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MP 2016a FRONT PANEL CONTROLS
1
AUX 1
PHONO /
LINE
AUX 2
AUX 3
AUX 4
AUX 5
5
6
4
7
3
8
2
9
INPUT SELECTORS 1-4
1
10
Each six-position Input Selector chooses a dedicated PHO-
INPUT GAIN
NO / LINE preamplifier, or one of five stereo line-level AUX
Inputs as its Input Channel source. (PHONO / LINE switches
5
6
are on the rear panel).
4
7
3
2
1
10
MIX LEVEL
1
AUX 1
PHONO /
LINE
AUX 2
AUX 3
AUX 4
AUX 5
5
6
4
7
3
8
2
9
1
10
INPUT GAIN
5
6
4
7
3
2
1
10
MIX LEVEL
INPUT GAIN
INPUT GAIN controls allow the user to match input levels.
Adjust these to make the SIG / OL indicator flash green. If the
indicators turn red, reduce the INPUT GAIN. Adjusting the
INPUT LEVEL controls correctly maximizes dynamic range
and provides consistent MIX LEVEL response.
Input SIG / OL
These dual-color indicators provide help in setting correct
input levels. A flashing green indication is optimal. A red light
that lasts more than a flash is a request to turn down the INPUT
GAIN.
Manual-
2
AUX 1
PHONO /
LINE
AUX 2
AUX 2
AUX 3
AUX 3
AUX 4
AUX 4
AUX 5
5
6
4
7
3
8
2
9
SIG / OL
SIG / OL
1
10
INPUT GAIN
5
6
4
7
8
3
8
9
2
9
1
10
CUE
CUE
1
MIX LEVEL
2
2
AUX 1
PHONO /
LINE
AUX 2
AUX 2
AUX 3
AUX 3
AUX 4
AUX 4
AUX 5
5
6
4
7
3
8
2
9
SIG / OL
SIG / OL
1
10
INPUT GAIN
5
6
4
7
8
3
8
9
2
9
1
10
CUE
CUE
1
MIX LEVEL
2
3
AUX 1
PHONO /
AUX 1
LINE
AUX 2
AUX 3
AUX 4
AUX 5
AUX 5
5
6
4
7
4
3
8
3
2
9
2
SIG / OL
INPUT SELECTORS 5-6
1
10
1
Each six-position Input Selector chooses a dedicated mono
INPUT GAIN
INPUT GAIN
MIC Input, or one of five stereo AUX Inputs as its Input Chan-
nel source. (MIC GAIN trim, MIC / LINE switch and MIC
5
6
tone controls are located on the rear panel).
4
7
4
3
8
3
MIC ENGAGE
2
9
2
MIC 1 and MIC 2 ENGAGE switches allow switching a
1
10
1
CUE
mic on (up) or off (down). A MIC Input must be selected and
MIX LEVEL
3
MIX LEVEL
MIC ENGAGE on to activate a MIC Input. When a mic is not
in use, be sure to switch MIC ENGAGE off. The MIC EN-
GAGE switches also activate the Booth Ducker. This attenuates
the Booth Output -12 dB whenever a MIC ENGAGE switch
3
is on, even if MIC Input is not selected (internal jumpers allow
AUX 1
PHONO /
AUX 1
disabling the Booth Ducker—see Mic/Line Inputs on page
LINE
AUX 2
Manual-6).
AUX 3
AUX 4
AUX 5
AUX 5
5
6
4
7
4
3
8
3
2
9
2
SIG / OL
1
10
1
INPUT GAIN
INPUT GAIN
5
6
4
7
4
3
8
3
2
9
2
1
10
1
CUE
MIX LEVEL
3
MIX LEVEL
MIX LEVEL
These studio-grade controls determine the Master MIX LEV-
EL. For optimum performance, set the INPUT GAIN controls
as indicated previously, and then operate MIX LEVELS between
"7" and "10" for full volume. Use the HOUSE and BOOTH
LEVEL controls to set the output levels. Always set the MIX
LEVEL controls to minimum when not in use.
CUE
The CUE signal is selected using CUE 1-6 switches in any
combination. The associated yellow indicator lights when a CUE
is active.
4
5
PHONO /
AUX 1
MIC 1
LINE
AUX 2
AUX 3
AUX 4
AUX 5
5
6
5
6
7
4
7
8
3
9
2
SIG / OL
10
1
10
INPUT GAIN
5
6
5
6
7
4
8
3
9
2
10
1
10
CUE
4
MIX LEVEL
4
5
PHONO /
AUX 1
MIC 1
LINE
AUX 2
AUX 3
AUX 4
AUX 5
5
6
5
6
7
4
7
8
3
9
2
SIG / OL
10
1
10
INPUT GAIN
5
6
5
6
7
4
8
3
9
2
10
1
10
CUE
4
MIX LEVEL
6
AUX 1
MIC 2
AUX 2
AUX 3
ENGAGE
ENGAGE
AUX 4
AUX 5
5
6
4
7
8
3
8
9
2
9
SIG / OL
SIG / OL
1
10
INPUT GAIN
5
6
7
4
7
8
3
8
9
2
9
1
10
CUE
CUE
5
MIX LEVEL
6
6
AUX 1
MIC 2
AUX 2
AUX 3
ENGAGE
ENGAGE
AUX 4
AUX 5
5
6
4
7
8
3
8
9
2
9
SIG / OL
SIG / OL
1
10
INPUT GAIN
5
6
7
4
7
8
3
8
9
2
9
1
10
CUE
CUE
5
MIX LEVEL
6
5
6
4
3
2
1
10
BOOTH
CUE
MASTER
2
2
4
6
8
CUE
MONITO
5
6
4
3
2
1
10
BOOTH
CUE
MASTER
2
2
4
6
8
CUE
MONITO
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