Controls Mapping - Native Instruments Deep Freq Manual

• always be careful with monitoring levels, certain input signal / parameter combina­
tions can be very loud if there is a resonance at a frequency already very pronounced
in the input signal
• many effects use envelope followers or other level-dependent modulation schemes, so
if your input signal has some dynamic range left, you may get better results

6.3 Controls Mapping

The DEEP FREQ KORE Sounds all feature one page of assigned controls. To help you find
your way around DEEP FREQ, we've tried to map parameters to similar controls across all
KORE Sounds. As the internal structure of the effects varies greatly, so do the parameters
that need to be mapped; hence it wasn't always possible to stick to the exact same map­
ping. We've also tried to place controls that interact with each other and controls that af­
fect parameters on the same part of the effect, next to each other, if that seemed appro­
priate. So take the following parameter type mapping scheme as a guideline, not as a fixed
scheme.
Fig. 6.1 Controls mapping on KORE / KORE PLAYERs Controller Page.
• The leftmost knob of row 2 is ALWAYS assigned to FX Mix (aka "Dry/Wet")
• The leftmost button of row 2 is ALWAYS assigned to activate a low-cut filter (well, ac­
tually a low-shelf with a very high cut amount) in the output section, post FX Mix, pre
limiter. It is set to a very low frequency as to not make the output sound thin, but can
work wonders when there are resonances/feedbacks at very low frequencies that would
normally cause distortion in the output limiter.
Using DEEP FREQ
Controls Mapping
DEEP FREQ - Manual - 47