Korg PS60 Owner's Manual page 45

Thickness
This parameter controls the character of the detuning
for the unison voices. Thickness is available when
"Unison" is On.
Off: Unison voices will be evenly distributed across
the Detune range, as shown above.
01–09: Unison voices will be detuned in an asymmetric
way, increasing the complexity of the detune, and
changing the way in which the different pitches beat
against one another. This creates an effect similar to
vintage analog synthesizers, in which oscillators
would frequently drift slightly out of tune. Higher
numbers increase the effect.
PtchStrtch (Pitch Stretch)
This special control increases the Oscillator Tune
parameter while lowering the Transpose parameter.
The result is that the pitch stays the same, but the
mapping of the samples to the keys changes. You can
use this to create interesting shifts in timbre.
Hold
This produces the same result as if you continued
holding down the key.
The notes will continue sounding indefinitely unless
the oscillator's amp EG parameter "Sustain" is set to 0.
On: The Hold function will be enabled.
Off: The Hold function will be disabled.
Reverse
If this is On, the multisample waveforms of all
oscillators will play backward. With the PROG setting,
the program's original setting will be used.
Filter/Amp
Here you can make filter and amp settings for
oscillators 1 and 2.
Cutoff (Filter Cutoff)
This scales the cutoff frequency of all of the filters at
once.
Resonance (Filter Resonance)
This scales the resonance of all of the filters at once.
Flt EG Int (Filter EG Intensity)
This adjusts the filter EG intensity for the cutoff
frequency of all filters.
AmpVelInt (Amp Velocity Intensity)
This scales the effect of velocity on the Amp level.
[Off, 01...09]
[–12...0...+12 (Rel)]
[Off, On]
[PROG, Off On (Rel)]
[–99...+99 (Rel, CC#74)]
[–99...+99 (Rel, CC#71)]
[–99...+99 (Rel, CC#79)]
[–99...+99 (Rel)]
Program edit Quick parameter list
About the tone parameters
The parameters from "Filter/Amp" to "LFO," as well
as the OSC1 and OSC2 parameters "Tune" and
"Transpose," make overall adjustments to the sound
settings of the program.
Parameters other than LFO1Stop and LFO2Stop are
Relative parameters. They control an adjustment that
is relative to the parameter's actual value.
Note: Relative parameters have an indication of "Rel"
following the parameter value. Absolute parameters
have an indication of "Abs" following the parameter
value (PG p.21).
Filter/Amp EG
These parameters simultaneously adjust the filter EG
and amp EG of oscillators 1 and 2.
Attack (Filter/Amp EG Attack Time)
This scales the attack times of the Filter and Amp EGs,
along with other related parameters.
Decay (Filter/Amp EG Decay Time)
This scales the decay and slope times of the Filter and
Amp EGs.
Sustain (Filter/Amp EG Sustain Level)
This scales the sustain levels of the Filter and Amp
EGs.
Release (Filter/Amp EG Release Time)
This scales the release times of the Filter and Amp
EGs.
Filter EG
These parameters adjust the filter EG envelope for
oscillators 1 and 2.
Attack (Filter EG Attack Time)
This scales the attack times of the Filter EGs.
Decay (Filter EG Decay Time)
This scales the decay and slope times of the Filter EGs.
Sustain (Filter EG Sustain Level)
This scales the sustain levels of the Filter EGs.
Release (Filter EG Release Time)
This scales the release times of the Filter EGs.
[–99...+99, (Rel, CC#73)]
[–99...+99 (Rel, CC#75)]
[–99...+99 (Rel, CC#70)]
[–99...+99 (Rel, CC#72)]
[–99...+99 (Rel)]
[–99...+99 (Rel)]
[–99...+99 (Rel)]
[–99...+99 (Rel)]
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