirage HD series) Dual SD/HD-SDI Module (Standard with the Christie HD series) 020-100001-01 Rev. 01 (04/07) 6-7.

  • Page 128: Appendix A: Glossary

    Appendix A Glossary This appendix defines the specific terms used in this manual as they apply to this projector. Also included are other general terms commonly used in the projection industry. Active Line Time The time, inside one horizontal scan line, during which video is generated. Ambient Light Rejection The ability of a screen to reflect ambient light in a direction away from the “line of best viewing”.
  • Page 129 Appendix A: Glossary adjustable display settings, etc. Use channels to switch between a variety of setups quickly, automatically recalling previously defined display parameters. Channel List A list/menu of previously defined channels available in projector memory. Channel Number A number that uniquely identifies a specific channel retained in projector memory. The projector can retain up to 99 channels.
  • Page 130 Appendix A: Glossary Diffused Screen A type of rear-projection screen which spreads the light striking it. Screen gain is less than one but audience viewing angles are increased. Display Setting An adjustment that affects the display of an image. Such display settings include contrast, brightness, tint, blanking, size, offsets, and others.
  • Page 131 Viewing is along the line of reflection. LiteLOC ™ A Christie software feature where samples of output light from a projector trigger automatic adjustments in the lamp ballast power in order to maintain a constant light output over time. Also known as brightness tracking.
  • Page 132 Appendix A: Glossary Menu A list of selectable options displayed on the screen. NTSC Video A video output format of some video tape and disk players. There are two types of NTSC (National Television Standards Committee) video: NTSC 3.58 and NTSC 4.43. NTSC 3.58 is used primarily in North America and Japan.
  • Page 133 Appendix A: Glossary Retrace Time The minimum time required for a CRT projector to move the position of the scanning (Horizontal) spot from the right edge to the left edge. Rise Time The time required by the video amplifier of the projector to increase its output from 10% to 90% of the maximum value.
  • Page 134 (usually 75Σ for video). Throw Distance The distance between the front feet of the projector and the screen. Also called “Projector-to-Screen Distance”. Always use the correct Christie throw distance formula to calculate the proper throw distance (±5%) required for your lens. Throw Ratio Throw ratio = throw distance / screen width.

  • Page 136: Appendix B: Keypad Reference

    Appendix B Keypad Reference NOTE: The IR remote is a standard component provided with the projector. Use the extension cable also provided to convert the IR remote to a wired remote, if desired. Refer to Section 3 for a specific description of each key and how to use them correctly.

  • Page 138: Serial Communication

    Appendix C Serial Communication Cables A serial link of RS232 or RS422 enables ASCII communication with the projector so that it can be controlled remotely from a PC or other controller. From a PC, connect a standard nine-wire RS232 serial cable to the port.

  • Page 140: Throw Distance

    Appendix D Throw Distance Calculating Throw Distance It is important throw distance be precisely calculated for your installation using the appropriate formula from the chart below. To calculate throw distance you must know the screen size and the lens type installed in the projector. In general, the larger you want the image to be the greater the distance you must allow between the lens and...

  • Page 141: Appendix D: Throw Distance

    Appendix D: Throw Distance SXGA+ Lenses 020-100001-01 Rev. 01 (04/07)
  • Page 142 Appendix D: Throw Distance 020-100001-01 Rev. 01 (04/07)
  • Page 143 Appendix D: Throw Distance 020-100001-01 Rev. 01 (04/07)
  • Page 144 Appendix D: Throw Distance 020-100001-01 Rev. 01 (04/07)
  • Page 145 Appendix D: Throw Distance 020-100001-01 Rev. 01 (04/07)
  • Page 146 Appendix D: Throw Distance 020-100001-01 Rev. 01 (04/07)
  • Page 147 Appendix D: Throw Distance 020-100001-01 Rev. 01 (04/07)
  • Page 148 Appendix D: Throw Distance 020-100001-01 Rev. 01 (04/07)
  • Page 149 Appendix D: Throw Distance D-10 020-100001-01 Rev. 01 (04/07)
  • Page 150 Appendix D: Throw Distance HD Lenses 0.67:1 Fixed Lens Image Image Width Throw Diagonal Distance Throw Distance Formula (TD) TD = 0.7058 x W + 2.23 Inch Inch Inch Where W = image width (inch) 66.9 169.8 58.3 43.4 110.1 67.8 172.1 59.1...
  • Page 151 Appendix D: Throw Distance 1.1:1 FP Fixed Lens Image Image Width Throw Throw Distance Formula Diagonal Distance (TD) Inch Inch Inch TD = 1.145 x W + 3.76 (inch) Where W = image width 114.7 291.4 100.0 254.0 118.3 300.4 122.0 309.8 106.3...
  • Page 152 Appendix D: Throw Distance 487.8 1239.1 425.2 1080.0 490.6 1246.2 494.6 1256.3 431.1 1095.0 497.4 1263.3 501.4 1273.6 437.0 1110.0 504.1 1280.5 508.2 1290.8 442.9 1125.0 510.9 1297.7 515.0 1308.0 448.8 1140.0 517.7 1314.9 521.7 1325.2 454.7 1155.0 524.4 1332.0 528.5 1342.4 460.6...
  • Page 153 Appendix D: Throw Distance 1.38 - 1.84 Zoom Image Image Width Throw MINIMUM ZOOM Diagonal Distance (TD) Throw Distance Formula Inch Inch Inch TD = 1.383 x W + 1.79 129.2 328.1 112.6 157.5 400.1 (inch) Where W = image width 131.0 332.7 114.2...
  • Page 154 Appendix D: Throw Distance 496.9 1262.1 433.1 1100 600.7 1525.8 503.7 1279.3 439.0 1115 608.9 1546.6 510.4 1296.5 444.9 1130 617.1 1567.3 517.2 1313.7 450.8 1145 625.2 1588.1 524.0 1330.9 456.7 1160 633.4 1608.8 530.8 1348.1 462.6 1175 641.6 1629.6 537.5 1365.3 468.5...
  • Page 155 Appendix D: Throw Distance 1.38 - 1.84 Zoom Image Image Width Throw MAXIMUM ZOOM Diagonal Distance (TD) Throw Distance Formula Inch Inch Inch TD = 1.884 x W + 1.44 94.9 240.9 82.7 210.0 157.2 399.3 Where W = image width (inch 101.6 258.2 88.6...
  • Page 156 Appendix D: Throw Distance 467.5 1187.5 407.5 1035.0 769.1 1953.6 474.3 1204.7 413.4 1050.0 780.3 1981.9 481.1 1221.9 419.3 1065.0 791.4 2010.1 487.8 1239.1 425.2 1080.0 802.5 2038.4 494.6 1256.3 431.1 1095.0 813.6 2066.6 501.4 1273.6 437.0 1110.0 824.8 2094.9 508.2 1290.8 442.9...
  • Page 157 Appendix D: Throw Distance 1.84 - 2.58 Zoom Image Image Width Throw MINIMUM ZOOM Diagonal Distance (TD) Throw Distance Formula Inch Inch Inch TD = 1.897 x W - 3.95 97.6 247.8 85.0 157.4 399.7 Where W = image width (inch) 99.4 252.4 86.6...
  • Page 158 Appendix D: Throw Distance 465.3 1181.8 405.5 1030 765.3 1943.9 472.0 1199.0 411.4 1045 776.5 1972.3 478.8 1216.2 417.3 1060 787.7 2000.8 485.6 1233.4 423.2 1075 798.9 2029.2 492.4 1250.6 429.1 1090 810.1 2057.7 499.1 1267.8 435.0 1105 821.3 2086.2 505.9 1285.0 440.9...
  • Page 159 Appendix D: Throw Distance 1.84 - 2.58 Zoom Image Image Width Throw MAXIMUM ZOOM Diagonal Distance (TD) Throw Distance Formula Inch Inch Inch TD = 2.597 x W - 3.64 71.4 181.3 62.2 157.9 401.1 Where W = image width (inch) 72.3 183.6 63.0...
  • Page 160 Appendix D: Throw Distance 2.58 - 4.15 Zoom Image Image Width Throw Distance MINIMUM ZOOM Diagonal (TD) Throw Distance Formula Inch Inch Inch TD = 2.459 x W + 11.33 161.7 410.7 140.9 357.9 909.1 (inch) Where W = image width 162.6 413.0 141.7...
  • Page 161 Appendix D: Throw Distance 521.7 1325.2 454.7 1155 1129.5 2868.9 528.5 1342.4 460.6 1170 1144.0 2905.8 535.3 1359.6 466.5 1185 1158.5 2942.7 542.1 1376.8 472.4 1200 1173.1 2979.6 548.8 1394.0 478.3 1215 1187.6 3016.5 555.6 1411.2 484.3 1230 1202.1 3053.3 562.4 1428.4 490.2...
  • Page 162 Appendix D: Throw Distance 2.58 - 4.15 Zoom Image Image Width Throw Distance MAXIMUM ZOOM Diagonal (TD) Throw Distance Formula Inch Inch Inch TD = 4.112 x W + 9.04 97.6 247.8 85.0 358.7 911.2 Where W = image width (inch 99.4 252.4 86.6...
  • Page 163 Appendix D: Throw Distance 465.3 1181.8 405.5 1030 1676.5 4258.3 472.0 1199.0 411.4 1045 1700.8 4320.0 478.8 1216.2 417.3 1060 1725.1 4381.7 485.6 1233.4 423.2 1075 1749.4 4443.4 491.9 1249.5 428.7 1089 1772.0 4500.9 D-24 020-100001-01 Rev. 01 (04/07)
  • Page 164 Appendix D: Throw Distance 4.15 - 6.74 Zoom Image Diagonal Image Width Throw Distance MINIMUM ZOOM (TD) Throw Distance Formula Inch Inch Inch TD = 4.081 x W + 10.64 130.1 330.4 113.4 473.4 1202.4 (inch) Where W = image width 131.0 332.7 114.2...
  • Page 165 Appendix D: Throw Distance 496.9 1262.1 433.1 1100 1778.0 4516.1 503.7 1279.3 439.0 1115 1802.1 4577.3 510.4 1296.5 444.9 1130 1826.2 4638.6 517.2 1313.7 450.8 1145 1850.3 4699.8 524.0 1330.9 456.7 1160 1874.4 4761.0 530.8 1348.1 462.6 1175 1898.5 4822.2 537.5 1365.3 468.5...
  • Page 166 Appendix D: Throw Distance 4.15 - 6.74 Zoom Image Diagonal Image Width Throw Distance MAXIMUM ZOOM (TD) Throw Distance Formula Inch Inch Inch TD = 6.887 x W + 10.70 76.8 195.0 66.9 471.6 1198.0 Where W = image width (inch) 83.6 212.3 72.8...
  • Page 167 Appendix D: Throw Distance 449.5 1141.6 391.7 2708.6 6879.7 456.2 1158.8 397.6 1010 2749.2 6983.0 463.0 1176.0 403.5 1025 2789.9 7086.4 469.8 1193.2 409.4 1040 2830.6 7189.7 476.6 1210.4 415.4 1055 2871.2 7293.0 483.3 1227.7 421.3 1070 2911.9 7396.3 490.1 1244.9 427.2 1085...

  • Page 168: System Integration

    Appendix E System Integration The GPIO (General Purpose Input Output) connector located on the input panel provides a flexible method of interfacing a wide range of external I/O devices to the projector. There are seven GIO pins available on the nine-pin D-Sub GPIO connector, which are configurable via RS232 commands. The other two pins are reserved for ground and power –...

  • Page 169: Appendix E: System Integration

    Appendix E: System Integration Query Command (GIO?) Request the state and configuration of all pins (GIO! “HHLLHLH” “OOIOOOI”) Reply of pin state and configuration (GIO? C2) Request configuration for pin #2 (GIO! C2 O) Reply with pin #2 configuration as output (GIO? 2) Request the state of pin #2 (GIO! H)

  • Page 170: Appendix F: Optional Input Modules

    Appendix F Optional Input Modules There are many optional input modules and accessories currently available for this projector. Contact your dealer for a complete and up-to-date listing. RGB500 Input Module The RGB500 Input Module may be installed in this projector, a Marquee Signal 38-804606-xx Switcher, or a Marquee Case/Power Supply.

  • Page 171: Appendix G: Index

    Appendix G: Index RGB400 Active Loop-Thru The RGB400 ALT Input Module may be installed in this projector, a Marquee Signal Input Module Switcher, or a Marquee Case/Power Supply. The module receives analog RGB input 38-804607-xx signals from computers or other RGB source devices. Video inputs are 75 Ω...
  • Page 172 Appendix G: Index Features • Supports Digital Visual Interface (DVI) single-channel • Supports VESA® Extended Display Identification Data (EDID™) • Provides an active-loop-through using a DVI connector (conforming to the DVI Specification) Serial Digital Input Module The module accepts a serial digital 4:2:2 component video signal (YCbCr) via a single 38-804602-xx BNC connector.
  • Page 174 Index Name, 3-18 Number, 3-15, 3-19 Signal Type, 3-16 3D Simulation, 3-34 Channel Copy/Delete, 3-17 3D Stereo Sync, 3-35 Channel Edit Menu, 3-18 Channel Key, 3-6, 3-15 Channel Selection, 3-15 Ambient Lighting, 2-5 Channel Setup Menu, 3-16 Anamorphic, 3-22 And Enter Key, 3-17 Arrow Keys, 2-9 And Function Key, 3-17 Auto Input Level, 3-29...
  • Page 175 Appendix G: Index Contrast Key, 3-7, 3-25 Gamma Key, 3-7 Custom Sizing, 3-20 Geometry and Color, Submenu, 3-42 Glossary of Terms, A-1 Dark Interval, 3-34 Date and Time Help Setting, 3-37 Context-sensitive, 3-11 Decoder AGC Horizontal Position, 3-23 Enabling, 3-27 Decoder Luma Delay, 3-28 Detail Image...
  • Page 176 Appendix G: Index Replacing Batteries, 4-5 Menu Font Size, 3-37 Wired, 5 Menu Key, 3-7 Keystone Menu Location on Screen, 3-37 Correcting, 42 Menu Navigation, 3-10, 3-19 Motion Filter, 3-36 Multiple Projectors Description, 3-57 Lamp, 3-2, 4-4 Failure to Ignite, 5-3 History, 3-55 Hours, 3-53 Network Routing, 3-39...
  • Page 177 Appendix G: Index How it works, 1-2 Split Network, 3-39 Mounting, 2-11 Split Networks Number, 3-14 Options for Setup, 2-19 Quick Setup, 2-1 S-Video Resetting, 3-70 Connection, 2-14 Projector Height, 2-11, 3-1 Swap Main and PIP Image. See PIP Projector Key, 3-8 Switcher, 3-19 Pull-Down Lists, Use of, 3-12 Sync...

This manual is also suitable for:

Ds+5kcHd8kHd7kcMirage s+3kMirage s+6kMirage hd3 ... Show all

Table of Contents